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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C29ACC it is the complementary color #3D6533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C29ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C29ACC shade: #C79AC7, #D8ACDA, #E9BEED, #FAD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C29ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C29ACC shade: #C29ACC, #B188B9, #A076A6, #8F6493 and #7E5280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C29ACC shade: #C299CC, #CC99C8, #CC99BB, #CC99AD and #CC999F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C29ACC shade: #C299CC, #B499CC, #A699CC and #9999CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C29ACC shade matches the following richer shades: #C299CC, #C98DD8, #D180E5, #D874F1 and #DF68FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C29ACC shade: #C299CC, #BAA6BF, #B3B2B3, #ABBEA7 and #A4CB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C29ACC shade: #A799CC, #B499CC, #C299CC, #CC99C8 and #CC99BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C29ACC shade: #A162B0, #B17EBE, #C299CC, #D2B5DA and #E3D0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C29ACC shade: #C29ACC, #CC9999 and #99CCAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C29ACC shade: #C29ACC, #CCC299 and #99CCC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C29ACC shade: #C29ACC, #CC9999, #A3CC99 and #99CCCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C29ACC shade: #C29ACC, #CCA899, #A3CC99 and #99BDCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 25 / 0 / 20

HEX #C29ACC

RGB 194 154 204

HSL 288, 0.33%, 0.7%

LAB 68.71, 23.72, -19.98

 

Complementary color

CMYK 40 / 0 / 50 / 60

HEX #3D6533

RGB 61 101 51

HSL 108, 0.33%, 0.3%

LAB 38.79, -24.85, 23.88

 

CMYK 0 / 23 / 0 / 22

HEX #C79AC7

RGB 199 154 199

HSL 300, 0.29%, 0.69%

LAB 69.02, 24.42, -16.68

 

CMYK 1 / 21 / 0 / 15

HEX #D8ACDA

RGB 216 172 218

HSL 297.39, 0.38%, 0.76%

LAB 75.55, 23.85, -17.1

 

CMYK 2 / 20 / 0 / 7

HEX #E9BEED

RGB 233 190 237

HSL 294.89, 0.57%, 0.84%

LAB 81.98, 23.32, -17.51

 

CMYK 2 / 18 / 0 / 0

HEX #FAD0FF

RGB 250 208 255

HSL 293.62, 1%, 0.91%

LAB 88.28, 22.65, -17.43

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 5 / 25 / 0 / 20

HEX #C29ACC

RGB 194 154 204

HSL 288, 0.33%, 0.7%

LAB 68.71, 23.72, -19.98

 

CMYK 4 / 26 / 0 / 27

HEX #B188B9

RGB 177 136 185

HSL 290.2, 0.26%, 0.63%

LAB 62.05, 24.32, -19.63

 

CMYK 4 / 29 / 0 / 35

HEX #A076A6

RGB 160 118 166

HSL 292.5, 0.21%, 0.56%

LAB 55.26, 24.97, -19.27

 

CMYK 3 / 32 / 0 / 42

HEX #8F6493

RGB 143 100 147

HSL 294.89, 0.19%, 0.48%

LAB 48.34, 25.68, -18.9

 

CMYK 2 / 36 / 0 / 50

HEX #7E5280

RGB 126 82 128

HSL 297.39, 0.22%, 0.41%

LAB 41.26, 26.46, -18.5

 

CMYK 5 / 25 / 0 / 20

HEX #C299CC

RGB 194 153 204

HSL 288.24, 0.33%, 0.7%

LAB 68.47, 24.27, -20.34

 

CMYK 0 / 25 / 2 / 20

HEX #CC99C8

RGB 204 153 200

HSL 304.71, 0.33%, 0.7%

LAB 69.32, 26.84, -16.74

 

CMYK 0 / 25 / 8 / 20

HEX #CC99BB

RGB 204 153 187

HSL 320, 0.33%, 0.7%

LAB 68.9, 24.5, -10.15

 

