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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C254D7 it is the complementary color #3DAB28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C254D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C254D7 shade: #C754D2, #D866E5, #E978F8, #FA8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C254D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C254D7 shade: #C254D7, #B142C4, #A030B1, #8F1E9E and #7E0C8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C254D7 shade: #C256D7, #D756C9, #D756A6, #D75683 and #D75660

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C254D7 shade: #C256D7, #A056D7, #7D56D7, #5A56D7 and #5656D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C254D7 shade matches the following richer shades: #C256D7, #CE45E8 and #D934F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C254D7 shade: #C256D7, #B767C6, #AC77B5, #A088A5 and #959994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C254D7 shade: #7D56D7, #9F56D7, #C256D7, #D756CA and #D756A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C254D7 shade: #9B29B1, #B734CF, #C256D7, #CE77DF and #DA98E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C254D7 shade: #C254D7, #D75A56 and #56D78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C254D7 shade: #C254D7, #D7C256 and #56D7C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C254D7 shade: #C254D7, #D75A56, #6BD756 and #56D3D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C254D7 shade: #C254D7, #D78156, #6BD756 and #56ACD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 61 / 0 / 16

HEX #C254D7

RGB 194 84 215

HSL 290.38, 0.62%, 0.59%

LAB 54.78, 62.24, -47.82

 

Complementary color

CMYK 64 / 0 / 77 / 33

HEX #3DAB28

RGB 61 171 40

HSL 110.38, 0.62%, 0.41%

LAB 61.89, -54.73, 54.32

 

CMYK 5 / 60 / 0 / 18

HEX #C754D2

RGB 199 84 210

HSL 294.76, 0.58%, 0.58%

LAB 55.21, 62.54, -44.24

 

CMYK 6 / 55 / 0 / 10

HEX #D866E5

RGB 216 102 229

HSL 293.86, 0.71%, 0.65%

LAB 61.45, 62.17, -44.96

 

CMYK 6 / 52 / 0 / 3

HEX #E978F8

RGB 233 120 248

HSL 292.97, 0.9%, 0.72%

LAB 67.68, 61.63, -45.51

 

CMYK 2 / 46 / 0 / 0

HEX #FA8AFF

RGB 250 138 255

HSL 297.44, 1%, 0.77%

LAB 73.36, 58.83, -40.28

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 10 / 61 / 0 / 16

HEX #C254D7

RGB 194 84 215

HSL 290.38, 0.62%, 0.59%

LAB 54.78, 62.24, -47.82

 

CMYK 10 / 66 / 0 / 23

HEX #B142C4

RGB 177 66 196

HSL 291.23, 0.52%, 0.51%

LAB 48.55, 62.38, -46.99

 

CMYK 10 / 73 / 0 / 31

HEX #A030B1

RGB 160 48 177

HSL 292.09, 0.57%, 0.44%

LAB 42.4, 62.04, -45.84

 

CMYK 9 / 81 / 0 / 38

HEX #8F1E9E

RGB 143 30 158

HSL 292.97, 0.68%, 0.37%

LAB 36.44, 60.92, -44.18

 

CMYK 9 / 91 / 0 / 45

HEX #7E0C8B

RGB 126 12 139

HSL 293.86, 0.84%, 0.3%

LAB 30.79, 58.52, -41.77

 

CMYK 10 / 60 / 0 / 16

HEX #C256D7

RGB 194 86 215

HSL 290.23, 0.62%, 0.59%

LAB 55.1, 61.35, -47.3

 

CMYK 0 / 60 / 7 / 16

HEX #D756C9

RGB 215 86 201

HSL 306.51, 0.62%, 0.59%

LAB 57.39, 64.2, -35.54

 

CMYK 0 / 60 / 23 / 16

HEX #D756A6

RGB 215 86 166

HSL 322.79, 0.62%, 0.59%

LAB 55.94, 59, -17.59

 

