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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C28F45 it is the complementary color #3D70BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C28F45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C28F45 shade: #C78F40, #D8A153, #E9B366, #FAC579 and #FFD78C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C28F45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C28F45 shade: #C28F45, #B17D32, #A06B1F, #8F590C and #7E4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C28F45 shade: #C39046, #C36E46, #C34D46 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C28F45 shade: #C39046, #C3B246, #B3C346, #91C346 and #6FC346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C28F45 shade matches the following richer shades: #C39046, #D79432, #EB971F and #FE9B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C28F45 shade: #C39046, #AF8C5A, #9B896E, #888582 and #748295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C28F45 shade: #C34C46, #C36E46, #C38F46, #C3B046 and #B4C346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C28F45 shade: #8A642D, #A97A37, #C39046, #CDA365 and #D7B584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C28F45 shade: #C28F45, #61C346 and #5D46C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C28F45 shade: #C28F45, #46C38F and #8F46C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C28F45 shade: #C28F45, #61C346, #467AC3 and #A846C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C28F45 shade: #C28F45, #46C351, #467AC3 and #C346B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 24

HEX #C28F45

RGB 194 143 69

HSL 35.52, 0.51%, 0.52%

LAB 62.96, 11.57, 45.99

 

Complementary color

CMYK 67 / 40 / 0 / 27

HEX #3D70BA

RGB 61 112 186

HSL 215.52, 0.51%, 0.48%

LAB 47.14, 7.23, -44.08

 

CMYK 0 / 28 / 68 / 22

HEX #C78F40

RGB 199 143 64

HSL 35.11, 0.55%, 0.52%

LAB 63.47, 13.43, 49.1

 

CMYK 0 / 25 / 62 / 15

HEX #D8A153

RGB 216 161 83

HSL 35.19, 0.63%, 0.59%

LAB 69.97, 12.14, 47.78

 

CMYK 0 / 23 / 56 / 9

HEX #E9B366

RGB 233 179 102

HSL 35.27, 0.75%, 0.66%

LAB 76.39, 11.03, 46.41

 

CMYK 0 / 21 / 52 / 2

HEX #FAC579

RGB 250 197 121

HSL 35.35, 0.93%, 0.73%

LAB 82.72, 10.07, 45.06

 

CMYK 0 / 16 / 45 / 0

HEX #FFD78C

RGB 255 215 140

HSL 39.13, 1%, 0.77%

LAB 87.85, 4.49, 42.1

 

CMYK 0 / 26 / 64 / 24

HEX #C28F45

RGB 194 143 69

HSL 35.52, 0.51%, 0.52%

LAB 62.96, 11.57, 45.99

 

CMYK 0 / 29 / 72 / 31

HEX #B17D32

RGB 177 125 50

HSL 35.43, 0.56%, 0.45%

LAB 56.33, 12.97, 47.25

 

CMYK 0 / 33 / 81 / 37

HEX #A06B1F

RGB 160 107 31

HSL 35.35, 0.68%, 0.37%

LAB 49.6, 14.64, 48.13

 

CMYK 0 / 38 / 92 / 44

HEX #8F590C

RGB 143 89 12

HSL 35.27, 0.85%, 0.3%

LAB 42.78, 16.64, 47.96

 

CMYK 0 / 44 / 100 / 51

HEX #7E4700

RGB 126 71 0

HSL 33.81, 1%, 0.25%

LAB 35.87, 19.02, 45.51

 

CMYK 0 / 26 / 64 / 24

HEX #C39046

RGB 195 144 70

HSL 35.52, 0.51%, 0.52%

LAB 63.34, 11.52, 45.95

 

CMYK 0 / 44 / 64 / 24

HEX #C36E46

RGB 195 110 70

HSL 19.2, 0.51%, 0.52%

LAB 55.27, 30.11, 36.63

 

CMYK 0 / 61 / 64 / 24

HEX #C34D46

RGB 195 77 70

HSL 3.36, 0.51%, 0.52%

LAB 48.7, 46.79, 28.63

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 26 / 64 / 24

HEX #C39046

RGB 195 144 70

HSL 35.52, 0.51%, 0.52%

LAB 63.34, 11.52, 45.95

 

CMYK 0 / 9 / 64 / 24

HEX #C3B246

RGB 195 178 70

HSL 51.84, 0.51%, 0.52%

LAB 72.15, -6.74, 55.62

 

CMYK 8 / 0 / 64 / 24

HEX #B3C346

RGB 179 195 70

HSL 67.68, 0.51%, 0.52%

LAB 75.49, -22.12, 58.76

 

CMYK 26 / 0 / 64 / 24

HEX #91C346

RGB 145 195 70

HSL 84, 0.51%, 0.52%

LAB 73.21, -35.64, 55.66

 

CMYK 43 / 0 / 64 / 24

HEX #6FC346

RGB 111 195 70

HSL 100.32, 0.51%, 0.52%

LAB 71.45, -47.56, 53.24

 

CMYK 0 / 26 / 64 / 24

HEX #C39046

RGB 195 144 70

HSL 35.52, 0.51%, 0.52%

LAB 63.34, 11.52, 45.95

 

CMYK 0 / 31 / 77 / 16

HEX #D79432

RGB 215 148 50

HSL 35.64, 0.67%, 0.52%

LAB 66.41, 16.93, 58.77

 

CMYK 0 / 36 / 87 / 8

HEX #EB971F

RGB 235 151 31

HSL 35.29, 0.84%, 0.52%

LAB 69.39, 23.27, 68.69

 

CMYK 0 / 39 / 96 / 0

HEX #FE9B0B

RGB 254 155 11

HSL 35.56, 0.99%, 0.52%

LAB 72.59, 28.81, 76.05

 