CMYK 0 / 25 / 15 / 20

HEX #CC99AD

RGB 204 153 173

HSL 336.47, 0.33%, 0.7%

LAB 68.49, 22.14, -2.96

 

CMYK 0 / 25 / 22 / 20

HEX #CC999F

RGB 204 153 159

HSL 352.94, 0.33%, 0.7%

LAB 68.11, 19.95, 4.31

 

CMYK 5 / 25 / 0 / 20

HEX #C299CC

RGB 194 153 204

HSL 288.24, 0.33%, 0.7%

LAB 68.47, 24.27, -20.34

 

CMYK 12 / 25 / 0 / 20

HEX #B499CC

RGB 180 153 204

HSL 271.76, 0.33%, 0.7%

LAB 67.16, 19.68, -22.45

 

CMYK 19 / 25 / 0 / 20

HEX #A699CC

RGB 166 153 204

HSL 255.29, 0.33%, 0.7%

LAB 65.94, 15.2, -24.43

 

CMYK 25 / 25 / 0 / 20

HEX #9999CC

RGB 153 153 204

HSL 240, 0.33%, 0.7%

LAB 64.89, 11.15, -26.12

 

CMYK 5 / 25 / 0 / 20

HEX #C299CC

RGB 194 153 204

HSL 288.24, 0.33%, 0.7%

LAB 68.47, 24.27, -20.34

 

CMYK 7 / 35 / 0 / 15

HEX #C98DD8

RGB 201 141 216

HSL 288, 0.49%, 0.7%

LAB 66.84, 35.5, -29.43

 

CMYK 9 / 44 / 0 / 10

HEX #D180E5

RGB 209 128 229

HSL 288.12, 0.66%, 0.7%

LAB 65.48, 47.42, -38.69

 

CMYK 10 / 52 / 0 / 5

HEX #D874F1

RGB 216 116 241

HSL 288, 0.82%, 0.7%

LAB 64.52, 57.76, -46.78

 

CMYK 12 / 59 / 0 / 1

HEX #DF68FD

RGB 223 104 253

HSL 287.92, 0.97%, 0.7%

LAB 63.9, 67.43, -54.31

 

CMYK 5 / 25 / 0 / 20

HEX #C299CC

RGB 194 153 204

HSL 288.24, 0.33%, 0.7%

LAB 68.47, 24.27, -20.34

 

CMYK 3 / 13 / 0 / 25

HEX #BAA6BF

RGB 186 166 191

HSL 288, 0.16%, 0.7%

LAB 70.51, 11.83, -10.15

 

CMYK 0 / 1 / 0 / 30

HEX #B3B2B3

RGB 179 178 179

HSL 300, 0.01%, 0.7%

LAB 72.68, 0.54, -0.39

 

CMYK 10 / 0 / 12 / 25

HEX #ABBEA7

RGB 171 190 167

HSL 109.57, 0.15%, 0.7%

LAB 75, -10.84, 9.42

 

CMYK 19 / 0 / 24 / 20

HEX #A4CB9A

RGB 164 203 154

HSL 107.76, 0.32%, 0.7%

LAB 77.84, -22.14, 20.3

 

CMYK 18 / 25 / 0 / 20

HEX #A799CC

RGB 167 153 204

HSL 256.47, 0.33%, 0.7%

LAB 66.03, 15.51, -24.29

 

CMYK 12 / 25 / 0 / 20

HEX #B499CC

RGB 180 153 204

HSL 271.76, 0.33%, 0.7%

LAB 67.16, 19.68, -22.45

 

CMYK 5 / 25 / 0 / 20

HEX #C299CC

RGB 194 153 204

HSL 288.24, 0.33%, 0.7%

LAB 68.47, 24.27, -20.34

 

CMYK 0 / 25 / 2 / 20

HEX #CC99C8

RGB 204 153 200

HSL 304.71, 0.33%, 0.7%

LAB 69.32, 26.84, -16.74

 

