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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CCCD it is the complementary color #3D3332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CCCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CCCD shade: #C7CCC8, #D8DEDB, #E9F0EE, #FAFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CCCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CCCD shade: #C2CCCD, #B1BABA, #A0A8A7, #8F9694 and #7E8481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CCCD shade: #C1CBCD, #C1C8CD, #C1C5CD, #C1C2CD and #C3C1CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CCCD shade: #C1CBCD, #C1C8CD, #C1C5CD, #C1C2CD and #C1C1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CCCD shade matches the following richer shades: #C1CBCD, #B8D3D6, #AFDADF, #A6E2E8 and #9DE9F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CCCD shade: #C1CBCD, #CAC4C3, #D3BDBA, #DDB5B1 and #E6AEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CCCD shade: #C1CDC7, #C1CDCA, #C1CCCD, #C1C9CD and #C1C6CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CCCD shade: #94A6A7, #ABB9BA, #C1CBCD, #D8DEDF and #EFF1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CCCD shade: #C2CCCD, #C4C1CD and #CDC9C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CCCD shade: #C2CCCD, #CDC1CC and #CCCDC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CCCD shade: #C2CCCD, #C4C1CD, #CDC2C1 and #C9CDC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CCCD shade: #C2CCCD, #C8C1CD, #CDC2C1 and #C6CDC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 0 / 20

HEX #C2CCCD

RGB 194 204 205

HSL 185.45, 0.1%, 0.78%

LAB 81.33, -3.21, -1.69

 

Complementary color

CMYK 0 / 16 / 18 / 76

HEX #3D3332

RGB 61 51 50

HSL 5.45, 0.1%, 0.22%

LAB 22.27, 4.27, 2.29

 

CMYK 2 / 0 / 2 / 20

HEX #C7CCC8

RGB 199 204 200

HSL 132, 0.05%, 0.79%

LAB 81.56, -2.44, 1.38

 

CMYK 3 / 0 / 1 / 13

HEX #D8DEDB

RGB 216 222 219

HSL 150, 0.08%, 0.86%

LAB 87.95, -2.56, 0.75

 

CMYK 3 / 0 / 1 / 6

HEX #E9F0EE

RGB 233 240 238

HSL 162.86, 0.19%, 0.93%

LAB 94.23, -2.67, 0.14

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 0 / 0 / 20

HEX #C2CCCD

RGB 194 204 205

HSL 185.45, 0.1%, 0.78%

LAB 81.33, -3.21, -1.69

 

CMYK 5 / 0 / 0 / 27

HEX #B1BABA

RGB 177 186 186

HSL 180, 0.06%, 0.71%

LAB 74.83, -3.11, -1.09

 

CMYK 5 / 0 / 1 / 34

HEX #A0A8A7

RGB 160 168 167

HSL 172.5, 0.04%, 0.64%

LAB 68.22, -3.01, -0.47

 

CMYK 5 / 0 / 1 / 41

HEX #8F9694

RGB 143 150 148

HSL 162.86, 0.03%, 0.57%

LAB 61.47, -2.92, 0.17

 

CMYK 5 / 0 / 2 / 48

HEX #7E8481

RGB 126 132 129

HSL 150, 0.02%, 0.51%

LAB 54.58, -2.82, 0.84

 

CMYK 6 / 1 / 0 / 20

HEX #C1CBCD

RGB 193 203 205

HSL 190, 0.11%, 0.78%

LAB 80.99, -3.02, -2.18

 

CMYK 6 / 2 / 0 / 20

HEX #C1C8CD

RGB 193 200 205

HSL 205, 0.11%, 0.78%

LAB 80.21, -1.44, -3.33

 

CMYK 6 / 4 / 0 / 20

HEX #C1C5CD

RGB 193 197 205

HSL 220, 0.11%, 0.78%

LAB 79.43, 0.15, -4.48

 

CMYK 6 / 5 / 0 / 20

HEX #C1C2CD

RGB 193 194 205

HSL 235, 0.11%, 0.78%

LAB 78.65, 1.75, -5.63

 

