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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C27F9D it is the complementary color #3D8062. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C27F9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C27F9D shade: #C77F98, #D891AB, #E9A3BE, #FAB5D1 and #FFC7E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C27F9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C27F9D shade: #C27F9D, #B16D8A, #A05B77, #8F4964 and #7E3751

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C27F9D shade: #C2809D, #C2808B and #C28080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C27F9D shade: #C2809D, #C280AF, #C280C1, #B180C2 and #9F80C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C27F9D shade matches the following richer shades: #C2809D, #D1709C, #E0619A, #EF5298 and #FF4397

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C27F9D shade: #C2809D, #B28F9F, #A39EA0, #94ADA2 and #85BDA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C27F9D shade: #C280C1, #C280AF, #C2809D, #C2808C and #C28580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C27F9D shade: #A14E73, #B46488, #C2809D, #CF9BB3 and #DCB7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C27F9D shade: #C27F9D, #C2B180 and #80B8C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C27F9D shade: #C27F9D, #9DC280 and #809DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C27F9D shade: #C27F9D, #C2B180, #80C2A4 and #8090C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C27F9D shade: #C27F9D, #BEC280, #80C2A4 and #8380C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 24

HEX #C27F9D

RGB 194 127 157

HSL 333.13, 0.35%, 0.63%

LAB 60.85, 30.24, -5.3

 

Complementary color

CMYK 52 / 0 / 23 / 50

HEX #3D8062

RGB 61 128 98

HSL 153.13, 0.35%, 0.37%

LAB 48.65, -28.9, 9.87

 

CMYK 0 / 36 / 24 / 22

HEX #C77F98

RGB 199 127 152

HSL 339.17, 0.39%, 0.64%

LAB 61.3, 31.28, -1.72

 

CMYK 0 / 33 / 21 / 15

HEX #D891AB

RGB 216 145 171

HSL 338.03, 0.48%, 0.71%

LAB 67.87, 30.49, -2.6

 

CMYK 0 / 30 / 18 / 9

HEX #E9A3BE

RGB 233 163 190

HSL 336.86, 0.61%, 0.78%

LAB 74.34, 29.76, -3.41

 

CMYK 0 / 28 / 16 / 2

HEX #FAB5D1

RGB 250 181 209

HSL 335.65, 0.87%, 0.85%

LAB 80.72, 29.08, -4.15

 

CMYK 0 / 22 / 11 / 0

HEX #FFC7E4

RGB 255 199 228

HSL 328.93, 1%, 0.89%

LAB 85.86, 24.35, -6.7

 

CMYK 0 / 35 / 19 / 24

HEX #C27F9D

RGB 194 127 157

HSL 333.13, 0.35%, 0.63%

LAB 60.85, 30.24, -5.3

 

CMYK 0 / 38 / 22 / 31

HEX #B16D8A

RGB 177 109 138

HSL 334.41, 0.3%, 0.56%

LAB 54.15, 31.05, -4.43

 

CMYK 0 / 43 / 26 / 37

HEX #A05B77

RGB 160 91 119

HSL 335.65, 0.27%, 0.49%

LAB 47.35, 31.91, -3.43

 

CMYK 0 / 49 / 30 / 44

HEX #8F4964

RGB 143 73 100

HSL 336.86, 0.32%, 0.42%

LAB 40.45, 32.82, -2.25

 

CMYK 0 / 56 / 36 / 51

HEX #7E3751

RGB 126 55 81

HSL 338.03, 0.39%, 0.35%

LAB 33.48, 33.69, -0.76

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 34 / 28 / 24

HEX #C2808B

RGB 194 128 139

HSL 350, 0.35%, 0.63%

LAB 60.58, 27.02, 4.62

 

CMYK 0 / 34 / 34 / 24

HEX #C28080

RGB 194 128 128

HSL 0, 0.35%, 0.63%

LAB 60.31, 25.55, 10.53

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 34 / 10 / 24

HEX #C280AF

RGB 194 128 175

HSL 317.27, 0.35%, 0.63%

LAB 61.66, 32.66, -14.38

 

CMYK 0 / 34 / 1 / 24

HEX #C280C1

RGB 194 128 193

HSL 300.91, 0.35%, 0.63%

LAB 62.3, 35.91, -23.6

 

CMYK 9 / 34 / 0 / 24

HEX #B180C2

RGB 177 128 194

HSL 284.55, 0.35%, 0.63%

LAB 60.5, 30.64, -27.1

 

CMYK 18 / 34 / 0 / 24

HEX #9F80C2

RGB 159 128 194

HSL 268.18, 0.35%, 0.63%

LAB 58.7, 24.96, -30.02

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 46 / 25 / 18

HEX #D1709C

RGB 209 112 156

HSL 332.78, 0.51%, 0.63%

LAB 59.47, 43.31, -6.56

 

CMYK 0 / 57 / 31 / 12

HEX #E0619A

RGB 224 97 154

HSL 333.07, 0.67%, 0.63%

LAB 58.72, 55.24, -6.29

 

CMYK 0 / 66 / 36 / 6

HEX #EF5298

RGB 239 82 152

HSL 333.25, 0.83%, 0.63%

LAB 58.65, 65.84, -4.97

 

