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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C28545 it is the complementary color #3D7ABA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C28545. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C28545 shade: #C78540, #D89753, #E9A966, #FABB79 and #FFCD8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C28545. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C28545 shade: #C28545, #B17332, #A0611F, #8F4F0C and #7E3D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C28545 shade: #C38646, #C36446 and #C34646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C28545 shade: #C38646, #C3A846, #BDC346, #9BC346 and #79C346

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C28545 shade matches the following richer shades: #C38646, #D78732, #EB871F and #FE880B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C28545 shade: #C38646, #AF865A, #9B856E, #888582 and #748495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C28545 shade: #C3464A, #C36346, #C38546, #C3A646 and #BFC346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C28545 shade: #8A5C2D, #A97137, #C38646, #CD9A65 and #D7AF84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C28545 shade: #C28545, #6CC346 and #5346C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C28545 shade: #C28545, #46C385 and #8546C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C28545 shade: #C28545, #6CC346, #4685C3 and #9E46C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C28545 shade: #C28545, #46C346, #4685C3 and #C346C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 64 / 24

HEX #C28545

RGB 194 133 69

HSL 30.72, 0.51%, 0.52%

LAB 60.49, 17.07, 43.2

 

Complementary color

CMYK 67 / 34 / 0 / 27

HEX #3D7ABA

RGB 61 122 186

HSL 210.72, 0.51%, 0.48%

LAB 50.04, 1.1, -39.48

 

CMYK 0 / 33 / 68 / 22

HEX #C78540

RGB 199 133 64

HSL 30.67, 0.55%, 0.52%

LAB 61.03, 18.9, 46.44

 

CMYK 0 / 30 / 62 / 15

HEX #D89753

RGB 216 151 83

HSL 30.68, 0.63%, 0.59%

LAB 67.54, 17.53, 44.97

 

CMYK 0 / 27 / 56 / 9

HEX #E9A966

RGB 233 169 102

HSL 30.69, 0.75%, 0.66%

LAB 73.97, 16.33, 43.5

 

CMYK 0 / 25 / 52 / 2

HEX #FABB79

RGB 250 187 121

HSL 30.7, 0.93%, 0.73%

LAB 80.32, 15.29, 42.08

 

CMYK 0 / 20 / 45 / 0

HEX #FFCD8C

RGB 255 205 140

HSL 33.91, 1%, 0.77%

LAB 85.41, 9.65, 38.98

 

CMYK 0 / 31 / 64 / 24

HEX #C28545

RGB 194 133 69

HSL 30.72, 0.51%, 0.52%

LAB 60.49, 17.07, 43.2

 

CMYK 0 / 35 / 72 / 31

HEX #B17332

RGB 177 115 50

HSL 30.71, 0.56%, 0.45%

LAB 53.86, 18.56, 44.66

 

CMYK 0 / 39 / 81 / 37

HEX #A0611F

RGB 160 97 31

HSL 30.7, 0.68%, 0.37%

LAB 47.13, 20.32, 45.84

 

CMYK 0 / 45 / 92 / 44

HEX #8F4F0C

RGB 143 79 12

HSL 30.69, 0.85%, 0.3%

LAB 40.34, 22.4, 46.08

 

CMYK 0 / 52 / 100 / 51

HEX #7E3D00

RGB 126 61 0

HSL 29.05, 1%, 0.25%

LAB 33.51, 24.78, 44.05

 

CMYK 0 / 31 / 64 / 24

HEX #C38646

RGB 195 134 70

HSL 30.72, 0.51%, 0.52%

LAB 60.86, 17.01, 43.15

 

CMYK 0 / 49 / 64 / 24

HEX #C36446

RGB 195 100 70

HSL 14.4, 0.51%, 0.52%

LAB 53.12, 35.42, 34.06

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 0 / 31 / 64 / 24

HEX #C38646

RGB 195 134 70

HSL 30.72, 0.51%, 0.52%

LAB 60.86, 17.01, 43.15

 

CMYK 0 / 14 / 64 / 24

HEX #C3A846

RGB 195 168 70

HSL 47.04, 0.51%, 0.52%

LAB 69.5, -1.46, 52.77

 

CMYK 3 / 0 / 64 / 24

HEX #BDC346

RGB 189 195 70

HSL 62.88, 0.51%, 0.52%

LAB 76.25, -17.97, 59.79

 

CMYK 21 / 0 / 64 / 24

HEX #9BC346

RGB 155 195 70

HSL 79.2, 0.51%, 0.52%

LAB 73.83, -31.79, 56.5

 

CMYK 38 / 0 / 64 / 24

HEX #79C346

RGB 121 195 70

HSL 95.52, 0.51%, 0.52%

LAB 71.92, -44.27, 53.88

 

CMYK 0 / 31 / 64 / 24

HEX #C38646

RGB 195 134 70

HSL 30.72, 0.51%, 0.52%

LAB 60.86, 17.01, 43.15

 

CMYK 0 / 37 / 77 / 16

HEX #D78732

RGB 215 135 50

HSL 30.91, 0.67%, 0.52%

LAB 63.35, 23.93, 55.81

 

CMYK 0 / 43 / 87 / 8

HEX #EB871F

RGB 235 135 31

HSL 30.59, 0.84%, 0.52%

LAB 65.82, 31.69, 65.84

 

CMYK 0 / 46 / 96 / 0

HEX #FE880B

RGB 254 136 11

HSL 30.86, 0.99%, 0.52%

LAB 68.54, 38.54, 73.35

 

CMYK 0 / 31 / 64 / 24

HEX #C38646

RGB 195 134 70

HSL 30.72, 0.51%, 0.52%

LAB 60.86, 17.01, 43.15

 

