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Color name
HEX #C2453D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2453D it is the complementary color #3DBAC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2453D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2453D shade: #C74538, #D8574B, #E9695E, #FA7B71 and #FF8D84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2453D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2453D shade: #C2453D, #B1332A, #A02117, #8F0F04 and #7E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2453D shade: #C2453D and #C23D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2453D shade: #C2453D, #C2693D, #C28D3D, #C2B03D and #AFC23D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2453D shade matches the following richer shades: #C2453D, #D63329 and #EB2114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2453D shade: #C2453D, #AD5752, #996966, #847C7B and #6F8E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2453D shade: #C23D7D, #C23D5A, #C2443D, #C2673D and #C28B3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2453D shade: #832F29, #A23A33, #C2453D, #CC635D and #D6817C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2453D shade: #C2453D, #A1C23D and #3D6CC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2453D shade: #C2453D, #3DC244 and #443DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2453D shade: #C2453D, #A1C23D, #3DBBC2 and #5E3DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2453D shade: #C2453D, #79C23D, #3DBBC2 and #863DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

Complementary color

CMYK 69 / 4 / 0 / 24

HEX #3DBAC2

RGB 61 186 194

HSL 183.61, 0.52%, 0.5%

LAB 69.47, -30.96, -14.03

 

CMYK 0 / 65 / 72 / 22

HEX #C74538

RGB 199 69 56

HSL 5.45, 0.56%, 0.5%

LAB 47.86, 50.96, 35.86

 

CMYK 0 / 60 / 65 / 15

HEX #D8574B

RGB 216 87 75

HSL 5.11, 0.64%, 0.57%

LAB 53.95, 49.92, 33

 

CMYK 0 / 55 / 60 / 9

HEX #E9695E

RGB 233 105 94

HSL 4.75, 0.76%, 0.64%

LAB 60.1, 48.78, 30.51

 

CMYK 0 / 51 / 55 / 2

HEX #FA7B71

RGB 250 123 113

HSL 4.38, 0.93%, 0.71%

LAB 66.28, 47.61, 28.35

 

CMYK 0 / 45 / 48 / 0

HEX #FF8D84

RGB 255 141 132

HSL 4.39, 1%, 0.76%

LAB 70.85, 42.11, 24.04

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 0 / 71 / 76 / 31

HEX #B1332A

RGB 177 51 42

HSL 4, 0.62%, 0.43%

LAB 41.03, 50.26, 35.07

 

CMYK 0 / 79 / 86 / 37

HEX #A02117

RGB 160 33 23

HSL 4.38, 0.75%, 0.36%

LAB 35.25, 50.47, 38.63

 

CMYK 0 / 90 / 97 / 44

HEX #8F0F04

RGB 143 15 4

HSL 4.75, 0.95%, 0.29%

LAB 29.89, 49.66, 41.48

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 0 / 69 / 69 / 24

HEX #C23D3D

RGB 194 61 61

HSL 0, 0.52%, 0.5%

LAB 45.83, 52.82, 30.36

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 0 / 46 / 69 / 24

HEX #C2693D

RGB 194 105 61

HSL 19.85, 0.52%, 0.5%

LAB 53.93, 31.83, 39.84

 

CMYK 0 / 27 / 69 / 24

HEX #C28D3D

RGB 194 141 61

HSL 36.09, 0.52%, 0.5%

LAB 62.39, 12.18, 49.17

 

CMYK 0 / 9 / 69 / 24

HEX #C2B03D

RGB 194 176 61

HSL 51.88, 0.52%, 0.5%

LAB 71.46, -6.65, 58.63

 

CMYK 10 / 0 / 69 / 24

HEX #AFC23D

RGB 175 194 61

HSL 68.57, 0.52%, 0.5%

LAB 74.85, -23.84, 61.57

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 0 / 76 / 81 / 16

HEX #D63329

RGB 214 51 41

HSL 3.47, 0.68%, 0.5%

LAB 48.04, 61.8, 45.05

 

CMYK 0 / 86 / 91 / 8

HEX #EB2114

RGB 235 33 20

HSL 3.63, 0.84%, 0.5%

LAB 50.45, 71.71, 58.11

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 0 / 50 / 53 / 32

HEX #AD5752

RGB 173 87 82

HSL 3.3, 0.36%, 0.5%

LAB 47.38, 34.58, 19.15

 

CMYK 0 / 31 / 33 / 40

HEX #996966

RGB 153 105 102

HSL 3.53, 0.2%, 0.5%

LAB 49.3, 18.83, 9.45

 