CMYK 0 / 25 / 8 / 20

HEX #CC99BB

RGB 204 153 187

HSL 320, 0.33%, 0.7%

LAB 68.9, 24.5, -10.15

 

CMYK 9 / 44 / 0 / 31

HEX #A162B0

RGB 161 98 176

HSL 288.46, 0.33%, 0.54%

LAB 51.21, 38.6, -31.33

 

CMYK 7 / 34 / 0 / 25

HEX #B17EBE

RGB 177 126 190

HSL 287.81, 0.33%, 0.62%

LAB 59.88, 30.94, -25.79

 

CMYK 5 / 25 / 0 / 20

HEX #C299CC

RGB 194 153 204

HSL 288.24, 0.33%, 0.7%

LAB 68.47, 24.27, -20.34

 

CMYK 4 / 17 / 0 / 15

HEX #D2B5DA

RGB 210 181 218

HSL 287.03, 0.33%, 0.78%

LAB 77.17, 16.97, -14.72

 

CMYK 2 / 10 / 0 / 9

HEX #E3D0E7

RGB 227 208 231

HSL 289.57, 0.32%, 0.86%

LAB 85.61, 10.65, -8.93

 

CMYK 5 / 25 / 0 / 20

HEX #C29ACC

RGB 194 154 204

HSL 288, 0.33%, 0.7%

LAB 68.71, 23.72, -19.98

 

CMYK 0 / 25 / 25 / 20

HEX #CC9999

RGB 204 153 153

HSL 0, 0.33%, 0.7%

LAB 67.96, 19.06, 7.44

 

CMYK 25 / 0 / 15 / 20

HEX #99CCAD

RGB 153 204 173

HSL 143.53, 0.33%, 0.7%

LAB 77.86, -22.91, 10.11

 

CMYK 5 / 25 / 0 / 20

HEX #C29ACC

RGB 194 154 204

HSL 288, 0.33%, 0.7%

LAB 68.71, 23.72, -19.98

 

CMYK 0 / 5 / 25 / 20

HEX #CCC299

RGB 204 194 153

HSL 48.24, 0.33%, 0.7%

LAB 78.3, -2.98, 21.93

 

CMYK 25 / 0 / 5 / 20

HEX #99CCC2

RGB 153 204 194

HSL 168.24, 0.33%, 0.7%

LAB 78.38, -18.64, -0.42

 

CMYK 5 / 25 / 0 / 20

HEX #C29ACC

RGB 194 154 204

HSL 288, 0.33%, 0.7%

LAB 68.71, 23.72, -19.98

 

CMYK 0 / 25 / 25 / 20

HEX #CC9999

RGB 204 153 153

HSL 0, 0.33%, 0.7%

LAB 67.96, 19.06, 7.44

 

CMYK 20 / 0 / 25 / 20

HEX #A3CC99

RGB 163 204 153

HSL 108.24, 0.33%, 0.7%

LAB 78.04, -23.14, 21.09

 

CMYK 25 / 0 / 0 / 20

HEX #99CCCC

RGB 153 204 204

HSL 180, 0.33%, 0.7%

LAB 78.65, -16.45, -5.4

 

CMYK 5 / 25 / 0 / 20

HEX #C29ACC

RGB 194 154 204

HSL 288, 0.33%, 0.7%

LAB 68.71, 23.72, -19.98

 

CMYK 0 / 18 / 25 / 20

HEX #CCA899

RGB 204 168 153

HSL 17.65, 0.33%, 0.7%

LAB 71.65, 10.89, 12.69

 

CMYK 20 / 0 / 25 / 20

HEX #A3CC99

RGB 163 204 153

HSL 108.24, 0.33%, 0.7%

LAB 78.04, -23.14, 21.09

 

CMYK 25 / 7 / 0 / 20

HEX #99BDCC

RGB 153 189 204

HSL 197.65, 0.33%, 0.7%

LAB 74.53, -8.65, -11.52

 

Description

Color code: HEX #C29ACC | qconv.com Color code: HEX #C29ACC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 154 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 154 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 25 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 25% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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