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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2ABEA it is the complementary color #3D5415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2ABEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2ABEA shade: #C7ABE5, #D8BDF8, #E9CFFF, #FAE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2ABEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2ABEA shade: #C2ABEA, #B199D7, #A087C4, #8F75B1 and #7E639E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2ABEA shade: #C1A9EA, #D2A9EA, #E3A9EA, #EAA9DE and #EAA9CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2ABEA shade: #C1A9EA, #AFA9EA and #A9A9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2ABEA shade matches the following richer shades: #C1A9EA, #BEA1F2 and #BC98FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2ABEA shade: #C1A9EA, #C3B2E1, #C5BBD8, #C8C3D0 and #CACCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2ABEA shade: #A9B5EA, #AFA9EA, #C0A9EA, #D1A9EA and #E2A9EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2ABEA shade: #9167D9, #A988E1, #C1A9EA, #D9CAF2 and #F1EBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2ABEA shade: #C2ABEA, #EAA9C6 and #ADEAA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2ABEA shade: #C2ABEA, #EAC0A9 and #A9EAC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2ABEA shade: #C2ABEA, #EAA9C6, #D3EAA9 and #A9EACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2ABEA shade: #C2ABEA, #EAA9B3, #D3EAA9 and #A9EAE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 27 / 0 / 8

HEX #C2ABEA

RGB 194 171 234

HSL 261.9, 0.6%, 0.79%

LAB 73.89, 20.59, -28.52

 

Complementary color

CMYK 27 / 0 / 75 / 67

HEX #3D5415

RGB 61 84 21

HSL 81.9, 0.6%, 0.21%

LAB 32.67, -19.61, 32.41

 

CMYK 13 / 25 / 0 / 10

HEX #C7ABE5

RGB 199 171 229

HSL 268.97, 0.53%, 0.78%

LAB 74.14, 21.07, -25.38

 

CMYK 13 / 24 / 0 / 3

HEX #D8BDF8

RGB 216 189 248

HSL 267.46, 0.81%, 0.86%

LAB 80.61, 20.58, -25.61

 

CMYK 9 / 19 / 0 / 0

HEX #E9CFFF

RGB 233 207 255

HSL 272.5, 1%, 0.91%

LAB 86.59, 17.72, -20.13

 

CMYK 2 / 12 / 0 / 0

HEX #FAE1FF

RGB 250 225 255

HSL 290, 1%, 0.94%

LAB 92.31, 13.75, -11.4

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 17 / 27 / 0 / 8

HEX #C2ABEA

RGB 194 171 234

HSL 261.9, 0.6%, 0.79%

LAB 73.89, 20.59, -28.52

 

CMYK 18 / 29 / 0 / 16

HEX #B199D7

RGB 177 153 215

HSL 263.23, 0.44%, 0.72%

LAB 67.3, 21.13, -28.36

 

CMYK 18 / 31 / 0 / 23

HEX #A087C4

RGB 160 135 196

HSL 264.59, 0.34%, 0.65%

LAB 60.59, 21.72, -28.22

 

CMYK 19 / 34 / 0 / 31

HEX #8F75B1

RGB 143 117 177

HSL 266, 0.28%, 0.58%

LAB 53.75, 22.38, -28.1

 

CMYK 20 / 37 / 0 / 38

HEX #7E639E

RGB 126 99 158

HSL 267.46, 0.23%, 0.5%

LAB 46.75, 23.1, -28.02

 

CMYK 18 / 28 / 0 / 8

HEX #C1A9EA

RGB 193 169 234

HSL 262.15, 0.61%, 0.79%

LAB 73.32, 21.38, -29.4

 

CMYK 10 / 28 / 0 / 8

HEX #D2A9EA

RGB 210 169 234

HSL 277.85, 0.61%, 0.79%

LAB 74.84, 26.67, -26.95

 

CMYK 3 / 28 / 0 / 8

HEX #E3A9EA

RGB 227 169 234

HSL 293.54, 0.61%, 0.79%

LAB 76.46, 32.07, -24.31

 

CMYK 0 / 28 / 5 / 8

HEX #EAA9DE

RGB 234 169 222

HSL 311.08, 0.61%, 0.79%

LAB 76.77, 32.15, -17.27

 

CMYK 0 / 28 / 12 / 8

HEX #EAA9CD

RGB 234 169 205

HSL 326.77, 0.61%, 0.79%

LAB 76.24, 29.28, -8.8

 

CMYK 18 / 28 / 0 / 8

HEX #C1A9EA

RGB 193 169 234

HSL 262.15, 0.61%, 0.79%

LAB 73.32, 21.38, -29.4

 

CMYK 25 / 28 / 0 / 8

HEX #AFA9EA

RGB 175 169 234

HSL 245.54, 0.61%, 0.79%

LAB 71.85, 15.95, -31.8

 

CMYK 28 / 28 / 0 / 8

HEX #A9A9EA

RGB 169 169 234

HSL 240, 0.61%, 0.79%

LAB 71.39, 14.19, -32.55

 

CMYK 18 / 28 / 0 / 8

HEX #C1A9EA

RGB 193 169 234

HSL 262.15, 0.61%, 0.79%

LAB 73.32, 21.38, -29.4

 

CMYK 21 / 33 / 0 / 5

HEX #BEA1F2

RGB 190 161 242

HSL 261.48, 0.76%, 0.79%

LAB 71.45, 26.7, -36.67

 

CMYK 25 / 39 / 0 / 2

HEX #BC98FB

RGB 188 152 251

HSL 261.82, 0.93%, 0.79%

LAB 69.55, 33.2, -44.55

 

CMYK 18 / 28 / 0 / 8

HEX #C1A9EA

RGB 193 169 234

HSL 262.15, 0.61%, 0.79%

LAB 73.32, 21.38, -29.4

 

