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Color name
HEX #C28A48

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C28A48 it is the complementary color #3D75B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C28A48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C28A48 shade: #C78A43, #D89C56, #E9AE69, #FAC07C and #FFD28F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C28A48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C28A48 shade: #C28A48, #B17835, #A06622, #8F540F and #7E4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C28A48 shade: #C28A47, #C26947, #C24847 and #C24747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C28A48 shade: #C28A47, #C2AB47, #B8C247, #97C247 and #76C247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C28A48 shade matches the following richer shades: #C28A47, #D68B34, #E98D20 and #FD8E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C28A48 shade: #C28A47, #AE885B, #9A866F, #868583 and #738397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C28A48 shade: #C24747, #C26847, #C28947, #C2A947 and #BAC247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C28A48 shade: #895F2E, #A87538, #C28A47, #CC9D66 and #D6B185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C28A48 shade: #C28A48, #68C247 and #5847C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C28A48 shade: #C28A48, #47C289 and #8947C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C28A48 shade: #C28A48, #68C247, #4781C2 and #A147C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C28A48 shade: #C28A48, #47C24B, #4781C2 and #C247BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 63 / 24

HEX #C28A48

RGB 194 138 72

HSL 32.46, 0.5%, 0.52%

LAB 61.75, 14.52, 43.13

 

Complementary color

CMYK 67 / 36 / 0 / 28

HEX #3D75B7

RGB 61 117 183

HSL 212.46, 0.5%, 0.48%

LAB 48.43, 3.08, -40.3

 

CMYK 0 / 31 / 66 / 22

HEX #C78A43

RGB 199 138 67

HSL 32.27, 0.54%, 0.52%

LAB 62.27, 16.34, 46.35

 

CMYK 0 / 28 / 60 / 15

HEX #D89C56

RGB 216 156 86

HSL 32.31, 0.63%, 0.59%

LAB 68.79, 15.04, 44.92

 

CMYK 0 / 25 / 55 / 9

HEX #E9AE69

RGB 233 174 105

HSL 32.34, 0.74%, 0.66%

LAB 75.21, 13.92, 43.49

 

CMYK 0 / 23 / 50 / 2

HEX #FAC07C

RGB 250 192 124

HSL 32.38, 0.93%, 0.73%

LAB 81.55, 12.94, 42.1

 

CMYK 0 / 18 / 44 / 0

HEX #FFD28F

RGB 255 210 143

HSL 35.89, 1%, 0.78%

LAB 86.67, 7.36, 39.08

 

CMYK 0 / 29 / 63 / 24

HEX #C28A48

RGB 194 138 72

HSL 32.46, 0.5%, 0.52%

LAB 61.75, 14.52, 43.13

 

CMYK 0 / 32 / 70 / 31

HEX #B17835

RGB 177 120 53

HSL 32.42, 0.54%, 0.45%

LAB 55.11, 15.93, 44.55

 

CMYK 0 / 36 / 79 / 37

HEX #A06622

RGB 160 102 34

HSL 32.38, 0.65%, 0.38%

LAB 48.38, 17.6, 45.73

 

CMYK 0 / 41 / 90 / 44

HEX #8F540F

RGB 143 84 15

HSL 32.34, 0.81%, 0.31%

LAB 41.56, 19.6, 46.11

 

CMYK 0 / 48 / 100 / 51

HEX #7E4200

RGB 126 66 0

HSL 31.43, 1%, 0.25%

LAB 34.67, 21.93, 44.76

 

CMYK 0 / 29 / 63 / 24

HEX #C28A47

RGB 194 138 71

HSL 32.68, 0.5%, 0.52%

LAB 61.74, 14.45, 43.62

 

CMYK 0 / 46 / 63 / 24

HEX #C26947

RGB 194 105 71

HSL 16.59, 0.5%, 0.52%

LAB 54.06, 32.45, 34.6

 

