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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2738F it is the complementary color #3D8C70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2738F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2738F shade: #C7738A, #D8859D, #E997B0, #FAA9C3 and #FFBBD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2738F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2738F shade: #C2738F, #B1617C, #A04F69, #8F3D56 and #7E2B43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2738F shade: #C27590, #C2757B and #C27575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2738F shade: #C27590, #C275A5, #C275BA, #B675C2 and #A175C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2738F shade matches the following richer shades: #C27590, #D2658C, #E35587 and #F34482

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2738F shade: #C27590, #B28595, #A2959A, #92A59E and #82B5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2738F shade: #C275BB, #C275A6, #C27591, #C2757D and #C28275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2738F shade: #9F4665, #B65879, #C27590, #CF91A7 and #DCAEBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2738F shade: #C2738F, #C2B575 and #75B0C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2738F shade: #C2738F, #91C275 and #7591C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2738F shade: #C2738F, #C2B575, #75C2A6 and #7582C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2738F shade: #C2738F, #B8C275, #75C2A6 and #7F75C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 26 / 24

HEX #C2738F

RGB 194 115 143

HSL 338.73, 0.39%, 0.61%

LAB 57.76, 34.66, -1.78

 

Complementary color

CMYK 56 / 0 / 20 / 45

HEX #3D8C70

RGB 61 140 112

HSL 158.73, 0.39%, 0.39%

LAB 52.86, -31.33, 7.72

 

CMYK 0 / 42 / 31 / 22

HEX #C7738A

RGB 199 115 138

HSL 343.57, 0.43%, 0.62%

LAB 58.26, 35.78, 1.92

 

CMYK 0 / 38 / 27 / 15

HEX #D8859D

RGB 216 133 157

HSL 342.65, 0.52%, 0.68%

LAB 64.81, 34.9, 0.82

 

CMYK 0 / 35 / 24 / 9

HEX #E997B0

RGB 233 151 176

HSL 341.71, 0.65%, 0.75%

LAB 71.28, 34.07, -0.17

 

CMYK 0 / 32 / 22 / 2

HEX #FAA9C3

RGB 250 169 195

HSL 340.74, 0.89%, 0.82%

LAB 77.66, 33.3, -1.05

 

CMYK 0 / 27 / 16 / 0

HEX #FFBBD6

RGB 255 187 214

HSL 336.18, 1%, 0.87%

LAB 82.73, 28.43, -3.83

 

CMYK 0 / 41 / 26 / 24

HEX #C2738F

RGB 194 115 143

HSL 338.73, 0.39%, 0.61%

LAB 57.76, 34.66, -1.78

 

CMYK 0 / 45 / 30 / 31

HEX #B1617C

RGB 177 97 124

HSL 339.75, 0.34%, 0.54%

LAB 51.1, 35.55, -0.66

 

CMYK 0 / 51 / 34 / 37

HEX #A04F69

RGB 160 79 105

HSL 340.74, 0.34%, 0.47%

LAB 44.36, 36.46, 0.68

 

CMYK 0 / 57 / 40 / 44

HEX #8F3D56

RGB 143 61 86

HSL 341.71, 0.4%, 0.4%

LAB 37.57, 37.34, 2.33

 

CMYK 0 / 66 / 47 / 51

HEX #7E2B43

RGB 126 43 67

HSL 342.65, 0.49%, 0.33%

LAB 30.8, 38.03, 4.48

 

CMYK 0 / 40 / 26 / 24

HEX #C27590

RGB 194 117 144

HSL 338.96, 0.39%, 0.61%

LAB 58.23, 33.73, -1.68

 

CMYK 0 / 40 / 37 / 24

HEX #C2757B

RGB 194 117 123

HSL 355.32, 0.39%, 0.61%

LAB 57.68, 30.93, 9.69

 

CMYK 0 / 40 / 40 / 24

HEX #C27575

RGB 194 117 117

HSL 0, 0.39%, 0.61%

LAB 57.54, 30.22, 12.97

 

CMYK 0 / 40 / 26 / 24

HEX #C27590

RGB 194 117 144

HSL 338.96, 0.39%, 0.61%

LAB 58.23, 33.73, -1.68

 

CMYK 0 / 40 / 15 / 24

HEX #C275A5

RGB 194 117 165

HSL 322.6, 0.39%, 0.61%

LAB 58.89, 36.95, -12.83

 

CMYK 0 / 40 / 4 / 24

HEX #C275BA

RGB 194 117 186

HSL 306.23, 0.39%, 0.61%

LAB 59.65, 40.55, -23.7

 

CMYK 6 / 40 / 0 / 24

HEX #B675C2

RGB 182 117 194

HSL 290.65, 0.39%, 0.61%

LAB 58.57, 38.3, -30.04

 

CMYK 17 / 40 / 0 / 24

HEX #A175C2

RGB 161 117 194

HSL 274.29, 0.39%, 0.61%

LAB 56.28, 31.86, -33.77

 

CMYK 0 / 40 / 26 / 24

HEX #C27590

RGB 194 117 144

HSL 338.96, 0.39%, 0.61%

LAB 58.23, 33.73, -1.68

 

CMYK 0 / 52 / 33 / 18

HEX #D2658C

RGB 210 101 140

HSL 338.53, 0.55%, 0.61%

LAB 56.98, 47.08, -0.93

 

CMYK 0 / 63 / 41 / 11

HEX #E35587

RGB 227 85 135

HSL 338.87, 0.72%, 0.61%

LAB 56.66, 59.3, 1.85

 

CMYK 0 / 72 / 47 / 5

HEX #F34482

RGB 243 68 130

HSL 338.74, 0.88%, 0.61%

LAB 56.88, 69.87, 5.46

 

