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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2AB31 it is the complementary color #3D54CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2AB31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2AB31 shade: #C7AB2C, #D8BD3F, #E9CF52, #FAE165 and #FFF378

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2AB31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2AB31 shade: #C2AB31, #B1991E, #A0870B, #8F7500 and #7E6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2AB31 shade: #C4AD31, #C48531, #C45D31, #C43631 and #C43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2AB31 shade: #C4AD31, #B4C431, #8CC431, #64C431 and #3DC431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2AB31 shade matches the following richer shades: #C4AD31, #D8BA1D and #EBC809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2AB31 shade: #C4AD31, #B09F45, #9C9159, #88846C and #757680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2AB31 shade: #C45D31, #C48431, #C4AB31, #B5C431 and #8EC431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2AB31 shade: #827220, #A38F29, #C4AD31, #D2BD4C and #DAC96D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2AB31 shade: #C2AB31, #31C436 and #7131C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2AB31 shade: #C2AB31, #31C4AB and #AB31C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2AB31 shade: #C2AB31, #31C436, #3149C4 and #C431BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2AB31 shade: #C2AB31, #31C462, #3149C4 and #C43193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 75 / 24

HEX #C2AB31

RGB 194 171 49

HSL 50.48, 0.6%, 0.48%

LAB 70.05, -4.61, 61.84

 

Complementary color

CMYK 70 / 59 / 0 / 19

HEX #3D54CE

RGB 61 84 206

HSL 230.48, 0.6%, 0.52%

LAB 40.88, 32.26, -65.73

 

CMYK 0 / 14 / 78 / 22

HEX #C7AB2C

RGB 199 171 44

HSL 49.16, 0.64%, 0.48%

LAB 70.49, -2.62, 64.15

 

CMYK 0 / 13 / 71 / 15

HEX #D8BD3F

RGB 216 189 63

HSL 49.41, 0.66%, 0.55%

LAB 76.89, -3.85, 63.96

 

CMYK 0 / 11 / 65 / 9

HEX #E9CF52

RGB 233 207 82

HSL 49.67, 0.77%, 0.62%

LAB 83.21, -4.9, 63.29

 

CMYK 0 / 10 / 60 / 2

HEX #FAE165

RGB 250 225 101

HSL 49.93, 0.94%, 0.69%

LAB 89.45, -5.79, 62.37

 

CMYK 0 / 5 / 53 / 0

HEX #FFF378

RGB 255 243 120

HSL 54.67, 1%, 0.74%

LAB 94.62, -11.34, 59.91

 

CMYK 0 / 12 / 75 / 24

HEX #C2AB31

RGB 194 171 49

HSL 50.48, 0.6%, 0.48%

LAB 70.05, -4.61, 61.84

 

CMYK 0 / 14 / 83 / 31

HEX #B1991E

RGB 177 153 30

HSL 50.2, 0.71%, 0.41%

LAB 63.53, -3.28, 61.52

 

CMYK 0 / 16 / 93 / 37

HEX #A0870B

RGB 160 135 11

HSL 49.93, 0.87%, 0.34%

LAB 56.91, -1.67, 59.86

 

CMYK 0 / 18 / 100 / 44

HEX #8F7500

RGB 143 117 0

HSL 49.09, 1%, 0.28%

LAB 50.17, 0.25, 56.12

 

CMYK 0 / 21 / 100 / 51

HEX #7E6300

RGB 126 99 0

HSL 47.14, 1%, 0.25%

LAB 43.3, 2.45, 50.46

 

CMYK 0 / 12 / 75 / 23

HEX #C4AD31

RGB 196 173 49

HSL 50.61, 0.6%, 0.48%

LAB 70.76, -4.79, 62.58

 

CMYK 0 / 32 / 75 / 23

HEX #C48531

RGB 196 133 49

HSL 34.29, 0.6%, 0.48%

LAB 60.54, 16.84, 52.7

 

