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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2AD4A it is the complementary color #3D52B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2AD4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2AD4A shade: #C7AD45, #D8BF58, #E9D16B, #FAE37E and #FFF591

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2AD4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2AD4A shade: #C2AD4A, #B19B37, #A08924, #8F7711 and #7E6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2AD4A shade: #C3AE4B, #C38E4B, #C36D4B, #C34D4B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2AD4A shade: #C3AE4B, #B8C34B, #97C34B, #77C34B and #57C34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2AD4A shade matches the following richer shades: #C3AE4B, #D6BB38, #EAC724 and #FDD411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2AD4A shade: #C3AE4B, #B0A15F, #9C9572, #898885 and #767C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2AD4A shade: #C36D4B, #C38D4B, #C3AD4B, #B9C34B and #99C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2AD4A shade: #8D7C2F, #AC9839, #C3AE4B, #CDBC6A and #D8CA89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2AD4A shade: #C2AD4A, #4BC34D and #7D4BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2AD4A shade: #C2AD4A, #4BC3AD and #AD4BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2AD4A shade: #C2AD4A, #4BC34D, #4B61C3 and #C34BC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2AD4A shade: #C2AD4A, #4BC371, #4B61C3 and #C34B9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 62 / 24

HEX #C2AD4A

RGB 194 173 74

HSL 49.5, 0.5%, 0.53%

LAB 70.77, -4.28, 52.32

 

Complementary color

CMYK 66 / 55 / 0 / 29

HEX #3D52B5

RGB 61 82 181

HSL 229.5, 0.5%, 0.47%

LAB 38.49, 24.61, -55.05

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD45

RGB 199 173 69

HSL 48, 0.54%, 0.53%

LAB 71.19, -2.45, 55.13

 

CMYK 0 / 12 / 59 / 15

HEX #D8BF58

RGB 216 191 88

HSL 48.28, 0.62%, 0.6%

LAB 77.62, -3.39, 54.12

 

CMYK 0 / 10 / 54 / 9

HEX #E9D16B

RGB 233 209 107

HSL 48.57, 0.74%, 0.67%

LAB 83.96, -4.19, 52.98

 

CMYK 0 / 9 / 50 / 2

HEX #FAE37E

RGB 250 227 126

HSL 48.87, 0.93%, 0.74%

LAB 90.21, -4.88, 51.79

 

CMYK 0 / 4 / 43 / 0

HEX #FFF591

RGB 255 245 145

HSL 54.55, 1%, 0.78%

LAB 95.42, -10.13, 49.18

 

CMYK 0 / 11 / 62 / 24

HEX #C2AD4A

RGB 194 173 74

HSL 49.5, 0.5%, 0.53%

LAB 70.77, -4.28, 52.32

 

CMYK 0 / 12 / 69 / 31

HEX #B19B37

RGB 177 155 55

HSL 49.18, 0.53%, 0.45%

LAB 64.21, -3.28, 53.2

 

CMYK 0 / 14 / 78 / 37

HEX #A08924

RGB 160 137 36

HSL 48.87, 0.63%, 0.38%

LAB 57.55, -2.06, 53.62

 

CMYK 0 / 17 / 88 / 44

HEX #8F7711

RGB 143 119 17

HSL 48.57, 0.79%, 0.31%

LAB 50.77, -0.55, 53.01

 

CMYK 0 / 20 / 100 / 51

HEX #7E6500

RGB 126 101 0

HSL 48.1, 1%, 0.25%

LAB 43.86, 1.28, 50.85

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 27 / 62 / 24

HEX #C38E4B

RGB 195 142 75

HSL 33.5, 0.5%, 0.53%

LAB 62.89, 12.96, 42.97

 

CMYK 0 / 44 / 62 / 24

HEX #C36D4B

RGB 195 109 75

HSL 17, 0.5%, 0.53%

LAB 55.12, 30.99, 33.72

 

CMYK 0 / 61 / 62 / 24

HEX #C34D4B

RGB 195 77 75

HSL 1, 0.5%, 0.53%

LAB 48.78, 47.12, 25.8

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 6 / 0 / 62 / 24

HEX #B8C34B

RGB 184 195 75

HSL 65.5, 0.5%, 0.53%

LAB 75.9, -19.72, 57.22

 

CMYK 23 / 0 / 62 / 24

HEX #97C34B

RGB 151 195 75

HSL 82, 0.5%, 0.53%

LAB 73.62, -32.95, 54.08

 

CMYK 39 / 0 / 62 / 24

HEX #77C34B

RGB 119 195 75

HSL 98, 0.5%, 0.53%

LAB 71.87, -44.49, 51.64

 

CMYK 55 / 0 / 62 / 24

HEX #57C34B

RGB 87 195 75

HSL 114, 0.5%, 0.53%

LAB 70.57, -54.01, 49.83

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 13 / 74 / 16

HEX #D6BB38

RGB 214 187 56

HSL 49.75, 0.66%, 0.53%

LAB 76.14, -4, 65.78

 

CMYK 0 / 15 / 85 / 8

HEX #EAC724

RGB 234 199 36

HSL 49.39, 0.83%, 0.53%

LAB 81, -2.26, 76.78

 