CMYK 0 / 40 / 26 / 24

HEX #C27590

RGB 194 117 144

HSL 338.96, 0.39%, 0.61%

LAB 58.23, 33.73, -1.68

 

CMYK 0 / 25 / 16 / 30

HEX #B28595

RGB 178 133 149

HSL 338.67, 0.23%, 0.61%

LAB 60.26, 19.76, -1.8

 

CMYK 0 / 8 / 5 / 36

HEX #A2959A

RGB 162 149 154

HSL 336.92, 0.07%, 0.61%

LAB 62.94, 5.7, -0.9

 

CMYK 12 / 0 / 4 / 35

HEX #92A59E

RGB 146 165 158

HSL 157.89, 0.1%, 0.61%

LAB 66.13, -8.06, 1.36

 

CMYK 28 / 0 / 10 / 29

HEX #82B5A3

RGB 130 181 163

HSL 158.82, 0.26%, 0.61%

LAB 69.78, -20.68, 3.77

 

CMYK 0 / 40 / 4 / 24

HEX #C275BB

RGB 194 117 187

HSL 305.45, 0.39%, 0.61%

LAB 59.69, 40.73, -24.21

 

CMYK 0 / 40 / 14 / 24

HEX #C275A6

RGB 194 117 166

HSL 321.82, 0.39%, 0.61%

LAB 58.92, 37.11, -13.35

 

CMYK 0 / 40 / 25 / 24

HEX #C27591

RGB 194 117 145

HSL 338.18, 0.39%, 0.61%

LAB 58.26, 33.87, -2.21

 

CMYK 0 / 40 / 36 / 24

HEX #C2757D

RGB 194 117 125

HSL 353.77, 0.39%, 0.61%

LAB 57.72, 31.18, 8.6

 

CMYK 0 / 33 / 40 / 24

HEX #C28275

RGB 194 130 117

HSL 10.13, 0.39%, 0.61%

LAB 60.53, 23.1, 17.12

 

CMYK 0 / 56 / 36 / 38

HEX #9F4665

RGB 159 70 101

HSL 339.1, 0.39%, 0.45%

LAB 42.29, 40.25, 0.12

 

CMYK 0 / 52 / 34 / 29

HEX #B65879

RGB 182 88 121

HSL 338.94, 0.39%, 0.53%

LAB 49.86, 41.64, -0.58

 

CMYK 0 / 40 / 26 / 24

HEX #C27590

RGB 194 117 144

HSL 338.96, 0.39%, 0.61%

LAB 58.23, 33.73, -1.68

 

CMYK 0 / 30 / 19 / 19

HEX #CF91A7

RGB 207 145 167

HSL 338.71, 0.39%, 0.69%

LAB 66.75, 26.64, -2.11

 

CMYK 0 / 21 / 14 / 14

HEX #DCAEBE

RGB 220 174 190

HSL 339.13, 0.4%, 0.77%

LAB 75.58, 19.24, -1.74

 

CMYK 0 / 41 / 26 / 24

HEX #C2738F

RGB 194 115 143

HSL 338.73, 0.39%, 0.61%

LAB 57.76, 34.66, -1.78

 

CMYK 0 / 7 / 40 / 24

HEX #C2B575

RGB 194 181 117

HSL 49.87, 0.39%, 0.61%

LAB 73.42, -4.63, 34.27

 

CMYK 40 / 9 / 0 / 24

HEX #75B0C2

RGB 117 176 194

HSL 194.03, 0.39%, 0.61%

LAB 68.55, -14.46, -15.21

 

CMYK 0 / 41 / 26 / 24

HEX #C2738F

RGB 194 115 143

HSL 338.73, 0.39%, 0.61%

LAB 57.76, 34.66, -1.78

 

CMYK 25 / 0 / 40 / 24

HEX #91C275

RGB 145 194 117

HSL 98.18, 0.39%, 0.61%

LAB 73.47, -30.1, 33.64

 

CMYK 40 / 25 / 0 / 24

HEX #7591C2

RGB 117 145 194

HSL 218.18, 0.39%, 0.61%

LAB 59.82, 2.66, -28.55

 

CMYK 0 / 41 / 26 / 24

HEX #C2738F

RGB 194 115 143

HSL 338.73, 0.39%, 0.61%

LAB 57.76, 34.66, -1.78

 

CMYK 0 / 7 / 40 / 24

HEX #C2B575

RGB 194 181 117

HSL 49.87, 0.39%, 0.61%

LAB 73.42, -4.63, 34.27

 

CMYK 40 / 0 / 14 / 24

HEX #75C2A6

RGB 117 194 166

HSL 158.18, 0.39%, 0.61%

LAB 72.97, -30.27, 6.64

 

CMYK 40 / 33 / 0 / 24

HEX #7582C2

RGB 117 130 194

HSL 229.87, 0.39%, 0.61%

LAB 55.73, 11.43, -34.92

 

CMYK 0 / 41 / 26 / 24

HEX #C2738F

RGB 194 115 143

HSL 338.73, 0.39%, 0.61%

LAB 57.76, 34.66, -1.78

 

CMYK 5 / 0 / 40 / 24

HEX #B8C275

RGB 184 194 117

HSL 67.79, 0.39%, 0.61%

LAB 76.11, -15.35, 37.55

 

CMYK 40 / 0 / 14 / 24

HEX #75C2A6

RGB 117 194 166

HSL 158.18, 0.39%, 0.61%

LAB 72.97, -30.27, 6.64

 

CMYK 35 / 40 / 0 / 24

HEX #7F75C2

RGB 127 117 194

HSL 247.79, 0.39%, 0.61%

LAB 53.09, 21.92, -39

 

Description

Color code: HEX #C2738F | qconv.com Color code: HEX #C2738F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 115 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 115 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 26 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 26% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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