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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25991 it is the complementary color #3DA66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25991 shade: #C7598C, #D86B9F, #E97DB2, #FA8FC5 and #FFA1D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25991 shade: #C25991, #B1477E, #A0356B, #8F2358 and #7E1145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25991 shade: #C15790, #C15773 and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25991 shade: #C15790, #C157AC, #B957C1, #9D57C1 and #8057C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25991 shade matches the following richer shades: #C15790, #D44591, #E63292 and #F92093

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25991 shade: #C15790, #AE6A8F, #9C7D8D, #898F8C and #77A28B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25991 shade: #BA57C1, #C157AC, #C15790, #C15774 and #C15757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25991 shade: #913566, #AF417B, #C15790, #CC76A4 and #D794B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25991 shade: #C25991, #C19E57 and #57BAC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25991 shade: #C25991, #90C157 and #5790C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25991 shade: #C25991, #C19E57, #57C189 and #577BC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25991 shade: #C25991, #C1BE57, #57C189 and #575BC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 25 / 24

HEX #C25991

RGB 194 89 145

HSL 328, 0.46%, 0.55%

LAB 52.57, 48.34, -10.66

 

Complementary color

CMYK 63 / 0 / 34 / 35

HEX #3DA66E

RGB 61 166 110

HSL 148, 0.46%, 0.45%

LAB 61.12, -43.32, 20.32

 

CMYK 0 / 55 / 30 / 22

HEX #C7598C

RGB 199 89 140

HSL 332.18, 0.5%, 0.56%

LAB 53.15, 49.28, -6.77

 

CMYK 0 / 50 / 26 / 15

HEX #D86B9F

RGB 216 107 159

HSL 331.38, 0.58%, 0.63%

LAB 59.54, 48.57, -8.09

 

CMYK 0 / 46 / 24 / 9

HEX #E97DB2

RGB 233 125 178

HSL 330.56, 0.71%, 0.7%

LAB 65.91, 47.79, -9.21

 

CMYK 0 / 43 / 21 / 2

HEX #FA8FC5

RGB 250 143 197

HSL 329.72, 0.91%, 0.77%

LAB 72.23, 47.01, -10.18

 

CMYK 0 / 37 / 15 / 0

HEX #FFA1D8

RGB 255 161 216

HSL 324.89, 1%, 0.82%

LAB 77.11, 42.29, -13.27

 

CMYK 0 / 54 / 25 / 24

HEX #C25991

RGB 194 89 145

HSL 328, 0.46%, 0.55%

LAB 52.57, 48.34, -10.66

 

CMYK 0 / 60 / 29 / 31

HEX #B1477E

RGB 177 71 126

HSL 328.87, 0.43%, 0.49%

LAB 46.12, 48.92, -9.23

 

CMYK 0 / 67 / 33 / 37

HEX #A0356B

RGB 160 53 107

HSL 329.72, 0.5%, 0.42%

LAB 39.72, 49.21, -7.41

 

CMYK 0 / 76 / 38 / 44

HEX #8F2358

RGB 143 35 88

HSL 330.56, 0.61%, 0.35%

LAB 33.45, 48.95, -5

 

CMYK 0 / 87 / 45 / 51

HEX #7E1145

RGB 126 17 69

HSL 331.38, 0.76%, 0.28%

LAB 27.48, 47.67, -1.67

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 0 / 55 / 40 / 24

HEX #C15773

RGB 193 87 115

HSL 344.15, 0.46%, 0.55%

LAB 51.14, 45.24, 5.07

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 0 / 55 / 11 / 24

HEX #C157AC

RGB 193 87 172

HSL 311.89, 0.46%, 0.55%

LAB 53.09, 53.06, -25.74

 

CMYK 4 / 55 / 0 / 24

HEX #B957C1

RGB 185 87 193

HSL 295.47, 0.46%, 0.55%

LAB 52.93, 54.46, -38.25

 

CMYK 19 / 55 / 0 / 24

HEX #9D57C1

RGB 157 87 193

HSL 279.62, 0.46%, 0.55%

LAB 49.3, 46.99, -44.23

 

CMYK 34 / 55 / 0 / 24

HEX #8057C1

RGB 128 87 193

HSL 263.21, 0.46%, 0.55%

LAB 45.98, 39.53, -49.7

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 0 / 67 / 32 / 17

HEX #D44591

RGB 212 69 145

HSL 328.11, 0.62%, 0.55%

LAB 52.17, 62.44, -10.98

 

CMYK 0 / 78 / 37 / 10

HEX #E63292

RGB 230 50 146

HSL 328, 0.78%, 0.55%

LAB 53.15, 73.38, -9.8

 

CMYK 0 / 87 / 41 / 2

HEX #F92093

RGB 249 32 147

HSL 328.2, 0.95%, 0.55%

LAB 55.36, 81.68, -6.72

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 0 / 39 / 18 / 32

HEX #AE6A8F

RGB 174 106 143

HSL 327.35, 0.3%, 0.55%

LAB 53.27, 32.41, -8.73

 

