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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2AF46 it is the complementary color #3D50B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2AF46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2AF46 shade: #C7AF41, #D8C154, #E9D367, #FAE57A and #FFF78D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2AF46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2AF46 shade: #C2AF46, #B19D33, #A08B20, #8F790D and #7E6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2AF46 shade: #C2AF47, #C28E47, #C26D47, #C24C47 and #C24747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2AF46 shade: #C2AF47, #B4C247, #93C247, #72C247 and #51C247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2AF46 shade matches the following richer shades: #C2AF47, #D6BD34, #E9CB20 and #FDD80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2AF46 shade: #C2AF47, #AEA15B, #9A946F, #868683 and #737897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2AF46 shade: #C26C47, #C28D47, #C2AD47, #B6C247 and #95C247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2AF46 shade: #897B2E, #A89738, #C2AF47, #CCBD66 and #D6CA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2AF46 shade: #C2AF46, #47C24B and #7C47C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2AF46 shade: #C2AF46, #47C2AD and #AD47C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2AF46 shade: #C2AF46, #47C24B, #475CC2 and #C247BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2AF46 shade: #C2AF46, #47C270, #475CC2 and #C24799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 64 / 24

HEX #C2AF46

RGB 194 175 70

HSL 50.81, 0.5%, 0.52%

LAB 71.26, -5.6, 54.64

 

Complementary color

CMYK 67 / 57 / 0 / 27

HEX #3D50B9

RGB 61 80 185

HSL 230.81, 0.5%, 0.48%

LAB 38.26, 27.34, -57.78

 

CMYK 0 / 12 / 67 / 22

HEX #C7AF41

RGB 199 175 65

HSL 49.25, 0.54%, 0.52%

LAB 71.68, -3.74, 57.36

 

CMYK 0 / 11 / 61 / 15

HEX #D8C154

RGB 216 193 84

HSL 49.55, 0.63%, 0.59%

LAB 78.1, -4.71, 56.46

 

CMYK 0 / 9 / 56 / 9

HEX #E9D367

RGB 233 211 103

HSL 49.85, 0.75%, 0.66%

LAB 84.43, -5.52, 55.39

 

CMYK 0 / 8 / 51 / 2

HEX #FAE57A

RGB 250 229 122

HSL 50.16, 0.93%, 0.73%

LAB 90.67, -6.22, 54.24

 

CMYK 0 / 3 / 45 / 0

HEX #FFF78D

RGB 255 247 141

HSL 55.79, 1%, 0.78%

LAB 95.87, -11.49, 51.66

 

CMYK 0 / 10 / 64 / 24

HEX #C2AF46

RGB 194 175 70

HSL 50.81, 0.5%, 0.52%

LAB 71.26, -5.6, 54.64

 

CMYK 0 / 11 / 71 / 31

HEX #B19D33

RGB 177 157 51

HSL 50.48, 0.55%, 0.45%

LAB 64.72, -4.57, 55.36

 

CMYK 0 / 13 / 80 / 37

HEX #A08B20

RGB 160 139 32

HSL 50.16, 0.67%, 0.38%

LAB 58.08, -3.31, 55.49

 

CMYK 0 / 15 / 91 / 44

HEX #8F790D

RGB 143 121 13

HSL 49.85, 0.83%, 0.31%

LAB 51.32, -1.77, 54.4

 

CMYK 0 / 18 / 100 / 51

HEX #7E6700

RGB 126 103 0

HSL 49.05, 1%, 0.25%

LAB 44.43, 0.12, 51.25

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 0 / 27 / 63 / 24

HEX #C28E47

RGB 194 142 71

HSL 34.63, 0.5%, 0.52%

LAB 62.74, 12.25, 44.76

 

CMYK 0 / 44 / 63 / 24

HEX #C26D47

RGB 194 109 71

HSL 18.54, 0.5%, 0.52%

LAB 54.93, 30.31, 35.65

 

CMYK 0 / 61 / 63 / 24

HEX #C24C47

RGB 194 76 71

HSL 2.44, 0.5%, 0.52%

LAB 48.38, 46.96, 27.61

 

CMYK 0 / 63 / 63 / 24

HEX #C24747

RGB 194 71 71

HSL 0, 0.5%, 0.52%

LAB 47.53, 49.21, 26.55

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 7 / 0 / 63 / 24

HEX #B4C247

RGB 180 194 71

HSL 66.83, 0.5%, 0.52%

LAB 75.29, -21.15, 58.16

 

CMYK 24 / 0 / 63 / 24

HEX #93C247

RGB 147 194 71

HSL 82.93, 0.5%, 0.52%

LAB 73.05, -34.34, 55.1

 

CMYK 41 / 0 / 63 / 24

HEX #72C247

RGB 114 194 71

HSL 99.02, 0.5%, 0.52%

LAB 71.29, -46.09, 52.67

 

CMYK 58 / 0 / 63 / 24

HEX #51C247

RGB 81 194 71

HSL 115.12, 0.5%, 0.52%

LAB 70.03, -55.56, 50.92

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 0 / 12 / 76 / 16

HEX #D6BD34

RGB 214 189 52

HSL 50.74, 0.66%, 0.52%

LAB 76.64, -5.2, 67.64

 

CMYK 0 / 13 / 86 / 9

HEX #E9CB20

RGB 233 203 32

HSL 51.04, 0.82%, 0.52%

LAB 81.91, -4.83, 78.39

 

