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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C285D3 it is the complementary color #3D7A2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C285D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C285D3 shade: #C785CE, #D897E1, #E9A9F4, #FABBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C285D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C285D3 shade: #C285D3, #B173C0, #A061AD, #8F4F9A and #7E3D87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C285D3 shade: #C183D2, #D283CE, #D283B9, #D283A4 and #D2838E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C285D3 shade: #C183D2, #AC83D2, #9683D2 and #8383D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C285D3 shade matches the following richer shades: #C183D2, #C976E0, #D168EE and #D85AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C285D3 shade: #C183D2, #B991C5, #B29FB7, #AAACAA and #A2BA9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C285D3 shade: #9683D2, #AB83D2, #C083D2, #D283D0 and #D283BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C285D3 shade: #A347BD, #B265C7, #C183D2, #D0A2DD and #DFC0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C285D3 shade: #C285D3, #D28386 and #83D2A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C285D3 shade: #C285D3, #D2C083 and #83D2C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C285D3 shade: #C285D3, #D28386, #96D283 and #83D2D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C285D3 shade: #C285D3, #D29883, #96D283 and #83BDD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 37 / 0 / 17

HEX #C285D3

RGB 194 133 211

HSL 286.92, 0.47%, 0.67%

LAB 64.12, 36.69, -30.91

 

Complementary color

CMYK 50 / 0 / 64 / 52

HEX #3D7A2C

RGB 61 122 44

HSL 106.92, 0.47%, 0.33%

LAB 45.76, -35.49, 35.81

 

CMYK 3 / 35 / 0 / 19

HEX #C785CE

RGB 199 133 206

HSL 294.25, 0.43%, 0.66%

LAB 64.46, 37.26, -27.54

 

CMYK 4 / 33 / 0 / 12

HEX #D897E1

RGB 216 151 225

HSL 292.7, 0.55%, 0.74%

LAB 70.99, 36.54, -27.89

 

CMYK 5 / 31 / 0 / 4

HEX #E9A9F4

RGB 233 169 244

HSL 291.2, 0.77%, 0.81%

LAB 77.42, 35.85, -28.21

 

CMYK 2 / 27 / 0 / 0

HEX #FABBFF

RGB 250 187 255

HSL 295.59, 1%, 0.87%

LAB 83.49, 33.72, -24.69

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 8 / 37 / 0 / 17

HEX #C285D3

RGB 194 133 211

HSL 286.92, 0.47%, 0.67%

LAB 64.12, 36.69, -30.91

 

CMYK 8 / 40 / 0 / 25

HEX #B173C0

RGB 177 115 192

HSL 288.31, 0.38%, 0.6%

LAB 57.48, 37.45, -30.64

 

CMYK 8 / 44 / 0 / 32

HEX #A061AD

RGB 160 97 173

HSL 289.74, 0.32%, 0.53%

LAB 50.73, 38.23, -30.33

 

CMYK 7 / 49 / 0 / 40

HEX #8F4F9A

RGB 143 79 154

HSL 291.2, 0.32%, 0.46%

LAB 43.89, 39.02, -29.95

 

CMYK 7 / 55 / 0 / 47

HEX #7E3D87

RGB 126 61 135

HSL 292.7, 0.38%, 0.38%

LAB 36.97, 39.74, -29.46

 

CMYK 8 / 38 / 0 / 18

HEX #C183D2

RGB 193 131 210

HSL 287.09, 0.47%, 0.67%

LAB 63.53, 37.27, -31.28

 

CMYK 0 / 38 / 2 / 18

HEX #D283CE

RGB 210 131 206

HSL 303.04, 0.47%, 0.67%

LAB 65.27, 41.79, -26.19

 

CMYK 0 / 38 / 12 / 18

HEX #D283B9

RGB 210 131 185

HSL 318.99, 0.47%, 0.67%

LAB 64.51, 38.14, -15.55

 

CMYK 0 / 38 / 22 / 18

HEX #D283A4

RGB 210 131 164

HSL 334.94, 0.47%, 0.67%

LAB 63.85, 34.83, -4.65

 

CMYK 0 / 38 / 32 / 18

HEX #D2838E

RGB 210 131 142

HSL 351.65, 0.47%, 0.67%

LAB 63.25, 31.78, 6.99

 

CMYK 8 / 38 / 0 / 18

HEX #C183D2

RGB 193 131 210

HSL 287.09, 0.47%, 0.67%

LAB 63.53, 37.27, -31.28

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 29 / 38 / 0 / 18

HEX #9683D2

RGB 150 131 210

HSL 254.43, 0.47%, 0.67%

LAB 59.32, 24.38, -38.16

 

CMYK 38 / 38 / 0 / 18

HEX #8383D2

RGB 131 131 210

HSL 240, 0.47%, 0.67%

LAB 57.76, 19.09, -40.71

 

CMYK 8 / 38 / 0 / 18

HEX #C183D2

RGB 193 131 210

HSL 287.09, 0.47%, 0.67%

LAB 63.53, 37.27, -31.28

 

CMYK 10 / 47 / 0 / 12

HEX #C976E0

RGB 201 118 224

HSL 286.98, 0.63%, 0.67%

LAB 62.3, 49.34, -40.95

 

CMYK 12 / 56 / 0 / 7

HEX #D168EE

RGB 209 104 238

HSL 287.01, 0.8%, 0.67%

LAB 61.33, 61.15, -50.2

 

CMYK 14 / 64 / 0 / 2

HEX #D85AFB

RGB 216 90 251

HSL 286.96, 0.95%, 0.67%

LAB 60.67, 71.49, -58.4

 

CMYK 8 / 38 / 0 / 18

HEX #C183D2

RGB 193 131 210

HSL 287.09, 0.47%, 0.67%

LAB 63.53, 37.27, -31.28

 

