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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2ABFE3F it is the complementary color #3D54013F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2ABFE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2ABFE3F shade: #C7ABF93F, #D8BDFF3F, #E9CFFF3F, #FAE1FF3F and #FFF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2ABFE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2ABFE3F shade: #C2ABFE3F, #B199EB3F, #A087D83F, #8F75C53F and #7E63B23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2ABFE3F shade: #C1A9FE, #D8A9FE, #EFA9FE, #FEA9F7 and #FEA9E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2ABFE3F shade: #C1A9FE, #AAA9FE and #A9A9FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2ABFE3F shade matches the following richer shades: #C1A9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2ABFE3F shade: #C1A9FE, #C4B0F7, #C7B7F0, #CABEE9 and #CDC5E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2ABFE3F shade: #A9C0FE, #A9A9FE, #C0A9FE, #D6A9FE and #EDA9FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2ABFE3F shade: #8557FD, #A380FE, #C1A9FE, #DED2FF and #FCFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2ABFE3F shade: #C2ABFE, #FEA9D6 and #B4FEA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2ABFE3F shade: #C2ABFE, #FEC0A9 and #A9FEC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2ABFE3F shade: #C2ABFE, #FEA9D6, #E7FEA9 and #A9FED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2ABFE3F shade: #C2ABFE, #FEA9BD, #E7FEA9 and #A9FEEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 8 / 0 / 0

HEX #C2ABFE3F

RGBA 194 171 254 0.25

HSLA 256.63, 0.98%, 0.83%, 0.25

LABA 74.67, 25.09, -38.15, 0.25

 

Complementary color

CMYK 7 / 0 / 25 / 17

HEX #3D54013F

RGBA 61 84 1 0.25

HSLA 76.63, 0.98%, 0.17%, 0.25

LABA 32.56, -20.71, 39.51, 0.25

 

CMYK 5 / 8 / 0 / 1

HEX #C7ABF93F

RGBA 199 171 249 0.25

HSLA 261.54, 0.87%, 0.82%, 0.25

LABA 74.89, 25.42, -35.07, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #D8BDFF3F

RGBA 216 189 255 0.25

HSLA 264.55, 1%, 0.87%, 0.25

LABA 80.86, 22.04, -28.98, 0.25

 

CMYK 2 / 5 / 0 / 0

HEX #E9CFFF3F

RGBA 233 207 255 0.25

HSLA 272.5, 1%, 0.91%, 0.25

LABA 86.59, 17.72, -20.13, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FAE1FF3F

RGBA 250 225 255 0.25

HSLA 290, 1%, 0.94%, 0.25

LABA 92.31, 13.75, -11.4, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #C2ABFE3F

RGBA 194 171 254 0.25

HSLA 256.63, 0.98%, 0.83%, 0.25

LABA 74.67, 25.09, -38.15, 0.25

 

CMYK 6 / 9 / 0 / 2

HEX #B199EB3F

RGBA 177 153 235 0.25

HSLA 257.56, 0.67%, 0.76%, 0.25

LABA 68.11, 25.74, -38.12, 0.25

 

CMYK 6 / 9 / 0 / 4

HEX #A087D83F

RGBA 160 135 216 0.25

HSLA 258.52, 0.51%, 0.69%, 0.25

LABA 61.45, 26.45, -38.12, 0.25

 

CMYK 7 / 10 / 0 / 6

HEX #8F75C53F

RGBA 143 117 197 0.25

HSLA 259.5, 0.41%, 0.62%, 0.25

LABA 54.65, 27.24, -38.16, 0.25

 

CMYK 7 / 11 / 0 / 8

HEX #7E63B23F

RGBA 126 99 178 0.25

HSLA 260.51, 0.34%, 0.54%, 0.25

LABA 47.72, 28.11, -38.24, 0.25

 

CMYK 24 / 33 / 0 / 0

HEX #C1A9FE

RGB 193 169 254

HSL 256.94, 0.98%, 0.83%

LAB 74.11, 25.91, -39.03

 

CMYK 15 / 33 / 0 / 0

HEX #D8A9FE

RGB 216 169 254

HSL 273.18, 0.98%, 0.83%

LAB 76.15, 32.66, -35.7

 

CMYK 6 / 33 / 0 / 0

HEX #EFA9FE

RGB 239 169 254

HSL 289.41, 0.98%, 0.83%

LAB 78.39, 39.61, -32.05

 

CMYK 0 / 33 / 3 / 0

HEX #FEA9F7

RGB 254 169 247

HSL 304.94, 0.98%, 0.83%

LAB 79.71, 42.95, -26.13

 

CMYK 0 / 33 / 12 / 0

HEX #FEA9E0

RGB 254 169 224

HSL 321.18, 0.98%, 0.83%

LAB 78.94, 39.08, -14.87

 

CMYK 24 / 33 / 0 / 0

HEX #C1A9FE

RGB 193 169 254

HSL 256.94, 0.98%, 0.83%

LAB 74.11, 25.91, -39.03

 

CMYK 33 / 33 / 0 / 0

HEX #AAA9FE

RGB 170 169 254

HSL 240.71, 0.98%, 0.83%

LAB 72.28, 19.46, -42.01

 

CMYK 33 / 33 / 0 / 0

HEX #A9A9FE

RGB 169 169 254

HSL 240, 0.98%, 0.83%

LAB 72.21, 19.18, -42.13

 

CMYK 24 / 33 / 0 / 0

HEX #C1A9FE

RGB 193 169 254

HSL 256.94, 0.98%, 0.83%

LAB 74.11, 25.91, -39.03

 

CMYK 24 / 33 / 0 / 0

HEX #C1A9FE

RGB 193 169 254

HSL 256.94, 0.98%, 0.83%

LAB 74.11, 25.91, -39.03

 

