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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2CB40 it is the complementary color #3D34BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2CB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2CB40 shade: #C7CB3B, #D8DD4E, #E9EF61, #FAFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2CB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2CB40 shade: #C2CB40, #B1B92D, #A0A71A, #8F9507 and #7E8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2CB40 shade: #C1CA3F, #CAAE3F, #CA883F, #CA633F and #CA3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2CB40 shade: #C1CA3F, #9CCA3F, #76CA3F, #50CA3F and #3FCA53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2CB40 shade matches the following richer shades: #C1CA3F, #D3DE2B and #E4F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2CB40 shade: #C1CA3F, #B0B753, #9FA366, #8E8F7A and #7C7B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2CB40 shade: #CA873F, #CAAC3F, #C3CA3F, #9ECA3F and #79CA3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2CB40 shade: #898F27, #A8B030, #C1CA3F, #CCD35F and #D6DC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2CB40 shade: #C2CB40, #3FCA62 and #9A3FCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2CB40 shade: #C2CB40, #3FC3CA and #CA3FC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2CB40 shade: #C2CB40, #3FCA62, #463FCA and #CA3FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2CB40 shade: #C2CB40, #3FCA8C, #463FCA and #CA3F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

Complementary color

CMYK 68 / 73 / 0 / 25

HEX #3D34BF

RGB 61 52 191

HSL 243.88, 0.57%, 0.48%

LAB 32.28, 46.55, -71.08

 

CMYK 2 / 0 / 71 / 20

HEX #C7CB3B

RGB 199 203 59

HSL 61.67, 0.58%, 0.51%

LAB 79.14, -18.38, 67.15

 

CMYK 2 / 0 / 65 / 13

HEX #D8DD4E

RGB 216 221 78

HSL 62.1, 0.68%, 0.59%

LAB 85.43, -19.17, 66.8

 

CMYK 3 / 0 / 59 / 6

HEX #E9EF61

RGB 233 239 97

HSL 62.54, 0.82%, 0.66%

LAB 91.65, -19.84, 66.11

 

CMYK 2 / 0 / 55 / 0

HEX #FAFF74

RGB 250 255 116

HSL 62.16, 1%, 0.73%

LAB 97.27, -19.44, 64.63

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 4 / 0 / 76 / 27

HEX #B1B92D

RGB 177 185 45

HSL 63.43, 0.61%, 0.45%

LAB 72.38, -19.36, 64.86

 

CMYK 4 / 0 / 84 / 35

HEX #A0A71A

RGB 160 167 26

HSL 62.98, 0.73%, 0.38%

LAB 65.89, -18.32, 63.98

 

CMYK 4 / 0 / 95 / 42

HEX #8F9507

RGB 143 149 7

HSL 62.54, 0.91%, 0.31%

LAB 59.3, -17.03, 61.64

 

CMYK 4 / 0 / 100 / 49

HEX #7E8300

RGB 126 131 0

HSL 62.29, 1%, 0.26%

LAB 52.58, -15.46, 57.13

 

CMYK 4 / 0 / 69 / 21

HEX #C1CA3F

RGB 193 202 63

HSL 63.88, 0.57%, 0.52%

LAB 78.43, -20.19, 64.84

 

CMYK 0 / 14 / 69 / 21

HEX #CAAE3F

RGB 202 174 63

HSL 47.91, 0.57%, 0.52%

LAB 71.68, -2.03, 58.28

 

CMYK 0 / 33 / 69 / 21

HEX #CA883F

RGB 202 136 63

HSL 31.51, 0.57%, 0.52%

LAB 62.1, 18.49, 48.19

 

CMYK 0 / 51 / 69 / 21

HEX #CA633F

RGB 202 99 63

HSL 15.54, 0.57%, 0.52%

LAB 53.86, 38.25, 39

 

CMYK 0 / 69 / 69 / 21

HEX #CA3F3F

RGB 202 63 63

HSL 0, 0.57%, 0.52%

LAB 47.59, 54.74, 31.64

 

CMYK 4 / 0 / 69 / 21

HEX #C1CA3F

RGB 193 202 63

HSL 63.88, 0.57%, 0.52%

LAB 78.43, -20.19, 64.84

 

CMYK 23 / 0 / 69 / 21

HEX #9CCA3F

RGB 156 202 63

HSL 79.86, 0.57%, 0.52%

LAB 75.86, -35.12, 61.43

 

CMYK 42 / 0 / 69 / 21

HEX #76CA3F

RGB 118 202 63

HSL 96.26, 0.57%, 0.52%

LAB 73.84, -48.74, 58.7

 

CMYK 60 / 0 / 69 / 21

HEX #50CA3F

RGB 80 202 63

HSL 112.66, 0.57%, 0.52%

LAB 72.43, -59.43, 56.79

 

CMYK 69 / 0 / 59 / 21

HEX #3FCA53

RGB 63 202 83

HSL 128.63, 0.57%, 0.52%

LAB 72.18, -60.86, 47.92

 

CMYK 4 / 0 / 69 / 21

HEX #C1CA3F

RGB 193 202 63

HSL 63.88, 0.57%, 0.52%

LAB 78.43, -20.19, 64.84

 

CMYK 5 / 0 / 81 / 13

HEX #D3DE2B

RGB 211 222 43

HSL 63.69, 0.73%, 0.52%

LAB 85.13, -23.28, 77.79

 

