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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A157 it is the complementary color #3D5EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A157 shade: #C7A152, #D8B365, #E9C578, #FAD78B and #FFE99E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A157 shade: #C2A157, #B18F44, #A07D31, #8F6B1E and #7E590B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A157 shade: #C2A156, #C28456, #C26756 and #C25656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A157 shade: #C2A156, #C2BE56, #A9C256, #8CC256 and #6FC256

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A157 shade matches the following richer shades: #C2A156, #D5A844, #E7AF31 and #FAB61F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A157 shade: #C2A156, #B09A69, #9D937B, #8A8C8E and #7884A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A157 shade: #C26656, #C28356, #C2A056, #C2BD56 and #ABC256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A157 shade: #927534, #B08D3F, #C2A156, #CDB275 and #D8C393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A157 shade: #C2A157, #63C256 and #7556C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A157 shade: #C2A157, #56C2A0 and #A056C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A157 shade: #C2A157, #63C256, #5678C2 and #B656C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A157 shade: #C2A157, #56C26A, #5678C2 and #C256AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 55 / 24

HEX #C2A157

RGB 194 161 87

HSL 41.5, 0.47%, 0.55%

LAB 67.76, 3.1, 42.64

 

Complementary color

CMYK 64 / 44 / 0 / 34

HEX #3D5EA8

RGB 61 94 168

HSL 221.5, 0.47%, 0.45%

LAB 40.94, 12.17, -43.44

 

CMYK 0 / 19 / 59 / 22

HEX #C7A152

RGB 199 161 82

HSL 40.51, 0.51%, 0.55%

LAB 68.2, 4.84, 45.76

 

CMYK 0 / 17 / 53 / 15

HEX #D8B365

RGB 216 179 101

HSL 40.7, 0.6%, 0.62%

LAB 74.69, 3.91, 44.46

 

CMYK 0 / 15 / 48 / 9

HEX #E9C578

RGB 233 197 120

HSL 40.88, 0.72%, 0.69%

LAB 81.08, 3.11, 43.17

 

CMYK 0 / 14 / 44 / 2

HEX #FAD78B

RGB 250 215 139

HSL 41.08, 0.92%, 0.76%

LAB 87.38, 2.42, 41.92

 

CMYK 0 / 9 / 38 / 0

HEX #FFE99E

RGB 255 233 158

HSL 46.39, 1%, 0.81%

LAB 92.58, -2.81, 39.18

 

CMYK 0 / 17 / 55 / 24

HEX #C2A157

RGB 194 161 87

HSL 41.5, 0.47%, 0.55%

LAB 67.76, 3.1, 42.64

 

CMYK 0 / 19 / 62 / 31

HEX #B18F44

RGB 177 143 68

HSL 41.28, 0.44%, 0.48%

LAB 61.14, 4.09, 43.93

 

CMYK 0 / 22 / 69 / 37

HEX #A07D31

RGB 160 125 49

HSL 41.08, 0.53%, 0.41%

LAB 54.41, 5.29, 45.11

 

CMYK 0 / 25 / 79 / 44

HEX #8F6B1E

RGB 143 107 30

HSL 40.88, 0.65%, 0.34%

LAB 47.56, 6.76, 45.89

 

CMYK 0 / 29 / 91 / 51

HEX #7E590B

RGB 126 89 11

HSL 40.7, 0.84%, 0.27%

LAB 40.58, 8.59, 45.57

 

CMYK 0 / 17 / 56 / 24

HEX #C2A156

RGB 194 161 86

HSL 41.67, 0.47%, 0.55%

LAB 67.75, 3.02, 43.12

 

CMYK 0 / 32 / 56 / 24

HEX #C28456

RGB 194 132 86

HSL 25.56, 0.47%, 0.55%

LAB 60.47, 18.89, 34.28

 

CMYK 0 / 47 / 56 / 24

HEX #C26756

RGB 194 103 86

HSL 9.44, 0.47%, 0.55%

LAB 53.86, 34.63, 25.9

 

