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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2585C it is the complementary color #3DA7A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2585C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2585C shade: #C75857, #D86A6A, #E97C7D, #FA8E90 and #FFA0A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2585C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2585C shade: #C2585C, #B14649, #A03436, #8F2223 and #7E1010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2585C shade: #C1575B and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2585C shade: #C1575B, #C15778, #C15794, #C157B1 and #B557C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2585C shade matches the following richer shades: #C1575B, #D4454A, #E63239 and #F92028

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2585C shade: #C1575B, #AE6A6D, #9C7D7E, #898F8F and #77A2A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2585C shade: #C15795, #C15779, #C1575D, #C16E57 and #C18A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2585C shade: #913539, #AF4145, #C1575B, #CC7679 and #D79496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2585C shade: #C2585C, #B1C157 and #5787C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2585C shade: #C2585C, #5DC157 and #575DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2585C shade: #C2585C, #B1C157, #57C1BC and #6757C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2585C shade: #C2585C, #92C157, #57C1BC and #8757C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 53 / 24

HEX #C2585C

RGB 194 88 92

HSL 357.74, 0.46%, 0.55%

LAB 50.95, 42.82, 18.54

 

Complementary color

CMYK 63 / 0 / 2 / 35

HEX #3DA7A3

RGB 61 167 163

HSL 177.74, 0.46%, 0.45%

LAB 62.74, -30.76, -6.9

 

CMYK 0 / 56 / 56 / 22

HEX #C75857

RGB 199 88 87

HSL 0.54, 0.5%, 0.56%

LAB 51.62, 44.22, 22.53

 

CMYK 0 / 51 / 51 / 15

HEX #D86A6A

RGB 216 106 106

HSL 0, 0.59%, 0.63%

LAB 57.99, 43.1, 20.42

 

CMYK 0 / 47 / 46 / 9

HEX #E97C7D

RGB 233 124 125

HSL 359.45, 0.71%, 0.7%

LAB 64.34, 42, 18.6

 

CMYK 0 / 43 / 42 / 2

HEX #FA8E90

RGB 250 142 144

HSL 358.89, 0.92%, 0.77%

LAB 70.65, 40.95, 17.02

 

CMYK 0 / 37 / 36 / 0

HEX #FFA0A3

RGB 255 160 163

HSL 358.11, 1%, 0.81%

LAB 75.48, 35.61, 13.38

 

CMYK 0 / 55 / 53 / 24

HEX #C2585C

RGB 194 88 92

HSL 357.74, 0.46%, 0.55%

LAB 50.95, 42.82, 18.54

 

CMYK 0 / 60 / 59 / 31

HEX #B14649

RGB 177 70 73

HSL 358.32, 0.43%, 0.48%

LAB 44.53, 43.86, 20.91

 

CMYK 0 / 68 / 66 / 37

HEX #A03436

RGB 160 52 54

HSL 358.89, 0.51%, 0.42%

LAB 38.19, 44.72, 23.81

 

CMYK 0 / 76 / 76 / 44

HEX #8F2223

RGB 143 34 35

HSL 359.45, 0.62%, 0.35%

LAB 32.04, 45.15, 27.4

 

CMYK 0 / 87 / 87 / 51

HEX #7E1010

RGB 126 16 16

HSL 0, 0.77%, 0.28%

LAB 26.28, 44.64, 31.63

 

CMYK 0 / 55 / 53 / 24

HEX #C1575B

RGB 193 87 91

HSL 357.74, 0.46%, 0.55%

LAB 50.58, 42.87, 18.62

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 53 / 24

HEX #C1575B

RGB 193 87 91

HSL 357.74, 0.46%, 0.55%

LAB 50.58, 42.87, 18.62

 

CMYK 0 / 55 / 38 / 24

HEX #C15778

RGB 193 87 120

HSL 341.32, 0.46%, 0.55%

LAB 51.28, 45.8, 2.27

 

CMYK 0 / 55 / 23 / 24

HEX #C15794

RGB 193 87 148

HSL 325.47, 0.46%, 0.55%

LAB 52.17, 49.41, -13.07

 

CMYK 0 / 55 / 8 / 24

HEX #C157B1

RGB 193 87 177

HSL 309.06, 0.46%, 0.55%

LAB 53.31, 53.88, -28.32

 

CMYK 6 / 55 / 0 / 24

HEX #B557C1

RGB 181 87 193

HSL 293.21, 0.46%, 0.55%

LAB 52.39, 53.39, -39.14

 

CMYK 0 / 55 / 53 / 24

HEX #C1575B

RGB 193 87 91

HSL 357.74, 0.46%, 0.55%

LAB 50.58, 42.87, 18.62

 

CMYK 0 / 67 / 65 / 17

HEX #D4454A

RGB 212 69 74

HSL 357.9, 0.62%, 0.55%

LAB 50.39, 56.2, 29.03

 

CMYK 0 / 78 / 75 / 10

HEX #E63239

RGB 230 50 57

HSL 357.67, 0.78%, 0.55%

LAB 51.15, 67.26, 40.54

 

CMYK 0 / 87 / 84 / 2

HEX #F92028

RGB 249 32 40

HSL 357.79, 0.95%, 0.55%

LAB 53.3, 75.86, 52.91

 

CMYK 0 / 55 / 53 / 24

HEX #C1575B

RGB 193 87 91

HSL 357.74, 0.46%, 0.55%

LAB 50.58, 42.87, 18.62

 

