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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25243 it is the complementary color #3DADBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25243 shade: #C7523E, #D86451, #E97664, #FA8877 and #FF9A8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25243 shade: #C25243, #B14030, #A02E1D, #8F1C0A and #7E0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25243 shade: #C25142 and #C24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25243 shade: #C25142, #C27442, #C29642, #C2B842 and #A9C242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25243 shade matches the following richer shades: #C25142, #D6422E, #EA331A and #FE2306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25243 shade: #C25142, #AE6157, #99706B, #85807F and #718F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25243 shade: #C24277, #C24255, #C25142, #C27342 and #C29542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25243 shade: #86362C, #A54336, #C25142, #CC6E61 and #D68B81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25243 shade: #C25243, #99C242 and #4266C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25243 shade: #C25243, #42C251 and #5142C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25243 shade: #C25243, #99C242, #42B3C2 and #6B42C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25243 shade: #C25243, #73C242, #42B3C2 and #9142C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 65 / 24

HEX #C25243

RGB 194 82 67

HSL 7.09, 0.51%, 0.51%

LAB 49.39, 43.89, 31.18

 

Complementary color

CMYK 68 / 8 / 0 / 26

HEX #3DADBC

RGB 61 173 188

HSL 187.09, 0.51%, 0.49%

LAB 65.37, -26.37, -16.91

 

CMYK 0 / 59 / 69 / 22

HEX #C7523E

RGB 199 82 62

HSL 8.76, 0.55%, 0.51%

LAB 50.13, 45.43, 35.1

 

CMYK 0 / 54 / 63 / 15

HEX #D86451

RGB 216 100 81

HSL 8.44, 0.63%, 0.58%

LAB 56.39, 44.14, 32.62

 

CMYK 0 / 49 / 57 / 9

HEX #E97664

RGB 233 118 100

HSL 8.12, 0.75%, 0.65%

LAB 62.68, 42.87, 30.45

 

CMYK 0 / 46 / 52 / 2

HEX #FA8877

RGB 250 136 119

HSL 7.79, 0.93%, 0.72%

LAB 68.94, 41.65, 28.54

 

CMYK 0 / 40 / 46 / 0

HEX #FF9A8A

RGB 255 154 138

HSL 8.21, 1%, 0.77%

LAB 73.68, 36.04, 24.57

 

CMYK 0 / 58 / 65 / 24

HEX #C25243

RGB 194 82 67

HSL 7.09, 0.51%, 0.51%

LAB 49.39, 43.89, 31.18

 

CMYK 0 / 64 / 73 / 31

HEX #B14030

RGB 177 64 48

HSL 7.44, 0.57%, 0.44%

LAB 43.1, 45.09, 33.96

 

CMYK 0 / 71 / 82 / 37

HEX #A02E1D

RGB 160 46 29

HSL 7.79, 0.69%, 0.37%

LAB 36.96, 46.04, 37.07

 

CMYK 0 / 80 / 93 / 44

HEX #8F1C0A

RGB 143 28 10

HSL 8.12, 0.87%, 0.3%

LAB 31.1, 46.42, 39.92

 

CMYK 0 / 92 / 100 / 51

HEX #7E0A00

RGB 126 10 0

HSL 4.76, 1%, 0.25%

LAB 25.72, 45.61, 38.07

 

CMYK 0 / 58 / 66 / 24

HEX #C25142

RGB 194 81 66

HSL 7.03, 0.51%, 0.51%

LAB 49.19, 44.31, 31.52

 

CMYK 0 / 66 / 66 / 24

HEX #C24242

RGB 194 66 66

HSL 0, 0.51%, 0.51%

LAB 46.66, 51.05, 28.41

 

CMYK 0 / 58 / 66 / 24

HEX #C25142

RGB 194 81 66

HSL 7.03, 0.51%, 0.51%

LAB 49.19, 44.31, 31.52

 

CMYK 0 / 40 / 66 / 24

HEX #C27442

RGB 194 116 66

HSL 23.44, 0.51%, 0.51%

LAB 56.44, 26.2, 40.09

 

CMYK 0 / 23 / 66 / 24

HEX #C29642

RGB 194 150 66

HSL 39.38, 0.51%, 0.51%

LAB 64.7, 7.55, 49.35

 

CMYK 0 / 5 / 66 / 24

HEX #C2B842

RGB 194 184 66

HSL 55.31, 0.51%, 0.51%

LAB 73.64, -10.52, 58.84

 

CMYK 13 / 0 / 66 / 24

HEX #A9C242

RGB 169 194 66

HSL 71.72, 0.51%, 0.51%

LAB 74.45, -26, 59.08

 

CMYK 0 / 58 / 66 / 24

HEX #C25142

RGB 194 81 66

HSL 7.03, 0.51%, 0.51%

LAB 49.19, 44.31, 31.52

 

CMYK 0 / 69 / 79 / 16

HEX #D6422E

RGB 214 66 46

HSL 7.14, 0.67%, 0.51%

LAB 49.97, 56.75, 44.36

 

CMYK 0 / 78 / 89 / 8

HEX #EA331A

RGB 234 51 26

HSL 7.21, 0.83%, 0.51%

LAB 51.76, 67.33, 56.67

 

CMYK 0 / 86 / 98 / 0

HEX #FE2306

RGB 254 35 6

HSL 7.02, 0.99%, 0.51%

LAB 54.33, 76.2, 66.08

 

CMYK 0 / 58 / 66 / 24

HEX #C25142

RGB 194 81 66

HSL 7.03, 0.51%, 0.51%

LAB 49.19, 44.31, 31.52

 

