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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C271A1 it is the complementary color #3D8E5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C271A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C271A1 shade: #C7719C, #D883AF, #E995C2, #FAA7D5 and #FFB9E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C271A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C271A1 shade: #C271A1, #B15F8E, #A04D7B, #8F3B68 and #7E2955

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C271A1 shade: #C270A1, #C2708B, #C27075 and #C27070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C271A1 shade: #C270A1, #C270B7, #B770C2, #A170C2 and #8B70C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C271A1 shade matches the following richer shades: #C270A1, #D260A4, #E34FA7 and #F33FAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C271A1 shade: #C270A1, #B1819E, #A1919A, #90A297 and #80B294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C271A1 shade: #B770C2, #C270B7, #C270A1, #C2708B and #C27076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C271A1 shade: #9C4378, #B5538D, #C270A1, #CE8DB4 and #DBAAC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C271A1 shade: #C271A1, #C2A170 and #70C2C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C271A1 shade: #C271A1, #A1C270 and #70A1C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C271A1 shade: #C271A1, #C2A170, #70C291 and #7091C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C271A1 shade: #C271A1, #C2BA70, #70C291 and #7078C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 17 / 24

HEX #C271A1

RGB 194 113 161

HSL 324.44, 0.4%, 0.6%

LAB 57.9, 38.44, -12.01

 

Complementary color

CMYK 57 / 0 / 34 / 44

HEX #3D8E5E

RGB 61 142 94

HSL 144.44, 0.4%, 0.4%

LAB 53.11, -36.25, 18.32

 

CMYK 0 / 43 / 22 / 22

HEX #C7719C

RGB 199 113 156

HSL 330, 0.43%, 0.61%

LAB 58.37, 39.38, -8.35

 

CMYK 0 / 39 / 19 / 15

HEX #D883AF

RGB 216 131 175

HSL 328.94, 0.52%, 0.68%

LAB 64.9, 38.57, -9.24

 

CMYK 0 / 36 / 17 / 9

HEX #E995C2

RGB 233 149 194

HSL 327.86, 0.66%, 0.75%

LAB 71.36, 37.79, -10.03

 

CMYK 0 / 33 / 15 / 2

HEX #FAA7D5

RGB 250 167 213

HSL 326.75, 0.89%, 0.82%

LAB 77.74, 37.05, -10.75

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E8

RGB 255 185 232

HSL 319.71, 1%, 0.86%

LAB 82.8, 32.36, -13.39

 

CMYK 0 / 42 / 17 / 24

HEX #C271A1

RGB 194 113 161

HSL 324.44, 0.4%, 0.6%

LAB 57.9, 38.44, -12.01

 

CMYK 0 / 46 / 20 / 31

HEX #B15F8E

RGB 177 95 142

HSL 325.61, 0.34%, 0.53%

LAB 51.25, 39.25, -11.12

 

CMYK 0 / 52 / 23 / 37

HEX #A04D7B

RGB 160 77 123

HSL 326.75, 0.35%, 0.46%

LAB 44.53, 40.03, -10.05

 

CMYK 0 / 59 / 27 / 44

HEX #8F3B68

RGB 143 59 104

HSL 327.86, 0.42%, 0.4%

LAB 37.78, 40.7, -8.72

 

CMYK 0 / 67 / 33 / 51

HEX #7E2955

RGB 126 41 85

HSL 328.94, 0.51%, 0.33%

LAB 31.06, 41.09, -6.94

 

CMYK 0 / 42 / 17 / 24

HEX #C270A1

RGB 194 112 161

HSL 324.15, 0.4%, 0.6%

LAB 57.69, 38.97, -12.33

 

CMYK 0 / 42 / 28 / 24

HEX #C2708B

RGB 194 112 139

HSL 340.24, 0.4%, 0.6%

LAB 57, 35.71, -0.58

 

CMYK 0 / 42 / 40 / 24

HEX #C27075

RGB 194 112 117

HSL 356.34, 0.4%, 0.6%

LAB 56.43, 32.92, 11.41

 

