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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C24D83 it is the complementary color #3DB27C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C24D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C24D83 shade: #C74D7E, #D85F91, #E971A4, #FA83B7 and #FF95CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C24D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C24D83 shade: #C24D83, #B13B70, #A0295D, #8F174A and #7E0537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C24D83 shade: #C24C83, #C24C63 and #C24C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C24D83 shade: #C24C83, #C24CA2, #C24CC2, #A24CC2 and #824CC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C24D83 shade matches the following richer shades: #C24C83, #D53981, #E92680 and #FC127E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C24D83 shade: #C24C83, #AE6084, #9B7386, #888787 and #749A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C24D83 shade: #C24CC2, #C24CA3, #C24C83, #C24C64 and #C2544C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C24D83 shade: #8C305A, #AB3A6E, #C24C83, #CC6B98 and #D78AAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C24D83 shade: #C24D83, #C2A34C and #4CB2C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C24D83 shade: #C24D83, #83C24C and #4C83C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C24D83 shade: #C24D83, #C2A34C, #4CC28B and #4C6CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C24D83 shade: #C24D83, #BEC24C, #4CC28B and #504CC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 32 / 24

HEX #C24D83

RGB 194 77 131

HSL 332.31, 0.49%, 0.53%

LAB 50, 52.13, -6.18

 

Complementary color

CMYK 66 / 0 / 30 / 30

HEX #3DB27C

RGB 61 178 124

HSL 152.31, 0.49%, 0.47%

LAB 65.19, -45.39, 18.25

 

CMYK 0 / 61 / 37 / 22

HEX #C74D7E

RGB 199 77 126

HSL 335.9, 0.52%, 0.54%

LAB 50.64, 53.11, -2.14

 

CMYK 0 / 56 / 33 / 15

HEX #D85F91

RGB 216 95 145

HSL 335.21, 0.61%, 0.61%

LAB 56.91, 52.54, -3.86

 

CMYK 0 / 52 / 30 / 9

HEX #E971A4

RGB 233 113 164

HSL 334.5, 0.73%, 0.68%

LAB 63.19, 51.83, -5.29

 

CMYK 0 / 48 / 27 / 2

HEX #FA83B7

RGB 250 131 183

HSL 333.78, 0.92%, 0.75%

LAB 69.45, 51.06, -6.51

 

CMYK 0 / 42 / 21 / 0

HEX #FF95CA

RGB 255 149 202

HSL 330, 1%, 0.79%

LAB 74.2, 46.34, -9.94

 

CMYK 0 / 60 / 32 / 24

HEX #C24D83

RGB 194 77 131

HSL 332.31, 0.49%, 0.53%

LAB 50, 52.13, -6.18

 

CMYK 0 / 67 / 37 / 31

HEX #B13B70

RGB 177 59 112

HSL 333.05, 0.5%, 0.46%

LAB 43.72, 52.44, -4.24

 

CMYK 0 / 74 / 42 / 37

HEX #A0295D

RGB 160 41 93

HSL 333.78, 0.59%, 0.39%

LAB 37.57, 52.26, -1.75

 

CMYK 0 / 84 / 48 / 44

HEX #8F174A

RGB 143 23 74

HSL 334.5, 0.72%, 0.33%

LAB 31.69, 51.21, 1.56

 

CMYK 0 / 96 / 56 / 51

HEX #7E0537

RGB 126 5 55

HSL 335.21, 0.92%, 0.26%

LAB 26.22, 48.83, 6.01

 

CMYK 0 / 61 / 32 / 24

HEX #C24C83

RGB 194 76 131

HSL 332.03, 0.49%, 0.53%

LAB 49.83, 52.58, -6.43

 

CMYK 0 / 61 / 49 / 24

HEX #C24C63

RGB 194 76 99

HSL 348.31, 0.49%, 0.53%

LAB 48.93, 49.15, 11.58

 

