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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B140 it is the complementary color #3D4EBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B140 shade: #C7B13B, #D8C34E, #E9D561, #FAE774 and #FFF987

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B140 shade: #C2B140, #B19F2D, #A08D1A, #8F7B07 and #7E6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B140 shade: #C3B241, #C38F41, #C36C41, #C34941 and #C34141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B140 shade: #C3B241, #B1C341, #8EC341, #6BC341 and #48C341

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B140 shade matches the following richer shades: #C3B241, #D7C12D and #EBD019

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B140 shade: #C3B241, #AFA355, #9B946A, #86857E and #727692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B140 shade: #C36C41, #C38F41, #C3B241, #B2C341 and #8FC341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B140 shade: #877B2B, #A69735, #C3B241, #CDBF60 and #D7CB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B140 shade: #C2B140, #41C34A and #7E41C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B140 shade: #C2B140, #41C3B2 and #B241C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B140 shade: #C2B140, #41C34A, #4152C3 and #C341BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B140 shade: #C2B140, #41C371, #4152C3 and #C34193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 67 / 24

HEX #C2B140

RGB 194 177 64

HSL 52.15, 0.52%, 0.51%

LAB 71.75, -7.01, 57.7

 

Complementary color

CMYK 68 / 59 / 0 / 25

HEX #3D4EBF

RGB 61 78 191

HSL 232.15, 0.52%, 0.49%

LAB 38.2, 30.75, -61.38

 

CMYK 0 / 11 / 70 / 22

HEX #C7B13B

RGB 199 177 59

HSL 50.57, 0.56%, 0.51%

LAB 72.16, -5.12, 60.29

 

CMYK 0 / 10 / 64 / 15

HEX #D8C34E

RGB 216 195 78

HSL 50.87, 0.64%, 0.58%

LAB 78.57, -6.12, 59.59

 

CMYK 0 / 9 / 58 / 9

HEX #E9D561

RGB 233 213 97

HSL 51.18, 0.76%, 0.65%

LAB 84.88, -6.98, 58.63

 

CMYK 0 / 8 / 54 / 2

HEX #FAE774

RGB 250 231 116

HSL 51.49, 0.93%, 0.72%

LAB 91.12, -7.7, 57.54

 

CMYK 0 / 2 / 47 / 0

HEX #FFF987

RGB 255 249 135

HSL 57, 1%, 0.76%

LAB 96.31, -13.02, 55.02

 

CMYK 0 / 9 / 67 / 24

HEX #C2B140

RGB 194 177 64

HSL 52.15, 0.52%, 0.51%

LAB 71.75, -7.01, 57.7

 

CMYK 0 / 10 / 75 / 31

HEX #B19F2D

RGB 177 159 45

HSL 51.82, 0.59%, 0.44%

LAB 65.23, -5.93, 58.15

 

CMYK 0 / 12 / 84 / 37

HEX #A08D1A

RGB 160 141 26

HSL 51.49, 0.72%, 0.36%

LAB 58.6, -4.61, 57.8

 

CMYK 0 / 14 / 95 / 44

HEX #8F7B07

RGB 143 123 7

HSL 51.18, 0.91%, 0.29%

LAB 51.86, -3, 55.98

 

CMYK 0 / 17 / 100 / 51

HEX #7E6900

RGB 126 105 0

HSL 50, 1%, 0.25%

LAB 45, -1.04, 51.65

 

CMYK 0 / 9 / 67 / 24

HEX #C3B241

RGB 195 178 65

HSL 52.15, 0.52%, 0.51%

LAB 72.11, -7.04, 57.69

 

CMYK 0 / 27 / 67 / 24

HEX #C38F41

RGB 195 143 65

HSL 36, 0.52%, 0.51%

LAB 63.03, 11.75, 48.02

 

CMYK 0 / 45 / 67 / 24

HEX #C36C41

RGB 195 108 65

HSL 19.85, 0.52%, 0.51%

LAB 54.77, 30.87, 38.73

 

CMYK 0 / 63 / 67 / 24

HEX #C34941

RGB 195 73 65

HSL 3.69, 0.52%, 0.51%

LAB 47.94, 48.31, 30.62

 

CMYK 0 / 67 / 67 / 24

HEX #C34141

RGB 195 65 65

HSL 0, 0.52%, 0.51%

LAB 46.66, 51.75, 29.05

 

CMYK 0 / 9 / 67 / 24

HEX #C3B241

RGB 195 178 65

HSL 52.15, 0.52%, 0.51%

LAB 72.11, -7.04, 57.69

 

CMYK 9 / 0 / 67 / 24

HEX #B1C341

RGB 177 195 65

HSL 68.31, 0.52%, 0.51%

LAB 75.3, -23.27, 60.53

 

CMYK 27 / 0 / 67 / 24

HEX #8EC341

RGB 142 195 65

HSL 84.46, 0.52%, 0.51%

LAB 73, -37.15, 57.42

 

CMYK 45 / 0 / 67 / 24

HEX #6BC341

RGB 107 195 65

HSL 100.62, 0.52%, 0.51%

LAB 71.24, -49.26, 55.02

 

CMYK 63 / 0 / 67 / 24

HEX #48C341

RGB 72 195 65

HSL 116.77, 0.52%, 0.51%

LAB 70.03, -58.59, 53.36

 

CMYK 0 / 9 / 67 / 24

HEX #C3B241

RGB 195 178 65

HSL 52.15, 0.52%, 0.51%

LAB 72.11, -7.04, 57.69

 

CMYK 0 / 10 / 79 / 16

HEX #D7C12D

RGB 215 193 45

HSL 52.24, 0.68%, 0.51%

LAB 77.74, -7.09, 70.9

 