CMYK 0 / 44 / 50 / 32

HEX #AE6157

RGB 174 97 87

HSL 6.9, 0.35%, 0.51%

LAB 49.78, 30.06, 19.43

 

CMYK 0 / 27 / 30 / 40

HEX #99706B

RGB 153 112 107

HSL 6.52, 0.18%, 0.51%

LAB 51.18, 15.49, 9.15

 

CMYK 0 / 4 / 5 / 48

HEX #85807F

RGB 133 128 127

HSL 10, 0.02%, 0.51%

LAB 53.98, 1.69, 1.21

 

CMYK 23 / 3 / 0 / 42

HEX #718F93

RGB 113 143 147

HSL 187.06, 0.14%, 0.51%

LAB 57.33, -9.55, -5.6

 

CMYK 0 / 66 / 39 / 24

HEX #C24277

RGB 194 66 119

HSL 335.16, 0.51%, 0.51%

LAB 47.88, 55.47, -2.07

 

CMYK 0 / 66 / 56 / 24

HEX #C24255

RGB 194 66 85

HSL 351.09, 0.51%, 0.51%

LAB 47, 52.33, 17.42

 

CMYK 0 / 58 / 66 / 24

HEX #C25142

RGB 194 81 66

HSL 7.03, 0.51%, 0.51%

LAB 49.19, 44.31, 31.52

 

CMYK 0 / 41 / 66 / 24

HEX #C27342

RGB 194 115 66

HSL 22.97, 0.51%, 0.51%

LAB 56.21, 26.74, 39.83

 

CMYK 0 / 23 / 66 / 24

HEX #C29542

RGB 194 149 66

HSL 38.91, 0.51%, 0.51%

LAB 64.45, 8.1, 49.07

 

CMYK 0 / 60 / 67 / 47

HEX #86362C

RGB 134 54 44

HSL 6.67, 0.51%, 0.35%

LAB 33.75, 33.61, 23.46

 

CMYK 0 / 59 / 67 / 35

HEX #A54336

RGB 165 67 54

HSL 7.03, 0.51%, 0.43%

LAB 41.66, 39.61, 28.26

 

CMYK 0 / 58 / 66 / 24

HEX #C25142

RGB 194 81 66

HSL 7.03, 0.51%, 0.51%

LAB 49.19, 44.31, 31.52

 

CMYK 0 / 46 / 52 / 20

HEX #CC6E61

RGB 204 110 97

HSL 7.29, 0.51%, 0.59%

LAB 56.93, 35.76, 23.88

 

CMYK 0 / 35 / 40 / 16

HEX #D68B81

RGB 214 139 129

HSL 7.06, 0.51%, 0.67%

LAB 65.24, 27.41, 17.2

 

CMYK 0 / 58 / 65 / 24

HEX #C25243

RGB 194 82 67

HSL 7.09, 0.51%, 0.51%

LAB 49.39, 43.89, 31.18

 

CMYK 21 / 0 / 66 / 24

HEX #99C242

RGB 153 194 66

HSL 79.22, 0.51%, 0.51%

LAB 73.38, -32.39, 57.63

 

CMYK 66 / 47 / 0 / 24

HEX #4266C2

RGB 66 102 194

HSL 223.13, 0.51%, 0.51%

LAB 45.02, 17.23, -52.09

 

CMYK 0 / 58 / 65 / 24

HEX #C25243

RGB 194 82 67

HSL 7.09, 0.51%, 0.51%

LAB 49.39, 43.89, 31.18

 

CMYK 66 / 0 / 58 / 24

HEX #42C251

RGB 66 194 81

HSL 127.03, 0.51%, 0.51%

LAB 69.71, -57.75, 45.98

 

CMYK 58 / 66 / 0 / 24

HEX #5142C2

RGB 81 66 194

HSL 247.03, 0.51%, 0.51%

LAB 37.01, 42.2, -65.03

 

CMYK 0 / 58 / 65 / 24

HEX #C25243

RGB 194 82 67

HSL 7.09, 0.51%, 0.51%

LAB 49.39, 43.89, 31.18

 

CMYK 21 / 0 / 66 / 24

HEX #99C242

RGB 153 194 66

HSL 79.22, 0.51%, 0.51%

LAB 73.38, -32.39, 57.63

 

CMYK 66 / 8 / 0 / 24

HEX #42B3C2

RGB 66 179 194

HSL 187.03, 0.51%, 0.51%

LAB 67.5, -26.79, -17

 

CMYK 45 / 66 / 0 / 24

HEX #6B42C2

RGB 107 66 194

HSL 259.22, 0.51%, 0.51%

LAB 39.44, 46.82, -60.95

 

CMYK 0 / 58 / 65 / 24

HEX #C25243

RGB 194 82 67

HSL 7.09, 0.51%, 0.51%

LAB 49.39, 43.89, 31.18

 

CMYK 41 / 0 / 66 / 24

HEX #73C242

RGB 115 194 66

HSL 97.03, 0.51%, 0.51%

LAB 71.3, -46.2, 54.78

 

CMYK 66 / 8 / 0 / 24

HEX #42B3C2

RGB 66 179 194

HSL 187.03, 0.51%, 0.51%

LAB 67.5, -26.79, -17

 

CMYK 25 / 66 / 0 / 24

HEX #9142C2

RGB 145 66 194

HSL 277.03, 0.51%, 0.51%

LAB 43.96, 54.76, -53.42

 

Description

Color code: HEX #C25243 | qconv.com Color code: HEX #C25243 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 82 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 82 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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