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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C28261 it is the complementary color #3D7D9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C28261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C28261 shade: #C7825C, #D8946F, #E9A682, #FAB895 and #FFCAA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C28261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C28261 shade: #C28261, #B1704E, #A05E3B, #8F4C28 and #7E3A15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C28261 shade: #C28261, #C26861 and #C26161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C28261 shade: #C28261, #C29C61, #C2B661, #B3C261 and #99C261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C28261 shade matches the following richer shades: #C28261, #D37C4F, #E5773E and #F7712C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C28261 shade: #C28261, #B08873, #9E8D85, #8C9396 and #7B99A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C28261 shade: #C26174, #C26861, #C28161, #C29B61 and #C2B561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C28261 shade: #96593A, #B46B46, #C28261, #CD997F and #D9B19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C28261 shade: #C28261, #8EC261 and #6168C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C28261 shade: #C28261, #61C281 and #8161C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C28261 shade: #C28261, #8EC261, #61A1C2 and #9561C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C28261 shade: #C28261, #71C261, #61A1C2 and #B261C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

Complementary color

CMYK 61 / 21 / 0 / 38

HEX #3D7D9E

RGB 61 125 158

HSL 200.41, 0.44%, 0.43%

LAB 49.65, -10.22, -23.86

 

CMYK 0 / 35 / 54 / 22

HEX #C7825C

RGB 199 130 92

HSL 21.31, 0.49%, 0.57%

LAB 60.68, 22.58, 31.41

 

CMYK 0 / 31 / 49 / 15

HEX #D8946F

RGB 216 148 111

HSL 21.14, 0.57%, 0.64%

LAB 67.22, 21.45, 29.86

 

CMYK 0 / 29 / 44 / 9

HEX #E9A682

RGB 233 166 130

HSL 20.97, 0.7%, 0.71%

LAB 73.68, 20.46, 28.45

 

CMYK 0 / 26 / 40 / 2

HEX #FAB895

RGB 250 184 149

HSL 20.79, 0.91%, 0.78%

LAB 80.05, 19.59, 27.15

 

CMYK 0 / 21 / 34 / 0

HEX #FFCAA8

RGB 255 202 168

HSL 23.45, 1%, 0.83%

LAB 85.16, 14.25, 24.14

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 0 / 37 / 56 / 31

HEX #B1704E

RGB 177 112 78

HSL 20.61, 0.39%, 0.5%

LAB 53.48, 22.17, 29.49

 

CMYK 0 / 41 / 63 / 37

HEX #A05E3B

RGB 160 94 59

HSL 20.79, 0.46%, 0.43%

LAB 46.7, 23.55, 31.29

 

CMYK 0 / 47 / 72 / 44

HEX #8F4C28

RGB 143 76 40

HSL 20.97, 0.56%, 0.36%

LAB 39.85, 25.16, 33.26

 

CMYK 0 / 54 / 83 / 51

HEX #7E3A15

RGB 126 58 21

HSL 21.14, 0.71%, 0.29%

LAB 32.95, 27.01, 35.21

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 0 / 46 / 50 / 24

HEX #C26861

RGB 194 104 97

HSL 4.33, 0.44%, 0.57%

LAB 54.27, 35.08, 20.09

 

CMYK 0 / 50 / 50 / 24

HEX #C26161

RGB 194 97 97

HSL 0, 0.44%, 0.57%

LAB 52.82, 38.73, 18.12

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 0 / 20 / 50 / 24

HEX #C29C61

RGB 194 156 97

HSL 36.49, 0.44%, 0.57%

LAB 66.6, 6.7, 36.08

 

CMYK 0 / 6 / 50 / 24

HEX #C2B661

RGB 194 182 97

HSL 52.58, 0.44%, 0.57%

LAB 73.41, -7.18, 44.43

 

CMYK 8 / 0 / 50 / 24

HEX #B3C261

RGB 179 194 97

HSL 69.28, 0.44%, 0.57%

LAB 75.47, -19.45, 46.61

 

CMYK 21 / 0 / 50 / 24

HEX #99C261

RGB 153 194 97

HSL 85.36, 0.44%, 0.57%

LAB 73.69, -29.62, 44.05

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 0 / 41 / 63 / 17

HEX #D37C4F

RGB 211 124 79

HSL 20.45, 0.6%, 0.57%

LAB 60.63, 29.72, 38.72

 

CMYK 0 / 48 / 73 / 10

HEX #E5773E

RGB 229 119 62

HSL 20.48, 0.76%, 0.57%

LAB 61.83, 38.55, 49.42

 

