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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25866 it is the complementary color #3DA799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25866 shade: #C75861, #D86A74, #E97C87, #FA8E9A and #FFA0AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25866 shade: #C25866, #B14653, #A03440, #8F222D and #7E101A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25866 shade: #C15765 and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25866 shade: #C15765, #C15782, #C1579E, #C157BB and #AB57C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25866 shade matches the following richer shades: #C15765, #D44558, #E6324A and #F9203C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25866 shade: #C15765, #AE6A73, #9C7D81, #898F8E and #77A29C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25866 shade: #C1579E, #C15782, #C15766, #C16657 and #C18257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25866 shade: #913541, #AF414F, #C15765, #CC7681 and #D7949D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25866 shade: #C25866, #BAC157 and #5790C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25866 shade: #C25866, #66C157 and #5766C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25866 shade: #C25866, #BAC157, #57C1B3 and #5F57C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25866 shade: #C25866, #9AC157, #57C1B3 and #7E57C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 47 / 24

HEX #C25866

RGB 194 88 102

HSL 352.08, 0.46%, 0.55%

LAB 51.16, 43.74, 12.89

 

Complementary color

CMYK 63 / 0 / 8 / 35

HEX #3DA799

RGB 61 167 153

HSL 172.08, 0.46%, 0.45%

LAB 62.45, -33.52, -1.71

 

CMYK 0 / 56 / 51 / 22

HEX #C75861

RGB 199 88 97

HSL 355.14, 0.5%, 0.56%

LAB 51.82, 45.05, 16.89

 

CMYK 0 / 51 / 46 / 15

HEX #D86A74

RGB 216 106 116

HSL 354.55, 0.59%, 0.63%

LAB 58.2, 44.04, 14.91

 

CMYK 0 / 47 / 42 / 9

HEX #E97C87

RGB 233 124 135

HSL 353.94, 0.71%, 0.7%

LAB 64.55, 43.01, 13.23

 

CMYK 0 / 43 / 38 / 2

HEX #FA8E9A

RGB 250 142 154

HSL 353.33, 0.92%, 0.77%

LAB 70.87, 42.03, 11.76

 

CMYK 0 / 37 / 32 / 0

HEX #FFA0AD

RGB 255 160 173

HSL 351.79, 1%, 0.81%

LAB 75.71, 36.81, 8.23

 

CMYK 0 / 55 / 47 / 24

HEX #C25866

RGB 194 88 102

HSL 352.08, 0.46%, 0.55%

LAB 51.16, 43.74, 12.89

 

CMYK 0 / 60 / 53 / 31

HEX #B14653

RGB 177 70 83

HSL 352.71, 0.43%, 0.48%

LAB 44.73, 44.67, 15.08

 

CMYK 0 / 68 / 60 / 37

HEX #A03440

RGB 160 52 64

HSL 353.33, 0.51%, 0.42%

LAB 38.38, 45.39, 17.81

 

CMYK 0 / 76 / 69 / 44

HEX #8F222D

RGB 143 34 45

HSL 353.94, 0.62%, 0.35%

LAB 32.2, 45.66, 21.28

 

CMYK 0 / 87 / 79 / 51

HEX #7E101A

RGB 126 16 26

HSL 354.55, 0.77%, 0.28%

LAB 26.39, 44.97, 25.72

 

CMYK 0 / 55 / 48 / 24

HEX #C15765

RGB 193 87 101

HSL 352.08, 0.46%, 0.55%

LAB 50.8, 43.78, 12.95

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 48 / 24

HEX #C15765

RGB 193 87 101

HSL 352.08, 0.46%, 0.55%

LAB 50.8, 43.78, 12.95

 

CMYK 0 / 55 / 33 / 24

HEX #C15782

RGB 193 87 130

HSL 335.66, 0.46%, 0.55%

LAB 51.57, 47.01, -3.27

 

CMYK 0 / 55 / 18 / 24

HEX #C1579E

RGB 193 87 158

HSL 319.81, 0.46%, 0.55%

LAB 52.53, 50.87, -18.4

 

CMYK 0 / 55 / 3 / 24

HEX #C157BB

RGB 193 87 187

HSL 303.4, 0.46%, 0.55%

LAB 53.75, 55.56, -33.42

 

CMYK 11 / 55 / 0 / 24

HEX #AB57C1

RGB 171 87 193

HSL 287.55, 0.46%, 0.55%

LAB 51.06, 50.71, -41.31

 

CMYK 0 / 55 / 48 / 24

HEX #C15765

RGB 193 87 101

HSL 352.08, 0.46%, 0.55%

LAB 50.8, 43.78, 12.95

 

CMYK 0 / 67 / 58 / 17

HEX #D44558

RGB 212 69 88

HSL 352.03, 0.62%, 0.55%

LAB 50.64, 57.09, 21.03

 

CMYK 0 / 78 / 68 / 10

HEX #E6324A

RGB 230 50 74

HSL 352, 0.78%, 0.55%

LAB 51.38, 67.98, 30.98

 

CMYK 0 / 87 / 76 / 2

HEX #F9203C

RGB 249 32 60

HSL 352.26, 0.95%, 0.55%

LAB 53.49, 76.4, 42.48

 

CMYK 0 / 55 / 48 / 24

HEX #C15765

RGB 193 87 101

HSL 352.08, 0.46%, 0.55%

LAB 50.8, 43.78, 12.95

 