CMYK 13 / 21 / 0 / 12

HEX #C3B2E1

RGB 195 178 225

HSL 261.7, 0.44%, 0.79%

LAB 75.38, 15.12, -21.35

 

CMYK 9 / 13 / 0 / 15

HEX #C5BBD8

RGB 197 187 216

HSL 260.69, 0.27%, 0.79%

LAB 77.5, 9.02, -13.25

 

CMYK 4 / 6 / 0 / 18

HEX #C8C3D0

RGB 200 195 208

HSL 263.08, 0.12%, 0.79%

LAB 79.54, 4.15, -5.88

 

CMYK 1 / 0 / 2 / 20

HEX #CACCC7

RGB 202 204 199

HSL 84, 0.05%, 0.79%

LAB 81.77, -1.59, 2.24

 

CMYK 28 / 23 / 0 / 8

HEX #A9B5EA

RGB 169 181 234

HSL 228.92, 0.61%, 0.79%

LAB 74.46, 7.53, -27.81

 

CMYK 25 / 28 / 0 / 8

HEX #AFA9EA

RGB 175 169 234

HSL 245.54, 0.61%, 0.79%

LAB 71.85, 15.95, -31.8

 

CMYK 18 / 28 / 0 / 8

HEX #C0A9EA

RGB 192 169 234

HSL 261.23, 0.61%, 0.79%

LAB 73.23, 21.08, -29.54

 

CMYK 11 / 28 / 0 / 8

HEX #D1A9EA

RGB 209 169 234

HSL 276.92, 0.61%, 0.79%

LAB 74.74, 26.36, -27.1

 

CMYK 3 / 28 / 0 / 8

HEX #E2A9EA

RGB 226 169 234

HSL 292.62, 0.61%, 0.79%

LAB 76.37, 31.75, -24.47

 

CMYK 33 / 53 / 0 / 15

HEX #9167D9

RGB 145 103 217

HSL 262.11, 0.6%, 0.63%

LAB 52.65, 40.89, -52.68

 

CMYK 25 / 40 / 0 / 12

HEX #A988E1

RGB 169 136 225

HSL 262.25, 0.6%, 0.71%

LAB 62.91, 30.64, -40.79

 

CMYK 18 / 28 / 0 / 8

HEX #C1A9EA

RGB 193 169 234

HSL 262.15, 0.61%, 0.79%

LAB 73.32, 21.38, -29.4

 

CMYK 10 / 17 / 0 / 5

HEX #D9CAF2

RGB 217 202 242

HSL 262.5, 0.61%, 0.87%

LAB 83.65, 12.69, -17.79

 

CMYK 4 / 6 / 0 / 2

HEX #F1EBFA

RGB 241 235 250

HSL 264, 0.6%, 0.95%

LAB 93.89, 4.7, -6.52

 

CMYK 17 / 27 / 0 / 8

HEX #C2ABEA

RGB 194 171 234

HSL 261.9, 0.6%, 0.79%

LAB 73.89, 20.59, -28.52

 

CMYK 0 / 28 / 15 / 8

HEX #EAA9C6

RGB 234 169 198

HSL 333.23, 0.61%, 0.79%

LAB 76.04, 28.15, -5.28

 

CMYK 26 / 0 / 28 / 8

HEX #ADEAA9

RGB 173 234 169

HSL 116.31, 0.61%, 0.79%

LAB 87.29, -31.56, 25.52

 

CMYK 17 / 27 / 0 / 8

HEX #C2ABEA

RGB 194 171 234

HSL 261.9, 0.6%, 0.79%

LAB 73.89, 20.59, -28.52

 

CMYK 0 / 18 / 28 / 8

HEX #EAC0A9

RGB 234 192 169

HSL 21.23, 0.61%, 0.79%

LAB 80.77, 11.67, 17.23

 

CMYK 28 / 0 / 18 / 8

HEX #A9EAC0

RGB 169 234 192

HSL 141.23, 0.61%, 0.79%

LAB 87.53, -28.83, 13.91

 

CMYK 17 / 27 / 0 / 8

HEX #C2ABEA

RGB 194 171 234

HSL 261.9, 0.6%, 0.79%

LAB 73.89, 20.59, -28.52

 

CMYK 0 / 28 / 15 / 8

HEX #EAA9C6

RGB 234 169 198

HSL 333.23, 0.61%, 0.79%

LAB 76.04, 28.15, -5.28

 

CMYK 10 / 0 / 28 / 8

HEX #D3EAA9

RGB 211 234 169

HSL 81.23, 0.61%, 0.79%

LAB 89.65, -18.42, 29.13

 

CMYK 28 / 0 / 12 / 8

HEX #A9EACD

RGB 169 234 205

HSL 153.23, 0.61%, 0.79%

LAB 87.82, -26.33, 7.54

 

CMYK 17 / 27 / 0 / 8

HEX #C2ABEA

RGB 194 171 234

HSL 261.9, 0.6%, 0.79%

LAB 73.89, 20.59, -28.52

 

CMYK 0 / 28 / 24 / 8

HEX #EAA9B3

RGB 234 169 179

HSL 350.77, 0.61%, 0.79%

LAB 75.53, 25.29, 4.37

 

CMYK 10 / 0 / 28 / 8

HEX #D3EAA9

RGB 211 234 169

HSL 81.23, 0.61%, 0.79%

LAB 89.65, -18.42, 29.13

 

CMYK 28 / 0 / 4 / 8

HEX #A9EAE0

RGB 169 234 224

HSL 170.77, 0.61%, 0.79%

LAB 88.29, -22.41, -1.73

 

Description

Color code: HEX #C2ABEA | qconv.com Color code: HEX #C2ABEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 171 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 171 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 27 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 27% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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