CMYK 0 / 63 / 63 / 24

HEX #C24847

RGB 194 72 71

HSL 0.49, 0.5%, 0.52%

LAB 47.7, 48.77, 26.75

 

CMYK 0 / 63 / 63 / 24

HEX #C24747

RGB 194 71 71

HSL 0, 0.5%, 0.52%

LAB 47.53, 49.21, 26.55

 

CMYK 0 / 29 / 63 / 24

HEX #C28A47

RGB 194 138 71

HSL 32.68, 0.5%, 0.52%

LAB 61.74, 14.45, 43.62

 

CMYK 0 / 12 / 63 / 24

HEX #C2AB47

RGB 194 171 71

HSL 48.78, 0.5%, 0.52%

LAB 70.21, -3.42, 53.06

 

CMYK 5 / 0 / 63 / 24

HEX #B8C247

RGB 184 194 71

HSL 64.88, 0.5%, 0.52%

LAB 75.59, -19.49, 58.57

 

CMYK 22 / 0 / 63 / 24

HEX #97C247

RGB 151 194 71

HSL 80.98, 0.5%, 0.52%

LAB 73.3, -32.8, 55.44

 

CMYK 39 / 0 / 63 / 24

HEX #76C247

RGB 118 194 71

HSL 97.07, 0.5%, 0.52%

LAB 71.48, -44.77, 52.93

 

CMYK 0 / 29 / 63 / 24

HEX #C28A47

RGB 194 138 71

HSL 32.68, 0.5%, 0.52%

LAB 61.74, 14.45, 43.62

 

CMYK 0 / 35 / 76 / 16

HEX #D68B34

RGB 214 139 52

HSL 32.22, 0.66%, 0.52%

LAB 64.17, 21.44, 55.73

 

CMYK 0 / 39 / 86 / 9

HEX #E98D20

RGB 233 141 32

HSL 32.54, 0.82%, 0.52%

LAB 66.88, 27.74, 66.29

 

CMYK 0 / 44 / 95 / 1

HEX #FD8E0C

RGB 253 142 12

HSL 32.37, 0.98%, 0.52%

LAB 69.65, 35.11, 73.88

 

CMYK 0 / 29 / 63 / 24

HEX #C28A47

RGB 194 138 71

HSL 32.68, 0.5%, 0.52%

LAB 61.74, 14.45, 43.62

 

CMYK 0 / 22 / 48 / 32

HEX #AE885B

RGB 174 136 91

HSL 32.53, 0.34%, 0.52%

LAB 59.31, 8.67, 29.63

 

CMYK 0 / 13 / 28 / 40

HEX #9A866F

RGB 154 134 111

HSL 32.09, 0.18%, 0.52%

LAB 57.14, 3.9, 15.18

 

CMYK 0 / 1 / 2 / 47

HEX #868583

RGB 134 133 131

HSL 40, 0.01%, 0.52%

LAB 55.57, -0.01, 1.2

 

CMYK 24 / 13 / 0 / 41

HEX #738397

RGB 115 131 151

HSL 213.33, 0.15%, 0.52%

LAB 54.15, -1.18, -12.65

 

CMYK 0 / 63 / 63 / 24

HEX #C24747

RGB 194 71 71

HSL 0, 0.5%, 0.52%

LAB 47.53, 49.21, 26.55

 

CMYK 0 / 46 / 63 / 24

HEX #C26847

RGB 194 104 71

HSL 16.1, 0.5%, 0.52%

LAB 53.84, 32.98, 34.34

 

CMYK 0 / 29 / 63 / 24

HEX #C28947

RGB 194 137 71

HSL 32.2, 0.5%, 0.52%

LAB 61.49, 15, 43.34

 

CMYK 0 / 13 / 63 / 24

HEX #C2A947

RGB 194 169 71

HSL 47.8, 0.5%, 0.52%

LAB 69.68, -2.36, 52.48

 

CMYK 4 / 0 / 63 / 24

HEX #BAC247

RGB 186 194 71

HSL 63.9, 0.5%, 0.52%

LAB 75.75, -18.66, 58.78

 