CMYK 0 / 61 / 61 / 24

HEX #C24C4C

RGB 194 76 76

HSL 0, 0.49%, 0.53%

LAB 48.46, 47.3, 24.76

 

CMYK 0 / 61 / 32 / 24

HEX #C24C83

RGB 194 76 131

HSL 332.03, 0.49%, 0.53%

LAB 49.83, 52.58, -6.43

 

CMYK 0 / 61 / 16 / 24

HEX #C24CA2

RGB 194 76 162

HSL 316.27, 0.49%, 0.53%

LAB 50.97, 56.8, -23.14

 

CMYK 0 / 61 / 0 / 24

HEX #C24CC2

RGB 194 76 194

HSL 300, 0.49%, 0.53%

LAB 52.43, 61.93, -39.51

 

CMYK 16 / 61 / 0 / 24

HEX #A24CC2

RGB 162 76 194

HSL 283.73, 0.49%, 0.53%

LAB 47.94, 53.99, -46.93

 

CMYK 33 / 61 / 0 / 24

HEX #824CC2

RGB 130 76 194

HSL 267.46, 0.49%, 0.53%

LAB 43.96, 46.34, -53.52

 

CMYK 0 / 61 / 32 / 24

HEX #C24C83

RGB 194 76 131

HSL 332.03, 0.49%, 0.53%

LAB 49.83, 52.58, -6.43

 

CMYK 0 / 73 / 39 / 16

HEX #D53981

RGB 213 57 129

HSL 332.31, 0.65%, 0.53%

LAB 50.28, 65.24, -4.2

 

CMYK 0 / 84 / 45 / 9

HEX #E92680

RGB 233 38 128

HSL 332.31, 0.82%, 0.53%

LAB 52.14, 75.26, -0.45

 

CMYK 0 / 93 / 50 / 1

HEX #FC127E

RGB 252 18 126

HSL 332.31, 0.98%, 0.53%

LAB 54.69, 82.45, 4.92

 

CMYK 0 / 61 / 32 / 24

HEX #C24C83

RGB 194 76 131

HSL 332.03, 0.49%, 0.53%

LAB 49.83, 52.58, -6.43

 

CMYK 0 / 45 / 24 / 32

HEX #AE6084

RGB 174 96 132

HSL 332.31, 0.33%, 0.53%

LAB 50.72, 36.16, -6.01

 

CMYK 0 / 26 / 14 / 39

HEX #9B7386

RGB 155 115 134

HSL 331.5, 0.17%, 0.53%

LAB 52.9, 18.85, -4.23

 

CMYK 0 / 1 / 1 / 47

HEX #888787

RGB 136 135 135

HSL 0, 0%, 0.53%

LAB 56.4, 0.37, 0.12

 

CMYK 25 / 0 / 11 / 40

HEX #749A89

RGB 116 154 137

HSL 153.16, 0.16%, 0.53%

LAB 60.45, -16.74, 4.68

 

CMYK 0 / 61 / 0 / 24

HEX #C24CC2

RGB 194 76 194

HSL 300, 0.49%, 0.53%

LAB 52.43, 61.93, -39.51

 

CMYK 0 / 61 / 16 / 24

HEX #C24CA3

RGB 194 76 163

HSL 315.76, 0.49%, 0.53%

LAB 51.02, 56.94, -23.66

 

CMYK 0 / 61 / 32 / 24

HEX #C24C83

RGB 194 76 131

HSL 332.03, 0.49%, 0.53%

LAB 49.83, 52.58, -6.43

 

CMYK 0 / 61 / 48 / 24

HEX #C24C64

RGB 194 76 100

HSL 347.8, 0.49%, 0.53%

LAB 48.96, 49.24, 11.01

 

CMYK 0 / 57 / 61 / 24

HEX #C2544C

RGB 194 84 76

HSL 4.07, 0.49%, 0.53%

LAB 49.9, 43.52, 26.6

 