CMYK 6 / 0 / 90 / 5

HEX #E4F217

RGB 228 242 23

HSL 63.84, 0.89%, 0.52%

LAB 91.71, -26.25, 87.49

 

CMYK 4 / 0 / 69 / 21

HEX #C1CA3F

RGB 193 202 63

HSL 63.88, 0.57%, 0.52%

LAB 78.43, -20.19, 64.84

 

CMYK 4 / 0 / 55 / 28

HEX #B0B753

RGB 176 183 83

HSL 64.2, 0.41%, 0.52%

LAB 72.04, -16.4, 49.19

 

CMYK 2 / 0 / 37 / 36

HEX #9FA366

RGB 159 163 102

HSL 63.93, 0.25%, 0.52%

LAB 65.38, -11.11, 31.23

 

CMYK 1 / 0 / 15 / 44

HEX #8E8F7A

RGB 142 143 122

HSL 62.86, 0.09%, 0.52%

LAB 58.79, -4.2, 11.07

 

CMYK 13 / 13 / 0 / 44

HEX #7C7B8E

RGB 124 123 142

HSL 243.16, 0.08%, 0.52%

LAB 52.29, 4.41, -10.13

 

CMYK 0 / 33 / 69 / 21

HEX #CA873F

RGB 202 135 63

HSL 31.08, 0.57%, 0.52%

LAB 61.86, 19.03, 47.93

 

CMYK 0 / 15 / 69 / 21

HEX #CAAC3F

RGB 202 172 63

HSL 47.05, 0.57%, 0.52%

LAB 71.16, -0.97, 57.75

 

CMYK 3 / 0 / 69 / 21

HEX #C3CA3F

RGB 195 202 63

HSL 63.02, 0.57%, 0.52%

LAB 78.58, -19.35, 65.05

 

CMYK 22 / 0 / 69 / 21

HEX #9ECA3F

RGB 158 202 63

HSL 78.99, 0.57%, 0.52%

LAB 75.99, -34.34, 61.59

 

CMYK 40 / 0 / 69 / 21

HEX #79CA3F

RGB 121 202 63

HSL 94.96, 0.57%, 0.52%

LAB 73.97, -47.76, 58.88

 

CMYK 4 / 0 / 73 / 44

HEX #898F27

RGB 137 143 39

HSL 63.46, 0.57%, 0.36%

LAB 57.18, -15.56, 51.42

 

CMYK 5 / 0 / 73 / 31

HEX #A8B030

RGB 168 176 48

HSL 63.75, 0.57%, 0.44%

LAB 69.18, -18.55, 60.58

 

CMYK 4 / 0 / 69 / 21

HEX #C1CA3F

RGB 193 202 63

HSL 63.88, 0.57%, 0.52%

LAB 78.43, -20.19, 64.84

 

CMYK 3 / 0 / 55 / 17

HEX #CCD35F

RGB 204 211 95

HSL 63.62, 0.57%, 0.6%

LAB 81.98, -17.98, 55.6

 

CMYK 3 / 0 / 42 / 14

HEX #D6DC80

RGB 214 220 128

HSL 63.91, 0.57%, 0.68%

LAB 85.52, -15.42, 44.4

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 69 / 0 / 51 / 21

HEX #3FCA62

RGB 63 202 98

HSL 135.11, 0.57%, 0.52%

LAB 72.35, -58.86, 41.06

 

CMYK 24 / 69 / 0 / 21

HEX #9A3FCA

RGB 154 63 202

HSL 279.28, 0.57%, 0.52%

LAB 45.21, 59.77, -56

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 69 / 3 / 0 / 21

HEX #3FC3CA

RGB 63 195 202

HSL 183.02, 0.57%, 0.52%

LAB 72.46, -32.65, -13.9

 

CMYK 0 / 69 / 3 / 21

HEX #CA3FC3

RGB 202 63 195

HSL 303.02, 0.57%, 0.52%

LAB 51.9, 69.06, -40.86

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 69 / 0 / 51 / 21

HEX #3FCA62

RGB 63 202 98

HSL 135.11, 0.57%, 0.52%

LAB 72.35, -58.86, 41.06

 

CMYK 65 / 69 / 0 / 21

HEX #463FCA

RGB 70 63 202

HSL 243.02, 0.57%, 0.52%

LAB 36.22, 44.91, -71.02

 

CMYK 0 / 69 / 17 / 21

HEX #CA3FA7

RGB 202 63 167

HSL 315.11, 0.57%, 0.52%

LAB 50.57, 64.86, -26.6

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 69 / 0 / 31 / 21

HEX #3FCA8C

RGB 63 202 140

HSL 153.24, 0.57%, 0.52%

LAB 73.02, -51.38, 20.42

 

CMYK 65 / 69 / 0 / 21

HEX #463FCA

RGB 70 63 202

HSL 243.02, 0.57%, 0.52%

LAB 36.22, 44.91, -71.02

 

CMYK 0 / 69 / 38 / 21

HEX #CA3F7E

RGB 202 63 126

HSL 332.81, 0.57%, 0.52%

LAB 49.03, 59.76, -4.46

 

Description

Color code: HEX #C2CB40 | qconv.com Color code: HEX #C2CB40 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 203 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 203 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 68 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 68% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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