CMYK 0 / 23 / 49 / 31

HEX #AF865A

RGB 175 134 90

HSL 31.06, 0.35%, 0.52%

LAB 58.88, 10.11, 29.66

 

CMYK 0 / 14 / 29 / 39

HEX #9B856E

RGB 155 133 110

HSL 30.67, 0.18%, 0.52%

LAB 56.95, 4.73, 15.5

 

CMYK 0 / 2 / 4 / 47

HEX #888582

RGB 136 133 130

HSL 30, 0.02%, 0.52%

LAB 55.71, 0.55, 2

 

CMYK 22 / 11 / 0 / 42

HEX #748495

RGB 116 132 149

HSL 210.91, 0.13%, 0.52%

LAB 54.43, -1.91, -11.05

 

CMYK 0 / 64 / 62 / 24

HEX #C3464A

RGB 195 70 74

HSL 358.08, 0.51%, 0.52%

LAB 47.59, 50.18, 24.87

 

CMYK 0 / 49 / 64 / 24

HEX #C36346

RGB 195 99 70

HSL 13.92, 0.51%, 0.52%

LAB 52.91, 35.94, 33.81

 

CMYK 0 / 32 / 64 / 24

HEX #C38546

RGB 195 133 70

HSL 30.24, 0.51%, 0.52%

LAB 60.62, 17.56, 42.87

 

CMYK 0 / 15 / 64 / 24

HEX #C3A646

RGB 195 166 70

HSL 46.08, 0.51%, 0.52%

LAB 68.98, -0.4, 52.2

 

CMYK 2 / 0 / 64 / 24

HEX #BFC346

RGB 191 195 70

HSL 61.92, 0.51%, 0.52%

LAB 76.4, -17.14, 60.01

 

CMYK 0 / 33 / 67 / 46

HEX #8A5C2D

RGB 138 92 45

HSL 30.32, 0.51%, 0.36%

LAB 43.13, 14, 34.05

 

CMYK 0 / 33 / 67 / 34

HEX #A97137

RGB 169 113 55

HSL 30.53, 0.51%, 0.44%

LAB 52.42, 16.46, 40.35

 

CMYK 0 / 31 / 64 / 24

HEX #C38646

RGB 195 134 70

HSL 30.72, 0.51%, 0.52%

LAB 60.86, 17.01, 43.15

 

CMYK 0 / 25 / 51 / 20

HEX #CD9A65

RGB 205 154 101

HSL 30.58, 0.51%, 0.6%

LAB 67.3, 12.75, 35.09

 

CMYK 0 / 19 / 39 / 16

HEX #D7AF84

RGB 215 175 132

HSL 31.08, 0.51%, 0.68%

LAB 74.04, 8.72, 27.53

 

CMYK 0 / 31 / 64 / 24

HEX #C28545

RGB 194 133 69

HSL 30.72, 0.51%, 0.52%

LAB 60.49, 17.07, 43.2

 

CMYK 45 / 0 / 64 / 24

HEX #6CC346

RGB 108 195 70

HSL 101.76, 0.51%, 0.52%

LAB 71.32, -48.51, 53.06

 

CMYK 57 / 64 / 0 / 24

HEX #5346C3

RGB 83 70 195

HSL 246.24, 0.51%, 0.52%

LAB 38.13, 40.5, -63.77

 

CMYK 0 / 31 / 64 / 24

HEX #C28545

RGB 194 133 69

HSL 30.72, 0.51%, 0.52%

LAB 60.49, 17.07, 43.2

 

CMYK 64 / 0 / 32 / 24

HEX #46C385

RGB 70 195 133

HSL 150.24, 0.51%, 0.52%

LAB 70.89, -48.81, 21.25

 

CMYK 32 / 64 / 0 / 24

HEX #8546C3

RGB 133 70 195

HSL 270.24, 0.51%, 0.52%

LAB 43.22, 50.39, -55.27

 

CMYK 0 / 31 / 64 / 24

HEX #C28545

RGB 194 133 69

HSL 30.72, 0.51%, 0.52%

LAB 60.49, 17.07, 43.2

 

CMYK 45 / 0 / 64 / 24

HEX #6CC346

RGB 108 195 70

HSL 101.76, 0.51%, 0.52%

LAB 71.32, -48.51, 53.06

 

CMYK 64 / 32 / 0 / 24

HEX #4685C3

RGB 70 133 195

HSL 209.76, 0.51%, 0.52%

LAB 54.05, -0.79, -38.31

 

CMYK 19 / 64 / 0 / 24

HEX #9E46C3

RGB 158 70 195

HSL 282.24, 0.51%, 0.52%

LAB 46.43, 56.06, -49.94

 

CMYK 0 / 31 / 64 / 24

HEX #C28545

RGB 194 133 69

HSL 30.72, 0.51%, 0.52%

LAB 60.49, 17.07, 43.2

 

CMYK 64 / 0 / 64 / 24

HEX #46C346

RGB 70 195 70

HSL 120, 0.51%, 0.52%

LAB 70.02, -58.53, 51.25

 

CMYK 64 / 32 / 0 / 24

HEX #4685C3

RGB 70 133 195

HSL 209.76, 0.51%, 0.52%

LAB 54.05, -0.79, -38.31

 

CMYK 0 / 64 / 0 / 24

HEX #C346C3

RGB 195 70 195

HSL 300, 0.51%, 0.52%

LAB 51.75, 64.8, -41.16

 

Description

Color code: HEX #C28545 | qconv.com Color code: HEX #C28545 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 133 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 133 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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