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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A998 it is the complementary color #3D5667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A998 shade: #C7A993, #D8BBA6, #E9CDB9, #FADFCC and #FFF1DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A998 shade: #C2A998, #B19785, #A08572, #8F735F and #7E614C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A998 shade: #C3A998, #C39E98 and #C39898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A998 shade: #C3A998, #C3B598, #C3C098, #BAC398 and #AEC398

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A998 shade matches the following richer shades: #C3A998, #D0A78B, #DDA47E, #EAA271 and #F79F63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A998 shade: #C3A998, #B5ACA5, #A8AEB3, #9BB1C0 and #8EB3CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A998 shade: #C3989E, #C39E98, #C3A998, #C3B498 and #C3C098

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A998 shade: #A47E64, #B3947E, #C3A998, #D2BFB2 and #E1D5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A998 shade: #C2A998, #A9C398 and #9898C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A998 shade: #C2A998, #98C3A9 and #A998C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A998 shade: #C2A998, #A9C398, #98B2C3 and #B298C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A998 shade: #C2A998, #9CC398, #98B2C3 and #BE98C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 24

HEX #C2A998

RGB 194 169 152

HSL 24.29, 0.26%, 0.68%

LAB 70.95, 6.37, 12.11

 

Complementary color

CMYK 41 / 17 / 0 / 60

HEX #3D5667

RGB 61 86 103

HSL 204.29, 0.26%, 0.32%

LAB 35.26, -4.58, -12.79

 

CMYK 0 / 15 / 26 / 22

HEX #C7A993

RGB 199 169 147

HSL 25.38, 0.32%, 0.68%

LAB 71.3, 7.57, 15.41

 

CMYK 0 / 13 / 23 / 15

HEX #D8BBA6

RGB 216 187 166

HSL 25.2, 0.39%, 0.75%

LAB 77.81, 7.11, 14.45

 

CMYK 0 / 12 / 21 / 9

HEX #E9CDB9

RGB 233 205 185

HSL 25, 0.52%, 0.82%

LAB 84.22, 6.7, 13.55

 

CMYK 0 / 11 / 18 / 2

HEX #FADFCC

RGB 250 223 204

HSL 24.78, 0.82%, 0.89%

LAB 90.53, 6.33, 12.69

 

CMYK 0 / 5 / 13 / 0

HEX #FFF1DF

RGB 255 241 223

HSL 33.75, 1%, 0.94%

LAB 95.79, 1.79, 10.37

 

CMYK 0 / 13 / 22 / 24

HEX #C2A998

RGB 194 169 152

HSL 24.29, 0.26%, 0.68%

LAB 70.95, 6.37, 12.11

 

CMYK 0 / 15 / 25 / 31

HEX #B19785

RGB 177 151 133

HSL 24.55, 0.22%, 0.61%

LAB 64.3, 6.82, 13.06

 

CMYK 0 / 17 / 29 / 37

HEX #A08572

RGB 160 133 114

HSL 24.78, 0.19%, 0.54%

LAB 57.52, 7.33, 14.09

 

CMYK 0 / 20 / 34 / 44

HEX #8F735F

RGB 143 115 95

HSL 25, 0.2%, 0.47%

LAB 50.6, 7.94, 15.22

 

CMYK 0 / 23 / 40 / 51

HEX #7E614C

RGB 126 97 76

HSL 25.2, 0.25%, 0.4%

LAB 43.52, 8.67, 16.48

 

CMYK 0 / 13 / 22 / 24

HEX #C3A998

RGB 195 169 152

HSL 23.72, 0.26%, 0.68%

LAB 71.04, 6.76, 12.25

 

CMYK 0 / 19 / 22 / 24

HEX #C39E98

RGB 195 158 152

HSL 8.37, 0.26%, 0.68%

LAB 68.26, 12.76, 8.3

 

CMYK 0 / 22 / 22 / 24

HEX #C39898

RGB 195 152 152

HSL 0, 0.26%, 0.68%

LAB 66.77, 16.06, 6.17

 

