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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B676 it is the complementary color #3D4989. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B676. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B676 shade: #C7B671, #D8C884, #E9DA97, #FAECAA and #FFFEBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B676. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B676 shade: #C2B676, #B1A463, #A09250, #8F803D and #7E6E2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B676 shade: #C1B576, #C1A176, #C18D76, #C17876 and #C17676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B676 shade: #C1B576, #B9C176, #A5C176, #90C176 and #7CC176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B676 shade matches the following richer shades: #C1B576, #D1C066, #E2CB56 and #F2D645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B676 shade: #C1B576, #B1AA86, #A19F96, #9194A6 and #8189B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B676 shade: #C18C76, #C1A176, #C1B576, #BAC176 and #A6C176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B676 shade: #9E9047, #B5A659, #C1B576, #CEC592 and #DBD4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B676 shade: #C2B676, #76C178 and #9776C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B676 shade: #C2B676, #76C1B5 and #B576C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B676 shade: #C2B676, #76C178, #7682C1 and #C176BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B676 shade: #C2B676, #76C18F, #7682C1 and #C176A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 39 / 24

HEX #C2B676

RGB 194 182 118

HSL 50.53, 0.38%, 0.61%

LAB 73.7, -5.04, 34.11

 

Complementary color

CMYK 55 / 47 / 0 / 46

HEX #3D4989

RGB 61 73 137

HSL 230.53, 0.38%, 0.39%

LAB 33.06, 14.94, -37.33

 

CMYK 0 / 9 / 43 / 22

HEX #C7B671

RGB 199 182 113

HSL 48.14, 0.43%, 0.61%

LAB 74.06, -3.56, 37.25

 

CMYK 0 / 7 / 39 / 15

HEX #D8C884

RGB 216 200 132

HSL 48.57, 0.52%, 0.68%

LAB 80.5, -4.05, 36.03

 

CMYK 0 / 6 / 35 / 9

HEX #E9DA97

RGB 233 218 151

HSL 49.02, 0.65%, 0.75%

LAB 86.85, -4.48, 34.87

 

CMYK 0 / 6 / 32 / 2

HEX #FAECAA

RGB 250 236 170

HSL 49.5, 0.89%, 0.82%

LAB 93.11, -4.85, 33.77

 

CMYK 0 / 0 / 26 / 0

HEX #FFFEBD

RGB 255 254 189

HSL 59.09, 1%, 0.87%

LAB 98.36, -9.58, 31.3

 

CMYK 0 / 6 / 39 / 24

HEX #C2B676

RGB 194 182 118

HSL 50.53, 0.38%, 0.61%

LAB 73.7, -5.04, 34.11

 

CMYK 0 / 7 / 44 / 31

HEX #B1A463

RGB 177 164 99

HSL 50, 0.33%, 0.54%

LAB 67.13, -4.56, 35.35

 

CMYK 0 / 9 / 50 / 37

HEX #A09250

RGB 160 146 80

HSL 49.5, 0.33%, 0.47%

LAB 60.44, -3.96, 36.62

 

CMYK 0 / 10 / 57 / 44

HEX #8F803D

RGB 143 128 61

HSL 49.02, 0.4%, 0.4%

LAB 53.62, -3.22, 37.9

 

CMYK 0 / 13 / 67 / 51

HEX #7E6E2A

RGB 126 110 42

HSL 48.57, 0.5%, 0.33%

LAB 46.65, -2.28, 39.07

 

CMYK 0 / 6 / 39 / 24

HEX #C1B576

RGB 193 181 118

HSL 50.4, 0.38%, 0.61%

LAB 73.35, -4.92, 33.64

 

CMYK 0 / 17 / 39 / 24

HEX #C1A176

RGB 193 161 118

HSL 34.4, 0.38%, 0.61%

LAB 68.12, 5.78, 26.8

 

CMYK 0 / 27 / 39 / 24

HEX #C18D76

RGB 193 141 118

HSL 18.4, 0.38%, 0.61%

LAB 63.09, 16.75, 20.04

 