CMYK 0 / 56 / 56 / 24

HEX #C25656

RGB 194 86 86

HSL 0, 0.47%, 0.55%

LAB 50.45, 43.3, 21.43

 

CMYK 0 / 17 / 56 / 24

HEX #C2A156

RGB 194 161 86

HSL 41.67, 0.47%, 0.55%

LAB 67.75, 3.02, 43.12

 

CMYK 0 / 2 / 56 / 24

HEX #C2BE56

RGB 194 190 86

HSL 57.78, 0.47%, 0.55%

LAB 75.43, -12.23, 52.05

 

CMYK 13 / 0 / 56 / 24

HEX #A9C256

RGB 169 194 86

HSL 73.89, 0.47%, 0.55%

LAB 74.63, -24.47, 50.63

 

CMYK 28 / 0 / 56 / 24

HEX #8CC256

RGB 140 194 86

HSL 90, 0.47%, 0.55%

LAB 72.78, -35.61, 48.01

 

CMYK 43 / 0 / 56 / 24

HEX #6FC256

RGB 111 194 86

HSL 106.11, 0.47%, 0.55%

LAB 71.31, -45.51, 45.91

 

CMYK 0 / 17 / 56 / 24

HEX #C2A156

RGB 194 161 86

HSL 41.67, 0.47%, 0.55%

LAB 67.75, 3.02, 43.12

 

CMYK 0 / 21 / 68 / 16

HEX #D5A844

RGB 213 168 68

HSL 41.38, 0.63%, 0.55%

LAB 71.26, 6.18, 56.06

 

CMYK 0 / 24 / 79 / 9

HEX #E7AF31

RGB 231 175 49

HSL 41.54, 0.79%, 0.55%

LAB 74.74, 9.34, 67.53

 

CMYK 0 / 27 / 88 / 2

HEX #FAB61F

RGB 250 182 31

HSL 41.37, 0.96%, 0.55%

LAB 78.39, 13.3, 76.52

 

CMYK 0 / 17 / 56 / 24

HEX #C2A156

RGB 194 161 86

HSL 41.67, 0.47%, 0.55%

LAB 67.75, 3.02, 43.12

 

CMYK 0 / 13 / 40 / 31

HEX #B09A69

RGB 176 154 105

HSL 41.41, 0.31%, 0.55%

LAB 64.45, 1.09, 28.71

 

CMYK 0 / 6 / 22 / 38

HEX #9D937B

RGB 157 147 123

HSL 42.35, 0.15%, 0.55%

LAB 61.19, -0.37, 14.05

 

CMYK 3 / 1 / 0 / 44

HEX #8A8C8E

RGB 138 140 142

HSL 210, 0.02%, 0.55%

LAB 58.14, -0.33, -1.33

 

CMYK 25 / 18 / 0 / 37

HEX #7884A1

RGB 120 132 161

HSL 222.44, 0.18%, 0.55%

LAB 55.14, 2.33, -16.89

 

CMYK 0 / 47 / 56 / 24

HEX #C26656

RGB 194 102 86

HSL 8.89, 0.47%, 0.55%

LAB 53.65, 35.16, 25.62

 

CMYK 0 / 32 / 56 / 24

HEX #C28356

RGB 194 131 86

HSL 25, 0.47%, 0.55%

LAB 60.22, 19.44, 33.98

 

CMYK 0 / 18 / 56 / 24

HEX #C2A056

RGB 194 160 86

HSL 41.11, 0.47%, 0.55%

LAB 67.49, 3.56, 42.82

 

CMYK 0 / 3 / 56 / 24

HEX #C2BD56

RGB 194 189 86

HSL 57.22, 0.47%, 0.55%

LAB 75.16, -11.72, 51.74

 

CMYK 12 / 0 / 56 / 24

HEX #ABC256

RGB 171 194 86

HSL 72.78, 0.47%, 0.55%

LAB 74.77, -23.67, 50.82

 

