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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C245F8 it is the complementary color #3DBA07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C245F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C245F8 shade: #C745F3, #D857FF, #E969FF, #FA7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C245F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C245F8 shade: #C245F8, #B133E5, #A021D2, #8F0FBF and #7E00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C245F8 shade: #C244F8, #F244F8, #F844CD, #F8449D and #F8446C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C245F8 shade: #C244F8, #9144F8, #6144F8 and #4444F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C245F8 shade matches the following richer shades: #C244F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C245F8 shade: #C244F8, #BC54E9, #B563D9, #AF73C9 and #A983BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C245F8 shade: #5F44F8, #8F44F8, #BF44F8, #EF44F8 and #F844D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C245F8 shade: #A008E2, #B51CF7, #C244F8, #CF6CFA and #DC94FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C245F8 shade: #C245F8, #F84459 and #44F877

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C245F8 shade: #C245F8, #F8BF44 and #44F8BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C245F8 shade: #C245F8, #F84459, #7DF844 and #44F8E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C245F8 shade: #C245F8, #F86544, #7DF844 and #44D7F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 72 / 0 / 3

HEX #C245F8

RGB 194 69 248

HSL 281.9, 0.93%, 0.62%

LAB 54.56, 74.65, -66.72

 

Complementary color

CMYK 67 / 0 / 96 / 27

HEX #3DBA07

RGB 61 186 7

HSL 101.9, 0.93%, 0.38%

LAB 66.62, -61.1, 65.72

 

CMYK 18 / 72 / 0 / 5

HEX #C745F3

RGB 199 69 243

HSL 284.83, 0.88%, 0.61%

LAB 54.94, 74.65, -63.28

 

CMYK 15 / 66 / 0 / 0

HEX #D857FF

RGB 216 87 255

HSL 286.07, 1%, 0.67%

LAB 60.46, 73.46, -60.96

 

CMYK 9 / 59 / 0 / 0

HEX #E969FF

RGB 233 105 255

HSL 291.2, 1%, 0.71%

LAB 65.47, 69.74, -52.83

 

CMYK 2 / 52 / 0 / 0

HEX #FA7BFF

RGB 250 123 255

HSL 297.73, 1%, 0.74%

LAB 70.67, 65.93, -44.49

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 22 / 72 / 0 / 3

HEX #C245F8

RGB 194 69 248

HSL 281.9, 0.93%, 0.62%

LAB 54.56, 74.65, -66.72

 

CMYK 23 / 78 / 0 / 10

HEX #B133E5

RGB 177 51 229

HSL 282.47, 0.77%, 0.55%

LAB 48.73, 74.05, -65.6

 

CMYK 24 / 84 / 0 / 18

HEX #A021D2

RGB 160 33 210

HSL 283.05, 0.73%, 0.48%

LAB 43.08, 72.68, -64.01

 

CMYK 25 / 92 / 0 / 25

HEX #8F0FBF

RGB 143 15 191

HSL 283.64, 0.85%, 0.4%

LAB 37.74, 70.17, -61.76

 

CMYK 27 / 100 / 0 / 33

HEX #7E00AC

RGB 126 0 172

HSL 283.95, 1%, 0.34%

LAB 32.73, 66.32, -58.76

 

CMYK 22 / 73 / 0 / 3

HEX #C244F8

RGB 194 68 248

HSL 282, 0.93%, 0.62%

LAB 54.43, 75.01, -66.93

 

CMYK 2 / 73 / 0 / 3

HEX #F244F8

RGB 242 68 248

HSL 298, 0.93%, 0.62%

LAB 61.47, 84.31, -55.25

 

CMYK 0 / 73 / 17 / 3

HEX #F844CD

RGB 248 68 205

HSL 314.33, 0.93%, 0.62%

LAB 60.34, 79.37, -32.83

 

CMYK 0 / 73 / 37 / 3

HEX #F8449D

RGB 248 68 157

HSL 330.33, 0.93%, 0.62%

LAB 58.53, 73.75, -7.91

 

CMYK 0 / 73 / 56 / 3

HEX #F8446C

RGB 248 68 108

HSL 346.67, 0.93%, 0.62%

LAB 57.24, 69.57, 19.11

 

CMYK 22 / 73 / 0 / 3

HEX #C244F8

RGB 194 68 248

HSL 282, 0.93%, 0.62%

LAB 54.43, 75.01, -66.93

 

CMYK 42 / 73 / 0 / 3

HEX #9144F8

RGB 145 68 248

HSL 265.67, 0.93%, 0.62%

LAB 48.17, 66.4, -77.37

 

CMYK 61 / 73 / 0 / 3

HEX #6144F8

RGB 97 68 248

HSL 249.67, 0.93%, 0.62%

LAB 43.44, 59.57, -85.32

 

CMYK 73 / 73 / 0 / 3

HEX #4444F8

RGB 68 68 248

HSL 240, 0.93%, 0.62%

LAB 41.44, 56.57, -88.68

 

CMYK 22 / 73 / 0 / 3

HEX #C244F8

RGB 194 68 248

HSL 282, 0.93%, 0.62%

LAB 54.43, 75.01, -66.93

 

CMYK 22 / 73 / 0 / 3

HEX #C244F8

RGB 194 68 248

HSL 282, 0.93%, 0.62%

LAB 54.43, 75.01, -66.93

 

CMYK 19 / 64 / 0 / 9

HEX #BC54E9

RGB 188 84 233

HSL 281.88, 0.77%, 0.62%

LAB 54.98, 64.36, -57.69

 

