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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C24D81 it is the complementary color #3DB27E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C24D81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C24D81 shade: #C74D7C, #D85F8F, #E971A2, #FA83B5 and #FF95C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C24D81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C24D81 shade: #C24D81, #B13B6E, #A0295B, #8F1748 and #7E0535

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C24D81 shade: #C24C81, #C24C61 and #C24C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C24D81 shade: #C24C81, #C24CA0, #C24CC0, #A44CC2 and #844CC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C24D81 shade matches the following richer shades: #C24C81, #D5397E, #E9267C and #FC127A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C24D81 shade: #C24C81, #AE6083, #9B7385, #888787 and #749A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C24D81 shade: #C24CC0, #C24CA1, #C24C81, #C24C62 and #C2564C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C24D81 shade: #8C3059, #AB3A6C, #C24C81, #CC6B96 and #D78AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C24D81 shade: #C24D81, #C2A54C and #4CB0C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C24D81 shade: #C24D81, #81C24C and #4C81C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C24D81 shade: #C24D81, #C2A54C, #4CC28D and #4C6AC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C24D81 shade: #C24D81, #BCC24C, #4CC28D and #524CC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 34 / 24

HEX #C24D81

RGB 194 77 129

HSL 333.33, 0.49%, 0.53%

LAB 49.93, 51.89, -5.07

 

Complementary color

CMYK 66 / 0 / 29 / 30

HEX #3DB27E

RGB 61 178 126

HSL 153.33, 0.49%, 0.47%

LAB 65.23, -44.96, 17.21

 

CMYK 0 / 61 / 38 / 22

HEX #C74D7C

RGB 199 77 124

HSL 336.89, 0.52%, 0.54%

LAB 50.58, 52.88, -1.03

 

CMYK 0 / 56 / 34 / 15

HEX #D85F8F

RGB 216 95 143

HSL 336.2, 0.61%, 0.61%

LAB 56.85, 52.3, -2.78

 

CMYK 0 / 52 / 30 / 9

HEX #E971A2

RGB 233 113 162

HSL 335.5, 0.73%, 0.68%

LAB 63.13, 51.58, -4.24

 

CMYK 0 / 48 / 28 / 2

HEX #FA83B5

RGB 250 131 181

HSL 334.79, 0.92%, 0.75%

LAB 69.39, 50.8, -5.48

 

CMYK 0 / 42 / 22 / 0

HEX #FF95C8

RGB 255 149 200

HSL 331.13, 1%, 0.79%

LAB 74.14, 46.05, -8.93

 

CMYK 0 / 60 / 34 / 24

HEX #C24D81

RGB 194 77 129

HSL 333.33, 0.49%, 0.53%

LAB 49.93, 51.89, -5.07

 

CMYK 0 / 67 / 38 / 31

HEX #B13B6E

RGB 177 59 110

HSL 334.07, 0.5%, 0.46%

LAB 43.65, 52.22, -3.1

 

CMYK 0 / 74 / 43 / 37

HEX #A0295B

RGB 160 41 91

HSL 334.79, 0.59%, 0.39%

LAB 37.51, 52.06, -0.57

 

CMYK 0 / 84 / 50 / 44

HEX #8F1748

RGB 143 23 72

HSL 335.5, 0.72%, 0.33%

LAB 31.62, 51.03, 2.79

 

CMYK 0 / 96 / 58 / 51

HEX #7E0535

RGB 126 5 53

HSL 336.2, 0.92%, 0.26%

LAB 26.16, 48.68, 7.31

 

CMYK 0 / 61 / 34 / 24

HEX #C24C81

RGB 194 76 129

HSL 333.05, 0.49%, 0.53%

LAB 49.77, 52.34, -5.32

 

CMYK 0 / 61 / 50 / 24

HEX #C24C61

RGB 194 76 97

HSL 349.32, 0.49%, 0.53%

LAB 48.89, 48.97, 12.73

 

