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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C258A3 it is the complementary color #3DA75C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C258A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C258A3 shade: #C7589E, #D86AB1, #E97CC4, #FA8ED7 and #FFA0EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C258A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C258A3 shade: #C258A3, #B14690, #A0347D, #8F226A and #7E1057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C258A3 shade: #C157A2, #C15786, #C15769 and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C258A3 shade: #C157A2, #C157BF, #A757C1, #8B57C1 and #6E57C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C258A3 shade matches the following richer shades: #C157A2, #D445AA, #E632B2 and #F920B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C258A3 shade: #C157A2, #AE6A9A, #9C7D93, #898F8B and #77A283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C258A3 shade: #A757C1, #C157BF, #C157A3, #C15787 and #C1576B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C258A3 shade: #913576, #AF418E, #C157A2, #CC76B3 and #D794C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C258A3 shade: #C258A3, #C18A57 and #57C1B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C258A3 shade: #C258A3, #A3C157 and #57A3C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C258A3 shade: #C258A3, #C18A57, #57C175 and #578EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C258A3 shade: #C258A3, #C1AA57, #57C175 and #576EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 16 / 24

HEX #C258A3

RGB 194 88 163

HSL 317.55, 0.46%, 0.55%

LAB 53.05, 51.46, -20.53

 

Complementary color

CMYK 63 / 0 / 45 / 35

HEX #3DA75C

RGB 61 167 92

HSL 137.55, 0.46%, 0.45%

LAB 61.13, -47.09, 30

 

CMYK 0 / 56 / 21 / 22

HEX #C7589E

RGB 199 88 158

HSL 322.16, 0.5%, 0.56%

LAB 53.59, 52.23, -16.71

 

CMYK 0 / 51 / 18 / 15

HEX #D86AB1

RGB 216 106 177

HSL 321.27, 0.59%, 0.63%

LAB 59.96, 51.62, -17.82

 

CMYK 0 / 47 / 16 / 9

HEX #E97CC4

RGB 233 124 196

HSL 320.37, 0.71%, 0.7%

LAB 66.31, 50.92, -18.75

 

CMYK 0 / 43 / 14 / 2

HEX #FA8ED7

RGB 250 142 215

HSL 319.44, 0.92%, 0.77%

LAB 72.61, 50.19, -19.55

 

CMYK 0 / 37 / 8 / 0

HEX #FFA0EA

RGB 255 160 234

HSL 313.26, 1%, 0.81%

LAB 77.48, 45.69, -22.49

 

CMYK 0 / 55 / 16 / 24

HEX #C258A3

RGB 194 88 163

HSL 317.55, 0.46%, 0.55%

LAB 53.05, 51.46, -20.53

 

CMYK 0 / 60 / 19 / 31

HEX #B14690

RGB 177 70 144

HSL 318.5, 0.43%, 0.48%

LAB 46.63, 51.9, -19.33

 

CMYK 0 / 68 / 22 / 37

HEX #A0347D

RGB 160 52 125

HSL 319.44, 0.51%, 0.42%

LAB 40.26, 52.01, -17.77

 

CMYK 0 / 76 / 26 / 44

HEX #8F226A

RGB 143 34 106

HSL 320.37, 0.62%, 0.35%

LAB 34.03, 51.51, -15.68

 

CMYK 0 / 87 / 31 / 51

HEX #7E1057

RGB 126 16 87

HSL 321.27, 0.77%, 0.28%

LAB 28.1, 49.91, -12.75

 

CMYK 0 / 55 / 16 / 24

HEX #C157A2

RGB 193 87 162

HSL 317.55, 0.46%, 0.55%

LAB 52.69, 51.48, -20.51

 

CMYK 0 / 55 / 31 / 24

HEX #C15786

RGB 193 87 134

HSL 333.4, 0.46%, 0.55%

LAB 51.7, 47.52, -5.47

 