CMYK 0 / 16 / 93 / 1

HEX #FDD411

RGB 253 212 17

HSL 49.58, 0.98%, 0.53%

LAB 86.01, -1.11, 84.82

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 9 / 46 / 31

HEX #B0A15F

RGB 176 161 95

HSL 48.89, 0.34%, 0.53%

LAB 66.17, -3.78, 36.22

 

CMYK 0 / 4 / 27 / 39

HEX #9C9572

RGB 156 149 114

HSL 50, 0.18%, 0.53%

LAB 61.46, -3.21, 19.45

 

CMYK 0 / 1 / 3 / 46

HEX #898885

RGB 137 136 133

HSL 45, 0.02%, 0.53%

LAB 56.7, -0.21, 1.73

 

CMYK 23 / 19 / 0 / 40

HEX #767C99

RGB 118 124 153

HSL 229.71, 0.15%, 0.53%

LAB 52.47, 4.37, -16.33

 

CMYK 0 / 44 / 62 / 24

HEX #C36D4B

RGB 195 109 75

HSL 17, 0.5%, 0.53%

LAB 55.12, 30.99, 33.72

 

CMYK 0 / 28 / 62 / 24

HEX #C38D4B

RGB 195 141 75

HSL 33, 0.5%, 0.53%

LAB 62.64, 13.51, 42.68

 

CMYK 0 / 11 / 62 / 24

HEX #C3AD4B

RGB 195 173 75

HSL 49, 0.5%, 0.53%

LAB 70.87, -3.78, 52

 

CMYK 5 / 0 / 62 / 24

HEX #B9C34B

RGB 185 195 75

HSL 65, 0.5%, 0.53%

LAB 75.98, -19.31, 57.33

 

CMYK 22 / 0 / 62 / 24

HEX #99C34B

RGB 153 195 75

HSL 81, 0.5%, 0.53%

LAB 73.75, -32.17, 54.25

 

CMYK 0 / 12 / 67 / 45

HEX #8D7C2F

RGB 141 124 47

HSL 49.15, 0.5%, 0.37%

LAB 52.16, -2.94, 43.05

 

CMYK 0 / 12 / 67 / 33

HEX #AC9839

RGB 172 152 57

HSL 49.57, 0.5%, 0.45%

LAB 62.95, -3.76, 50.88

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 8 / 48 / 20

HEX #CDBC6A

RGB 205 188 106

HSL 49.7, 0.5%, 0.61%

LAB 76.06, -4.93, 43.41

 

CMYK 0 / 6 / 37 / 15

HEX #D8CA89

RGB 216 202 137

HSL 49.37, 0.5%, 0.69%

LAB 81.1, -4.52, 34.24

 

CMYK 0 / 11 / 62 / 24

HEX #C2AD4A

RGB 194 173 74

HSL 49.5, 0.5%, 0.53%

LAB 70.77, -4.28, 52.32

 

CMYK 62 / 0 / 61 / 24

HEX #4BC34D

RGB 75 195 77

HSL 121, 0.5%, 0.53%

LAB 70.22, -56.68, 48.45

 

CMYK 36 / 62 / 0 / 24

HEX #7D4BC3

RGB 125 75 195

HSL 265, 0.5%, 0.53%

LAB 43.26, 45.99, -55.26

 

CMYK 0 / 11 / 62 / 24

HEX #C2AD4A

RGB 194 173 74

HSL 49.5, 0.5%, 0.53%

LAB 70.77, -4.28, 52.32

 

CMYK 62 / 0 / 11 / 24

HEX #4BC3AD

RGB 75 195 173

HSL 169, 0.5%, 0.53%

LAB 71.92, -38.7, 1.13

 

CMYK 11 / 62 / 0 / 24

HEX #AD4BC3

RGB 173 75 195

HSL 289, 0.5%, 0.53%

LAB 49.32, 57.35, -45.21

 

CMYK 0 / 11 / 62 / 24

HEX #C2AD4A

RGB 194 173 74

HSL 49.5, 0.5%, 0.53%

LAB 70.77, -4.28, 52.32

 

CMYK 62 / 0 / 61 / 24

HEX #4BC34D

RGB 75 195 77

HSL 121, 0.5%, 0.53%

LAB 70.22, -56.68, 48.45

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

CMYK 0 / 62 / 1 / 24

HEX #C34BC1

RGB 195 75 193

HSL 301, 0.5%, 0.53%

LAB 52.38, 62.43, -39.01

 

CMYK 0 / 11 / 62 / 24

HEX #C2AD4A

RGB 194 173 74

HSL 49.5, 0.5%, 0.53%

LAB 70.77, -4.28, 52.32

 

CMYK 62 / 0 / 42 / 24

HEX #4BC371

RGB 75 195 113

HSL 139, 0.5%, 0.53%

LAB 70.68, -51.56, 31.49

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

CMYK 0 / 62 / 19 / 24

HEX #C34B9D

RGB 195 75 157

HSL 319, 0.5%, 0.53%

LAB 50.77, 56.78, -20.49

 

Description

Color code: HEX #C2AD4A | qconv.com Color code: HEX #C2AD4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 173 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 173 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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