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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CC5F it is the complementary color #3D33A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CC5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CC5F shade: #C7CC5A, #D8DE6D, #E9F080, #FAFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CC5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CC5F shade: #C2CC5F, #B1BA4C, #A0A839, #8F9626 and #7E8413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CC5F shade: #C3CD60, #CDB960, #CD9C60, #CD7F60 and #CD6160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CC5F shade: #C3CD60, #A6CD60, #88CD60, #6BCD60 and #60CD73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CC5F shade matches the following richer shades: #C3CD60, #D1DE4F and #DEEF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CC5F shade: #C3CD60, #B5BC71, #A7AB82, #999A93 and #8C89A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CC5F shade: #CD9C60, #CDB960, #C4CD60, #A7CD60 and #8ACD60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CC5F shade: #9CA634, #B7C341, #C3CD60, #CFD77F and #DBE19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CC5F shade: #C2CC5F, #60CD7F and #AA60CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CC5F shade: #C2CC5F, #60C4CD and #CD60C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CC5F shade: #C2CC5F, #60CD7F, #6960CD and #CD60AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CC5F shade: #C2CC5F, #60CDA0, #6960CD and #CD608D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 53 / 20

HEX #C2CC5F

RGB 194 204 95

HSL 65.5, 0.52%, 0.59%

LAB 79.32, -18.55, 52.35

 

Complementary color

CMYK 62 / 68 / 0 / 37

HEX #3D33A0

RGB 61 51 160

HSL 245.5, 0.52%, 0.41%

LAB 29.15, 37.04, -57.7

 

CMYK 2 / 0 / 56 / 20

HEX #C7CC5A

RGB 199 204 90

HSL 62.63, 0.53%, 0.58%

LAB 79.65, -16.93, 55.11

 

CMYK 3 / 0 / 51 / 13

HEX #D8DE6D

RGB 216 222 109

HSL 63.19, 0.63%, 0.65%

LAB 85.98, -17.43, 54.07

 

CMYK 3 / 0 / 47 / 6

HEX #E9F080

RGB 233 240 128

HSL 63.75, 0.79%, 0.72%

LAB 92.22, -17.84, 52.96

 

CMYK 2 / 0 / 42 / 0

HEX #FAFF93

RGB 250 255 147

HSL 62.78, 1%, 0.79%

LAB 97.61, -16.74, 50.88

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 5 / 0 / 53 / 20

HEX #C2CC5F

RGB 194 204 95

HSL 65.5, 0.52%, 0.59%

LAB 79.32, -18.55, 52.35

 

CMYK 5 / 0 / 59 / 27

HEX #B1BA4C

RGB 177 186 76

HSL 64.91, 0.44%, 0.51%

LAB 72.88, -18.05, 53.34

 

CMYK 5 / 0 / 66 / 34

HEX #A0A839

RGB 160 168 57

HSL 64.32, 0.49%, 0.44%

LAB 66.35, -17.42, 54.1

 

CMYK 5 / 0 / 75 / 41

HEX #8F9626

RGB 143 150 38

HSL 63.75, 0.6%, 0.37%

LAB 59.7, -16.61, 54.38

 

CMYK 5 / 0 / 86 / 48

HEX #7E8413

RGB 126 132 19

HSL 63.19, 0.75%, 0.3%

LAB 52.93, -15.56, 53.65

 

CMYK 5 / 0 / 53 / 20

HEX #C3CD60

RGB 195 205 96

HSL 65.5, 0.52%, 0.59%

LAB 79.68, -18.56, 52.32

 

CMYK 0 / 10 / 53 / 20

HEX #CDB960

RGB 205 185 96

HSL 48.99, 0.52%, 0.59%

LAB 75.15, -4.25, 47.23

 

CMYK 0 / 24 / 53 / 20

HEX #CD9C60

RGB 205 156 96

HSL 33.03, 0.52%, 0.59%

LAB 67.73, 11.22, 38.25

 