CMYK 17 / 54 / 0 / 15

HEX #B563D9

RGB 181 99 217

HSL 281.69, 0.61%, 0.62%

LAB 55.84, 52.23, -47.36

 

CMYK 13 / 43 / 0 / 21

HEX #AF73C9

RGB 175 115 201

HSL 281.86, 0.44%, 0.62%

LAB 57.65, 38.71, -35.51

 

CMYK 9 / 30 / 0 / 27

HEX #A983BA

RGB 169 131 186

HSL 281.45, 0.28%, 0.62%

LAB 60.08, 24.7, -23.27

 

CMYK 62 / 73 / 0 / 3

HEX #5F44F8

RGB 95 68 248

HSL 249, 0.93%, 0.62%

LAB 43.28, 59.33, -85.59

 

CMYK 42 / 73 / 0 / 3

HEX #8F44F8

RGB 143 68 248

HSL 265, 0.93%, 0.62%

LAB 47.94, 66.08, -77.75

 

CMYK 23 / 73 / 0 / 3

HEX #BF44F8

RGB 191 68 248

HSL 281, 0.93%, 0.62%

LAB 54.01, 74.45, -67.62

 

CMYK 4 / 73 / 0 / 3

HEX #EF44F8

RGB 239 68 248

HSL 297, 0.93%, 0.62%

LAB 61.01, 83.71, -56.01

 

CMYK 0 / 73 / 16 / 3

HEX #F844D1

RGB 248 68 209

HSL 313, 0.93%, 0.62%

LAB 60.51, 79.9, -34.83

 

CMYK 29 / 96 / 0 / 11

HEX #A008E2

RGB 160 8 226

HSL 281.83, 0.93%, 0.46%

LAB 42.97, 79.74, -73.37

 

CMYK 27 / 89 / 0 / 3

HEX #B51CF7

RGB 181 28 247

HSL 281.92, 0.93%, 0.54%

LAB 48.72, 83.66, -75.71

 

CMYK 22 / 73 / 0 / 3

HEX #C244F8

RGB 194 68 248

HSL 282, 0.93%, 0.62%

LAB 54.43, 75.01, -66.93

 

CMYK 17 / 57 / 0 / 2

HEX #CF6CFA

RGB 207 108 250

HSL 281.83, 0.93%, 0.7%

LAB 62.42, 61.13, -55.14

 

CMYK 12 / 41 / 0 / 2

HEX #DC94FB

RGB 220 148 251

HSL 281.94, 0.93%, 0.78%

LAB 71.8, 44.48, -40.8

 

CMYK 22 / 72 / 0 / 3

HEX #C245F8

RGB 194 69 248

HSL 281.9, 0.93%, 0.62%

LAB 54.56, 74.65, -66.72

 

CMYK 0 / 73 / 64 / 3

HEX #F84459

RGB 248 68 89

HSL 353, 0.93%, 0.62%

LAB 56.89, 68.4, 29.8

 

CMYK 73 / 0 / 52 / 3

HEX #44F877

RGB 68 248 119

HSL 137, 0.93%, 0.62%

LAB 86.85, -70.87, 48.89

 

CMYK 22 / 72 / 0 / 3

HEX #C245F8

RGB 194 69 248

HSL 281.9, 0.93%, 0.62%

LAB 54.56, 74.65, -66.72

 

CMYK 0 / 23 / 73 / 3

HEX #F8BF44

RGB 248 191 68

HSL 41, 0.93%, 0.62%

LAB 80.54, 8.93, 66.67

 

CMYK 73 / 0 / 23 / 3

HEX #44F8BF

RGB 68 248 191

HSL 161, 0.93%, 0.62%

LAB 88.03, -57.68, 14.65

 

CMYK 22 / 72 / 0 / 3

HEX #C245F8

RGB 194 69 248

HSL 281.9, 0.93%, 0.62%

LAB 54.56, 74.65, -66.72

 

CMYK 0 / 73 / 64 / 3

HEX #F84459

RGB 248 68 89

HSL 353, 0.93%, 0.62%

LAB 56.89, 68.4, 29.8

 

CMYK 50 / 0 / 73 / 3

HEX #7DF844

RGB 125 248 68

HSL 101, 0.93%, 0.62%

LAB 87.93, -63.92, 71.32

 

CMYK 73 / 0 / 8 / 3

HEX #44F8E3

RGB 68 248 227

HSL 173, 0.93%, 0.62%

LAB 88.88, -48.94, -2.83

 

CMYK 22 / 72 / 0 / 3

HEX #C245F8

RGB 194 69 248

HSL 281.9, 0.93%, 0.62%

LAB 54.56, 74.65, -66.72

 

CMYK 0 / 59 / 73 / 3

HEX #F86544

RGB 248 101 68

HSL 11, 0.93%, 0.62%

LAB 61.38, 54.46, 46.75

 

CMYK 50 / 0 / 73 / 3

HEX #7DF844

RGB 125 248 68

HSL 101, 0.93%, 0.62%

LAB 87.93, -63.92, 71.32

 

CMYK 73 / 13 / 0 / 3

HEX #44D7F8

RGB 68 215 248

HSL 191, 0.93%, 0.62%

LAB 79.96, -27.92, -27.28

 

Description

Color code: HEX #C245F8 | qconv.com Color code: HEX #C245F8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 69 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 69 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 72 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 72% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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