CMYK 0 / 53 / 75 / 23

HEX #C45D31

RGB 196 93 49

HSL 17.96, 0.6%, 0.48%

LAB 51.59, 38.27, 43.57

 

CMYK 0 / 72 / 75 / 23

HEX #C43631

RGB 196 54 49

HSL 2.04, 0.6%, 0.48%

LAB 45.08, 55.55, 36.54

 

CMYK 0 / 75 / 75 / 23

HEX #C43131

RGB 196 49 49

HSL 0, 0.6%, 0.48%

LAB 44.45, 57.28, 35.85

 

CMYK 0 / 12 / 75 / 23

HEX #C4AD31

RGB 196 173 49

HSL 50.61, 0.6%, 0.48%

LAB 70.76, -4.79, 62.58

 

CMYK 8 / 0 / 75 / 23

HEX #B4C431

RGB 180 196 49

HSL 66.53, 0.6%, 0.48%

LAB 75.7, -23.35, 66.74

 

CMYK 29 / 0 / 75 / 23

HEX #8CC431

RGB 140 196 49

HSL 82.86, 0.6%, 0.48%

LAB 73.07, -39.36, 63.32

 

CMYK 49 / 0 / 75 / 23

HEX #64C431

RGB 100 196 49

HSL 99.18, 0.6%, 0.48%

LAB 71.15, -52.97, 60.8

 

CMYK 69 / 0 / 75 / 23

HEX #3DC431

RGB 61 196 49

HSL 115.1, 0.6%, 0.48%

LAB 69.96, -62.51, 59.23

 

CMYK 0 / 12 / 75 / 23

HEX #C4AD31

RGB 196 173 49

HSL 50.61, 0.6%, 0.48%

LAB 70.76, -4.79, 62.58

 

CMYK 0 / 14 / 87 / 15

HEX #D8BA1D

RGB 216 186 29

HSL 50.37, 0.76%, 0.48%

LAB 75.95, -3.49, 73.58

 

CMYK 0 / 15 / 96 / 8

HEX #EBC809

RGB 235 200 9

HSL 50.71, 0.93%, 0.48%

LAB 81.29, -2.77, 81.44

 

CMYK 0 / 12 / 75 / 23

HEX #C4AD31

RGB 196 173 49

HSL 50.61, 0.6%, 0.48%

LAB 70.76, -4.79, 62.58

 

CMYK 0 / 10 / 61 / 31

HEX #B09F45

RGB 176 159 69

HSL 50.47, 0.44%, 0.48%

LAB 65.32, -4.97, 48.13

 

CMYK 0 / 7 / 43 / 39

HEX #9C9159

RGB 156 145 89

HSL 50.15, 0.27%, 0.48%

LAB 59.92, -4.2, 31.15

 

CMYK 0 / 3 / 21 / 47

HEX #88846C

RGB 136 132 108

HSL 51.43, 0.11%, 0.48%

LAB 54.89, -2.74, 13.52

 

CMYK 9 / 8 / 0 / 50

HEX #757680

RGB 117 118 128

HSL 234.55, 0.04%, 0.48%

LAB 49.85, 1.73, -5.6

 

CMYK 0 / 53 / 75 / 23

HEX #C45D31

RGB 196 93 49

HSL 17.96, 0.6%, 0.48%

LAB 51.59, 38.27, 43.57

 

CMYK 0 / 33 / 75 / 23

HEX #C48431

RGB 196 132 49

HSL 33.88, 0.6%, 0.48%

LAB 60.3, 17.38, 52.46

 

CMYK 0 / 13 / 75 / 23

HEX #C4AB31

RGB 196 171 49

HSL 49.8, 0.6%, 0.48%

LAB 70.23, -3.74, 62.08

 

CMYK 8 / 0 / 75 / 23

HEX #B5C431

RGB 181 196 49

HSL 66.12, 0.6%, 0.48%

LAB 75.78, -22.94, 66.84

 