CMYK 0 / 60 / 39 / 16

HEX #D75683

RGB 215 86 131

HSL 339.07, 0.62%, 0.59%

LAB 54.8, 54.71, 1.27

 

CMYK 0 / 60 / 55 / 16

HEX #D75660

RGB 215 86 96

HSL 355.35, 0.62%, 0.59%

LAB 53.97, 51.46, 20.82

 

CMYK 10 / 60 / 0 / 16

HEX #C256D7

RGB 194 86 215

HSL 290.23, 0.62%, 0.59%

LAB 55.1, 61.35, -47.3

 

CMYK 26 / 60 / 0 / 16

HEX #A056D7

RGB 160 86 215

HSL 274.42, 0.62%, 0.59%

LAB 50.73, 53.15, -54.53

 

CMYK 42 / 60 / 0 / 16

HEX #7D56D7

RGB 125 86 215

HSL 258.14, 0.62%, 0.59%

LAB 46.87, 45.25, -60.94

 

CMYK 58 / 60 / 0 / 16

HEX #5A56D7

RGB 90 86 215

HSL 241.86, 0.62%, 0.59%

LAB 43.85, 38.47, -65.98

 

CMYK 60 / 60 / 0 / 16

HEX #5656D7

RGB 86 86 215

HSL 240, 0.62%, 0.59%

LAB 43.57, 37.8, -66.46

 

CMYK 10 / 60 / 0 / 16

HEX #C256D7

RGB 194 86 215

HSL 290.23, 0.62%, 0.59%

LAB 55.1, 61.35, -47.3

 

CMYK 11 / 70 / 0 / 9

HEX #CE45E8

RGB 206 69 232

HSL 290.43, 0.78%, 0.59%

LAB 55.28, 74.03, -56.51

 

CMYK 13 / 79 / 0 / 2

HEX #D934F9

RGB 217 52 249

HSL 290.25, 0.94%, 0.59%

LAB 56.14, 84.3, -64.56

 

CMYK 10 / 60 / 0 / 16

HEX #C256D7

RGB 194 86 215

HSL 290.23, 0.62%, 0.59%

LAB 55.1, 61.35, -47.3

 

CMYK 8 / 48 / 0 / 22

HEX #B767C6

RGB 183 103 198

HSL 290.53, 0.45%, 0.59%

LAB 55.93, 46.86, -36.42

 

CMYK 5 / 34 / 0 / 29

HEX #AC77B5

RGB 172 119 181

HSL 291.29, 0.3%, 0.59%

LAB 57.37, 31.42, -24.56

 

CMYK 3 / 18 / 0 / 35

HEX #A088A5

RGB 160 136 165

HSL 289.66, 0.14%, 0.59%

LAB 59.71, 14.46, -11.96

 

CMYK 3 / 0 / 3 / 40

HEX #959994

RGB 149 153 148

HSL 108, 0.02%, 0.59%

LAB 62.77, -2.41, 2.11

 

CMYK 42 / 60 / 0 / 16

HEX #7D56D7

RGB 125 86 215

HSL 258.14, 0.62%, 0.59%

LAB 46.87, 45.25, -60.94

 

CMYK 26 / 60 / 0 / 16

HEX #9F56D7

RGB 159 86 215

HSL 273.95, 0.62%, 0.59%

LAB 50.61, 52.92, -54.73

 

CMYK 10 / 60 / 0 / 16

HEX #C256D7

RGB 194 86 215

HSL 290.23, 0.62%, 0.59%

LAB 55.1, 61.35, -47.3

 

CMYK 0 / 60 / 6 / 16

HEX #D756CA

RGB 215 86 202

HSL 306.05, 0.62%, 0.59%

LAB 57.43, 64.36, -36.04

 

CMYK 0 / 60 / 22 / 16

HEX #D756A8

RGB 215 86 168

HSL 321.86, 0.62%, 0.59%

LAB 56.02, 59.27, -18.64

 