CMYK 0 / 38 / 39 / 24

HEX #C17876

RGB 193 120 118

HSL 1.6, 0.38%, 0.61%

LAB 58.11, 28.31, 13.17

 

CMYK 0 / 39 / 39 / 24

HEX #C17676

RGB 193 118 118

HSL 0, 0.38%, 0.61%

LAB 57.66, 29.4, 12.54

 

CMYK 0 / 6 / 39 / 24

HEX #C1B576

RGB 193 181 118

HSL 50.4, 0.38%, 0.61%

LAB 73.35, -4.92, 33.64

 

CMYK 4 / 0 / 39 / 24

HEX #B9C176

RGB 185 193 118

HSL 66.4, 0.38%, 0.61%

LAB 75.92, -14.33, 36.82

 

CMYK 15 / 0 / 39 / 24

HEX #A5C176

RGB 165 193 118

HSL 82.4, 0.38%, 0.61%

LAB 74.47, -22.1, 34.67

 

CMYK 25 / 0 / 39 / 24

HEX #90C176

RGB 144 193 118

HSL 99.2, 0.38%, 0.61%

LAB 73.14, -29.84, 32.68

 

CMYK 36 / 0 / 39 / 24

HEX #7CC176

RGB 124 193 118

HSL 115.2, 0.38%, 0.61%

LAB 72.05, -36.64, 31.06

 

CMYK 0 / 6 / 39 / 24

HEX #C1B576

RGB 193 181 118

HSL 50.4, 0.38%, 0.61%

LAB 73.35, -4.92, 33.64

 

CMYK 0 / 8 / 51 / 18

HEX #D1C066

RGB 209 192 102

HSL 50.47, 0.54%, 0.61%

LAB 77.41, -5.72, 47.09

 

CMYK 0 / 10 / 62 / 11

HEX #E2CB56

RGB 226 203 86

HSL 50.14, 0.71%, 0.61%

LAB 81.59, -5.53, 59.67

 

CMYK 0 / 12 / 71 / 5

HEX #F2D645

RGB 242 214 69

HSL 50.29, 0.87%, 0.61%

LAB 85.71, -5.36, 71.18

 

CMYK 0 / 6 / 39 / 24

HEX #C1B576

RGB 193 181 118

HSL 50.4, 0.38%, 0.61%

LAB 73.35, -4.92, 33.64

 

CMYK 0 / 4 / 24 / 31

HEX #B1AA86

RGB 177 170 134

HSL 50.23, 0.22%, 0.61%

LAB 69.34, -3.39, 19.5

 

CMYK 0 / 1 / 7 / 37

HEX #A19F96

RGB 161 159 150

HSL 49.09, 0.06%, 0.61%

LAB 65.42, -0.93, 4.94

 

CMYK 13 / 11 / 0 / 35

HEX #9194A6

RGB 145 148 166

HSL 231.43, 0.11%, 0.61%

LAB 61.61, 2.65, -9.81

 

CMYK 29 / 25 / 0 / 29

HEX #8189B6

RGB 129 137 182

HSL 230.94, 0.27%, 0.61%

LAB 57.98, 7.54, -24.53

 

CMYK 0 / 27 / 39 / 24

HEX #C18C76

RGB 193 140 118

HSL 17.6, 0.38%, 0.61%

LAB 62.85, 17.3, 19.7

 

CMYK 0 / 17 / 39 / 24

HEX #C1A176

RGB 193 161 118

HSL 34.4, 0.38%, 0.61%

LAB 68.12, 5.78, 26.8

 

CMYK 0 / 6 / 39 / 24

HEX #C1B576

RGB 193 181 118

HSL 50.4, 0.38%, 0.61%

LAB 73.35, -4.92, 33.64

 

CMYK 4 / 0 / 39 / 24

HEX #BAC176

RGB 186 193 118

HSL 65.6, 0.38%, 0.61%

LAB 76, -13.94, 36.93

 