CMYK 0 / 55 / 46 / 24

HEX #C15769

RGB 193 87 105

HSL 349.81, 0.46%, 0.55%

LAB 50.89, 44.18, 10.69

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 16 / 24

HEX #C157A2

RGB 193 87 162

HSL 317.55, 0.46%, 0.55%

LAB 52.69, 51.48, -20.51

 

CMYK 0 / 55 / 1 / 24

HEX #C157BF

RGB 193 87 191

HSL 301.13, 0.46%, 0.55%

LAB 53.94, 56.26, -35.43

 

CMYK 13 / 55 / 0 / 24

HEX #A757C1

RGB 167 87 193

HSL 285.28, 0.46%, 0.55%

LAB 50.55, 49.64, -42.16

 

CMYK 28 / 55 / 0 / 24

HEX #8B57C1

RGB 139 87 193

HSL 269.43, 0.46%, 0.55%

LAB 47.18, 42.31, -47.73

 

CMYK 43 / 55 / 0 / 24

HEX #6E57C1

RGB 110 87 193

HSL 253.02, 0.46%, 0.55%

LAB 44.21, 35.2, -52.65

 

CMYK 0 / 55 / 16 / 24

HEX #C157A2

RGB 193 87 162

HSL 317.55, 0.46%, 0.55%

LAB 52.69, 51.48, -20.51

 

CMYK 0 / 67 / 20 / 17

HEX #D445AA

RGB 212 69 170

HSL 317.62, 0.62%, 0.55%

LAB 53.12, 65.62, -24.29

 

CMYK 0 / 78 / 23 / 10

HEX #E632B2

RGB 230 50 178

HSL 317.33, 0.78%, 0.55%

LAB 54.36, 76.97, -26.8

 

CMYK 0 / 87 / 26 / 2

HEX #F920B9

RGB 249 32 185

HSL 317.7, 0.95%, 0.55%

LAB 56.76, 85.5, -26.89

 

CMYK 0 / 55 / 16 / 24

HEX #C157A2

RGB 193 87 162

HSL 317.55, 0.46%, 0.55%

LAB 52.69, 51.48, -20.51

 

CMYK 0 / 39 / 11 / 32

HEX #AE6A9A

RGB 174 106 154

HSL 317.65, 0.3%, 0.55%

LAB 53.64, 34.25, -14.61

 

CMYK 0 / 20 / 6 / 39

HEX #9C7D93

RGB 156 125 147

HSL 317.42, 0.14%, 0.55%

LAB 55.93, 15.82, -7.3

 

CMYK 4 / 0 / 3 / 44

HEX #898F8B

RGB 137 143 139

HSL 140, 0.03%, 0.55%

LAB 58.81, -2.98, 1.36

 

CMYK 27 / 0 / 19 / 36

HEX #77A283

RGB 119 162 131

HSL 136.74, 0.19%, 0.55%

LAB 62.84, -21.1, 11.49

 

CMYK 13 / 55 / 0 / 24

HEX #A757C1

RGB 167 87 193

HSL 285.28, 0.46%, 0.55%

LAB 50.55, 49.64, -42.16

 

CMYK 0 / 55 / 1 / 24

HEX #C157BF

RGB 193 87 191

HSL 301.13, 0.46%, 0.55%

LAB 53.94, 56.26, -35.43

 

CMYK 0 / 55 / 16 / 24

HEX #C157A3

RGB 193 87 163

HSL 316.98, 0.46%, 0.55%

LAB 52.73, 51.64, -21.04

 

CMYK 0 / 55 / 30 / 24

HEX #C15787

RGB 193 87 135

HSL 332.83, 0.46%, 0.55%

LAB 51.73, 47.65, -6.01

 

CMYK 0 / 55 / 45 / 24

HEX #C1576B

RGB 193 87 107

HSL 348.68, 0.46%, 0.55%

LAB 50.94, 44.38, 9.56

 

