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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B9AD it is the complementary color #3D4652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B9AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B9AD shade: #C7B9A8, #D8CBBB, #E9DDCE, #FAEFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B9AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B9AD shade: #C2B9AD, #B1A79A, #A09587, #8F8374 and #7E7161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B9AD shade: #C2B9AD, #C2B3AD, #C2AEAD and #C2ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B9AD shade: #C2B9AD, #C2BFAD, #C0C2AD, #BAC2AD and #B4C2AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B9AD shade matches the following richer shades: #C2B9AD, #CEBBA1, #D9BC96, #E5BE8A and #F1C07F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B9AD shade: #C2B9AD, #B7B7B8, #ABB6C4, #A0B4D0 and #94B3DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B9AD shade: #C2AEAD, #C2B3AD, #C2B9AD, #C2BFAD and #C0C2AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B9AD shade: #9F917D, #B1A595, #C2B9AD, #D4CDC5 and #E5E2DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B9AD shade: #C2B9AD, #B2C2AD and #B0ADC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B9AD shade: #C2B9AD, #ADC2B9 and #B9ADC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B9AD shade: #C2B9AD, #B2C2AD, #ADB6C2 and #BDADC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B9AD shade: #C2B9AD, #ADC2AE, #ADB6C2 and #C2ADC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

Complementary color

CMYK 26 / 15 / 0 / 68

HEX #3D4652

RGB 61 70 82

HSL 214.29, 0.15%, 0.28%

LAB 29.37, -0.55, -8.38

 

CMYK 0 / 7 / 16 / 22

HEX #C7B9A8

RGB 199 185 168

HSL 32.9, 0.22%, 0.72%

LAB 75.86, 2.12, 10.41

 

CMYK 0 / 6 / 13 / 15

HEX #D8CBBB

RGB 216 203 187

HSL 33.1, 0.27%, 0.79%

LAB 82.32, 1.85, 9.59

 

CMYK 0 / 5 / 12 / 9

HEX #E9DDCE

RGB 233 221 206

HSL 33.33, 0.38%, 0.86%

LAB 88.68, 1.61, 8.82

 

CMYK 0 / 4 / 10 / 2

HEX #FAEFE1

RGB 250 239 225

HSL 33.6, 0.71%, 0.93%

LAB 94.95, 1.38, 8.08

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 0 / 6 / 13 / 31

HEX #B1A79A

RGB 177 167 154

HSL 33.91, 0.13%, 0.65%

LAB 68.98, 1.34, 8.01

 

CMYK 0 / 7 / 16 / 37

HEX #A09587

RGB 160 149 135

HSL 33.6, 0.12%, 0.58%

LAB 62.27, 1.62, 8.85

 

CMYK 0 / 8 / 19 / 44

HEX #8F8374

RGB 143 131 116

HSL 33.33, 0.11%, 0.51%

LAB 55.41, 1.93, 9.75

 

CMYK 0 / 10 / 23 / 51

HEX #7E7161

RGB 126 113 97

HSL 33.1, 0.13%, 0.44%

LAB 48.4, 2.29, 10.73

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 0 / 8 / 11 / 24

HEX #C2B3AD

RGB 194 179 173

HSL 17.14, 0.15%, 0.72%

LAB 74.01, 4.32, 4.98

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAD

RGB 194 174 173

HSL 2.86, 0.15%, 0.72%

LAB 72.73, 7.02, 3.13

 

CMYK 0 / 11 / 11 / 24

HEX #C2ADAD

RGB 194 173 173

HSL 0, 0.15%, 0.72%

LAB 72.48, 7.56, 2.76

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 0 / 2 / 11 / 24

HEX #C2BFAD

RGB 194 191 173

HSL 51.43, 0.15%, 0.72%

LAB 77.13, -2.09, 9.45

 

CMYK 1 / 0 / 11 / 24

HEX #C0C2AD

RGB 192 194 173

HSL 65.71, 0.15%, 0.72%

LAB 77.76, -4.39, 10.33

 

CMYK 4 / 0 / 11 / 24

HEX #BAC2AD

RGB 186 194 173

HSL 82.86, 0.15%, 0.72%

LAB 77.3, -6.55, 9.61

 

CMYK 7 / 0 / 11 / 24

HEX #B4C2AD

RGB 180 194 173

HSL 100, 0.15%, 0.72%

LAB 76.86, -8.69, 8.92

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 0 / 9 / 22 / 19

HEX #CEBBA1

RGB 206 187 161

HSL 34.67, 0.31%, 0.72%

LAB 76.82, 2.61, 15.62

 

CMYK 0 / 13 / 31 / 15

HEX #D9BC96

RGB 217 188 150

HSL 34.03, 0.47%, 0.72%

LAB 77.83, 4.78, 23.06

 

CMYK 0 / 17 / 40 / 10

HEX #E5BE8A

RGB 229 190 138

HSL 34.29, 0.64%, 0.72%

LAB 79.23, 6.99, 31.48

 