CMYK 12 / 77 / 0 / 31

HEX #9B29B1

RGB 155 41 177

HSL 290.29, 0.62%, 0.43%

LAB 40.78, 63.39, -48.48

 

CMYK 12 / 75 / 0 / 19

HEX #B734CF

RGB 183 52 207

HSL 290.71, 0.62%, 0.51%

LAB 48.3, 70.77, -53.69

 

CMYK 10 / 60 / 0 / 16

HEX #C256D7

RGB 194 86 215

HSL 290.23, 0.62%, 0.59%

LAB 55.1, 61.35, -47.3

 

CMYK 8 / 47 / 0 / 13

HEX #CE77DF

RGB 206 119 223

HSL 290.19, 0.62%, 0.67%

LAB 63.05, 50.04, -39.18

 

CMYK 6 / 34 / 0 / 9

HEX #DA98E7

RGB 218 152 231

HSL 290.13, 0.62%, 0.75%

LAB 71.64, 37.78, -30.15

 

CMYK 10 / 61 / 0 / 16

HEX #C254D7

RGB 194 84 215

HSL 290.38, 0.62%, 0.59%

LAB 54.78, 62.24, -47.82

 

CMYK 0 / 58 / 60 / 16

HEX #D75A56

RGB 215 90 86

HSL 1.86, 0.62%, 0.59%

LAB 54.48, 48.9, 27.32

 

CMYK 60 / 0 / 34 / 16

HEX #56D78E

RGB 86 215 142

HSL 146.05, 0.62%, 0.59%

LAB 77.6, -51.94, 25.7

 

CMYK 10 / 61 / 0 / 16

HEX #C254D7

RGB 194 84 215

HSL 290.38, 0.62%, 0.59%

LAB 54.78, 62.24, -47.82

 

CMYK 0 / 10 / 60 / 16

HEX #D7C256

RGB 215 194 86

HSL 50.23, 0.62%, 0.59%

LAB 78.29, -5.51, 55.75

 

CMYK 60 / 0 / 10 / 16

HEX #56D7C2

RGB 86 215 194

HSL 170.23, 0.62%, 0.59%

LAB 78.74, -40.41, -0.22

 

CMYK 10 / 61 / 0 / 16

HEX #C254D7

RGB 194 84 215

HSL 290.38, 0.62%, 0.59%

LAB 54.78, 62.24, -47.82

 

CMYK 0 / 58 / 60 / 16

HEX #D75A56

RGB 215 90 86

HSL 1.86, 0.62%, 0.59%

LAB 54.48, 48.9, 27.32

 

CMYK 50 / 0 / 60 / 16

HEX #6BD756

RGB 107 215 86

HSL 110.23, 0.62%, 0.59%

LAB 77.52, -55.1, 53.06

 

CMYK 60 / 2 / 0 / 16

HEX #56D3D7

RGB 86 211 215

HSL 181.86, 0.62%, 0.59%

LAB 78.15, -33.03, -12.34

 

CMYK 10 / 61 / 0 / 16

HEX #C254D7

RGB 194 84 215

HSL 290.38, 0.62%, 0.59%

LAB 54.78, 62.24, -47.82

 

CMYK 0 / 40 / 60 / 16

HEX #D78156

RGB 215 129 86

HSL 20, 0.62%, 0.59%

LAB 62.35, 29.16, 37.19

 

CMYK 50 / 0 / 60 / 16

HEX #6BD756

RGB 107 215 86

HSL 110.23, 0.62%, 0.59%

LAB 77.52, -55.1, 53.06

 

CMYK 60 / 20 / 0 / 16

HEX #56ACD7

RGB 86 172 215

HSL 200, 0.62%, 0.59%

LAB 66.82, -13.33, -29.57

 

Description

Color code: HEX #C254D7 | qconv.com Color code: HEX #C254D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 84 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 84 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 61 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 61% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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