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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C92D it is the complementary color #3D36D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2C92D shade: #C7C928, #D8DB3B, #E9ED4E, #FAFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2C92D shade: #C2C92D, #B1B71A, #A0A507, #8F9300 and #7E8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2C92D shade: #C0C72D, #C7A42D, #C77B2D, #C7512D and #C72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2C92D shade: #C0C72D, #97C72D, #6DC72D, #43C72D and #2DC740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2C92D shade matches the following richer shades: #C0C72D, #D2DB19 and #E4EF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2C92D shade: #C0C72D, #AEB341, #9C9F54, #8A8C68 and #78787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2C92D shade: #C77A2D, #C7A32D, #C2C72D, #99C72D and #70C72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2C92D shade: #7F841E, #A0A525, #C0C72D, #CFD548 and #D8DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2C92D shade: #C2C92D, #2DC751 and #8E2DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2C92D shade: #C2C92D, #2DC2C7 and #C72DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2C92D shade: #C2C92D, #2DC751, #322DC7 and #C72DA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2C92D shade: #C2C92D, #2DC77F, #322DC7 and #C72D75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 78 / 21

HEX #C2C92D

RGB 194 201 45

HSL 62.69, 0.63%, 0.48%

LAB 78.13, -20.09, 70.58

 

Complementary color

CMYK 71 / 74 / 0 / 18

HEX #3D36D2

RGB 61 54 210

HSL 242.69, 0.63%, 0.52%

LAB 34.57, 51.5, -78.4

 

CMYK 1 / 0 / 80 / 21

HEX #C7C928

RGB 199 201 40

HSL 60.75, 0.67%, 0.47%

LAB 78.5, -18.15, 72.45

 

CMYK 1 / 0 / 73 / 14

HEX #D8DB3B

RGB 216 219 59

HSL 61.13, 0.69%, 0.55%

LAB 84.78, -19.16, 72.99

 

CMYK 2 / 0 / 67 / 7

HEX #E9ED4E

RGB 233 237 78

HSL 61.51, 0.82%, 0.62%

LAB 90.98, -20.02, 72.87

 

CMYK 2 / 0 / 62 / 0

HEX #FAFF61

RGB 250 255 97

HSL 61.9, 1%, 0.69%

LAB 97.11, -20.74, 72.34

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 3 / 0 / 78 / 21

HEX #C2C92D

RGB 194 201 45

HSL 62.69, 0.63%, 0.48%

LAB 78.13, -20.09, 70.58

 

CMYK 3 / 0 / 86 / 28

HEX #B1B71A

RGB 177 183 26

HSL 62.29, 0.75%, 0.41%

LAB 71.75, -19, 69.4

 

CMYK 3 / 0 / 96 / 35

HEX #A0A507

RGB 160 165 7

HSL 61.9, 0.92%, 0.34%

LAB 65.28, -17.68, 66.81

 

CMYK 3 / 0 / 100 / 42

HEX #8F9300

RGB 143 147 0

HSL 61.63, 1%, 0.29%

LAB 58.7, -16.11, 62.27

 

CMYK 2 / 0 / 100 / 49

HEX #7E8100

RGB 126 129 0

HSL 61.4, 1%, 0.25%

LAB 51.99, -14.4, 56.69

 

CMYK 4 / 0 / 77 / 22

HEX #C0C72D

RGB 192 199 45

HSL 62.73, 0.63%, 0.48%

LAB 77.43, -19.95, 69.89

 

CMYK 0 / 18 / 77 / 22

HEX #C7A42D

RGB 199 164 45

HSL 46.36, 0.63%, 0.48%

LAB 68.67, 1.13, 62.13

 

CMYK 0 / 38 / 77 / 22

HEX #C77B2D

RGB 199 123 45

HSL 30.39, 0.63%, 0.48%

LAB 58.51, 23.43, 52.53

 

CMYK 0 / 59 / 77 / 22

HEX #C7512D

RGB 199 81 45

HSL 14.03, 0.63%, 0.48%

LAB 49.76, 45.12, 43.83

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 4 / 0 / 77 / 22

HEX #C0C72D

RGB 192 199 45

HSL 62.73, 0.63%, 0.48%

LAB 77.43, -19.95, 69.89

 

CMYK 24 / 0 / 77 / 22

HEX #97C72D

RGB 151 199 45

HSL 78.7, 0.63%, 0.48%

LAB 74.58, -36.69, 66.24

 

CMYK 45 / 0 / 77 / 22

HEX #6DC72D

RGB 109 199 45

HSL 95.06, 0.63%, 0.48%

LAB 72.42, -51.61, 63.44

 

CMYK 66 / 0 / 77 / 22

HEX #43C72D

RGB 67 199 45

HSL 111.43, 0.63%, 0.48%

LAB 71.03, -62.59, 61.62

 

CMYK 77 / 0 / 68 / 22

HEX #2DC740

RGB 45 199 64

HSL 127.4, 0.63%, 0.48%

LAB 70.72, -64.79, 54.34

 

CMYK 4 / 0 / 77 / 22

HEX #C0C72D

RGB 192 199 45

HSL 62.73, 0.63%, 0.48%

LAB 77.43, -19.95, 69.89

 

CMYK 4 / 0 / 89 / 14

HEX #D2DB19

RGB 210 219 25

HSL 62.78, 0.8%, 0.48%

LAB 84.19, -22.7, 80.71

 

CMYK 5 / 0 / 98 / 6

HEX #E4EF05

RGB 228 239 5

HSL 62.82, 0.96%, 0.48%

LAB 90.89, -25.03, 88.59

 

CMYK 4 / 0 / 77 / 22

HEX #C0C72D

RGB 192 199 45

HSL 62.73, 0.63%, 0.48%

LAB 77.43, -19.95, 69.89

 