CMYK 0 / 20 / 10 / 39

HEX #9C7D8D

RGB 156 125 141

HSL 329.03, 0.14%, 0.55%

LAB 55.74, 14.72, -4.09

 

CMYK 4 / 0 / 2 / 44

HEX #898F8C

RGB 137 143 140

HSL 150, 0.03%, 0.55%

LAB 58.84, -2.78, 0.83

 

CMYK 27 / 0 / 14 / 36

HEX #77A28B

RGB 119 162 139

HSL 147.91, 0.19%, 0.55%

LAB 63.03, -19.5, 7.28

 

CMYK 4 / 55 / 0 / 24

HEX #BA57C1

RGB 186 87 193

HSL 296.04, 0.46%, 0.55%

LAB 53.07, 54.73, -38.02

 

CMYK 0 / 55 / 11 / 24

HEX #C157AC

RGB 193 87 172

HSL 311.89, 0.46%, 0.55%

LAB 53.09, 53.06, -25.74

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 0 / 55 / 40 / 24

HEX #C15774

RGB 193 87 116

HSL 343.58, 0.46%, 0.55%

LAB 51.17, 45.35, 4.51

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 63 / 30 / 43

HEX #913566

RGB 145 53 102

HSL 328.04, 0.46%, 0.39%

LAB 36.98, 43.93, -8.64

 

CMYK 0 / 63 / 30 / 31

HEX #AF417B

RGB 175 65 123

HSL 328.36, 0.46%, 0.47%

LAB 44.69, 50.61, -9.58

 

CMYK 0 / 55 / 25 / 24

HEX #C15790

RGB 193 87 144

HSL 327.74, 0.46%, 0.55%

LAB 52.03, 48.85, -10.91

 

CMYK 0 / 42 / 20 / 20

HEX #CC76A4

RGB 204 118 164

HSL 327.91, 0.46%, 0.63%

LAB 60.32, 39.66, -9.98

 

CMYK 0 / 31 / 14 / 16

HEX #D794B8

RGB 215 148 184

HSL 327.76, 0.46%, 0.71%

LAB 68.81, 30.55, -8.48

 

CMYK 0 / 54 / 25 / 24

HEX #C25991

RGB 194 89 145

HSL 328, 0.46%, 0.55%

LAB 52.57, 48.34, -10.66

 

CMYK 0 / 18 / 55 / 24

HEX #C19E57

RGB 193 158 87

HSL 40.19, 0.46%, 0.55%

LAB 66.88, 4.3, 41.57

 

CMYK 55 / 4 / 0 / 24

HEX #57BAC1

RGB 87 186 193

HSL 183.96, 0.46%, 0.55%

LAB 70.17, -26.83, -12.36

 

CMYK 0 / 54 / 25 / 24

HEX #C25991

RGB 194 89 145

HSL 328, 0.46%, 0.55%

LAB 52.57, 48.34, -10.66

 

CMYK 25 / 0 / 55 / 24

HEX #90C157

RGB 144 193 87

HSL 87.74, 0.46%, 0.55%

LAB 72.73, -33.57, 47.55

 

CMYK 55 / 25 / 0 / 24

HEX #5790C1

RGB 87 144 193

HSL 207.74, 0.46%, 0.55%

LAB 57.87, -4.45, -31.14

 

CMYK 0 / 54 / 25 / 24

HEX #C25991

RGB 194 89 145

HSL 328, 0.46%, 0.55%

LAB 52.57, 48.34, -10.66

 

CMYK 0 / 18 / 55 / 24

HEX #C19E57

RGB 193 158 87

HSL 40.19, 0.46%, 0.55%

LAB 66.88, 4.3, 41.57

 

CMYK 55 / 0 / 29 / 24

HEX #57C189

RGB 87 193 137

HSL 148.3, 0.46%, 0.55%

LAB 70.85, -43.6, 19.14

 

CMYK 55 / 36 / 0 / 24

HEX #577BC1

RGB 87 123 193

HSL 219.62, 0.46%, 0.55%

LAB 51.89, 7.92, -40.51

 

CMYK 0 / 54 / 25 / 24

HEX #C25991

RGB 194 89 145

HSL 328, 0.46%, 0.55%

LAB 52.57, 48.34, -10.66

 

CMYK 0 / 2 / 55 / 24

HEX #C1BE57

RGB 193 190 87

HSL 58.3, 0.46%, 0.55%

LAB 75.36, -12.57, 51.48

 

CMYK 55 / 0 / 29 / 24

HEX #57C189

RGB 87 193 137

HSL 148.3, 0.46%, 0.55%

LAB 70.85, -43.6, 19.14

 

CMYK 55 / 53 / 0 / 24

HEX #575BC1

RGB 87 91 193

HSL 237.74, 0.46%, 0.55%

LAB 43.3, 27.75, -54.21

 

Description

Color code: HEX #C25991 | qconv.com Color code: HEX #C25991 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 89 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 89 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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