CMYK 14 / 0 / 39 / 24

HEX #A6C176

RGB 166 193 118

HSL 81.6, 0.38%, 0.61%

LAB 74.54, -21.72, 34.77

 

CMYK 0 / 9 / 55 / 38

HEX #9E9047

RGB 158 144 71

HSL 50.34, 0.38%, 0.45%

LAB 59.59, -4.56, 40.17

 

CMYK 0 / 8 / 51 / 29

HEX #B5A659

RGB 181 166 89

HSL 50.22, 0.38%, 0.53%

LAB 67.89, -4.93, 41.49

 

CMYK 0 / 6 / 39 / 24

HEX #C1B576

RGB 193 181 118

HSL 50.4, 0.38%, 0.61%

LAB 73.35, -4.92, 33.64

 

CMYK 0 / 4 / 29 / 19

HEX #CEC592

RGB 206 197 146

HSL 51, 0.38%, 0.69%

LAB 79.12, -4.73, 26.77

 

CMYK 0 / 3 / 20 / 14

HEX #DBD4AF

RGB 219 212 175

HSL 50.45, 0.38%, 0.77%

LAB 84.61, -3.56, 19.2

 

CMYK 0 / 6 / 39 / 24

HEX #C2B676

RGB 194 182 118

HSL 50.53, 0.38%, 0.61%

LAB 73.7, -5.04, 34.11

 

CMYK 39 / 0 / 38 / 24

HEX #76C178

RGB 118 193 120

HSL 121.6, 0.38%, 0.61%

LAB 71.79, -38.23, 29.62

 

CMYK 22 / 39 / 0 / 24

HEX #9776C1

RGB 151 118 193

HSL 266.4, 0.38%, 0.61%

LAB 55.47, 28.04, -34.54

 

CMYK 0 / 6 / 39 / 24

HEX #C2B676

RGB 194 182 118

HSL 50.53, 0.38%, 0.61%

LAB 73.7, -5.04, 34.11

 

CMYK 39 / 0 / 6 / 24

HEX #76C1B5

RGB 118 193 181

HSL 170.4, 0.38%, 0.61%

LAB 73.11, -26.1, -1.31

 

CMYK 6 / 39 / 0 / 24

HEX #B576C1

RGB 181 118 193

HSL 290.4, 0.38%, 0.61%

LAB 58.63, 37.24, -29.38

 

CMYK 0 / 6 / 39 / 24

HEX #C2B676

RGB 194 182 118

HSL 50.53, 0.38%, 0.61%

LAB 73.7, -5.04, 34.11

 

CMYK 39 / 0 / 38 / 24

HEX #76C178

RGB 118 193 120

HSL 121.6, 0.38%, 0.61%

LAB 71.79, -38.23, 29.62

 

CMYK 39 / 33 / 0 / 24

HEX #7682C1

RGB 118 130 193

HSL 230.4, 0.38%, 0.61%

LAB 55.75, 11.42, -34.3

 

CMYK 0 / 39 / 1 / 24

HEX #C176BF

RGB 193 118 191

HSL 301.6, 0.38%, 0.61%

LAB 59.94, 40.61, -26.11

 

CMYK 0 / 6 / 39 / 24

HEX #C2B676

RGB 194 182 118

HSL 50.53, 0.38%, 0.61%

LAB 73.7, -5.04, 34.11

 

CMYK 39 / 0 / 26 / 24

HEX #76C18F

RGB 118 193 143

HSL 140, 0.38%, 0.61%

LAB 72.21, -34.21, 18

 

CMYK 39 / 33 / 0 / 24

HEX #7682C1

RGB 118 130 193

HSL 230.4, 0.38%, 0.61%

LAB 55.75, 11.42, -34.3

 

CMYK 0 / 39 / 13 / 24

HEX #C176A8

RGB 193 118 168

HSL 320, 0.38%, 0.61%

LAB 59.09, 36.56, -14.26

 

Description

Color code: HEX #C2B676 | qconv.com Color code: HEX #C2B676 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 182 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 182 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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