CMYK 0 / 13 / 22 / 24

HEX #C3A998

RGB 195 169 152

HSL 23.72, 0.26%, 0.68%

LAB 71.04, 6.76, 12.25

 

CMYK 0 / 7 / 22 / 24

HEX #C3B598

RGB 195 181 152

HSL 40.47, 0.26%, 0.68%

LAB 74.14, 0.3, 16.59

 

CMYK 0 / 2 / 22 / 24

HEX #C3C098

RGB 195 192 152

HSL 55.81, 0.26%, 0.68%

LAB 77.02, -5.51, 20.59

 

CMYK 5 / 0 / 22 / 24

HEX #BAC398

RGB 186 195 152

HSL 72.56, 0.26%, 0.68%

LAB 77.12, -10.45, 20.62

 

CMYK 11 / 0 / 22 / 24

HEX #AEC398

RGB 174 195 152

HSL 89.3, 0.26%, 0.68%

LAB 76.25, -14.87, 19.28

 

CMYK 0 / 13 / 22 / 24

HEX #C3A998

RGB 195 169 152

HSL 23.72, 0.26%, 0.68%

LAB 71.04, 6.76, 12.25

 

CMYK 0 / 20 / 33 / 18

HEX #D0A78B

RGB 208 167 139

HSL 24.35, 0.42%, 0.68%

LAB 71.49, 11.09, 20.19

 

CMYK 0 / 26 / 43 / 13

HEX #DDA47E

RGB 221 164 126

HSL 24, 0.58%, 0.68%

LAB 71.85, 16.35, 27.93

 

CMYK 0 / 31 / 52 / 8

HEX #EAA271

RGB 234 162 113

HSL 24.3, 0.74%, 0.68%

LAB 72.58, 21.37, 36.09

 

CMYK 0 / 36 / 60 / 3

HEX #F79F63

RGB 247 159 99

HSL 24.32, 0.9%, 0.68%

LAB 73.2, 27.08, 44.46

 

CMYK 0 / 13 / 22 / 24

HEX #C3A998

RGB 195 169 152

HSL 23.72, 0.26%, 0.68%

LAB 71.04, 6.76, 12.25

 

CMYK 0 / 5 / 9 / 29

HEX #B5ACA5

RGB 181 172 165

HSL 26.25, 0.1%, 0.68%

LAB 70.9, 1.98, 4.74

 

CMYK 6 / 3 / 0 / 30

HEX #A8AEB3

RGB 168 174 179

HSL 207.27, 0.07%, 0.68%

LAB 70.77, -1.12, -3.3

 

CMYK 19 / 8 / 0 / 25

HEX #9BB1C0

RGB 155 177 192

HSL 204.32, 0.23%, 0.68%

LAB 71.02, -4.33, -10.18

 

CMYK 31 / 13 / 0 / 20

HEX #8EB3CD

RGB 142 179 205

HSL 204.76, 0.39%, 0.68%

LAB 71.14, -6.33, -17.22

 

CMYK 0 / 22 / 19 / 24

HEX #C3989E

RGB 195 152 158

HSL 351.63, 0.26%, 0.68%

LAB 66.92, 16.98, 3.03

 

CMYK 0 / 19 / 22 / 24

HEX #C39E98

RGB 195 158 152

HSL 8.37, 0.26%, 0.68%

LAB 68.26, 12.76, 8.3

 

CMYK 0 / 13 / 22 / 24

HEX #C3A998

RGB 195 169 152

HSL 23.72, 0.26%, 0.68%

LAB 71.04, 6.76, 12.25

 

CMYK 0 / 8 / 22 / 24

HEX #C3B498

RGB 195 180 152

HSL 39.07, 0.26%, 0.68%

LAB 73.88, 0.84, 16.23

 

CMYK 0 / 2 / 22 / 24

HEX #C3C098

RGB 195 192 152

HSL 55.81, 0.26%, 0.68%

LAB 77.02, -5.51, 20.59

 