CMYK 3 / 0 / 64 / 30

HEX #AEB341

RGB 174 179 65

HSL 62.63, 0.47%, 0.48%

LAB 70.61, -16.54, 55.57

 

CMYK 2 / 0 / 47 / 38

HEX #9C9F54

RGB 156 159 84

HSL 62.4, 0.31%, 0.48%

LAB 63.76, -12.25, 38.53

 

CMYK 1 / 0 / 26 / 45

HEX #8A8C68

RGB 138 140 104

HSL 63.33, 0.15%, 0.48%

LAB 57.23, -6.99, 19.04

 

CMYK 3 / 3 / 0 / 51

HEX #78787C

RGB 120 120 124

HSL 240, 0.02%, 0.48%

LAB 50.55, 0.82, -2.19

 

CMYK 0 / 39 / 77 / 22

HEX #C77A2D

RGB 199 122 45

HSL 30, 0.63%, 0.48%

LAB 58.27, 23.98, 52.31

 

CMYK 0 / 18 / 77 / 22

HEX #C7A32D

RGB 199 163 45

HSL 45.97, 0.63%, 0.48%

LAB 68.41, 1.67, 61.89

 

CMYK 3 / 0 / 77 / 22

HEX #C2C72D

RGB 194 199 45

HSL 61.95, 0.63%, 0.48%

LAB 77.58, -19.1, 70.09

 

CMYK 23 / 0 / 77 / 22

HEX #99C72D

RGB 153 199 45

HSL 77.92, 0.63%, 0.48%

LAB 74.7, -35.91, 66.4

 

CMYK 44 / 0 / 77 / 22

HEX #70C72D

RGB 112 199 45

HSL 93.9, 0.63%, 0.48%

LAB 72.55, -50.66, 63.61

 

CMYK 4 / 0 / 77 / 48

HEX #7F841E

RGB 127 132 30

HSL 62.94, 0.63%, 0.32%

LAB 53.07, -14.68, 50.48

 

CMYK 3 / 0 / 78 / 35

HEX #A0A525

RGB 160 165 37

HSL 62.34, 0.63%, 0.4%

LAB 65.37, -16.92, 60.47

 

CMYK 4 / 0 / 77 / 22

HEX #C0C72D

RGB 192 199 45

HSL 62.73, 0.63%, 0.48%

LAB 77.43, -19.95, 69.89

 

CMYK 3 / 0 / 66 / 16

HEX #CFD548

RGB 207 213 72

HSL 62.55, 0.63%, 0.56%

LAB 82.55, -19.3, 65.95

 

CMYK 2 / 0 / 52 / 13

HEX #D8DD6A

RGB 216 221 106

HSL 62.61, 0.63%, 0.64%

LAB 85.68, -17.19, 55.1

 

CMYK 3 / 0 / 78 / 21

HEX #C2C92D

RGB 194 201 45

HSL 62.69, 0.63%, 0.48%

LAB 78.13, -20.09, 70.58

 

CMYK 77 / 0 / 59 / 22

HEX #2DC751

RGB 45 199 81

HSL 134.03, 0.63%, 0.48%

LAB 70.87, -62.9, 47.22

 

CMYK 29 / 77 / 0 / 22

HEX #8E2DC7

RGB 142 45 199

HSL 277.79, 0.63%, 0.48%

LAB 40.82, 63.95, -61.44

 

CMYK 3 / 0 / 78 / 21

HEX #C2C92D

RGB 194 201 45

HSL 62.69, 0.63%, 0.48%

LAB 78.13, -20.09, 70.58

 

CMYK 77 / 3 / 0 / 22

HEX #2DC2C7

RGB 45 194 199

HSL 181.95, 0.63%, 0.48%

LAB 71.73, -35.17, -13.4

 

CMYK 0 / 77 / 3 / 22

HEX #C72DC2

RGB 199 45 194

HSL 301.95, 0.63%, 0.48%

LAB 49.39, 73.87, -44.28

 

CMYK 3 / 0 / 78 / 21

HEX #C2C92D

RGB 194 201 45

HSL 62.69, 0.63%, 0.48%

LAB 78.13, -20.09, 70.58

 

CMYK 77 / 0 / 59 / 22

HEX #2DC751

RGB 45 199 81

HSL 134.03, 0.63%, 0.48%

LAB 70.87, -62.9, 47.22

 

CMYK 75 / 77 / 0 / 22

HEX #322DC7

RGB 50 45 199

HSL 241.95, 0.63%, 0.48%

LAB 31.06, 51.83, -77.81

 

CMYK 0 / 77 / 18 / 22

HEX #C72DA3

RGB 199 45 163

HSL 314.03, 0.63%, 0.48%

LAB 47.83, 69.41, -28.53

 

CMYK 3 / 0 / 78 / 21

HEX #C2C92D

RGB 194 201 45

HSL 62.69, 0.63%, 0.48%

LAB 78.13, -20.09, 70.58

 

CMYK 77 / 0 / 36 / 22

HEX #2DC77F

RGB 45 199 127

HSL 151.95, 0.63%, 0.48%

LAB 71.51, -55.42, 25.18

 

CMYK 75 / 77 / 0 / 22

HEX #322DC7

RGB 50 45 199

HSL 241.95, 0.63%, 0.48%

LAB 31.06, 51.83, -77.81

 

CMYK 0 / 77 / 41 / 22

HEX #C72D75

RGB 199 45 117

HSL 331.95, 0.63%, 0.48%

LAB 46.05, 64.07, -3.44

 

Description

Color code: HEX #C2C92D | qconv.com Color code: HEX #C2C92D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 201 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 201 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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