CMYK 0 / 26 / 64 / 24

HEX #C39046

RGB 195 144 70

HSL 35.52, 0.51%, 0.52%

LAB 63.34, 11.52, 45.95

 

CMYK 0 / 20 / 49 / 31

HEX #AF8C5A

RGB 175 140 90

HSL 35.29, 0.35%, 0.52%

LAB 60.43, 6.77, 31.63

 

CMYK 0 / 12 / 29 / 39

HEX #9B896E

RGB 155 137 110

HSL 36, 0.18%, 0.52%

LAB 58.02, 2.47, 16.98

 

CMYK 0 / 2 / 4 / 47

HEX #888582

RGB 136 133 130

HSL 30, 0.02%, 0.52%

LAB 55.71, 0.55, 2

 

CMYK 22 / 13 / 0 / 42

HEX #748295

RGB 116 130 149

HSL 214.55, 0.13%, 0.52%

LAB 53.87, -0.76, -11.91

 

CMYK 0 / 61 / 64 / 24

HEX #C34C46

RGB 195 76 70

HSL 2.88, 0.51%, 0.52%

LAB 48.53, 47.25, 28.42

 

CMYK 0 / 44 / 64 / 24

HEX #C36E46

RGB 195 110 70

HSL 19.2, 0.51%, 0.52%

LAB 55.27, 30.11, 36.63

 

CMYK 0 / 27 / 64 / 24

HEX #C38F46

RGB 195 143 70

HSL 35.04, 0.51%, 0.52%

LAB 63.09, 12.07, 45.67

 

CMYK 0 / 10 / 64 / 24

HEX #C3B046

RGB 195 176 70

HSL 50.88, 0.51%, 0.52%

LAB 71.62, -5.69, 55.05

 

CMYK 8 / 0 / 64 / 24

HEX #B4C346

RGB 180 195 70

HSL 67.2, 0.51%, 0.52%

LAB 75.56, -21.71, 58.86

 

CMYK 0 / 28 / 67 / 46

HEX #8A642D

RGB 138 100 45

HSL 35.48, 0.51%, 0.36%

LAB 45.23, 9.32, 36.4

 

CMYK 0 / 28 / 67 / 34

HEX #A97A37

RGB 169 122 55

HSL 35.26, 0.51%, 0.44%

LAB 54.69, 11.38, 42.85

 

CMYK 0 / 26 / 64 / 24

HEX #C39046

RGB 195 144 70

HSL 35.52, 0.51%, 0.52%

LAB 63.34, 11.52, 45.95

 

CMYK 0 / 20 / 51 / 20

HEX #CDA365

RGB 205 163 101

HSL 35.77, 0.51%, 0.6%

LAB 69.55, 7.88, 37.91

 

CMYK 0 / 16 / 39 / 16

HEX #D7B584

RGB 215 181 132

HSL 35.42, 0.51%, 0.68%

LAB 75.55, 5.52, 29.54

 

CMYK 0 / 26 / 64 / 24

HEX #C28F45

RGB 194 143 69

HSL 35.52, 0.51%, 0.52%

LAB 62.96, 11.57, 45.99

 

CMYK 50 / 0 / 64 / 24

HEX #61C346

RGB 97 195 70

HSL 107.04, 0.51%, 0.52%

LAB 70.88, -51.79, 52.44

 

CMYK 52 / 64 / 0 / 24

HEX #5D46C3

RGB 93 70 195

HSL 251.04, 0.51%, 0.52%

LAB 38.98, 42.25, -62.35

 

CMYK 0 / 26 / 64 / 24

HEX #C28F45

RGB 194 143 69

HSL 35.52, 0.51%, 0.52%

LAB 62.96, 11.57, 45.99

 

CMYK 64 / 0 / 27 / 24

HEX #46C38F

RGB 70 195 143

HSL 155.04, 0.51%, 0.52%

LAB 71.09, -46.7, 16.17

 

CMYK 27 / 64 / 0 / 24

HEX #8F46C3

RGB 143 70 195

HSL 275.04, 0.51%, 0.52%

LAB 44.46, 52.62, -53.21

 

CMYK 0 / 26 / 64 / 24

HEX #C28F45

RGB 194 143 69

HSL 35.52, 0.51%, 0.52%

LAB 62.96, 11.57, 45.99

 

CMYK 50 / 0 / 64 / 24

HEX #61C346

RGB 97 195 70

HSL 107.04, 0.51%, 0.52%

LAB 70.88, -51.79, 52.44

 

CMYK 64 / 37 / 0 / 24

HEX #467AC3

RGB 70 122 195

HSL 215.04, 0.51%, 0.52%

LAB 50.88, 5.81, -43.31

 

CMYK 14 / 64 / 0 / 24

HEX #A846C3

RGB 168 70 195

HSL 287.04, 0.51%, 0.52%

LAB 47.81, 58.4, -47.66

 

CMYK 0 / 26 / 64 / 24

HEX #C28F45

RGB 194 143 69

HSL 35.52, 0.51%, 0.52%

LAB 62.96, 11.57, 45.99

 

CMYK 64 / 0 / 58 / 24

HEX #46C351

RGB 70 195 81

HSL 125.28, 0.51%, 0.52%

LAB 70.12, -57.29, 46.49

 

CMYK 64 / 37 / 0 / 24

HEX #467AC3

RGB 70 122 195

HSL 215.04, 0.51%, 0.52%

LAB 50.88, 5.81, -43.31

 

CMYK 0 / 64 / 5 / 24

HEX #C346B9

RGB 195 70 185

HSL 304.8, 0.51%, 0.52%

LAB 51.25, 63.15, -36.16

 

Description

Color code: HEX #C28F45 | qconv.com Color code: HEX #C28F45 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 143 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 143 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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