CMYK 0 / 63 / 19 / 43

HEX #913576

RGB 145 53 118

HSL 317.61, 0.46%, 0.39%

LAB 37.62, 46.24, -17.71

 

CMYK 0 / 63 / 19 / 31

HEX #AF418E

RGB 175 65 142

HSL 318, 0.46%, 0.47%

LAB 45.42, 53.24, -20.01

 

CMYK 0 / 55 / 16 / 24

HEX #C157A2

RGB 193 87 162

HSL 317.55, 0.46%, 0.55%

LAB 52.69, 51.48, -20.51

 

CMYK 0 / 42 / 12 / 20

HEX #CC76B3

RGB 204 118 179

HSL 317.44, 0.46%, 0.63%

LAB 60.82, 42.04, -17.8

 

CMYK 0 / 31 / 9 / 16

HEX #D794C4

RGB 215 148 196

HSL 317.01, 0.46%, 0.71%

LAB 69.19, 32.55, -14.6

 

CMYK 0 / 55 / 16 / 24

HEX #C258A3

RGB 194 88 163

HSL 317.55, 0.46%, 0.55%

LAB 53.05, 51.46, -20.53

 

CMYK 0 / 28 / 55 / 24

HEX #C18A57

RGB 193 138 87

HSL 28.87, 0.46%, 0.55%

LAB 61.83, 15.25, 35.41

 

CMYK 55 / 0 / 6 / 24

HEX #57C1B5

RGB 87 193 181

HSL 173.21, 0.46%, 0.55%

LAB 71.89, -33.43, -3.23

 

CMYK 0 / 55 / 16 / 24

HEX #C258A3

RGB 194 88 163

HSL 317.55, 0.46%, 0.55%

LAB 53.05, 51.46, -20.53

 

CMYK 16 / 0 / 55 / 24

HEX #A3C157

RGB 163 193 87

HSL 76.98, 0.46%, 0.55%

LAB 73.94, -26.27, 49.26

 

CMYK 55 / 16 / 0 / 24

HEX #57A3C1

RGB 87 163 193

HSL 196.98, 0.46%, 0.55%

LAB 63.4, -14.98, -22.61

 

CMYK 0 / 55 / 16 / 24

HEX #C258A3

RGB 194 88 163

HSL 317.55, 0.46%, 0.55%

LAB 53.05, 51.46, -20.53

 

CMYK 0 / 28 / 55 / 24

HEX #C18A57

RGB 193 138 87

HSL 28.87, 0.46%, 0.55%

LAB 61.83, 15.25, 35.41

 

CMYK 55 / 0 / 39 / 24

HEX #57C175

RGB 87 193 117

HSL 136.98, 0.46%, 0.55%

LAB 70.49, -47.35, 29.24

 

CMYK 55 / 26 / 0 / 24

HEX #578EC1

RGB 87 142 193

HSL 208.87, 0.46%, 0.55%

LAB 57.29, -3.3, -32.04

 

CMYK 0 / 55 / 16 / 24

HEX #C258A3

RGB 194 88 163

HSL 317.55, 0.46%, 0.55%

LAB 53.05, 51.46, -20.53

 

CMYK 0 / 12 / 55 / 24

HEX #C1AA57

RGB 193 170 87

HSL 46.98, 0.46%, 0.55%

LAB 70.02, -2.14, 45.29

 

CMYK 55 / 0 / 39 / 24

HEX #57C175

RGB 87 193 117

HSL 136.98, 0.46%, 0.55%

LAB 70.49, -47.35, 29.24

 

CMYK 55 / 43 / 0 / 24

HEX #576EC1

RGB 87 110 193

HSL 226.98, 0.46%, 0.55%

LAB 48.3, 15.89, -46.2

 

Description

Color code: HEX #C258A3 | qconv.com Color code: HEX #C258A3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 88 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 88 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 16 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 16% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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