CMYK 0 / 42 / 42 / 24

HEX #C27070

RGB 194 112 112

HSL 0, 0.4%, 0.6%

LAB 56.31, 32.35, 14.16

 

CMYK 0 / 42 / 17 / 24

HEX #C270A1

RGB 194 112 161

HSL 324.15, 0.4%, 0.6%

LAB 57.69, 38.97, -12.33

 

CMYK 0 / 42 / 6 / 24

HEX #C270B7

RGB 194 112 183

HSL 308.05, 0.4%, 0.6%

LAB 58.49, 42.66, -23.77

 

CMYK 6 / 42 / 0 / 24

HEX #B770C2

RGB 183 112 194

HSL 291.95, 0.4%, 0.6%

LAB 57.61, 41.31, -31.52

 

CMYK 17 / 42 / 0 / 24

HEX #A170C2

RGB 161 112 194

HSL 275.85, 0.4%, 0.6%

LAB 55.13, 34.68, -35.56

 

CMYK 28 / 42 / 0 / 24

HEX #8B70C2

RGB 139 112 194

HSL 259.76, 0.4%, 0.6%

LAB 52.92, 28.25, -39.2

 

CMYK 0 / 42 / 17 / 24

HEX #C270A1

RGB 194 112 161

HSL 324.15, 0.4%, 0.6%

LAB 57.69, 38.97, -12.33

 

CMYK 0 / 54 / 22 / 18

HEX #D260A4

RGB 210 96 164

HSL 324.21, 0.56%, 0.6%

LAB 56.83, 52.68, -15.15

 

CMYK 0 / 65 / 26 / 11

HEX #E34FA7

RGB 227 79 167

HSL 324.32, 0.73%, 0.6%

LAB 56.79, 65.4, -16.7

 

CMYK 0 / 74 / 30 / 5

HEX #F33FAA

RGB 243 63 170

HSL 324.33, 0.88%, 0.6%

LAB 57.57, 75.43, -17.02

 

CMYK 0 / 42 / 17 / 24

HEX #C270A1

RGB 194 112 161

HSL 324.15, 0.4%, 0.6%

LAB 57.69, 38.97, -12.33

 

CMYK 0 / 27 / 11 / 31

HEX #B1819E

RGB 177 129 158

HSL 323.75, 0.24%, 0.6%

LAB 59.45, 23.18, -8.17

 

CMYK 0 / 10 / 4 / 37

HEX #A1919A

RGB 161 145 154

HSL 326.25, 0.08%, 0.6%

LAB 61.79, 7.58, -2.59

 

CMYK 11 / 0 / 7 / 36

HEX #90A297

RGB 144 162 151

HSL 143.33, 0.09%, 0.6%

LAB 64.97, -8.53, 3.57

 

CMYK 28 / 0 / 17 / 30

HEX #80B294

RGB 128 178 148

HSL 144, 0.25%, 0.6%

LAB 68.44, -22.89, 10.07

 

CMYK 6 / 42 / 0 / 24

HEX #B770C2

RGB 183 112 194

HSL 291.95, 0.4%, 0.6%

LAB 57.61, 41.31, -31.52

 

CMYK 0 / 42 / 6 / 24

HEX #C270B7

RGB 194 112 183

HSL 308.05, 0.4%, 0.6%

LAB 58.49, 42.66, -23.77

 

CMYK 0 / 42 / 17 / 24

HEX #C270A1

RGB 194 112 161

HSL 324.15, 0.4%, 0.6%

LAB 57.69, 38.97, -12.33

 

CMYK 0 / 42 / 28 / 24

HEX #C2708B

RGB 194 112 139

HSL 340.24, 0.4%, 0.6%

LAB 57, 35.71, -0.58

 

CMYK 0 / 42 / 39 / 24

HEX #C27076

RGB 194 112 118

HSL 355.61, 0.4%, 0.6%

LAB 56.45, 33.03, 10.86

 