CMYK 28 / 0 / 75 / 23

HEX #8EC431

RGB 142 196 49

HSL 82.04, 0.6%, 0.48%

LAB 73.19, -38.6, 63.47

 

CMYK 0 / 12 / 75 / 49

HEX #827220

RGB 130 114 32

HSL 50.2, 0.6%, 0.32%

LAB 48.11, -3.28, 45.13

 

CMYK 0 / 12 / 75 / 36

HEX #A38F29

RGB 163 143 41

HSL 50.16, 0.6%, 0.4%

LAB 59.52, -3.76, 53.72

 

CMYK 0 / 12 / 75 / 23

HEX #C4AD31

RGB 196 173 49

HSL 50.61, 0.6%, 0.48%

LAB 70.76, -4.79, 62.58

 

CMYK 0 / 10 / 64 / 18

HEX #D2BD4C

RGB 210 189 76

HSL 50.6, 0.6%, 0.56%

LAB 76.45, -5.69, 58.02

 

CMYK 0 / 8 / 50 / 15

HEX #DAC96D

RGB 218 201 109

HSL 50.64, 0.6%, 0.64%

LAB 80.62, -6.05, 47.73

 

CMYK 0 / 12 / 75 / 24

HEX #C2AB31

RGB 194 171 49

HSL 50.48, 0.6%, 0.48%

LAB 70.05, -4.61, 61.84

 

CMYK 75 / 0 / 72 / 23

HEX #31C436

RGB 49 196 54

HSL 122.04, 0.6%, 0.48%

LAB 69.75, -64.16, 57.18

 

CMYK 42 / 75 / 0 / 23

HEX #7131C4

RGB 113 49 196

HSL 266.12, 0.6%, 0.48%

LAB 37.29, 56.77, -65.61

 

CMYK 0 / 12 / 75 / 24

HEX #C2AB31

RGB 194 171 49

HSL 50.48, 0.6%, 0.48%

LAB 70.05, -4.61, 61.84

 

CMYK 75 / 0 / 13 / 23

HEX #31C4AB

RGB 49 196 171

HSL 169.8, 0.6%, 0.48%

LAB 71.6, -43.5, 1.68

 

CMYK 13 / 75 / 0 / 23

HEX #AB31C4

RGB 171 49 196

HSL 289.8, 0.6%, 0.48%

LAB 45.41, 67.41, -52.05

 

CMYK 0 / 12 / 75 / 24

HEX #C2AB31

RGB 194 171 49

HSL 50.48, 0.6%, 0.48%

LAB 70.05, -4.61, 61.84

 

CMYK 75 / 0 / 72 / 23

HEX #31C436

RGB 49 196 54

HSL 122.04, 0.6%, 0.48%

LAB 69.75, -64.16, 57.18

 

CMYK 75 / 63 / 0 / 23

HEX #3149C4

RGB 49 73 196

HSL 230.2, 0.6%, 0.48%

LAB 36.75, 34.23, -66.7

 

CMYK 0 / 75 / 3 / 23

HEX #C431BF

RGB 196 49 191

HSL 302.04, 0.6%, 0.48%

LAB 49.12, 71.67, -42.99

 

CMYK 0 / 12 / 75 / 24

HEX #C2AB31

RGB 194 171 49

HSL 50.48, 0.6%, 0.48%

LAB 70.05, -4.61, 61.84

 

CMYK 75 / 0 / 50 / 23

HEX #31C462

RGB 49 196 98

HSL 140, 0.6%, 0.48%

LAB 70.19, -58.96, 38.33

 

CMYK 75 / 63 / 0 / 23

HEX #3149C4

RGB 49 73 196

HSL 230.2, 0.6%, 0.48%

LAB 36.75, 34.23, -66.7

 

CMYK 0 / 75 / 25 / 23

HEX #C43193

RGB 196 49 147

HSL 320, 0.6%, 0.48%

LAB 47.03, 65.45, -20.26

 

Description

Color code: HEX #C2AB31 | qconv.com Color code: HEX #C2AB31 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 171 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 171 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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