CMYK 6 / 26 / 0 / 23

HEX #B991C5

RGB 185 145 197

HSL 286.15, 0.31%, 0.67%

LAB 65.43, 24.35, -21.15

 

CMYK 3 / 13 / 0 / 28

HEX #B29FB7

RGB 178 159 183

HSL 287.5, 0.14%, 0.67%

LAB 67.78, 11.37, -9.85

 

CMYK 1 / 0 / 1 / 33

HEX #AAACAA

RGB 170 172 170

HSL 120, 0.01%, 0.67%

LAB 70.14, -1.08, 0.77

 

CMYK 13 / 0 / 16 / 27

HEX #A2BA9C

RGB 162 186 156

HSL 108, 0.18%, 0.67%

LAB 73.02, -13.9, 12.49

 

CMYK 29 / 38 / 0 / 18

HEX #9683D2

RGB 150 131 210

HSL 254.43, 0.47%, 0.67%

LAB 59.32, 24.38, -38.16

 

CMYK 19 / 38 / 0 / 18

HEX #AB83D2

RGB 171 131 210

HSL 270.38, 0.47%, 0.67%

LAB 61.26, 30.57, -34.98

 

CMYK 9 / 38 / 0 / 18

HEX #C083D2

RGB 192 131 210

HSL 286.33, 0.47%, 0.67%

LAB 63.42, 36.96, -31.46

 

CMYK 0 / 38 / 1 / 18

HEX #D283D0

RGB 210 131 208

HSL 301.52, 0.47%, 0.67%

LAB 65.35, 42.15, -27.19

 

CMYK 0 / 38 / 11 / 18

HEX #D283BB

RGB 210 131 187

HSL 317.47, 0.47%, 0.67%

LAB 64.58, 38.47, -16.57

 

CMYK 14 / 62 / 0 / 26

HEX #A347BD

RGB 163 71 189

HSL 286.78, 0.47%, 0.51%

LAB 46.93, 55.56, -45.62

 

CMYK 11 / 49 / 0 / 22

HEX #B265C7

RGB 178 101 199

HSL 287.14, 0.47%, 0.59%

LAB 54.96, 46.68, -38.55

 

CMYK 8 / 38 / 0 / 18

HEX #C183D2

RGB 193 131 210

HSL 287.09, 0.47%, 0.67%

LAB 63.53, 37.27, -31.28

 

CMYK 6 / 27 / 0 / 13

HEX #D0A2DD

RGB 208 162 221

HSL 286.78, 0.46%, 0.75%

LAB 72.54, 27.25, -23.38

 

CMYK 4 / 17 / 0 / 9

HEX #DFC0E8

RGB 223 192 232

HSL 286.5, 0.47%, 0.83%

LAB 81.41, 18.03, -15.78

 

CMYK 8 / 37 / 0 / 17

HEX #C285D3

RGB 194 133 211

HSL 286.92, 0.47%, 0.67%

LAB 64.12, 36.69, -30.91

 

CMYK 0 / 38 / 36 / 18

HEX #D28386

RGB 210 131 134

HSL 357.72, 0.47%, 0.67%

LAB 63.06, 30.77, 11.26

 

CMYK 38 / 0 / 24 / 18

HEX #83D2A0

RGB 131 210 160

HSL 142.03, 0.47%, 0.67%

LAB 78.14, -35.04, 17.27

 

CMYK 8 / 37 / 0 / 17

HEX #C285D3

RGB 194 133 211

HSL 286.92, 0.47%, 0.67%

LAB 64.12, 36.69, -30.91

 

CMYK 0 / 9 / 38 / 18

HEX #D2C083

RGB 210 192 131

HSL 46.33, 0.47%, 0.67%

LAB 77.9, -2.39, 33.07

 

CMYK 38 / 0 / 9 / 18

HEX #83D2C0

RGB 131 210 192

HSL 166.33, 0.47%, 0.67%

LAB 78.88, -28.38, 1.26

 

CMYK 8 / 37 / 0 / 17

HEX #C285D3

RGB 194 133 211

HSL 286.92, 0.47%, 0.67%

LAB 64.12, 36.69, -30.91

 

CMYK 0 / 38 / 36 / 18

HEX #D28386

RGB 210 131 134

HSL 357.72, 0.47%, 0.67%

LAB 63.06, 30.77, 11.26

 

CMYK 29 / 0 / 38 / 18

HEX #96D283

RGB 150 210 131

HSL 105.57, 0.47%, 0.67%

LAB 78.59, -33.88, 33.17

 

CMYK 38 / 0 / 1 / 18

HEX #83D2D0

RGB 131 210 208

HSL 178.48, 0.47%, 0.67%

LAB 79.31, -24.65, -6.68

 

CMYK 8 / 37 / 0 / 17

HEX #C285D3

RGB 194 133 211

HSL 286.92, 0.47%, 0.67%

LAB 64.12, 36.69, -30.91

 

CMYK 0 / 28 / 38 / 18

HEX #D29883

RGB 210 152 131

HSL 15.95, 0.47%, 0.67%

LAB 67.87, 19.03, 19.64

 

CMYK 29 / 0 / 38 / 18

HEX #96D283

RGB 150 210 131

HSL 105.57, 0.47%, 0.67%

LAB 78.59, -33.88, 33.17

 

CMYK 38 / 10 / 0 / 18

HEX #83BDD2

RGB 131 189 210

HSL 195.95, 0.47%, 0.67%

LAB 73.46, -13.47, -16.51

 

Description

Color code: HEX #C285D3 | qconv.com Color code: HEX #C285D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 133 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 133 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 37 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 37% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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