CMYK 0 / 39 / 34 / 32

HEX #AE6A73

RGB 174 106 115

HSL 352.06, 0.3%, 0.55%

LAB 52.45, 28.31, 6.58

 

CMYK 0 / 20 / 17 / 39

HEX #9C7D81

RGB 156 125 129

HSL 352.26, 0.14%, 0.55%

LAB 55.4, 12.63, 2.37

 

CMYK 4 / 0 / 1 / 44

HEX #898F8E

RGB 137 143 142

HSL 170, 0.03%, 0.55%

LAB 58.9, -2.38, -0.24

 

CMYK 27 / 0 / 4 / 36

HEX #77A29C

RGB 119 162 156

HSL 171.63, 0.19%, 0.55%

LAB 63.48, -15.81, -1.6

 

CMYK 0 / 55 / 18 / 24

HEX #C1579E

RGB 193 87 158

HSL 319.81, 0.46%, 0.55%

LAB 52.53, 50.87, -18.4

 

CMYK 0 / 55 / 33 / 24

HEX #C15782

RGB 193 87 130

HSL 335.66, 0.46%, 0.55%

LAB 51.57, 47.01, -3.27

 

CMYK 0 / 55 / 47 / 24

HEX #C15766

RGB 193 87 102

HSL 351.51, 0.46%, 0.55%

LAB 50.82, 43.88, 12.39

 

CMYK 0 / 47 / 55 / 24

HEX #C16657

RGB 193 102 87

HSL 8.49, 0.46%, 0.55%

LAB 53.52, 34.85, 24.86

 

CMYK 0 / 33 / 55 / 24

HEX #C18257

RGB 193 130 87

HSL 24.34, 0.46%, 0.55%

LAB 59.88, 19.66, 32.98

 

CMYK 0 / 63 / 55 / 43

HEX #913541

RGB 145 53 65

HSL 352.17, 0.46%, 0.39%

LAB 35.88, 39.82, 13.37

 

CMYK 0 / 63 / 55 / 31

HEX #AF414F

RGB 175 65 79

HSL 352.36, 0.46%, 0.47%

LAB 43.45, 45.94, 15.73

 

CMYK 0 / 55 / 48 / 24

HEX #C15765

RGB 193 87 101

HSL 352.08, 0.46%, 0.55%

LAB 50.8, 43.78, 12.95

 

CMYK 0 / 42 / 37 / 20

HEX #CC7681

RGB 204 118 129

HSL 352.33, 0.46%, 0.63%

LAB 59.32, 34.88, 8.74

 

CMYK 0 / 31 / 27 / 16

HEX #D7949D

RGB 215 148 157

HSL 351.94, 0.46%, 0.71%

LAB 68.07, 26.48, 5.52

 

CMYK 0 / 55 / 47 / 24

HEX #C25866

RGB 194 88 102

HSL 352.08, 0.46%, 0.55%

LAB 51.16, 43.74, 12.89

 

CMYK 4 / 0 / 55 / 24

HEX #BAC157

RGB 186 193 87

HSL 63.96, 0.46%, 0.55%

LAB 75.62, -16.99, 51.63

 

CMYK 55 / 25 / 0 / 24

HEX #5790C1

RGB 87 144 193

HSL 207.74, 0.46%, 0.55%

LAB 57.87, -4.45, -31.14

 

CMYK 0 / 55 / 47 / 24

HEX #C25866

RGB 194 88 102

HSL 352.08, 0.46%, 0.55%

LAB 51.16, 43.74, 12.89

 

CMYK 47 / 0 / 55 / 24

HEX #66C157

RGB 102 193 87

HSL 111.51, 0.46%, 0.55%

LAB 70.63, -47.72, 44.55

 

CMYK 55 / 47 / 0 / 24

HEX #5766C1

RGB 87 102 193

HSL 231.51, 0.46%, 0.55%

LAB 46.15, 20.87, -49.63

 

CMYK 0 / 55 / 47 / 24

HEX #C25866

RGB 194 88 102

HSL 352.08, 0.46%, 0.55%

LAB 51.16, 43.74, 12.89

 

CMYK 4 / 0 / 55 / 24

HEX #BAC157

RGB 186 193 87

HSL 63.96, 0.46%, 0.55%

LAB 75.62, -16.99, 51.63

 

CMYK 55 / 0 / 7 / 24

HEX #57C1B3

RGB 87 193 179

HSL 172.08, 0.46%, 0.55%

LAB 71.84, -33.94, -2.22

 

CMYK 51 / 55 / 0 / 24

HEX #5F57C1

RGB 95 87 193

HSL 244.53, 0.46%, 0.55%

LAB 42.91, 31.88, -54.8

 

CMYK 0 / 55 / 47 / 24

HEX #C25866

RGB 194 88 102

HSL 352.08, 0.46%, 0.55%

LAB 51.16, 43.74, 12.89

 

CMYK 20 / 0 / 55 / 24

HEX #9AC157

RGB 154 193 87

HSL 82.08, 0.46%, 0.55%

LAB 73.35, -29.78, 48.42

 

CMYK 55 / 0 / 7 / 24

HEX #57C1B3

RGB 87 193 179

HSL 172.08, 0.46%, 0.55%

LAB 71.84, -33.94, -2.22

 

CMYK 35 / 55 / 0 / 24

HEX #7E57C1

RGB 126 87 193

HSL 262.08, 0.46%, 0.55%

LAB 45.77, 39.04, -50.05

 

Description

Color code: HEX #C25866 | qconv.com Color code: HEX #C25866 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 88 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 88 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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