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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C247CF it is the complementary color #3DB830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C247CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C247CF shade: #C747CA, #D859DD, #E96BF0, #FA7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C247CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C247CF shade: #C247CF, #B135BC, #A023A9, #8F1196 and #7E0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C247CF shade: #C349D0, #D049B8, #D04994, #D0496F and #D0494B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C247CF shade: #C349D0, #9E49D0, #7A49D0, #5549D0 and #4949D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C247CF shade matches the following richer shades: #C349D0, #D236E3 and #E123F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C247CF shade: #C349D0, #B45BBD, #A56EAB, #968098 and #879386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C247CF shade: #7A49D0, #9E49D0, #C249D0, #D049B9 and #D04995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C247CF shade: #92299D, #B131BE, #C349D0, #CE69D8 and #D98AE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C247CF shade: #C247CF, #D05649 and #49D08C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C247CF shade: #C247CF, #D0C249 and #49D0C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C247CF shade: #C247CF, #D05649, #56D049 and #49C2D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C247CF shade: #C247CF, #D07F49, #56D049 and #499AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 66 / 0 / 19

HEX #C247CF

RGB 194 71 207

HSL 294.26, 0.59%, 0.55%

LAB 52.38, 66.24, -47.07

 

Complementary color

CMYK 67 / 0 / 74 / 28

HEX #3DB830

RGB 61 184 48

HSL 114.26, 0.59%, 0.45%

LAB 66.13, -58.6, 55.74

 

CMYK 1 / 65 / 0 / 21

HEX #C747CA

RGB 199 71 202

HSL 298.63, 0.55%, 0.54%

LAB 52.85, 66.54, -43.4

 

CMYK 2 / 60 / 0 / 13

HEX #D859DD

RGB 216 89 221

HSL 297.73, 0.66%, 0.61%

LAB 58.94, 66.51, -44.42

 

CMYK 3 / 55 / 0 / 6

HEX #E96BF0

RGB 233 107 240

HSL 296.84, 0.82%, 0.68%

LAB 65.07, 66.2, -45.21

 

CMYK 2 / 51 / 0 / 0

HEX #FA7DFF

RGB 250 125 255

HSL 297.69, 1%, 0.75%

LAB 71.02, 65.01, -43.95

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 6 / 66 / 0 / 19

HEX #C247CF

RGB 194 71 207

HSL 294.26, 0.59%, 0.55%

LAB 52.38, 66.24, -47.07

 

CMYK 6 / 72 / 0 / 26

HEX #B135BC

RGB 177 53 188

HSL 295.11, 0.56%, 0.47%

LAB 46.34, 65.87, -45.85

 

CMYK 5 / 79 / 0 / 34

HEX #A023A9

RGB 160 35 169

HSL 295.97, 0.66%, 0.4%

LAB 40.48, 64.77, -44.16

 

CMYK 5 / 89 / 0 / 41

HEX #8F1196

RGB 143 17 150

HSL 296.84, 0.8%, 0.33%

LAB 34.89, 62.55, -41.8

 

CMYK 4 / 100 / 0 / 49

HEX #7E0083

RGB 126 0 131

HSL 297.71, 1%, 0.26%

LAB 29.6, 59.08, -38.7

 

CMYK 6 / 65 / 0 / 18

HEX #C349D0

RGB 195 73 208

HSL 294.22, 0.59%, 0.55%

LAB 52.86, 65.85, -46.86

 

CMYK 0 / 65 / 12 / 18

HEX #D049B8

RGB 208 73 184

HSL 310.67, 0.59%, 0.55%

LAB 53.64, 65.07, -31.69

 

CMYK 0 / 65 / 29 / 18

HEX #D04994

RGB 208 73 148

HSL 326.67, 0.59%, 0.55%

LAB 52.19, 60.11, -12.8

 

CMYK 0 / 65 / 47 / 18

HEX #D0496F

RGB 208 73 111

HSL 343.11, 0.59%, 0.55%

LAB 51.06, 56.09, 7.68

 

CMYK 0 / 65 / 64 / 18

HEX #D0494B

RGB 208 73 75

HSL 359.11, 0.59%, 0.55%

LAB 50.31, 53.32, 28.2

 

CMYK 6 / 65 / 0 / 18

HEX #C349D0

RGB 195 73 208

HSL 294.22, 0.59%, 0.55%

LAB 52.86, 65.85, -46.86

 

CMYK 24 / 65 / 0 / 18

HEX #9E49D0

RGB 158 73 208

HSL 277.78, 0.59%, 0.55%

LAB 47.74, 57.44, -55.35

 

CMYK 41 / 65 / 0 / 18

HEX #7A49D0

RGB 122 73 208

HSL 261.78, 0.59%, 0.55%

LAB 43.44, 49.81, -62.5

 

CMYK 59 / 65 / 0 / 18

HEX #5549D0

RGB 85 73 208

HSL 245.33, 0.59%, 0.55%

LAB 40, 43.15, -68.25

 

CMYK 65 / 65 / 0 / 18

HEX #4949D0

RGB 73 73 208

HSL 240, 0.59%, 0.55%

LAB 39.13, 41.37, -69.71

 

CMYK 6 / 65 / 0 / 18

HEX #C349D0

RGB 195 73 208

HSL 294.22, 0.59%, 0.55%

LAB 52.86, 65.85, -46.86

 

CMYK 7 / 76 / 0 / 11

HEX #D236E3

RGB 210 54 227

HSL 294.1, 0.76%, 0.55%

LAB 53.91, 78.8, -55.86

 

CMYK 8 / 86 / 0 / 4

HEX #E123F5

RGB 225 35 245

HSL 294.29, 0.91%, 0.55%

LAB 55.89, 88.67, -62.66

 