CMYK 0 / 54 / 82 / 3

HEX #F7712C

RGB 247 113 44

HSL 20.39, 0.93%, 0.57%

LAB 63.15, 47.72, 59.7

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 0 / 23 / 35 / 31

HEX #B08873

RGB 176 136 115

HSL 20.66, 0.28%, 0.57%

LAB 59.96, 12.28, 17.14

 

CMYK 0 / 11 / 16 / 38

HEX #9E8D85

RGB 158 141 133

HSL 19.2, 0.11%, 0.57%

LAB 59.9, 4.98, 6.58

 

CMYK 7 / 2 / 0 / 41

HEX #8C9396

RGB 140 147 150

HSL 198, 0.05%, 0.57%

LAB 60.47, -1.92, -2.47

 

CMYK 27 / 9 / 0 / 34

HEX #7B99A8

RGB 123 153 168

HSL 200, 0.21%, 0.57%

LAB 61.5, -6.88, -11.27

 

CMYK 0 / 50 / 40 / 24

HEX #C26174

RGB 194 97 116

HSL 348.25, 0.44%, 0.57%

LAB 53.25, 40.69, 7.51

 

CMYK 0 / 46 / 50 / 24

HEX #C26861

RGB 194 104 97

HSL 4.33, 0.44%, 0.57%

LAB 54.27, 35.08, 20.09

 

CMYK 0 / 34 / 50 / 24

HEX #C28161

RGB 194 129 97

HSL 19.79, 0.44%, 0.57%

LAB 59.92, 21.53, 27.55

 

CMYK 0 / 20 / 50 / 24

HEX #C29B61

RGB 194 155 97

HSL 35.88, 0.44%, 0.57%

LAB 66.35, 7.24, 35.76

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 0 / 41 / 61 / 41

HEX #96593A

RGB 150 89 58

HSL 20.22, 0.44%, 0.41%

LAB 44.14, 22.02, 28.43

 

CMYK 0 / 41 / 61 / 29

HEX #B46B46

RGB 180 107 70

HSL 20.18, 0.44%, 0.49%

LAB 52.58, 25.56, 32.91

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 0 / 25 / 38 / 20

HEX #CD997F

RGB 205 153 127

HSL 20, 0.44%, 0.65%

LAB 67.5, 16.03, 21.25

 

CMYK 0 / 18 / 28 / 15

HEX #D9B19D

RGB 217 177 157

HSL 20, 0.44%, 0.73%

LAB 75.22, 11.57, 15.7

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 27 / 0 / 50 / 24

HEX #8EC261

RGB 142 194 97

HSL 92.16, 0.44%, 0.57%

LAB 73.02, -33.7, 43.08

 

CMYK 50 / 46 / 0 / 24

HEX #6168C2

RGB 97 104 194

HSL 235.67, 0.44%, 0.57%

LAB 47.41, 22.15, -48.15

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 50 / 0 / 34 / 24

HEX #61C281

RGB 97 194 129

HSL 139.79, 0.44%, 0.57%

LAB 71.36, -43.12, 24.15

 

CMYK 34 / 50 / 0 / 24

HEX #8161C2

RGB 129 97 194

HSL 259.79, 0.44%, 0.57%

LAB 48.4, 34.29, -46.42

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 27 / 0 / 50 / 24

HEX #8EC261

RGB 142 194 97

HSL 92.16, 0.44%, 0.57%

LAB 73.02, -33.7, 43.08

 

CMYK 50 / 17 / 0 / 24

HEX #61A1C2

RGB 97 161 194

HSL 200.41, 0.44%, 0.57%

LAB 63.28, -11.38, -23.32

 

CMYK 23 / 50 / 0 / 24

HEX #9561C2

RGB 149 97 194

HSL 272.16, 0.44%, 0.57%

LAB 50.49, 39.65, -42.96

 

CMYK 0 / 33 / 50 / 24

HEX #C28261

RGB 194 130 97

HSL 20.41, 0.44%, 0.57%

LAB 60.16, 20.98, 27.86

 

CMYK 42 / 0 / 50 / 24

HEX #71C261

RGB 113 194 97

HSL 110.1, 0.44%, 0.57%

LAB 71.53, -43.55, 40.91

 

CMYK 50 / 17 / 0 / 24

HEX #61A1C2

RGB 97 161 194

HSL 200.41, 0.44%, 0.57%

LAB 63.28, -11.38, -23.32

 

CMYK 8 / 50 / 0 / 24

HEX #B261C2

RGB 178 97 194

HSL 290.1, 0.44%, 0.57%

LAB 53.93, 47.75, -37.31

 

Description

Color code: HEX #C28261 | qconv.com Color code: HEX #C28261 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 130 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 130 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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