CMYK 0 / 23 / 39 / 36

HEX #A47E64

RGB 164 126 100

HSL 24.38, 0.26%, 0.52%

LAB 55.82, 11.09, 19.81

 

CMYK 0 / 17 / 30 / 30

HEX #B3947E

RGB 179 148 126

HSL 24.91, 0.26%, 0.6%

LAB 63.57, 8.28, 15.98

 

CMYK 0 / 13 / 22 / 24

HEX #C3A998

RGB 195 169 152

HSL 23.72, 0.26%, 0.68%

LAB 71.04, 6.76, 12.25

 

CMYK 0 / 9 / 15 / 18

HEX #D2BFB2

RGB 210 191 178

HSL 24.38, 0.26%, 0.76%

LAB 78.57, 4.57, 8.98

 

CMYK 0 / 5 / 9 / 12

HEX #E1D5CC

RGB 225 213 204

HSL 25.71, 0.26%, 0.84%

LAB 85.98, 2.6, 5.91

 

CMYK 0 / 13 / 22 / 24

HEX #C2A998

RGB 194 169 152

HSL 24.29, 0.26%, 0.68%

LAB 70.95, 6.37, 12.11

 

CMYK 13 / 0 / 22 / 24

HEX #A9C398

RGB 169 195 152

HSL 96.28, 0.26%, 0.68%

LAB 75.9, -16.68, 18.75

 

CMYK 22 / 22 / 0 / 24

HEX #9898C3

RGB 152 152 195

HSL 240, 0.26%, 0.68%

LAB 64.22, 9.26, -22.14

 

CMYK 0 / 13 / 22 / 24

HEX #C2A998

RGB 194 169 152

HSL 24.29, 0.26%, 0.68%

LAB 70.95, 6.37, 12.11

 

CMYK 22 / 0 / 13 / 24

HEX #98C3A9

RGB 152 195 169

HSL 143.72, 0.26%, 0.68%

LAB 75.18, -19.51, 8.43

 

CMYK 13 / 22 / 0 / 24

HEX #A998C3

RGB 169 152 195

HSL 263.72, 0.26%, 0.68%

LAB 65.62, 14.73, -19.88

 

CMYK 0 / 13 / 22 / 24

HEX #C2A998

RGB 194 169 152

HSL 24.29, 0.26%, 0.68%

LAB 70.95, 6.37, 12.11

 

CMYK 13 / 0 / 22 / 24

HEX #A9C398

RGB 169 195 152

HSL 96.28, 0.26%, 0.68%

LAB 75.9, -16.68, 18.75

 

CMYK 22 / 9 / 0 / 24

HEX #98B2C3

RGB 152 178 195

HSL 203.72, 0.26%, 0.68%

LAB 71.18, -5.14, -11.61

 

CMYK 9 / 22 / 0 / 24

HEX #B298C3

RGB 178 152 195

HSL 276.28, 0.26%, 0.68%

LAB 66.41, 17.7, -18.6

 

CMYK 0 / 13 / 22 / 24

HEX #C2A998

RGB 194 169 152

HSL 24.29, 0.26%, 0.68%

LAB 70.95, 6.37, 12.11

 

CMYK 20 / 0 / 22 / 24

HEX #9CC398

RGB 156 195 152

HSL 114.42, 0.26%, 0.68%

LAB 75.05, -21.27, 17.44

 

CMYK 22 / 9 / 0 / 24

HEX #98B2C3

RGB 152 178 195

HSL 203.72, 0.26%, 0.68%

LAB 71.18, -5.14, -11.61

 

CMYK 3 / 22 / 0 / 24

HEX #BE98C3

RGB 190 152 195

HSL 293.02, 0.26%, 0.68%

LAB 67.53, 21.72, -16.79

 

Description

Color code: HEX #C2A998 | qconv.com Color code: HEX #C2A998 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 169 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 169 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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