CMYK 5 / 6 / 0 / 20

HEX #C3C1CD

RGB 195 193 205

HSL 250, 0.11%, 0.78%

LAB 78.55, 2.95, -5.76

 

CMYK 6 / 1 / 0 / 20

HEX #C1CBCD

RGB 193 203 205

HSL 190, 0.11%, 0.78%

LAB 80.99, -3.02, -2.18

 

CMYK 6 / 2 / 0 / 20

HEX #C1C8CD

RGB 193 200 205

HSL 205, 0.11%, 0.78%

LAB 80.21, -1.44, -3.33

 

CMYK 6 / 4 / 0 / 20

HEX #C1C5CD

RGB 193 197 205

HSL 220, 0.11%, 0.78%

LAB 79.43, 0.15, -4.48

 

CMYK 6 / 5 / 0 / 20

HEX #C1C2CD

RGB 193 194 205

HSL 235, 0.11%, 0.78%

LAB 78.65, 1.75, -5.63

 

CMYK 6 / 6 / 0 / 20

HEX #C1C1CD

RGB 193 193 205

HSL 240, 0.11%, 0.78%

LAB 78.39, 2.28, -6.01

 

CMYK 6 / 1 / 0 / 20

HEX #C1CBCD

RGB 193 203 205

HSL 190, 0.11%, 0.78%

LAB 80.99, -3.02, -2.18

 

CMYK 14 / 1 / 0 / 16

HEX #B8D3D6

RGB 184 211 214

HSL 186, 0.27%, 0.78%

LAB 82.72, -8.35, -4.53

 

CMYK 22 / 2 / 0 / 13

HEX #AFDADF

RGB 175 218 223

HSL 186.25, 0.43%, 0.78%

LAB 84.27, -12.85, -7.08

 

CMYK 28 / 3 / 0 / 9

HEX #A6E2E8

RGB 166 226 232

HSL 185.45, 0.59%, 0.78%

LAB 86.17, -17.54, -9.08

 

CMYK 35 / 3 / 0 / 5

HEX #9DE9F1

RGB 157 233 241

HSL 185.71, 0.75%, 0.78%

LAB 87.87, -21.39, -11.33

 

CMYK 6 / 1 / 0 / 20

HEX #C1CBCD

RGB 193 203 205

HSL 190, 0.11%, 0.78%

LAB 80.99, -3.02, -2.18

 

CMYK 0 / 3 / 3 / 21

HEX #CAC4C3

RGB 202 196 195

HSL 8.57, 0.06%, 0.78%

LAB 79.6, 1.91, 1.23

 

CMYK 0 / 10 / 12 / 17

HEX #D3BDBA

RGB 211 189 186

HSL 7.2, 0.22%, 0.78%

LAB 78.34, 7.29, 4.35

 

CMYK 0 / 18 / 20 / 13

HEX #DDB5B1

RGB 221 181 177

HSL 5.45, 0.39%, 0.78%

LAB 77.04, 13.8, 7.47

 

CMYK 0 / 24 / 27 / 10

HEX #E6AEA8

RGB 230 174 168

HSL 5.81, 0.55%, 0.78%

LAB 76.02, 19.6, 11.03

 

CMYK 6 / 0 / 3 / 20

HEX #C1CDC7

RGB 193 205 199

HSL 150, 0.11%, 0.78%

LAB 81.36, -5.2, 1.57

 

CMYK 6 / 0 / 1 / 20

HEX #C1CDCA

RGB 193 205 202

HSL 165, 0.11%, 0.78%

LAB 81.44, -4.64, 0.07

 

CMYK 6 / 0 / 0 / 20

HEX #C1CCCD

RGB 193 204 205

HSL 185, 0.11%, 0.78%

LAB 81.25, -3.54, -1.8

 

CMYK 6 / 2 / 0 / 20

HEX #C1C9CD

RGB 193 201 205

HSL 200, 0.11%, 0.78%

LAB 80.47, -1.96, -2.95

 