CMYK 0 / 20 / 47 / 5

HEX #F1C07F

RGB 241 192 127

HSL 34.21, 0.8%, 0.72%

LAB 80.7, 9.6, 39.31

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 1 / 1 / 0 / 28

HEX #B7B7B8

RGB 183 183 184

HSL 240, 0.01%, 0.72%

LAB 74.44, 0.19, -0.51

 

CMYK 13 / 7 / 0 / 23

HEX #ABB6C4

RGB 171 182 196

HSL 213.6, 0.17%, 0.72%

LAB 73.61, -0.97, -8.4

 

CMYK 23 / 13 / 0 / 18

HEX #A0B4D0

RGB 160 180 208

HSL 215, 0.34%, 0.72%

LAB 72.67, -0.76, -16.44

 

CMYK 32 / 18 / 0 / 14

HEX #94B3DB

RGB 148 179 219

HSL 213.8, 0.5%, 0.72%

LAB 71.99, -1.13, -23.55

 

CMYK 0 / 10 / 11 / 24

HEX #C2AEAD

RGB 194 174 173

HSL 2.86, 0.15%, 0.72%

LAB 72.73, 7.02, 3.13

 

CMYK 0 / 8 / 11 / 24

HEX #C2B3AD

RGB 194 179 173

HSL 17.14, 0.15%, 0.72%

LAB 74.01, 4.32, 4.98

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 0 / 2 / 11 / 24

HEX #C2BFAD

RGB 194 191 173

HSL 51.43, 0.15%, 0.72%

LAB 77.13, -2.09, 9.45

 

CMYK 1 / 0 / 11 / 24

HEX #C0C2AD

RGB 192 194 173

HSL 65.71, 0.15%, 0.72%

LAB 77.76, -4.39, 10.33

 

CMYK 0 / 9 / 21 / 38

HEX #9F917D

RGB 159 145 125

HSL 35.29, 0.15%, 0.56%

LAB 60.87, 1.84, 12.51

 

CMYK 0 / 7 / 16 / 31

HEX #B1A595

RGB 177 165 149

HSL 34.29, 0.15%, 0.64%

LAB 68.33, 1.61, 9.85

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 0 / 3 / 7 / 17

HEX #D4CDC5

RGB 212 205 197

HSL 32, 0.15%, 0.8%

LAB 82.75, 1.03, 4.83

 

CMYK 0 / 1 / 4 / 10

HEX #E5E2DC

RGB 229 226 220

HSL 40, 0.15%, 0.88%

LAB 89.96, -0.03, 3.28

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 8 / 0 / 11 / 24

HEX #B2C2AD

RGB 178 194 173

HSL 105.71, 0.15%, 0.72%

LAB 76.72, -9.39, 8.7

 

CMYK 9 / 11 / 0 / 24

HEX #B0ADC2

RGB 176 173 194

HSL 248.57, 0.15%, 0.72%

LAB 71.56, 5.17, -10.31

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 11 / 0 / 5 / 24

HEX #ADC2B9

RGB 173 194 185

HSL 154.29, 0.15%, 0.72%

LAB 76.66, -8.89, 2.09

 

CMYK 5 / 11 / 0 / 24

HEX #B9ADC2

RGB 185 173 194

HSL 274.29, 0.15%, 0.72%

LAB 72.29, 8.22, -9.14

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 8 / 0 / 11 / 24

HEX #B2C2AD

RGB 178 194 173

HSL 105.71, 0.15%, 0.72%

LAB 76.72, -9.39, 8.7

 

CMYK 11 / 6 / 0 / 24

HEX #ADB6C2

RGB 173 182 194

HSL 214.29, 0.15%, 0.72%

LAB 73.7, -0.72, -7.16

 

CMYK 3 / 11 / 0 / 24

HEX #BDADC2

RGB 189 173 194

HSL 285.71, 0.15%, 0.72%

LAB 72.63, 9.6, -8.61

 

CMYK 0 / 5 / 11 / 24

HEX #C2B9AD

RGB 194 185 173

HSL 34.29, 0.15%, 0.72%

LAB 75.57, 1.1, 7.21

 

CMYK 11 / 0 / 10 / 24

HEX #ADC2AE

RGB 173 194 174

HSL 122.86, 0.15%, 0.72%

LAB 76.39, -10.96, 7.64

 

CMYK 11 / 6 / 0 / 24

HEX #ADB6C2

RGB 173 182 194

HSL 214.29, 0.15%, 0.72%

LAB 73.7, -0.72, -7.16

 

CMYK 0 / 11 / 1 / 24

HEX #C2ADC1

RGB 194 173 193

HSL 302.86, 0.15%, 0.72%

LAB 73.03, 11.13, -7.42

 

Description

Color code: HEX #C2B9AD | qconv.com Color code: HEX #C2B9AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 185 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 185 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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