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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25C7E it is the complementary color #3DA381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25C7E shade: #C75C79, #D86E8C, #E9809F, #FA92B2 and #FFA4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25C7E shade: #C25C7E, #B14A6B, #A03858, #8F2645 and #7E1432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25C7E shade: #C25B7E, #C25B62 and #C25B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25C7E shade: #C25B7E, #C25B99, #C25BB5, #B45BC2 and #985BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25C7E shade matches the following richer shades: #C25B7E, #D54978, #E73771 and #F9256B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25C7E shade: #C25B7E, #B06D84, #9E7F8A, #8C9290 and #7AA496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25C7E shade: #C25BB5, #C25B99, #C25B7E, #C25B62 and #C2705B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25C7E shade: #943756, #B24267, #C25B7E, #CE7995 and #D997AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25C7E shade: #C25C7E, #C2B55B and #5BA7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25C7E shade: #C25C7E, #7EC25B and #5B7EC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25C7E shade: #C25C7E, #C2B55B, #5BC2A0 and #5B69C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25C7E shade: #C25C7E, #B1C25B, #5BC2A0 and #6C5BC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 35 / 24

HEX #C25C7E

RGB 194 92 126

HSL 340, 0.46%, 0.56%

LAB 52.54, 44.39, 0.55

 

Complementary color

CMYK 63 / 0 / 21 / 36

HEX #3DA381

RGB 61 163 129

HSL 160, 0.46%, 0.44%

LAB 60.58, -37.81, 9.04

 

CMYK 0 / 54 / 39 / 22

HEX #C75C79

RGB 199 92 121

HSL 343.74, 0.49%, 0.57%

LAB 53.14, 45.52, 4.49

 

CMYK 0 / 49 / 35 / 15

HEX #D86E8C

RGB 216 110 140

HSL 343.02, 0.58%, 0.64%

LAB 59.57, 44.65, 2.94

 

CMYK 0 / 45 / 32 / 9

HEX #E9809F

RGB 233 128 159

HSL 342.29, 0.7%, 0.71%

LAB 65.95, 43.76, 1.61

 

CMYK 0 / 42 / 29 / 2

HEX #FA92B2

RGB 250 146 178

HSL 341.54, 0.91%, 0.78%

LAB 72.29, 42.89, 0.45

 

CMYK 0 / 36 / 23 / 0

HEX #FFA4C5

RGB 255 164 197

HSL 338.24, 1%, 0.82%

LAB 77.19, 37.93, -2.78

 

CMYK 0 / 53 / 35 / 24

HEX #C25C7E

RGB 194 92 126

HSL 340, 0.46%, 0.56%

LAB 52.54, 44.39, 0.55

 

CMYK 0 / 58 / 40 / 31

HEX #B14A6B

RGB 177 74 107

HSL 340.78, 0.41%, 0.49%

LAB 46.05, 45.17, 2.24

 

CMYK 0 / 65 / 45 / 37

HEX #A03858

RGB 160 56 88

HSL 341.54, 0.48%, 0.42%

LAB 39.59, 45.76, 4.35

 

CMYK 0 / 73 / 52 / 44

HEX #8F2645

RGB 143 38 69

HSL 342.29, 0.58%, 0.35%

LAB 33.25, 45.94, 7.09

 

CMYK 0 / 84 / 60 / 51

HEX #7E1432

RGB 126 20 50

HSL 343.02, 0.73%, 0.29%

LAB 27.2, 45.25, 10.79

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 53 / 49 / 24

HEX #C25B62

RGB 194 91 98

HSL 355.92, 0.46%, 0.56%

LAB 51.65, 41.87, 15.94

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 53 / 21 / 24

HEX #C25B99

RGB 194 91 153

HSL 323.88, 0.46%, 0.56%

LAB 53.22, 48.51, -14.4

 

CMYK 0 / 53 / 7 / 24

HEX #C25BB5

RGB 194 91 181

HSL 307.57, 0.46%, 0.56%

LAB 54.33, 52.93, -29.04

 

CMYK 7 / 53 / 0 / 24

HEX #B45BC2

RGB 180 91 194

HSL 291.84, 0.46%, 0.56%

LAB 53.04, 51.35, -38.7

 

CMYK 22 / 53 / 0 / 24

HEX #985BC2

RGB 152 91 194

HSL 275.53, 0.46%, 0.56%

LAB 49.56, 43.76, -44.42

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 66 / 44 / 16

HEX #D54978

RGB 213 73 120

HSL 339.86, 0.63%, 0.56%

LAB 52.14, 58.48, 3.92

 

CMYK 0 / 76 / 51 / 9

HEX #E73771

RGB 231 55 113

HSL 340.23, 0.79%, 0.56%

LAB 52.85, 69.28, 9.58

 

CMYK 0 / 85 / 57 / 2

HEX #F9256B

RGB 249 37 107

HSL 340.19, 0.95%, 0.56%

LAB 54.58, 77.77, 16.1

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 38 / 25 / 31

HEX #B06D84

RGB 176 109 132

HSL 339.4, 0.3%, 0.56%

LAB 53.85, 29.78, -1.37

 