CMYK 6 / 65 / 0 / 18

HEX #C349D0

RGB 195 73 208

HSL 294.22, 0.59%, 0.55%

LAB 52.86, 65.85, -46.86

 

CMYK 5 / 52 / 0 / 26

HEX #B45BBD

RGB 180 91 189

HSL 294.49, 0.43%, 0.55%

LAB 52.8, 50.39, -36.2

 

CMYK 4 / 36 / 0 / 33

HEX #A56EAB

RGB 165 110 171

HSL 294.1, 0.27%, 0.55%

LAB 54.12, 32.18, -23.86

 

CMYK 1 / 16 / 0 / 40

HEX #968098

RGB 150 128 152

HSL 295, 0.1%, 0.55%

LAB 56.28, 12.89, -9.74

 

CMYK 8 / 0 / 9 / 42

HEX #879386

RGB 135 147 134

HSL 115.38, 0.06%, 0.55%

LAB 59.65, -6.89, 5.4

 

CMYK 41 / 65 / 0 / 18

HEX #7A49D0

RGB 122 73 208

HSL 261.78, 0.59%, 0.55%

LAB 43.44, 49.81, -62.5

 

CMYK 24 / 65 / 0 / 18

HEX #9E49D0

RGB 158 73 208

HSL 277.78, 0.59%, 0.55%

LAB 47.74, 57.44, -55.35

 

CMYK 7 / 65 / 0 / 18

HEX #C249D0

RGB 194 73 208

HSL 293.78, 0.59%, 0.55%

LAB 52.72, 65.62, -47.1

 

CMYK 0 / 65 / 11 / 18

HEX #D049B9

RGB 208 73 185

HSL 310.22, 0.59%, 0.55%

LAB 53.68, 65.22, -32.2

 

CMYK 0 / 65 / 28 / 18

HEX #D04995

RGB 208 73 149

HSL 326.22, 0.59%, 0.55%

LAB 52.22, 60.23, -13.34

 

CMYK 7 / 74 / 0 / 38

HEX #92299D

RGB 146 41 157

HSL 294.31, 0.59%, 0.39%

LAB 38.08, 57.89, -40.93

 

CMYK 7 / 74 / 0 / 25

HEX #B131BE

RGB 177 49 190

HSL 294.47, 0.59%, 0.47%

LAB 45.99, 67.56, -47.58

 

CMYK 6 / 65 / 0 / 18

HEX #C349D0

RGB 195 73 208

HSL 294.22, 0.59%, 0.55%

LAB 52.86, 65.85, -46.86

 

CMYK 5 / 51 / 0 / 15

HEX #CE69D8

RGB 206 105 216

HSL 294.59, 0.59%, 0.63%

LAB 60.05, 55.72, -39.95

 

CMYK 4 / 39 / 0 / 12

HEX #D98AE1

RGB 217 138 225

HSL 294.48, 0.59%, 0.71%

LAB 68.29, 43.77, -32.04

 

CMYK 6 / 66 / 0 / 19

HEX #C247CF

RGB 194 71 207

HSL 294.26, 0.59%, 0.55%

LAB 52.38, 66.24, -47.07

 

CMYK 0 / 59 / 65 / 18

HEX #D05649

RGB 208 86 73

HSL 5.78, 0.59%, 0.55%

LAB 52.45, 47.43, 32.01

 

CMYK 65 / 0 / 33 / 18

HEX #49D08C

RGB 73 208 140

HSL 149.78, 0.59%, 0.55%

LAB 75.09, -52.06, 23.29

 

CMYK 6 / 66 / 0 / 19

HEX #C247CF

RGB 194 71 207

HSL 294.26, 0.59%, 0.55%

LAB 52.38, 66.24, -47.07

 

CMYK 0 / 7 / 65 / 18

HEX #D0C249

RGB 208 194 73

HSL 53.78, 0.59%, 0.55%

LAB 77.56, -9.29, 60.42

 

CMYK 65 / 0 / 7 / 18

HEX #49D0C2

RGB 73 208 194

HSL 173.78, 0.59%, 0.55%

LAB 76.33, -39.44, -3.8

 

CMYK 6 / 66 / 0 / 19

HEX #C247CF

RGB 194 71 207

HSL 294.26, 0.59%, 0.55%

LAB 52.38, 66.24, -47.07

 

CMYK 0 / 59 / 65 / 18

HEX #D05649

RGB 208 86 73

HSL 5.78, 0.59%, 0.55%

LAB 52.45, 47.43, 32.01

 

CMYK 59 / 0 / 65 / 18

HEX #56D049

RGB 86 208 73

HSL 114.22, 0.59%, 0.55%

LAB 74.55, -59.23, 55.11

 

CMYK 65 / 7 / 0 / 18

HEX #49C2D0

RGB 73 194 208

HSL 186.22, 0.59%, 0.55%

LAB 72.6, -28.96, -16.94

 

CMYK 6 / 66 / 0 / 19

HEX #C247CF

RGB 194 71 207

HSL 294.26, 0.59%, 0.55%

LAB 52.38, 66.24, -47.07

 

CMYK 0 / 39 / 65 / 18

HEX #D07F49

RGB 208 127 73

HSL 24, 0.59%, 0.55%

LAB 60.84, 26.49, 42.01

 

CMYK 59 / 0 / 65 / 18

HEX #56D049

RGB 86 208 73

HSL 114.22, 0.59%, 0.55%

LAB 74.55, -59.23, 55.11

 

CMYK 65 / 26 / 0 / 18

HEX #499AD0

RGB 73 154 208

HSL 204, 0.59%, 0.55%

LAB 60.85, -7.99, -34.97

 

Description

Color code: HEX #C247CF | qconv.com Color code: HEX #C247CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 71 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 71 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 66 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 66% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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