CMYK 0 / 15 / 95 / 1

HEX #FDD80C

RGB 253 216 12

HSL 50.79, 0.98%, 0.52%

LAB 87.01, -3.19, 86.09

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15B

RGB 174 161 91

HSL 50.6, 0.34%, 0.52%

LAB 65.94, -5.02, 37.96

 

CMYK 0 / 4 / 28 / 40

HEX #9A946F

RGB 154 148 111

HSL 51.63, 0.18%, 0.52%

LAB 60.96, -3.89, 20.41

 

CMYK 0 / 0 / 2 / 47

HEX #868683

RGB 134 134 131

HSL 60, 0.01%, 0.52%

LAB 55.84, -0.58, 1.61

 

CMYK 24 / 21 / 0 / 41

HEX #737897

RGB 115 120 151

HSL 231.67, 0.15%, 0.52%

LAB 51.05, 5.24, -17.35

 

CMYK 0 / 44 / 63 / 24

HEX #C26C47

RGB 194 108 71

HSL 18.05, 0.5%, 0.52%

LAB 54.71, 30.85, 35.38

 

CMYK 0 / 27 / 63 / 24

HEX #C28D47

RGB 194 141 71

HSL 34.15, 0.5%, 0.52%

LAB 62.49, 12.8, 44.47

 

CMYK 0 / 11 / 63 / 24

HEX #C2AD47

RGB 194 173 71

HSL 49.76, 0.5%, 0.52%

LAB 70.74, -4.48, 53.63

 

CMYK 6 / 0 / 63 / 24

HEX #B6C247

RGB 182 194 71

HSL 65.85, 0.5%, 0.52%

LAB 75.44, -20.32, 58.37

 

CMYK 23 / 0 / 63 / 24

HEX #95C247

RGB 149 194 71

HSL 81.95, 0.5%, 0.52%

LAB 73.17, -33.57, 55.26

 

CMYK 0 / 10 / 66 / 46

HEX #897B2E

RGB 137 123 46

HSL 50.77, 0.5%, 0.36%

LAB 51.48, -4.28, 42.67

 

CMYK 0 / 10 / 67 / 34

HEX #A89738

RGB 168 151 56

HSL 50.89, 0.5%, 0.44%

LAB 62.29, -5.05, 50.51

 

CMYK 0 / 10 / 63 / 24

HEX #C2AF47

RGB 194 175 71

HSL 50.73, 0.5%, 0.52%

LAB 71.27, -5.53, 54.21

 

CMYK 0 / 7 / 50 / 20

HEX #CCBD66

RGB 204 189 102

HSL 51.18, 0.5%, 0.6%

LAB 76.19, -6.23, 45.52

 

CMYK 0 / 6 / 38 / 16

HEX #D6CA85

RGB 214 202 133

HSL 51.11, 0.5%, 0.68%

LAB 80.87, -5.76, 35.96

 

CMYK 0 / 10 / 64 / 24

HEX #C2AF46

RGB 194 175 70

HSL 50.81, 0.5%, 0.52%

LAB 71.26, -5.6, 54.64

 

CMYK 63 / 0 / 61 / 24

HEX #47C24B

RGB 71 194 75

HSL 121.95, 0.5%, 0.52%

LAB 69.78, -57.42, 48.8

 

CMYK 36 / 63 / 0 / 24

HEX #7C47C2

RGB 124 71 194

HSL 265.85, 0.5%, 0.52%

LAB 42.29, 47.65, -56.25

 

CMYK 0 / 10 / 64 / 24

HEX #C2AF46

RGB 194 175 70

HSL 50.81, 0.5%, 0.52%

LAB 71.26, -5.6, 54.64

 

CMYK 63 / 0 / 11 / 24

HEX #47C2AD

RGB 71 194 173

HSL 169.76, 0.5%, 0.52%

LAB 71.51, -38.94, 0.52

 

CMYK 11 / 63 / 0 / 24

HEX #AD47C2

RGB 173 71 194

HSL 289.76, 0.5%, 0.52%

LAB 48.62, 58.95, -45.75

 

CMYK 0 / 10 / 64 / 24

HEX #C2AF46

RGB 194 175 70

HSL 50.81, 0.5%, 0.52%

LAB 71.26, -5.6, 54.64

 

CMYK 63 / 0 / 61 / 24

HEX #47C24B

RGB 71 194 75

HSL 121.95, 0.5%, 0.52%

LAB 69.78, -57.42, 48.8

 

CMYK 63 / 53 / 0 / 24

HEX #475CC2

RGB 71 92 194

HSL 229.76, 0.5%, 0.52%

LAB 42.6, 24.45, -55.98

 

CMYK 0 / 63 / 2 / 24

HEX #C247BE

RGB 194 71 190

HSL 301.95, 0.5%, 0.52%

LAB 51.49, 63.32, -38.69

 

CMYK 0 / 10 / 64 / 24

HEX #C2AF46

RGB 194 175 70

HSL 50.81, 0.5%, 0.52%

LAB 71.26, -5.6, 54.64

 

CMYK 63 / 0 / 42 / 24

HEX #47C270

RGB 71 194 112

HSL 140, 0.5%, 0.52%

LAB 70.24, -52.16, 31.42

 

CMYK 63 / 53 / 0 / 24

HEX #475CC2

RGB 71 92 194

HSL 229.76, 0.5%, 0.52%

LAB 42.6, 24.45, -55.98

 

CMYK 0 / 63 / 21 / 24

HEX #C24799

RGB 194 71 153

HSL 320, 0.5%, 0.52%

LAB 49.83, 57.63, -19.57

 

Description

Color code: HEX #C2AF46 | qconv.com Color code: HEX #C2AF46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 175 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 175 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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