CMYK 0 / 20 / 13 / 38

HEX #9E7F8A

RGB 158 127 138

HSL 338.71, 0.14%, 0.56%

LAB 56.37, 13.79, -1.41

 

CMYK 4 / 0 / 1 / 43

HEX #8C9290

RGB 140 146 144

HSL 160, 0.03%, 0.56%

LAB 60.02, -2.57, 0.29

HEX #8C9290

CMYK 26 / 0 / 9 / 36

HEX #7AA496

RGB 122 164 150

HSL 160, 0.19%, 0.56%

LAB 64.07, -17.24, 2.65

HEX #7AA496

CMYK 0 / 53 / 7 / 24

HEX #C25BB5

RGB 194 91 181

HSL 307.57, 0.46%, 0.56%

LAB 54.33, 52.93, -29.04

 

CMYK 0 / 53 / 21 / 24

HEX #C25B99

RGB 194 91 153

HSL 323.88, 0.46%, 0.56%

LAB 53.22, 48.51, -14.4

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 53 / 49 / 24

HEX #C25B62

RGB 194 91 98

HSL 355.92, 0.46%, 0.56%

LAB 51.65, 41.87, 15.94

 

CMYK 0 / 42 / 53 / 24

HEX #C2705B

RGB 194 112 91

HSL 12.23, 0.46%, 0.56%

LAB 55.9, 30.26, 25.7

 

CMYK 0 / 63 / 42 / 42

HEX #943756

RGB 148 55 86

HSL 340, 0.46%, 0.4%

LAB 37.3, 42.01, 2.05

 

CMYK 0 / 63 / 42 / 30

HEX #B24267

RGB 178 66 103

HSL 340.18, 0.46%, 0.48%

LAB 44.72, 48.76, 2.79

 

CMYK 0 / 53 / 35 / 24

HEX #C25B7E

RGB 194 91 126

HSL 339.61, 0.46%, 0.56%

LAB 52.35, 44.89, 0.28

 

CMYK 0 / 41 / 28 / 19

HEX #CE7995

RGB 206 121 149

HSL 340.24, 0.46%, 0.64%

LAB 60.75, 36.59, -0.69

 

CMYK 0 / 30 / 20 / 15

HEX #D997AD

RGB 217 151 173

HSL 340, 0.46%, 0.72%

LAB 69.4, 27.91, -1.46

 

CMYK 0 / 53 / 35 / 24

HEX #C25C7E

RGB 194 92 126

HSL 340, 0.46%, 0.56%

LAB 52.54, 44.39, 0.55

 

CMYK 0 / 7 / 53 / 24

HEX #C2B55B

RGB 194 181 91

HSL 52.43, 0.46%, 0.56%

LAB 73.07, -7.18, 46.96

 

CMYK 53 / 14 / 0 / 24

HEX #5BA7C2

RGB 91 167 194

HSL 195.73, 0.46%, 0.56%

LAB 64.77, -15.96, -21.07

 

CMYK 0 / 53 / 35 / 24

HEX #C25C7E

RGB 194 92 126

HSL 340, 0.46%, 0.56%

LAB 52.54, 44.39, 0.55

 

CMYK 35 / 0 / 53 / 24

HEX #7EC25B

RGB 126 194 91

HSL 99.61, 0.46%, 0.56%

LAB 72.08, -40.03, 44.64

 

CMYK 53 / 35 / 0 / 24

HEX #5B7EC2

RGB 91 126 194

HSL 219.61, 0.46%, 0.56%

LAB 52.99, 7.32, -39.32

 

CMYK 0 / 53 / 35 / 24

HEX #C25C7E

RGB 194 92 126

HSL 340, 0.46%, 0.56%

LAB 52.54, 44.39, 0.55

 

CMYK 0 / 7 / 53 / 24

HEX #C2B55B

RGB 194 181 91

HSL 52.43, 0.46%, 0.56%

LAB 73.07, -7.18, 46.96

 

CMYK 53 / 0 / 18 / 24

HEX #5BC2A0

RGB 91 194 160

HSL 160.19, 0.46%, 0.56%

LAB 71.79, -38.15, 8.07

 

CMYK 53 / 46 / 0 / 24

HEX #5B69C2

RGB 91 105 194

HSL 231.84, 0.46%, 0.56%

LAB 47.26, 20.19, -48.41

 

CMYK 0 / 53 / 35 / 24

HEX #C25C7E

RGB 194 92 126

HSL 340, 0.46%, 0.56%

LAB 52.54, 44.39, 0.55

 

CMYK 9 / 0 / 53 / 24

HEX #B1C25B

RGB 177 194 91

HSL 69.9, 0.46%, 0.56%

LAB 75.26, -20.81, 49.17

 

CMYK 53 / 0 / 18 / 24

HEX #5BC2A0

RGB 91 194 160

HSL 160.19, 0.46%, 0.56%

LAB 71.79, -38.15, 8.07

 

CMYK 44 / 53 / 0 / 24

HEX #6C5BC2

RGB 108 91 194

HSL 249.9, 0.46%, 0.56%

LAB 45.03, 32.64, -51.91

 

Description

Color code: HEX #C25C7E | qconv.com Color code: HEX #C25C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 92 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 92 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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