CMYK 0 / 61 / 61 / 24

HEX #C24C4C

RGB 194 76 76

HSL 0, 0.49%, 0.53%

LAB 48.46, 47.3, 24.76

 

CMYK 0 / 61 / 34 / 24

HEX #C24C81

RGB 194 76 129

HSL 333.05, 0.49%, 0.53%

LAB 49.77, 52.34, -5.32

 

CMYK 0 / 61 / 18 / 24

HEX #C24CA0

RGB 194 76 160

HSL 317.29, 0.49%, 0.53%

LAB 50.89, 56.5, -22.08

 

CMYK 0 / 61 / 1 / 24

HEX #C24CC0

RGB 194 76 192

HSL 301.02, 0.49%, 0.53%

LAB 52.34, 61.59, -38.52

 

CMYK 15 / 61 / 0 / 24

HEX #A44CC2

RGB 164 76 194

HSL 284.75, 0.49%, 0.53%

LAB 48.21, 54.48, -46.48

 

CMYK 32 / 61 / 0 / 24

HEX #844CC2

RGB 132 76 194

HSL 268.47, 0.49%, 0.53%

LAB 44.19, 46.8, -53.14

 

CMYK 0 / 61 / 34 / 24

HEX #C24C81

RGB 194 76 129

HSL 333.05, 0.49%, 0.53%

LAB 49.77, 52.34, -5.32

 

CMYK 0 / 73 / 41 / 16

HEX #D5397E

RGB 213 57 126

HSL 333.46, 0.65%, 0.53%

LAB 50.19, 64.94, -2.53

 

CMYK 0 / 84 / 47 / 9

HEX #E9267C

RGB 233 38 124

HSL 333.54, 0.82%, 0.53%

LAB 52.02, 74.93, 1.8

 

CMYK 0 / 93 / 52 / 1

HEX #FC127A

RGB 252 18 122

HSL 333.33, 0.98%, 0.53%

LAB 54.59, 82.16, 7.17

 

CMYK 0 / 61 / 34 / 24

HEX #C24C81

RGB 194 76 129

HSL 333.05, 0.49%, 0.53%

LAB 49.77, 52.34, -5.32

 

CMYK 0 / 45 / 25 / 32

HEX #AE6083

RGB 174 96 131

HSL 333.08, 0.33%, 0.53%

LAB 50.69, 36.01, -5.47

 

CMYK 0 / 26 / 14 / 39

HEX #9B7385

RGB 155 115 133

HSL 333, 0.17%, 0.53%

LAB 52.87, 18.68, -3.69

 

CMYK 0 / 1 / 1 / 47

HEX #888787

RGB 136 135 135

HSL 0, 0%, 0.53%

LAB 56.4, 0.37, 0.12

 

CMYK 25 / 0 / 11 / 40

HEX #749A89

RGB 116 154 137

HSL 153.16, 0.16%, 0.53%

LAB 60.45, -16.74, 4.68

 

CMYK 0 / 61 / 1 / 24

HEX #C24CC0

RGB 194 76 192

HSL 301.02, 0.49%, 0.53%

LAB 52.34, 61.59, -38.52

 

CMYK 0 / 61 / 17 / 24

HEX #C24CA1

RGB 194 76 161

HSL 316.78, 0.49%, 0.53%

LAB 50.93, 56.65, -22.61

 

CMYK 0 / 61 / 34 / 24

HEX #C24C81

RGB 194 76 129

HSL 333.05, 0.49%, 0.53%

LAB 49.77, 52.34, -5.32

 

CMYK 0 / 61 / 49 / 24

HEX #C24C62

RGB 194 76 98

HSL 348.81, 0.49%, 0.53%

LAB 48.91, 49.06, 12.15

 

CMYK 0 / 56 / 61 / 24

HEX #C2564C

RGB 194 86 76

HSL 5.08, 0.49%, 0.53%

LAB 50.27, 42.55, 27.08

 