CMYK 0 / 11 / 89 / 8

HEX #EBD019

RGB 235 208 25

HSL 52.29, 0.84%, 0.51%

LAB 83.36, -6.65, 80.94

 

CMYK 0 / 9 / 67 / 24

HEX #C3B241

RGB 195 178 65

HSL 52.15, 0.52%, 0.51%

LAB 72.11, -7.04, 57.69

 

CMYK 0 / 7 / 51 / 31

HEX #AFA355

RGB 175 163 85

HSL 52, 0.36%, 0.51%

LAB 66.49, -6.23, 41.7

 

CMYK 0 / 5 / 32 / 39

HEX #9B946A

RGB 155 148 106

HSL 51.43, 0.2%, 0.51%

LAB 60.95, -4.17, 23.18

 

CMYK 0 / 1 / 6 / 47

HEX #86857E

RGB 134 133 126

HSL 52.5, 0.03%, 0.51%

LAB 55.43, -0.97, 3.9

 

CMYK 22 / 19 / 0 / 43

HEX #727692

RGB 114 118 146

HSL 232.5, 0.13%, 0.51%

LAB 50.23, 4.86, -15.68

 

CMYK 0 / 45 / 67 / 24

HEX #C36C41

RGB 195 108 65

HSL 19.85, 0.52%, 0.51%

LAB 54.77, 30.87, 38.73

 

CMYK 0 / 27 / 67 / 24

HEX #C38F41

RGB 195 143 65

HSL 36, 0.52%, 0.51%

LAB 63.03, 11.75, 48.02

 

CMYK 0 / 9 / 67 / 24

HEX #C3B241

RGB 195 178 65

HSL 52.15, 0.52%, 0.51%

LAB 72.11, -7.04, 57.69

 

CMYK 9 / 0 / 67 / 24

HEX #B2C341

RGB 178 195 65

HSL 67.85, 0.52%, 0.51%

LAB 75.37, -22.85, 60.63

 

CMYK 27 / 0 / 67 / 24

HEX #8FC341

RGB 143 195 65

HSL 84, 0.52%, 0.51%

LAB 73.06, -36.77, 57.5

 

CMYK 0 / 9 / 68 / 47

HEX #877B2B

RGB 135 123 43

HSL 52.17, 0.52%, 0.35%

LAB 51.26, -5.39, 43.75

 

CMYK 0 / 9 / 68 / 35

HEX #A69735

RGB 166 151 53

HSL 52.04, 0.52%, 0.43%

LAB 62.08, -6.12, 51.53

 

CMYK 0 / 9 / 67 / 24

HEX #C3B241

RGB 195 178 65

HSL 52.15, 0.52%, 0.51%

LAB 72.11, -7.04, 57.69

 

CMYK 0 / 7 / 53 / 20

HEX #CDBF60

RGB 205 191 96

HSL 52.29, 0.52%, 0.59%

LAB 76.73, -7.37, 49.09

 

CMYK 0 / 6 / 40 / 16

HEX #D7CB80

RGB 215 203 128

HSL 51.72, 0.52%, 0.67%

LAB 81.14, -6.43, 38.87

 

CMYK 0 / 9 / 67 / 24

HEX #C2B140

RGB 194 177 64

HSL 52.15, 0.52%, 0.51%

LAB 71.75, -7.01, 57.7

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 35 / 67 / 0 / 24

HEX #7E41C3

RGB 126 65 195

HSL 268.15, 0.52%, 0.51%

LAB 41.46, 51.41, -58.16

 

CMYK 0 / 9 / 67 / 24

HEX #C2B140

RGB 194 177 64

HSL 52.15, 0.52%, 0.51%

LAB 71.75, -7.01, 57.7

 

CMYK 67 / 0 / 9 / 24

HEX #41C3B2

RGB 65 195 178

HSL 172.15, 0.52%, 0.51%

LAB 71.8, -39.06, -1.8

 

CMYK 9 / 67 / 0 / 24

HEX #B241C3

RGB 178 65 195

HSL 292.15, 0.52%, 0.51%

LAB 48.49, 62.83, -46.49

 

CMYK 0 / 9 / 67 / 24

HEX #C2B140

RGB 194 177 64

HSL 52.15, 0.52%, 0.51%

LAB 71.75, -7.01, 57.7

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 67 / 58 / 0 / 24

HEX #4152C3

RGB 65 82 195

HSL 232.15, 0.52%, 0.51%

LAB 39.75, 30.2, -61.19

 

CMYK 0 / 67 / 5 / 24

HEX #C341BA

RGB 195 65 186

HSL 304.15, 0.52%, 0.51%

LAB 50.6, 65.26, -37.76

 

CMYK 0 / 9 / 67 / 24

HEX #C2B140

RGB 194 177 64

HSL 52.15, 0.52%, 0.51%

LAB 71.75, -7.01, 57.7

 

CMYK 67 / 0 / 42 / 24

HEX #41C371

RGB 65 195 113

HSL 142.15, 0.52%, 0.51%

LAB 70.42, -53.52, 31.1

 

CMYK 67 / 58 / 0 / 24

HEX #4152C3

RGB 65 82 195

HSL 232.15, 0.52%, 0.51%

LAB 39.75, 30.2, -61.19

 

CMYK 0 / 67 / 25 / 24

HEX #C34193

RGB 195 65 147

HSL 322.15, 0.52%, 0.51%

LAB 48.87, 59.54, -17.45

 

Description

Color code: HEX #C2B140 | qconv.com Color code: HEX #C2B140 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 177 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 177 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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