CMYK 0 / 31 / 66 / 46

HEX #895F2E

RGB 137 95 46

HSL 32.31, 0.5%, 0.36%

LAB 43.8, 11.85, 34.24

 

CMYK 0 / 30 / 67 / 34

HEX #A87538

RGB 168 117 56

HSL 32.68, 0.5%, 0.44%

LAB 53.31, 13.83, 40.8

 

CMYK 0 / 29 / 63 / 24

HEX #C28A47

RGB 194 138 71

HSL 32.68, 0.5%, 0.52%

LAB 61.74, 14.45, 43.62

 

CMYK 0 / 23 / 50 / 20

HEX #CC9D66

RGB 204 157 102

HSL 32.35, 0.5%, 0.6%

LAB 67.95, 10.8, 35.36

 

CMYK 0 / 17 / 38 / 16

HEX #D6B185

RGB 214 177 133

HSL 32.59, 0.5%, 0.68%

LAB 74.47, 7.36, 27.55

 

CMYK 0 / 29 / 63 / 24

HEX #C28A48

RGB 194 138 72

HSL 32.46, 0.5%, 0.52%

LAB 61.75, 14.52, 43.13

 

CMYK 46 / 0 / 63 / 24

HEX #68C247

RGB 104 194 71

HSL 103.9, 0.5%, 0.52%

LAB 70.86, -49.24, 52.07

 

CMYK 55 / 63 / 0 / 24

HEX #5847C2

RGB 88 71 194

HSL 248.29, 0.5%, 0.52%

LAB 38.68, 40.46, -62.27

 

CMYK 0 / 29 / 63 / 24

HEX #C28A48

RGB 194 138 72

HSL 32.46, 0.5%, 0.52%

LAB 61.75, 14.52, 43.13

 

CMYK 63 / 0 / 29 / 24

HEX #47C289

RGB 71 194 137

HSL 152.2, 0.5%, 0.52%

LAB 70.68, -47.38, 18.84

 

CMYK 29 / 63 / 0 / 24

HEX #8947C2

RGB 137 71 194

HSL 272.2, 0.5%, 0.52%

LAB 43.83, 50.54, -53.69

 

CMYK 0 / 29 / 63 / 24

HEX #C28A48

RGB 194 138 72

HSL 32.46, 0.5%, 0.52%

LAB 61.75, 14.52, 43.13

 

CMYK 46 / 0 / 63 / 24

HEX #68C247

RGB 104 194 71

HSL 103.9, 0.5%, 0.52%

LAB 70.86, -49.24, 52.07

 

CMYK 63 / 34 / 0 / 24

HEX #4781C2

RGB 71 129 194

HSL 211.71, 0.5%, 0.52%

LAB 52.88, 1.43, -39.57

 

CMYK 17 / 63 / 0 / 24

HEX #A147C2

RGB 161 71 194

HSL 283.9, 0.5%, 0.52%

LAB 46.95, 56.1, -48.52

 

CMYK 0 / 29 / 63 / 24

HEX #C28A48

RGB 194 138 72

HSL 32.46, 0.5%, 0.52%

LAB 61.75, 14.52, 43.13

 

CMYK 63 / 0 / 61 / 24

HEX #47C24B

RGB 71 194 75

HSL 121.95, 0.5%, 0.52%

LAB 69.78, -57.42, 48.8

 

CMYK 63 / 34 / 0 / 24

HEX #4781C2

RGB 71 129 194

HSL 211.71, 0.5%, 0.52%

LAB 52.88, 1.43, -39.57

 

CMYK 0 / 63 / 2 / 24

HEX #C247BE

RGB 194 71 190

HSL 301.95, 0.5%, 0.52%

LAB 51.49, 63.32, -38.69

 

Description

Color code: HEX #C28A48 | qconv.com Color code: HEX #C28A48 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 138 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 138 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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