CMYK 0 / 66 / 36 / 45

HEX #8C3059

RGB 140 48 89

HSL 333.26, 0.49%, 0.37%

LAB 34.82, 42.93, -3.66

 

CMYK 0 / 66 / 37 / 33

HEX #AB3A6C

RGB 171 58 108

HSL 333.45, 0.49%, 0.45%

LAB 42.41, 50.57, -3.82

 

CMYK 0 / 61 / 34 / 24

HEX #C24C81

RGB 194 76 129

HSL 333.05, 0.49%, 0.53%

LAB 49.77, 52.34, -5.32

 

CMYK 0 / 48 / 26 / 20

HEX #CC6B96

RGB 204 107 150

HSL 333.4, 0.49%, 0.61%

LAB 57.61, 43.34, -5.93

 

CMYK 0 / 36 / 20 / 16

HEX #D78AAC

RGB 215 138 172

HSL 333.51, 0.49%, 0.69%

LAB 66.22, 34.05, -5.61

 

CMYK 0 / 60 / 34 / 24

HEX #C24D81

RGB 194 77 129

HSL 333.33, 0.49%, 0.53%

LAB 49.93, 51.89, -5.07

 

CMYK 0 / 15 / 61 / 24

HEX #C2A54C

RGB 194 165 76

HSL 45.25, 0.49%, 0.53%

LAB 68.68, 0.11, 49.07

 

CMYK 61 / 9 / 0 / 24

HEX #4CB0C2

RGB 76 176 194

HSL 189.15, 0.49%, 0.53%

LAB 66.89, -23.62, -17.9

 

CMYK 0 / 60 / 34 / 24

HEX #C24D81

RGB 194 77 129

HSL 333.33, 0.49%, 0.53%

LAB 49.93, 51.89, -5.07

 

CMYK 34 / 0 / 61 / 24

HEX #81C24C

RGB 129 194 76

HSL 93.05, 0.49%, 0.53%

LAB 72.08, -40.54, 51.58

 

CMYK 61 / 34 / 0 / 24

HEX #4C81C2

RGB 76 129 194

HSL 213.05, 0.49%, 0.53%

LAB 53.09, 2.37, -39.22

 

CMYK 0 / 60 / 34 / 24

HEX #C24D81

RGB 194 77 129

HSL 333.33, 0.49%, 0.53%

LAB 49.93, 51.89, -5.07

 

CMYK 0 / 15 / 61 / 24

HEX #C2A54C

RGB 194 165 76

HSL 45.25, 0.49%, 0.53%

LAB 68.68, 0.11, 49.07

 

CMYK 61 / 0 / 27 / 24

HEX #4CC28D

RGB 76 194 141

HSL 153.05, 0.49%, 0.53%

LAB 70.9, -45.56, 17.01

 

CMYK 61 / 45 / 0 / 24

HEX #4C6AC2

RGB 76 106 194

HSL 224.75, 0.49%, 0.53%

LAB 46.63, 16.49, -49.48

 

CMYK 0 / 60 / 34 / 24

HEX #C24D81

RGB 194 77 129

HSL 333.33, 0.49%, 0.53%

LAB 49.93, 51.89, -5.07

 

CMYK 3 / 0 / 61 / 24

HEX #BCC24C

RGB 188 194 76

HSL 63.05, 0.49%, 0.53%

LAB 75.94, -17.49, 56.93

 

CMYK 61 / 0 / 27 / 24

HEX #4CC28D

RGB 76 194 141

HSL 153.05, 0.49%, 0.53%

LAB 70.9, -45.56, 17.01

 

CMYK 58 / 61 / 0 / 24

HEX #524CC2

RGB 82 76 194

HSL 243.05, 0.49%, 0.53%

LAB 39.34, 36.4, -61.22

 

Description

Color code: HEX #C24D81 | qconv.com Color code: HEX #C24D81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 77 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 77 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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