CMYK 0 / 6 / 7 / 48

HEX #847C7B

RGB 132 124 123

HSL 6.67, 0.04%, 0.5%

LAB 52.68, 2.85, 1.63

 

CMYK 23 / 1 / 0 / 44

HEX #6F8E90

RGB 111 142 144

HSL 183.64, 0.13%, 0.5%

LAB 56.82, -10.35, -4.65

 

CMYK 0 / 69 / 36 / 24

HEX #C23D7D

RGB 194 61 125

HSL 331.13, 0.52%, 0.5%

LAB 47.35, 58.12, -6.5

 

CMYK 0 / 69 / 54 / 24

HEX #C23D5A

RGB 194 61 90

HSL 346.92, 0.52%, 0.5%

LAB 46.37, 54.74, 13.51

 

CMYK 0 / 65 / 69 / 24

HEX #C2443D

RGB 194 68 61

HSL 3.16, 0.52%, 0.5%

LAB 46.9, 49.93, 31.64

 

CMYK 0 / 47 / 69 / 24

HEX #C2673D

RGB 194 103 61

HSL 18.95, 0.52%, 0.5%

LAB 53.5, 32.89, 39.35

 

CMYK 0 / 28 / 69 / 24

HEX #C28B3D

RGB 194 139 61

HSL 35.19, 0.52%, 0.5%

LAB 61.89, 13.28, 48.63

 

CMYK 0 / 64 / 69 / 49

HEX #832F29

RGB 131 47 41

HSL 4, 0.52%, 0.34%

LAB 31.85, 35.76, 22.88

 

CMYK 0 / 64 / 69 / 36

HEX #A23A33

RGB 162 58 51

HSL 3.78, 0.52%, 0.42%

LAB 39.49, 42.59, 27.31

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 0 / 51 / 54 / 20

HEX #CC635D

RGB 204 99 93

HSL 3.24, 0.52%, 0.58%

LAB 54.61, 41.08, 23.11

 

CMYK 0 / 40 / 42 / 16

HEX #D6817C

RGB 214 129 124

HSL 3.33, 0.52%, 0.66%

LAB 62.89, 32.21, 16.78

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 17 / 0 / 69 / 24

HEX #A1C23D

RGB 161 194 61

HSL 74.89, 0.52%, 0.5%

LAB 73.87, -29.55, 60.26

 

CMYK 69 / 44 / 0 / 24

HEX #3D6CC2

RGB 61 108 194

HSL 218.8, 0.52%, 0.5%

LAB 46.46, 12.62, -49.79

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 69 / 0 / 65 / 24

HEX #3DC244

RGB 61 194 68

HSL 123.16, 0.52%, 0.5%

LAB 69.46, -60.18, 51.42

 

CMYK 65 / 69 / 0 / 24

HEX #443DC2

RGB 68 61 194

HSL 243.16, 0.52%, 0.5%

LAB 34.93, 43.22, -68.47

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 17 / 0 / 69 / 24

HEX #A1C23D

RGB 161 194 61

HSL 74.89, 0.52%, 0.5%

LAB 73.87, -29.55, 60.26

 

CMYK 69 / 4 / 0 / 24

HEX #3DBBC2

RGB 61 187 194

HSL 183.16, 0.52%, 0.5%

LAB 69.77, -31.44, -13.58

 

CMYK 52 / 69 / 0 / 24

HEX #5E3DC2

RGB 94 61 194

HSL 254.89, 0.52%, 0.5%

LAB 37.14, 47.17, -64.76

 

CMYK 0 / 64 / 69 / 24

HEX #C2453D

RGB 194 69 61

HSL 3.61, 0.52%, 0.5%

LAB 47.06, 49.5, 31.83

 

CMYK 38 / 0 / 69 / 24

HEX #79C23D

RGB 121 194 61

HSL 92.93, 0.52%, 0.5%

LAB 71.55, -44.58, 57.13

 

CMYK 69 / 4 / 0 / 24

HEX #3DBBC2

RGB 61 187 194

HSL 183.16, 0.52%, 0.5%

LAB 69.77, -31.44, -13.58

 

CMYK 31 / 69 / 0 / 24

HEX #863DC2

RGB 134 61 194

HSL 272.93, 0.52%, 0.5%

LAB 41.69, 54.74, -57.16

 

Description

Color code: HEX #C2453D | qconv.com Color code: HEX #C2453D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 69 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 69 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 69% 24% C M Y K

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Provide designers and agencies with accurate color values.

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