CMYK 0 / 39 / 37 / 32

HEX #AE6A6D

RGB 174 106 109

HSL 357.35, 0.3%, 0.55%

LAB 52.3, 27.54, 9.91

 

CMYK 0 / 20 / 19 / 39

HEX #9C7D7E

RGB 156 125 126

HSL 358.06, 0.14%, 0.55%

LAB 55.32, 12.13, 4

 

CMYK 4 / 0 / 0 / 44

HEX #898F8F

RGB 137 143 143

HSL 180, 0.03%, 0.55%

LAB 58.92, -2.18, -0.77

 

CMYK 27 / 0 / 1 / 36

HEX #77A2A0

RGB 119 162 160

HSL 177.21, 0.19%, 0.55%

LAB 63.59, -14.89, -3.68

 

CMYK 0 / 55 / 23 / 24

HEX #C15795

RGB 193 87 149

HSL 324.91, 0.46%, 0.55%

LAB 52.2, 49.55, -13.6

 

CMYK 0 / 55 / 37 / 24

HEX #C15779

RGB 193 87 121

HSL 340.75, 0.46%, 0.55%

LAB 51.31, 45.92, 1.72

 

CMYK 0 / 55 / 52 / 24

HEX #C1575D

RGB 193 87 93

HSL 356.6, 0.46%, 0.55%

LAB 50.62, 43.04, 17.48

 

CMYK 0 / 43 / 55 / 24

HEX #C16E57

RGB 193 110 87

HSL 13.02, 0.46%, 0.55%

LAB 55.25, 30.59, 27.11

 

CMYK 0 / 28 / 55 / 24

HEX #C18A57

RGB 193 138 87

HSL 28.87, 0.46%, 0.55%

LAB 61.83, 15.25, 35.41

 

CMYK 0 / 63 / 61 / 43

HEX #913539

RGB 145 53 57

HSL 357.39, 0.46%, 0.39%

LAB 35.72, 39.17, 18.22

 

CMYK 0 / 63 / 61 / 31

HEX #AF4145

RGB 175 65 69

HSL 357.82, 0.46%, 0.47%

LAB 43.25, 45.17, 21.6

 

CMYK 0 / 55 / 53 / 24

HEX #C1575B

RGB 193 87 91

HSL 357.74, 0.46%, 0.55%

LAB 50.58, 42.87, 18.62

 

CMYK 0 / 42 / 41 / 20

HEX #CC7679

RGB 204 118 121

HSL 357.91, 0.46%, 0.63%

LAB 59.14, 33.95, 13.08

 

CMYK 0 / 31 / 30 / 16

HEX #D79496

RGB 215 148 150

HSL 358.21, 0.46%, 0.71%

LAB 67.89, 25.53, 9.18

 

CMYK 0 / 55 / 53 / 24

HEX #C2585C

RGB 194 88 92

HSL 357.74, 0.46%, 0.55%

LAB 50.95, 42.82, 18.54

 

CMYK 8 / 0 / 55 / 24

HEX #B1C157

RGB 177 193 87

HSL 69.06, 0.46%, 0.55%

LAB 74.94, -20.67, 50.67

 

CMYK 55 / 30 / 0 / 24

HEX #5787C1

RGB 87 135 193

HSL 212.83, 0.46%, 0.55%

LAB 55.28, 0.76, -35.17

 

CMYK 0 / 55 / 53 / 24

HEX #C2585C

RGB 194 88 92

HSL 357.74, 0.46%, 0.55%

LAB 50.95, 42.82, 18.54

 

CMYK 52 / 0 / 55 / 24

HEX #5DC157

RGB 93 193 87

HSL 116.6, 0.46%, 0.55%

LAB 70.28, -50.26, 44.05

 

CMYK 55 / 52 / 0 / 24

HEX #575DC1

RGB 87 93 193

HSL 236.6, 0.46%, 0.55%

LAB 43.81, 26.5, -53.39

 

CMYK 0 / 55 / 53 / 24

HEX #C2585C

RGB 194 88 92

HSL 357.74, 0.46%, 0.55%

LAB 50.95, 42.82, 18.54

 

CMYK 8 / 0 / 55 / 24

HEX #B1C157

RGB 177 193 87

HSL 69.06, 0.46%, 0.55%

LAB 74.94, -20.67, 50.67

 

CMYK 55 / 0 / 3 / 24

HEX #57C1BC

RGB 87 193 188

HSL 177.17, 0.46%, 0.55%

LAB 72.09, -31.59, -6.76

 

CMYK 47 / 55 / 0 / 24

HEX #6757C1

RGB 103 87 193

HSL 249.06, 0.46%, 0.55%

LAB 43.58, 33.62, -53.69

 

CMYK 0 / 55 / 53 / 24

HEX #C2585C

RGB 194 88 92

HSL 357.74, 0.46%, 0.55%

LAB 50.95, 42.82, 18.54

 

CMYK 24 / 0 / 55 / 24

HEX #92C157

RGB 146 193 87

HSL 86.6, 0.46%, 0.55%

LAB 72.85, -32.83, 47.72

 

CMYK 55 / 0 / 3 / 24

HEX #57C1BC

RGB 87 193 188

HSL 177.17, 0.46%, 0.55%

LAB 72.09, -31.59, -6.76

 

CMYK 30 / 55 / 0 / 24

HEX #8757C1

RGB 135 87 193

HSL 267.17, 0.46%, 0.55%

LAB 46.73, 41.29, -48.46

 

Description

Color code: HEX #C2585C | qconv.com Color code: HEX #C2585C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 88 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 88 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 53 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 53% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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