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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C24F8B it is the complementary color #3DB074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C24F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C24F8B shade: #C74F86, #D86199, #E973AC, #FA85BF and #FF97D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C24F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C24F8B shade: #C24F8B, #B13D78, #A02B65, #8F1952 and #7E073F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C24F8B shade: #C3508C, #C3506D and #C35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C24F8B shade: #C3508C, #C350AB, #BC50C3, #9D50C3 and #7E50C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C24F8B shade matches the following richer shades: #C3508C, #D63D8D, #E92A8E and #FC178F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C24F8B shade: #C3508C, #B0638B, #9D768B, #8A898A and #779C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C24F8B shade: #BC50C3, #C350AC, #C3508E, #C3506F and #C35050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C24F8B shade: #903162, #AE3C78, #C3508C, #CE6FA0 and #D88EB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C24F8B shade: #C24F8B, #C39D50 and #50BCC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C24F8B shade: #C24F8B, #8EC350 and #508EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C24F8B shade: #C24F8B, #C39D50, #50C386 and #5077C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C24F8B shade: #C24F8B, #C3BF50, #50C386 and #5054C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 28 / 24

HEX #C24F8B

RGB 194 79 139

HSL 328.7, 0.49%, 0.54%

LAB 50.6, 52.24, -10.06

 

Complementary color

CMYK 65 / 0 / 34 / 31

HEX #3DB074

RGB 61 176 116

HSL 148.7, 0.49%, 0.46%

LAB 64.41, -46.23, 21.51

 

CMYK 0 / 60 / 33 / 22

HEX #C74F86

RGB 199 79 134

HSL 332.5, 0.52%, 0.55%

LAB 51.22, 53.16, -6.08

 

CMYK 0 / 55 / 29 / 15

HEX #D86199

RGB 216 97 153

HSL 331.76, 0.6%, 0.61%

LAB 57.51, 52.6, -7.64

 

CMYK 0 / 51 / 26 / 9

HEX #E973AC

RGB 233 115 172

HSL 331.02, 0.73%, 0.68%

LAB 63.81, 51.9, -8.94

 

CMYK 0 / 47 / 24 / 2

HEX #FA85BF

RGB 250 133 191

HSL 330.26, 0.92%, 0.75%

LAB 70.08, 51.15, -10.06

 

CMYK 0 / 41 / 18 / 0

HEX #FF97D2

RGB 255 151 210

HSL 325.96, 1%, 0.8%

LAB 74.85, 46.49, -13.36

 

CMYK 0 / 59 / 28 / 24

HEX #C24F8B

RGB 194 79 139

HSL 328.7, 0.49%, 0.54%

LAB 50.6, 52.24, -10.06

 

CMYK 0 / 66 / 32 / 31

HEX #B13D78

RGB 177 61 120

HSL 329.48, 0.49%, 0.47%

LAB 44.29, 52.56, -8.31

 

CMYK 0 / 73 / 37 / 37

HEX #A02B65

RGB 160 43 101

HSL 330.26, 0.58%, 0.4%

LAB 38.09, 52.42, -6.06

 

CMYK 0 / 83 / 43 / 44

HEX #8F1952

RGB 143 25 82

HSL 331.02, 0.7%, 0.33%

LAB 32.13, 51.45, -3.04

 

CMYK 0 / 94 / 50 / 51

HEX #7E073F

RGB 126 7 63

HSL 331.76, 0.89%, 0.26%

LAB 26.58, 49.13, 1.08

 

CMYK 0 / 59 / 28 / 24

HEX #C3508C

RGB 195 80 140

HSL 328.7, 0.49%, 0.54%

LAB 50.96, 52.23, -10.11

 

CMYK 0 / 59 / 44 / 24

HEX #C3506D

RGB 195 80 109

HSL 344.87, 0.49%, 0.54%

LAB 50.03, 48.61, 7.12

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 59 / 28 / 24

HEX #C3508C

RGB 195 80 140

HSL 328.7, 0.49%, 0.54%

LAB 50.96, 52.23, -10.11

 

CMYK 0 / 59 / 12 / 24

HEX #C350AB

RGB 195 80 171

HSL 312.52, 0.49%, 0.54%

LAB 52.15, 56.68, -26.59

 

CMYK 4 / 59 / 0 / 24

HEX #BC50C3

RGB 188 80 195

HSL 296.35, 0.49%, 0.54%

LAB 52.25, 58.85, -40.44

 

CMYK 19 / 59 / 0 / 24

HEX #9D50C3

RGB 157 80 195

HSL 280.17, 0.49%, 0.54%

LAB 48.06, 51.01, -47.34

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 0 / 59 / 28 / 24

HEX #C3508C

RGB 195 80 140

HSL 328.7, 0.49%, 0.54%

LAB 50.96, 52.23, -10.11

 

CMYK 0 / 71 / 34 / 16

HEX #D63D8D

RGB 214 61 141

HSL 328.63, 0.65%, 0.54%

LAB 51.33, 65.43, -9.83

 

CMYK 0 / 82 / 39 / 9

HEX #E92A8E

RGB 233 42 142

HSL 328.59, 0.81%, 0.54%

LAB 52.88, 75.66, -7.76

 

CMYK 0 / 91 / 43 / 1

HEX #FC178F

RGB 252 23 143

HSL 328.56, 0.97%, 0.54%

LAB 55.37, 83.24, -4.26

 