CMYK 0 / 38 / 53 / 20

HEX #CD7F60

RGB 205 127 96

HSL 17.06, 0.52%, 0.59%

LAB 60.78, 27, 29.49

 

CMYK 0 / 53 / 53 / 20

HEX #CD6160

RGB 205 97 96

HSL 0.55, 0.52%, 0.59%

LAB 54.42, 42.71, 21.14

 

CMYK 5 / 0 / 53 / 20

HEX #C3CD60

RGB 195 205 96

HSL 65.5, 0.52%, 0.59%

LAB 79.68, -18.56, 52.32

 

CMYK 19 / 0 / 53 / 20

HEX #A6CD60

RGB 166 205 96

HSL 81.47, 0.52%, 0.59%

LAB 77.65, -29.99, 49.44

 

CMYK 34 / 0 / 53 / 20

HEX #88CD60

RGB 136 205 96

HSL 97.98, 0.52%, 0.59%

LAB 75.91, -40.9, 46.96

 

CMYK 48 / 0 / 53 / 20

HEX #6BCD60

RGB 107 205 96

HSL 113.94, 0.52%, 0.59%

LAB 74.59, -50.03, 45.07

 

CMYK 53 / 0 / 44 / 20

HEX #60CD73

RGB 96 205 115

HSL 130.46, 0.52%, 0.59%

LAB 74.44, -50.33, 35.45

 

CMYK 5 / 0 / 53 / 20

HEX #C3CD60

RGB 195 205 96

HSL 65.5, 0.52%, 0.59%

LAB 79.68, -18.56, 52.32

 

CMYK 6 / 0 / 64 / 13

HEX #D1DE4F

RGB 209 222 79

HSL 65.45, 0.68%, 0.59%

LAB 85.18, -22.45, 65.98

 

CMYK 7 / 0 / 74 / 6

HEX #DEEF3E

RGB 222 239 62

HSL 65.76, 0.85%, 0.59%

LAB 90.6, -26.18, 77.65

 

CMYK 5 / 0 / 53 / 20

HEX #C3CD60

RGB 195 205 96

HSL 65.5, 0.52%, 0.59%

LAB 79.68, -18.56, 52.32

 

CMYK 4 / 0 / 40 / 26

HEX #B5BC71

RGB 181 188 113

HSL 65.6, 0.36%, 0.59%

LAB 74.18, -13.94, 37.09

 

CMYK 2 / 0 / 24 / 33

HEX #A7AB82

RGB 167 171 130

HSL 65.85, 0.2%, 0.59%

LAB 68.72, -8.39, 20.7

 

CMYK 1 / 0 / 5 / 40

HEX #999A93

RGB 153 154 147

HSL 68.57, 0.03%, 0.59%

LAB 63.33, -1.68, 3.54

 

CMYK 15 / 16 / 0 / 36

HEX #8C89A4

RGB 140 137 164

HSL 246.67, 0.13%, 0.59%

LAB 58.18, 6.76, -13.87

 

CMYK 0 / 24 / 53 / 20

HEX #CD9C60

RGB 205 156 96

HSL 33.03, 0.52%, 0.59%

LAB 67.73, 11.22, 38.25

 

CMYK 0 / 10 / 53 / 20

HEX #CDB960

RGB 205 185 96

HSL 48.99, 0.52%, 0.59%

LAB 75.15, -4.25, 47.23

 

CMYK 4 / 0 / 53 / 20

HEX #C4CD60

RGB 196 205 96

HSL 64.95, 0.52%, 0.59%

LAB 79.75, -18.16, 52.43

 

CMYK 19 / 0 / 53 / 20

HEX #A7CD60

RGB 167 205 96

HSL 80.92, 0.52%, 0.59%

LAB 77.71, -29.61, 49.53

 

CMYK 33 / 0 / 53 / 20

HEX #8ACD60

RGB 138 205 96

HSL 96.88, 0.52%, 0.59%

LAB 76.01, -40.21, 47.11

 