CMYK 0 / 66 / 36 / 45

HEX #8C305A

RGB 140 48 90

HSL 332.61, 0.49%, 0.37%

LAB 34.86, 43.06, -4.25

 

CMYK 0 / 66 / 36 / 33

HEX #AB3A6E

RGB 171 58 110

HSL 332.39, 0.49%, 0.45%

LAB 42.48, 50.81, -4.96

 

CMYK 0 / 61 / 32 / 24

HEX #C24C83

RGB 194 76 131

HSL 332.03, 0.49%, 0.53%

LAB 49.83, 52.58, -6.43

 

CMYK 0 / 48 / 25 / 20

HEX #CC6B98

RGB 204 107 152

HSL 332.16, 0.49%, 0.61%

LAB 57.67, 43.62, -7

 

CMYK 0 / 36 / 20 / 16

HEX #D78AAD

RGB 215 138 173

HSL 332.73, 0.49%, 0.69%

LAB 66.24, 34.2, -6.13

 

CMYK 0 / 60 / 32 / 24

HEX #C24D83

RGB 194 77 131

HSL 332.31, 0.49%, 0.53%

LAB 50, 52.13, -6.18

 

CMYK 0 / 16 / 61 / 24

HEX #C2A34C

RGB 194 163 76

HSL 44.24, 0.49%, 0.53%

LAB 68.16, 1.18, 48.48

 

CMYK 61 / 8 / 0 / 24

HEX #4CB2C2

RGB 76 178 194

HSL 188.14, 0.49%, 0.53%

LAB 67.48, -24.63, -17

 

CMYK 0 / 60 / 32 / 24

HEX #C24D83

RGB 194 77 131

HSL 332.31, 0.49%, 0.53%

LAB 50, 52.13, -6.18

 

CMYK 32 / 0 / 61 / 24

HEX #83C24C

RGB 131 194 76

HSL 92.03, 0.49%, 0.53%

LAB 72.18, -39.83, 51.73

 

CMYK 61 / 32 / 0 / 24

HEX #4C83C2

RGB 76 131 194

HSL 212.03, 0.49%, 0.53%

LAB 53.67, 1.18, -38.31

 

CMYK 0 / 60 / 32 / 24

HEX #C24D83

RGB 194 77 131

HSL 332.31, 0.49%, 0.53%

LAB 50, 52.13, -6.18

 

CMYK 0 / 16 / 61 / 24

HEX #C2A34C

RGB 194 163 76

HSL 44.24, 0.49%, 0.53%

LAB 68.16, 1.18, 48.48

 

CMYK 61 / 0 / 28 / 24

HEX #4CC28B

RGB 76 194 139

HSL 152.03, 0.49%, 0.53%

LAB 70.86, -45.99, 18.03

 

CMYK 61 / 44 / 0 / 24

HEX #4C6CC2

RGB 76 108 194

HSL 223.73, 0.49%, 0.53%

LAB 47.18, 15.24, -48.6

 

CMYK 0 / 60 / 32 / 24

HEX #C24D83

RGB 194 77 131

HSL 332.31, 0.49%, 0.53%

LAB 50, 52.13, -6.18

 

CMYK 2 / 0 / 61 / 24

HEX #BEC24C

RGB 190 194 76

HSL 62.03, 0.49%, 0.53%

LAB 76.1, -16.66, 57.15

 

CMYK 61 / 0 / 28 / 24

HEX #4CC28B

RGB 76 194 139

HSL 152.03, 0.49%, 0.53%

LAB 70.86, -45.99, 18.03

 

CMYK 59 / 61 / 0 / 24

HEX #504CC2

RGB 80 76 194

HSL 242.03, 0.49%, 0.53%

LAB 39.19, 36.05, -61.47

 

Description

Color code: HEX #C24D83 | qconv.com Color code: HEX #C24D83 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 77 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 77 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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