CMYK 0 / 20 / 64 / 43

HEX #927534

RGB 146 117 52

HSL 41.49, 0.47%, 0.39%

LAB 50.78, 3.65, 39.29

 

CMYK 0 / 20 / 64 / 31

HEX #B08D3F

RGB 176 141 63

HSL 41.42, 0.47%, 0.47%

LAB 60.46, 4.41, 45.56

 

CMYK 0 / 17 / 56 / 24

HEX #C2A156

RGB 194 161 86

HSL 41.67, 0.47%, 0.55%

LAB 67.75, 3.02, 43.12

 

CMYK 0 / 13 / 43 / 20

HEX #CDB275

RGB 205 178 117

HSL 41.59, 0.47%, 0.63%

LAB 73.61, 1.43, 34.72

 

CMYK 0 / 10 / 32 / 15

HEX #D8C393

RGB 216 195 147

HSL 41.74, 0.47%, 0.71%

LAB 79.46, 0.32, 26.86

 

CMYK 0 / 17 / 55 / 24

HEX #C2A157

RGB 194 161 87

HSL 41.5, 0.47%, 0.55%

LAB 67.76, 3.1, 42.64

 

CMYK 49 / 0 / 56 / 24

HEX #63C256

RGB 99 194 86

HSL 112.78, 0.47%, 0.55%

LAB 70.81, -49.11, 45.2

 

CMYK 40 / 56 / 0 / 24

HEX #7556C2

RGB 117 86 194

HSL 257.22, 0.47%, 0.55%

LAB 44.71, 37.71, -52.39

 

CMYK 0 / 17 / 55 / 24

HEX #C2A157

RGB 194 161 87

HSL 41.5, 0.47%, 0.55%

LAB 67.76, 3.1, 42.64

 

CMYK 56 / 0 / 18 / 24

HEX #56C2A0

RGB 86 194 160

HSL 161.11, 0.47%, 0.55%

LAB 71.62, -39.25, 7.81

 

CMYK 18 / 56 / 0 / 24

HEX #A056C2

RGB 160 86 194

HSL 281.11, 0.47%, 0.55%

LAB 49.53, 48.51, -44.42

 

CMYK 0 / 17 / 55 / 24

HEX #C2A157

RGB 194 161 87

HSL 41.5, 0.47%, 0.55%

LAB 67.76, 3.1, 42.64

 

CMYK 49 / 0 / 56 / 24

HEX #63C256

RGB 99 194 86

HSL 112.78, 0.47%, 0.55%

LAB 70.81, -49.11, 45.2

 

CMYK 56 / 38 / 0 / 24

HEX #5678C2

RGB 86 120 194

HSL 221.11, 0.47%, 0.55%

LAB 51.04, 9.85, -42.42

 

CMYK 6 / 56 / 0 / 24

HEX #B656C2

RGB 182 86 194

HSL 293.33, 0.47%, 0.55%

LAB 52.39, 54.33, -39.69

 

CMYK 0 / 17 / 55 / 24

HEX #C2A157

RGB 194 161 87

HSL 41.5, 0.47%, 0.55%

LAB 67.76, 3.1, 42.64

 

CMYK 56 / 0 / 45 / 24

HEX #56C26A

RGB 86 194 106

HSL 131.11, 0.47%, 0.55%

LAB 70.6, -49.81, 35.03

 

CMYK 56 / 38 / 0 / 24

HEX #5678C2

RGB 86 120 194

HSL 221.11, 0.47%, 0.55%

LAB 51.04, 9.85, -42.42

 

CMYK 0 / 56 / 10 / 24

HEX #C256AE

RGB 194 86 174

HSL 311.11, 0.47%, 0.55%

LAB 53.15, 54.14, -26.81

 

Description

Color code: HEX #C2A157 | qconv.com Color code: HEX #C2A157 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 161 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 161 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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