CMYK 21 / 29 / 0 / 3

HEX #C4B0F7

RGB 196 176 247

HSL 256.9, 0.82%, 0.83%

LAB 75.76, 21.33, -32.66

 

CMYK 17 / 24 / 0 / 6

HEX #C7B7F0

RGB 199 183 240

HSL 256.84, 0.66%, 0.83%

LAB 77.46, 16.86, -26.26

 

CMYK 13 / 18 / 0 / 9

HEX #CABEE9

RGB 202 190 233

HSL 256.74, 0.49%, 0.83%

LAB 79.19, 12.5, -19.83

 

CMYK 9 / 13 / 0 / 11

HEX #CDC5E2

RGB 205 197 226

HSL 256.55, 0.33%, 0.83%

LAB 80.96, 8.27, -13.39

 

CMYK 33 / 24 / 0 / 0

HEX #A9C0FE

RGB 169 192 254

HSL 223.76, 0.98%, 0.83%

LAB 78.05, 6.43, -33.07

 

CMYK 33 / 33 / 0 / 0

HEX #A9A9FE

RGB 169 169 254

HSL 240, 0.98%, 0.83%

LAB 72.21, 19.18, -42.13

 

CMYK 24 / 33 / 0 / 0

HEX #C0A9FE

RGB 192 169 254

HSL 256.24, 0.98%, 0.83%

LAB 74.02, 25.62, -39.16

 

CMYK 16 / 33 / 0 / 0

HEX #D6A9FE

RGB 214 169 254

HSL 271.76, 0.98%, 0.83%

LAB 75.96, 32.07, -36

 

CMYK 7 / 33 / 0 / 0

HEX #EDA9FE

RGB 237 169 254

HSL 288, 0.98%, 0.83%

LAB 78.19, 39, -32.38

 

CMYK 47 / 66 / 0 / 1

HEX #8557FD

RGB 133 87 253

HSL 256.63, 0.98%, 0.67%

LAB 50.56, 56.56, -76.31

 

CMYK 36 / 50 / 0 / 0

HEX #A380FE

RGB 163 128 254

HSL 256.67, 0.98%, 0.75%

LAB 61.98, 40.78, -58.31

 

CMYK 24 / 33 / 0 / 0

HEX #C1A9FE

RGB 193 169 254

HSL 256.94, 0.98%, 0.83%

LAB 74.11, 25.91, -39.03

 

CMYK 13 / 18 / 0 / 0

HEX #DED2FF

RGB 222 210 255

HSL 256, 1%, 0.91%

LAB 86.43, 12.65, -20.46

 

CMYK 1 / 2 / 0 / 0

HEX #FCFBFF

RGB 252 251 255

HSL 255, 1%, 0.99%

LAB 98.79, 1.04, -1.8

 

CMYK 24 / 33 / 0 / 0

HEX #C2ABFE

RGB 194 171 254

HSL 256.63, 0.98%, 0.83%

LAB 74.67, 25.09, -38.15

 

CMYK 0 / 33 / 16 / 0

HEX #FEA9D6

RGB 254 169 214

HSL 328.24, 0.98%, 0.83%

LAB 78.64, 37.51, -9.9

 

CMYK 29 / 0 / 33 / 0

HEX #B4FEA9

RGB 180 254 169

HSL 112.24, 0.98%, 0.83%

LAB 93.21, -38.45, 33.58

 

CMYK 24 / 33 / 0 / 0

HEX #C2ABFE

RGB 194 171 254

HSL 256.63, 0.98%, 0.83%

LAB 74.67, 25.09, -38.15

 

CMYK 0 / 24 / 33 / 0

HEX #FEC0A9

RGB 254 192 169

HSL 16.24, 0.98%, 0.83%

LAB 82.72, 19.22, 20.23

 

CMYK 33 / 0 / 24 / 0

HEX #A9FEC0

RGB 169 254 192

HSL 136.24, 0.98%, 0.83%

LAB 93.07, -38.09, 21.67

 

CMYK 24 / 33 / 0 / 0

HEX #C2ABFE

RGB 194 171 254

HSL 256.63, 0.98%, 0.83%

LAB 74.67, 25.09, -38.15

 

CMYK 0 / 33 / 16 / 0

HEX #FEA9D6

RGB 254 169 214

HSL 328.24, 0.98%, 0.83%

LAB 78.64, 37.51, -9.9

 

CMYK 9 / 0 / 33 / 0

HEX #E7FEA9

RGB 231 254 169

HSL 76.24, 0.98%, 0.83%

LAB 96.3, -20.88, 38.23

 

CMYK 33 / 0 / 18 / 0

HEX #A9FED1

RGB 169 254 209

HSL 148.24, 0.98%, 0.83%

LAB 93.42, -34.95, 13.46

 

CMYK 24 / 33 / 0 / 0

HEX #C2ABFE

RGB 194 171 254

HSL 256.63, 0.98%, 0.83%

LAB 74.67, 25.09, -38.15

 

CMYK 0 / 33 / 26 / 0

HEX #FEA9BD

RGB 254 169 189

HSL 345.88, 0.98%, 0.83%

LAB 77.95, 33.87, 2.68

 

CMYK 9 / 0 / 33 / 0

HEX #E7FEA9

RGB 231 254 169

HSL 76.24, 0.98%, 0.83%

LAB 96.3, -20.88, 38.23

 

CMYK 33 / 0 / 8 / 0

HEX #A9FEEA

RGB 169 254 234

HSL 165.88, 0.98%, 0.83%

LAB 93.99, -29.89, 1.4

 

Description

Color code: HEX #C2ABFE3F | qconv.com Color code: HEX #C2ABFE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 171 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 171 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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