CMYK 0 / 57 / 23 / 39

HEX #9C4378

RGB 156 67 120

HSL 324.27, 0.4%, 0.44%

LAB 41.9, 43.32, -12.25

 

CMYK 0 / 54 / 22 / 29

HEX #B5538D

RGB 181 83 141

HSL 324.49, 0.4%, 0.52%

LAB 49.42, 46.55, -13.24

 

CMYK 0 / 42 / 17 / 24

HEX #C270A1

RGB 194 112 161

HSL 324.15, 0.4%, 0.6%

LAB 57.69, 38.97, -12.33

 

CMYK 0 / 32 / 13 / 19

HEX #CE8DB4

RGB 206 141 180

HSL 324, 0.4%, 0.68%

LAB 66.11, 30.56, -10.38

 

CMYK 0 / 22 / 9 / 14

HEX #DBAAC7

RGB 219 170 199

HSL 324.49, 0.4%, 0.76%

LAB 74.78, 22.55, -7.85

 

CMYK 0 / 42 / 17 / 24

HEX #C271A1

RGB 194 113 161

HSL 324.44, 0.4%, 0.6%

LAB 57.9, 38.44, -12.01

 

CMYK 0 / 17 / 42 / 24

HEX #C2A170

RGB 194 161 112

HSL 35.85, 0.4%, 0.6%

LAB 68.12, 5.51, 30.04

 

CMYK 42 / 0 / 0 / 24

HEX #70C2C2

RGB 112 194 194

HSL 180, 0.4%, 0.6%

LAB 73.5, -24.96, -7.84

 

CMYK 0 / 42 / 17 / 24

HEX #C271A1

RGB 194 113 161

HSL 324.44, 0.4%, 0.6%

LAB 57.9, 38.44, -12.01

 

CMYK 17 / 0 / 42 / 24

HEX #A1C270

RGB 161 194 112

HSL 84.15, 0.4%, 0.6%

LAB 74.4, -24.86, 37.59

 

CMYK 42 / 17 / 0 / 24

HEX #70A1C2

RGB 112 161 194

HSL 204.15, 0.4%, 0.6%

LAB 64.02, -7.68, -22.12

 

CMYK 0 / 42 / 17 / 24

HEX #C271A1

RGB 194 113 161

HSL 324.44, 0.4%, 0.6%

LAB 57.9, 38.44, -12.01

 

CMYK 0 / 17 / 42 / 24

HEX #C2A170

RGB 194 161 112

HSL 35.85, 0.4%, 0.6%

LAB 68.12, 5.51, 30.04

 

CMYK 42 / 0 / 25 / 24

HEX #70C291

RGB 112 194 145

HSL 144.15, 0.4%, 0.6%

LAB 72.28, -36.02, 16.97

 

CMYK 42 / 25 / 0 / 24

HEX #7091C2

RGB 112 145 194

HSL 215.85, 0.4%, 0.6%

LAB 59.52, 1.32, -29.05

 

CMYK 0 / 42 / 17 / 24

HEX #C271A1

RGB 194 113 161

HSL 324.44, 0.4%, 0.6%

LAB 57.9, 38.44, -12.01

 

CMYK 0 / 4 / 42 / 24

HEX #C2BA70

RGB 194 186 112

HSL 54.15, 0.4%, 0.6%

LAB 74.67, -7.79, 38.45

 

CMYK 42 / 0 / 25 / 24

HEX #70C291

RGB 112 194 145

HSL 144.15, 0.4%, 0.6%

LAB 72.28, -36.02, 16.97

 

CMYK 42 / 38 / 0 / 24

HEX #7078C2

RGB 112 120 194

HSL 234.15, 0.4%, 0.6%

LAB 52.7, 16.07, -39.69

 

Description

Color code: HEX #C271A1 | qconv.com Color code: HEX #C271A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 113 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 113 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 17 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 17% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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