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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2C3C1 it is the complementary color #3D3C3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2C3C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C2C3C1: #C7C3BC, #D8D5CF, #E9E7E2, #FAF9F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2C3C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C2C3C1: #C2C3C1, #B1B1AE, #A09F9B, #8F8D88 and #7E7B75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

Complementary color

CMYK 2 / 3 / 0 / 76

HEX #3D3C3E

RGB 61 60 62

HSL 270, 0.02%, 0.24%

LAB 25.48, 0.88, -1.08

 

CMYK 0 / 2 / 6 / 22

HEX #C7C3BC

RGB 199 195 188

HSL 38.18, 0.09%, 0.76%

LAB 78.93, 0.15, 4

 

CMYK 0 / 1 / 4 / 15

HEX #D8D5CF

RGB 216 213 207

HSL 40, 0.1%, 0.83%

LAB 85.35, -0.03, 3.31

 

CMYK 0 / 1 / 3 / 9

HEX #E9E7E2

RGB 233 231 226

HSL 42.86, 0.14%, 0.9%

LAB 91.67, -0.2, 2.66

 

CMYK 0 / 0 / 2 / 2

HEX #FAF9F5

RGB 250 249 245

HSL 48, 0.33%, 0.97%

LAB 97.9, -0.36, 2.02

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 0 / 0 / 2 / 31

HEX #B1B1AE

RGB 177 177 174

HSL 60, 0.02%, 0.69%

LAB 72.13, -0.55, 1.52

 

CMYK 0 / 1 / 3 / 37

HEX #A09F9B

RGB 160 159 155

HSL 48, 0.03%, 0.62%

LAB 65.46, -0.39, 2.2

 

CMYK 0 / 1 / 5 / 44

HEX #8F8D88

RGB 143 141 136

HSL 42.86, 0.03%, 0.55%

LAB 58.66, -0.21, 2.92

 

CMYK 0 / 2 / 7 / 51

HEX #7E7B75

RGB 126 123 117

HSL 40, 0.04%, 0.48%

LAB 51.71, -0.02, 3.67

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 1 / 0 / 2 / 24

HEX #C1C3C0

RGB 193 195 192

HSL 100, 0.02%, 0.76%

LAB 78.56, -1.24, 1.25

 

CMYK 2 / 0 / 2 / 24

HEX #C0C3C0

RGB 192 195 192

HSL 120, 0.02%, 0.76%

LAB 78.49, -1.59, 1.13

 

CMYK 2 / 0 / 2 / 24

HEX #C0C3C0

RGB 192 195 192

HSL 120, 0.02%, 0.76%

LAB 78.49, -1.59, 1.13

 

CMYK 2 / 0 / 2 / 24

HEX #C0C3C0

RGB 192 195 192

HSL 120, 0.02%, 0.76%

LAB 78.49, -1.59, 1.13

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 0 / 0 / 1 / 4

HEX #F5F6F3

RGB 245 246 243

HSL 80, 0.14%, 0.96%

LAB 96.74, -0.85, 1.31

 

CMYK 0 / 0 / 0 / 84

HEX #2A2A2A

RGB 42 42 42

HSL 0, 0%, 0.16%

LAB 17.06, 0, -0

 

CMYK 0 / 0 / 1 / 64

HEX #5D5D5C

RGB 93 93 92

HSL 60, 0.01%, 0.36%

LAB 39.46, -0.21, 0.57

 

CMYK 1 / 0 / 1 / 44

HEX #8F908F

RGB 143 144 143

HSL 120, 0%, 0.56%

LAB 59.68, -0.56, 0.39

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 2 / 0 / 1 / 24

HEX #C0C3C2

RGB 192 195 194

HSL 160, 0.02%, 0.76%

LAB 78.54, -1.22, 0.13

 

CMYK 0 / 2 / 1 / 24

HEX #C3C0C2

RGB 195 192 194

HSL 320, 0.02%, 0.76%

LAB 77.99, 1.41, -0.64

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 2 / 1 / 0 / 24

HEX #C0C1C3

RGB 192 193 195

HSL 220, 0.02%, 0.76%

LAB 78.04, 0.03, -1.13

 

CMYK 0 / 2 / 1 / 24

HEX #C3C0C1

RGB 195 192 193

HSL 340, 0.02%, 0.76%

LAB 77.96, 1.23, -0.14

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 2 / 0 / 1 / 24

HEX #C0C3C2

RGB 192 195 194

HSL 160, 0.02%, 0.76%

LAB 78.54, -1.22, 0.13

 

CMYK 1 / 2 / 0 / 24

HEX #C1C0C3

RGB 193 192 195

HSL 260, 0.02%, 0.76%

LAB 77.86, 0.91, -1.39

 

CMYK 0 / 2 / 1 / 24

HEX #C3C0C1

RGB 195 192 193

HSL 340, 0.02%, 0.76%

LAB 77.96, 1.23, -0.14

 

CMYK 1 / 0 / 1 / 24

HEX #C2C3C1

RGB 194 195 193

HSL 90, 0.02%, 0.76%

LAB 78.67, -0.71, 0.87

 

CMYK 2 / 0 / 0 / 24

HEX #C0C3C3

RGB 192 195 195

HSL 180, 0.02%, 0.76%

LAB 78.56, -1.03, -0.37

 

CMYK 1 / 2 / 0 / 24

HEX #C1C0C3

RGB 193 192 195

HSL 260, 0.02%, 0.76%

LAB 77.86, 0.91, -1.39

 

CMYK 0 / 2 / 2 / 24

HEX #C3C0C0

RGB 195 192 192

HSL 0, 0.02%, 0.76%

LAB 77.94, 1.05, 0.36

 

Description

Color code: HEX #C2C3C1 | qconv.com Color code: HEX #C2C3C1 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 195 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 195 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 1 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 1% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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