CMYK 0 / 59 / 28 / 24

HEX #C3508C

RGB 195 80 140

HSL 328.7, 0.49%, 0.54%

LAB 50.96, 52.23, -10.11

 

CMYK 0 / 44 / 21 / 31

HEX #B0638B

RGB 176 99 139

HSL 328.83, 0.33%, 0.54%

LAB 51.86, 36.3, -8.45

 

CMYK 0 / 25 / 11 / 38

HEX #9D768B

RGB 157 118 139

HSL 327.69, 0.17%, 0.54%

LAB 54.02, 18.75, -5.48

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 24 / 0 / 12 / 39

HEX #779C89

RGB 119 156 137

HSL 149.19, 0.16%, 0.54%

LAB 61.22, -16.79, 5.82

 

CMYK 4 / 59 / 0 / 24

HEX #BC50C3

RGB 188 80 195

HSL 296.35, 0.49%, 0.54%

LAB 52.25, 58.85, -40.44

 

CMYK 0 / 59 / 12 / 24

HEX #C350AC

RGB 195 80 172

HSL 312, 0.49%, 0.54%

LAB 52.19, 56.84, -27.11

 

CMYK 0 / 59 / 27 / 24

HEX #C3508E

RGB 195 80 142

HSL 327.65, 0.49%, 0.54%

LAB 51.03, 52.49, -11.19

 

CMYK 0 / 59 / 43 / 24

HEX #C3506F

RGB 195 80 111

HSL 343.83, 0.49%, 0.54%

LAB 50.08, 48.82, 5.99

 

CMYK 0 / 59 / 59 / 24

HEX #C35050

RGB 195 80 80

HSL 0, 0.49%, 0.54%

LAB 49.4, 46.08, 23.63

 

CMYK 0 / 66 / 32 / 44

HEX #903162

RGB 144 49 98

HSL 329.05, 0.49%, 0.38%

LAB 36, 44.89, -7.58

 

CMYK 0 / 66 / 31 / 32

HEX #AE3C78

RGB 174 60 120

HSL 328.42, 0.49%, 0.46%

LAB 43.63, 52.08, -9.35

 

CMYK 0 / 59 / 28 / 24

HEX #C3508C

RGB 195 80 140

HSL 328.7, 0.49%, 0.54%

LAB 50.96, 52.23, -10.11

 

CMYK 0 / 46 / 22 / 19

HEX #CE6FA0

RGB 206 111 160

HSL 329.05, 0.49%, 0.62%

LAB 59, 43.39, -9.62

 

CMYK 0 / 34 / 16 / 15

HEX #D88EB5

RGB 216 142 181

HSL 328.38, 0.49%, 0.7%

LAB 67.49, 33.65, -8.77

 

CMYK 0 / 59 / 28 / 24

HEX #C24F8B

RGB 194 79 139

HSL 328.7, 0.49%, 0.54%

LAB 50.6, 52.24, -10.06

 

CMYK 0 / 19 / 59 / 24

HEX #C39D50

RGB 195 157 80

HSL 40.17, 0.49%, 0.54%

LAB 66.74, 5.14, 44.95

 

CMYK 59 / 4 / 0 / 24

HEX #50BCC3

RGB 80 188 195

HSL 183.65, 0.49%, 0.54%

LAB 70.6, -28.59, -12.83

 

CMYK 0 / 59 / 28 / 24

HEX #C24F8B

RGB 194 79 139

HSL 328.7, 0.49%, 0.54%

LAB 50.6, 52.24, -10.06

 

CMYK 27 / 0 / 59 / 24

HEX #8EC350

RGB 142 195 80

HSL 87.65, 0.49%, 0.54%

LAB 73.13, -35.91, 51.18

 

CMYK 59 / 27 / 0 / 24

HEX #508EC3

RGB 80 142 195

HSL 207.65, 0.49%, 0.54%

LAB 57.07, -4.13, -33.54

 

CMYK 0 / 59 / 28 / 24

HEX #C24F8B

RGB 194 79 139

HSL 328.7, 0.49%, 0.54%

LAB 50.6, 52.24, -10.06

 

CMYK 0 / 19 / 59 / 24

HEX #C39D50

RGB 195 157 80

HSL 40.17, 0.49%, 0.54%

LAB 66.74, 5.14, 44.95

 

CMYK 59 / 0 / 31 / 24

HEX #50C386

RGB 80 195 134

HSL 148.17, 0.49%, 0.54%

LAB 71.18, -46.6, 21.17

 

CMYK 59 / 39 / 0 / 24

HEX #5077C3

RGB 80 119 195

HSL 219.65, 0.49%, 0.54%

LAB 50.5, 9.55, -43.88

 

CMYK 0 / 59 / 28 / 24

HEX #C24F8B

RGB 194 79 139

HSL 328.7, 0.49%, 0.54%

LAB 50.6, 52.24, -10.06

 

CMYK 0 / 2 / 59 / 24

HEX #C3BF50

RGB 195 191 80

HSL 57.91, 0.49%, 0.54%

LAB 75.73, -12.77, 55.11

 

CMYK 59 / 0 / 31 / 24

HEX #50C386

RGB 80 195 134

HSL 148.17, 0.49%, 0.54%

LAB 71.18, -46.6, 21.17

 

CMYK 59 / 57 / 0 / 24

HEX #5054C3

RGB 80 84 195

HSL 237.91, 0.49%, 0.54%

LAB 41.19, 31.43, -58.8

 

Description

Color code: HEX #C24F8B | qconv.com Color code: HEX #C24F8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 79 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 79 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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