CMYK 6 / 3 / 0 / 20

HEX #C1C6CD

RGB 193 198 205

HSL 215, 0.11%, 0.78%

LAB 79.69, -0.38, -4.1

 

CMYK 11 / 1 / 0 / 35

HEX #94A6A7

RGB 148 166 167

HSL 183.16, 0.1%, 0.62%

LAB 66.79, -6.07, -2.67

 

CMYK 8 / 1 / 0 / 27

HEX #ABB9BA

RGB 171 185 186

HSL 184, 0.1%, 0.7%

LAB 74.13, -4.62, -2.17

 

CMYK 6 / 1 / 0 / 20

HEX #C1CBCD

RGB 193 203 205

HSL 190, 0.11%, 0.78%

LAB 80.99, -3.02, -2.18

 

CMYK 3 / 0 / 0 / 13

HEX #D8DEDF

RGB 216 222 223

HSL 188.57, 0.1%, 0.86%

LAB 88.05, -1.83, -1.2

 

CMYK 1 / 0 / 0 / 5

HEX #EFF1F2

RGB 239 241 242

HSL 200, 0.1%, 0.94%

LAB 95.02, -0.48, -0.72

 

CMYK 5 / 0 / 0 / 20

HEX #C2CCCD

RGB 194 204 205

HSL 185.45, 0.1%, 0.78%

LAB 81.33, -3.21, -1.69

 

CMYK 4 / 6 / 0 / 20

HEX #C4C1CD

RGB 196 193 205

HSL 255, 0.11%, 0.78%

LAB 78.63, 3.29, -5.64

 

CMYK 0 / 2 / 6 / 20

HEX #CDC9C1

RGB 205 201 193

HSL 40, 0.11%, 0.78%

LAB 81.07, -0.03, 4.47

 

CMYK 5 / 0 / 0 / 20

HEX #C2CCCD

RGB 194 204 205

HSL 185.45, 0.1%, 0.78%

LAB 81.33, -3.21, -1.69

 

CMYK 0 / 6 / 0 / 20

HEX #CDC1CC

RGB 205 193 204

HSL 305, 0.11%, 0.78%

LAB 79.32, 6.18, -4

 

CMYK 0 / 0 / 6 / 20

HEX #CCCDC1

RGB 204 205 193

HSL 65, 0.11%, 0.78%

LAB 82.03, -2.48, 5.84

 

CMYK 5 / 0 / 0 / 20

HEX #C2CCCD

RGB 194 204 205

HSL 185.45, 0.1%, 0.78%

LAB 81.33, -3.21, -1.69

 

CMYK 4 / 6 / 0 / 20

HEX #C4C1CD

RGB 196 193 205

HSL 255, 0.11%, 0.78%

LAB 78.63, 3.29, -5.64

 

CMYK 0 / 5 / 6 / 20

HEX #CDC2C1

RGB 205 194 193

HSL 5, 0.11%, 0.78%

LAB 79.28, 3.67, 1.87

 

CMYK 2 / 0 / 6 / 20

HEX #C9CDC1

RGB 201 205 193

HSL 80, 0.11%, 0.78%

LAB 81.8, -3.53, 5.48

 

CMYK 5 / 0 / 0 / 20

HEX #C2CCCD

RGB 194 204 205

HSL 185.45, 0.1%, 0.78%

LAB 81.33, -3.21, -1.69

 

CMYK 2 / 6 / 0 / 20

HEX #C8C1CD

RGB 200 193 205

HSL 275, 0.11%, 0.78%

LAB 78.94, 4.65, -5.14

 

CMYK 0 / 5 / 6 / 20

HEX #CDC2C1

RGB 205 194 193

HSL 5, 0.11%, 0.78%

LAB 79.28, 3.67, 1.87

 

CMYK 3 / 0 / 6 / 20

HEX #C6CDC1

RGB 198 205 193

HSL 95, 0.11%, 0.78%

LAB 81.58, -4.57, 5.13

 

Description

Color code: HEX #C2CCCD | qconv.com Color code: HEX #C2CCCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 204 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 204 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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