CMYK 6 / 0 / 69 / 35

HEX #9CA634

RGB 156 166 52

HSL 65.26, 0.52%, 0.43%

LAB 65.43, -18.42, 55.08

 

CMYK 6 / 0 / 67 / 24

HEX #B7C341

RGB 183 195 65

HSL 65.54, 0.52%, 0.51%

LAB 75.75, -20.78, 61.13

 

CMYK 5 / 0 / 53 / 20

HEX #C3CD60

RGB 195 205 96

HSL 65.5, 0.52%, 0.59%

LAB 79.68, -18.56, 52.32

 

CMYK 4 / 0 / 41 / 16

HEX #CFD77F

RGB 207 215 127

HSL 65.45, 0.52%, 0.67%

LAB 83.65, -15.77, 42.43

 

CMYK 3 / 0 / 29 / 12

HEX #DBE19F

RGB 219 225 159

HSL 65.45, 0.52%, 0.75%

LAB 87.69, -12.37, 31.7

 

CMYK 5 / 0 / 53 / 20

HEX #C2CC5F

RGB 194 204 95

HSL 65.5, 0.52%, 0.59%

LAB 79.32, -18.55, 52.35

 

CMYK 53 / 0 / 38 / 20

HEX #60CD7F

RGB 96 205 127

HSL 137.06, 0.52%, 0.59%

LAB 74.62, -48.36, 29.56

 

CMYK 17 / 53 / 0 / 20

HEX #AA60CD

RGB 170 96 205

HSL 280.73, 0.52%, 0.59%

LAB 53.3, 48.34, -44.67

 

CMYK 5 / 0 / 53 / 20

HEX #C2CC5F

RGB 194 204 95

HSL 65.5, 0.52%, 0.59%

LAB 79.32, -18.55, 52.35

 

CMYK 53 / 4 / 0 / 20

HEX #60C4CD

RGB 96 196 205

HSL 184.95, 0.52%, 0.59%

LAB 73.79, -26.65, -13.45

 

CMYK 0 / 53 / 4 / 20

HEX #CD60C4

RGB 205 96 196

HSL 304.95, 0.52%, 0.59%

LAB 57.4, 56.21, -32.78

 

CMYK 5 / 0 / 53 / 20

HEX #C2CC5F

RGB 194 204 95

HSL 65.5, 0.52%, 0.59%

LAB 79.32, -18.55, 52.35

 

CMYK 53 / 0 / 38 / 20

HEX #60CD7F

RGB 96 205 127

HSL 137.06, 0.52%, 0.59%

LAB 74.62, -48.36, 29.56

 

CMYK 49 / 53 / 0 / 20

HEX #6960CD

RGB 105 96 205

HSL 244.95, 0.52%, 0.59%

LAB 46.68, 32.23, -55.62

 

CMYK 0 / 53 / 15 / 20

HEX #CD60AE

RGB 205 96 174

HSL 317.06, 0.52%, 0.59%

LAB 56.49, 52.64, -21.53

 

CMYK 5 / 0 / 53 / 20

HEX #C2CC5F

RGB 194 204 95

HSL 65.5, 0.52%, 0.59%

LAB 79.32, -18.55, 52.35

 

CMYK 53 / 0 / 22 / 20

HEX #60CDA0

RGB 96 205 160

HSL 155.23, 0.52%, 0.59%

LAB 75.26, -41.92, 13.01

 

CMYK 49 / 53 / 0 / 20

HEX #6960CD

RGB 105 96 205

HSL 244.95, 0.52%, 0.59%

LAB 46.68, 32.23, -55.62

 

CMYK 0 / 53 / 31 / 20

HEX #CD608D

RGB 205 96 141

HSL 335.23, 0.52%, 0.59%

LAB 55.35, 47.99, -4

 

Description

Color code: HEX #C2CC5F | qconv.com Color code: HEX #C2CC5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 204 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 204 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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