CMYK 0 / 74 / 41 / 0

HEX #FF4397

RGB 255 67 151

HSL 333.19, 1%, 0.63%

LAB 59.44, 75.28, -2.92

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 20 / 11 / 30

HEX #B28F9F

RGB 178 143 159

HSL 332.57, 0.19%, 0.63%

LAB 63.02, 15.85, -3.43

 

CMYK 0 / 3 / 2 / 36

HEX #A39EA0

RGB 163 158 160

HSL 336, 0.03%, 0.63%

LAB 65.58, 2.19, -0.4

 

CMYK 14 / 0 / 6 / 32

HEX #94ADA2

RGB 148 173 162

HSL 153.6, 0.13%, 0.63%

LAB 68.6, -10.84, 2.75

 

CMYK 30 / 0 / 13 / 26

HEX #85BDA4

RGB 133 189 164

HSL 153.21, 0.3%, 0.63%

LAB 72.27, -23.56, 6.83

 

CMYK 0 / 34 / 1 / 24

HEX #C280C1

RGB 194 128 193

HSL 300.91, 0.35%, 0.63%

LAB 62.3, 35.91, -23.6

 

CMYK 0 / 34 / 10 / 24

HEX #C280AF

RGB 194 128 175

HSL 317.27, 0.35%, 0.63%

LAB 61.66, 32.66, -14.38

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 34 / 28 / 24

HEX #C2808C

RGB 194 128 140

HSL 349.09, 0.35%, 0.63%

LAB 60.61, 27.16, 4.08

 

CMYK 0 / 31 / 34 / 24

HEX #C28580

RGB 194 133 128

HSL 4.55, 0.35%, 0.63%

LAB 61.48, 22.8, 12.19

 

CMYK 0 / 52 / 29 / 37

HEX #A14E73

RGB 161 78 115

HSL 333.25, 0.35%, 0.47%

LAB 44.61, 38.69, -5.05

 

CMYK 0 / 44 / 24 / 29

HEX #B46488

RGB 180 100 136

HSL 333, 0.35%, 0.55%

LAB 52.5, 36.72, -5.65

 

CMYK 0 / 34 / 19 / 24

HEX #C2809D

RGB 194 128 157

HSL 333.64, 0.35%, 0.63%

LAB 61.08, 29.69, -4.96

 

CMYK 0 / 25 / 14 / 19

HEX #CF9BB3

RGB 207 155 179

HSL 332.31, 0.35%, 0.71%

LAB 69.44, 23.11, -4.86

 

CMYK 0 / 17 / 9 / 14

HEX #DCB7C8

RGB 220 183 200

HSL 332.43, 0.35%, 0.79%

LAB 78.02, 16.06, -3.59

 

CMYK 0 / 35 / 19 / 24

HEX #C27F9D

RGB 194 127 157

HSL 333.13, 0.35%, 0.63%

LAB 60.85, 30.24, -5.3

 

CMYK 0 / 9 / 34 / 24

HEX #C2B180

RGB 194 177 128

HSL 44.55, 0.35%, 0.63%

LAB 72.54, -1.22, 27.32

 

CMYK 34 / 5 / 0 / 24

HEX #80B8C2

RGB 128 184 194

HSL 189.09, 0.35%, 0.63%

LAB 71.4, -15.68, -10.89

 

CMYK 0 / 35 / 19 / 24

HEX #C27F9D

RGB 194 127 157

HSL 333.13, 0.35%, 0.63%

LAB 60.85, 30.24, -5.3

 

CMYK 19 / 0 / 34 / 24

HEX #9DC280

RGB 157 194 128

HSL 93.64, 0.35%, 0.63%

LAB 74.39, -24.22, 29.27

 

CMYK 34 / 19 / 0 / 24

HEX #809DC2

RGB 128 157 194

HSL 213.64, 0.35%, 0.63%

LAB 63.83, -1.07, -22.32

 

CMYK 0 / 35 / 19 / 24

HEX #C27F9D

RGB 194 127 157

HSL 333.13, 0.35%, 0.63%

LAB 60.85, 30.24, -5.3

 

CMYK 0 / 9 / 34 / 24

HEX #C2B180

RGB 194 177 128

HSL 44.55, 0.35%, 0.63%

LAB 72.54, -1.22, 27.32

 

CMYK 34 / 0 / 15 / 24

HEX #80C2A4

RGB 128 194 164

HSL 152.73, 0.35%, 0.63%

LAB 73.45, -27.54, 8.48

 

CMYK 34 / 26 / 0 / 24

HEX #8090C2

RGB 128 144 194

HSL 225.45, 0.35%, 0.63%

LAB 60.28, 6.33, -27.79

 

CMYK 0 / 35 / 19 / 24

HEX #C27F9D

RGB 194 127 157

HSL 333.13, 0.35%, 0.63%

LAB 60.85, 30.24, -5.3

 

CMYK 2 / 0 / 34 / 24

HEX #BEC280

RGB 190 194 128

HSL 63.64, 0.35%, 0.63%

LAB 76.73, -11.69, 32.79

 

CMYK 34 / 0 / 15 / 24

HEX #80C2A4

RGB 128 194 164

HSL 152.73, 0.35%, 0.63%

LAB 73.45, -27.54, 8.48

 

CMYK 32 / 34 / 0 / 24

HEX #8380C2

RGB 131 128 194

HSL 242.73, 0.35%, 0.63%

LAB 56.25, 16.53, -34.03

 

Description

Color code: HEX #C27F9D | qconv.com Color code: HEX #C27F9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 127 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 127 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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