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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2447C it is the complementary color #3DBB83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2447C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2447C shade: #C74477, #D8568A, #E9689D, #FA7AB0 and #FF8CC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2447C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2447C shade: #C2447C, #B13269, #A02056, #8F0E43 and #7E0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2447C shade: #C2427B, #C24259 and #C24242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2447C shade: #C2427B, #C2429D, #C242C0, #A142C2 and #7F42C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2447C shade matches the following richer shades: #C2427B, #D62E79, #EA1A76 and #FE0674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2447C shade: #C2427B, #AE577D, #996B7F, #857F82 and #719384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2447C shade: #C242C0, #C2429E, #C2427C, #C2425A and #C24D42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2447C shade: #862C54, #A53667, #C2427B, #CC6191 and #D681A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2447C shade: #C2447C, #C2A242 and #42AFC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2447C shade: #C2447C, #7CC242 and #427CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2447C shade: #C2447C, #C2A242, #42C288 and #4262C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2447C shade: #C2447C, #BBC242, #42C288 and #4942C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 36 / 24

HEX #C2447C

RGB 194 68 124

HSL 333.33, 0.51%, 0.51%

LAB 48.33, 55.21, -4.43

 

Complementary color

CMYK 67 / 0 / 30 / 27

HEX #3DBB83

RGB 61 187 131

HSL 153.33, 0.51%, 0.49%

LAB 68.15, -47.59, 18.53

 

CMYK 0 / 66 / 40 / 22

HEX #C74477

RGB 199 68 119

HSL 336.64, 0.54%, 0.52%

LAB 49.02, 56.17, -0.3

 

CMYK 0 / 60 / 36 / 15

HEX #D8568A

RGB 216 86 138

HSL 336, 0.63%, 0.59%

LAB 55.16, 55.8, -2.32

 

CMYK 0 / 55 / 33 / 9

HEX #E9689D

RGB 233 104 157

HSL 335.35, 0.75%, 0.66%

LAB 61.36, 55.22, -3.98

 

CMYK 0 / 51 / 30 / 2

HEX #FA7AB0

RGB 250 122 176

HSL 334.69, 0.93%, 0.73%

LAB 67.56, 54.51, -5.38

 

CMYK 0 / 45 / 24 / 0

HEX #FF8CC3

RGB 255 140 195

HSL 331.3, 1%, 0.77%

LAB 72.2, 49.86, -9.05

 

CMYK 0 / 65 / 36 / 24

HEX #C2447C

RGB 194 68 124

HSL 333.33, 0.51%, 0.51%

LAB 48.33, 55.21, -4.43

 

CMYK 0 / 72 / 41 / 31

HEX #B13269

RGB 177 50 105

HSL 334.02, 0.56%, 0.45%

LAB 42.23, 55.18, -2.1

 

CMYK 0 / 80 / 46 / 37

HEX #A02056

RGB 160 32 86

HSL 334.69, 0.67%, 0.38%

LAB 36.33, 54.47, 0.91

 

CMYK 0 / 90 / 53 / 44

HEX #8F0E43

RGB 143 14 67

HSL 335.35, 0.82%, 0.31%

LAB 30.78, 52.61, 4.9

 

CMYK 0 / 100 / 62 / 51

HEX #7E0030

RGB 126 0 48

HSL 337.14, 1%, 0.25%

LAB 25.71, 49.27, 10.12

 

CMYK 0 / 66 / 37 / 24

HEX #C2427B

RGB 194 66 123

HSL 333.28, 0.51%, 0.51%

LAB 48, 55.92, -4.31

 

CMYK 0 / 66 / 54 / 24

HEX #C24259

RGB 194 66 89

HSL 349.22, 0.51%, 0.51%

LAB 47.09, 52.64, 15.1

 

CMYK 0 / 66 / 66 / 24

HEX #C24242

RGB 194 66 66

HSL 0, 0.51%, 0.51%

LAB 46.66, 51.05, 28.41

 

CMYK 0 / 66 / 37 / 24

HEX #C2427B

RGB 194 66 123

HSL 333.28, 0.51%, 0.51%

LAB 48, 55.92, -4.31

 

CMYK 0 / 66 / 19 / 24

HEX #C2429D

RGB 194 66 157

HSL 317.34, 0.51%, 0.51%

LAB 49.25, 60.23, -22.83

 

CMYK 0 / 66 / 1 / 24

HEX #C242C0

RGB 194 66 192

HSL 300.94, 0.51%, 0.51%

LAB 50.89, 65.62, -40.8

 

CMYK 17 / 66 / 0 / 24

HEX #A142C2

RGB 161 66 194

HSL 284.53, 0.51%, 0.51%

LAB 46.13, 58.34, -49.82

 

CMYK 35 / 66 / 0 / 24

HEX #7F42C2

RGB 127 66 194

HSL 268.59, 0.51%, 0.51%

LAB 41.69, 50.87, -57.19

 

CMYK 0 / 66 / 37 / 24

HEX #C2427B

RGB 194 66 123

HSL 333.28, 0.51%, 0.51%

LAB 48, 55.92, -4.31

 

CMYK 0 / 79 / 43 / 16

HEX #D62E79

RGB 214 46 121

HSL 333.21, 0.67%, 0.51%

LAB 49.04, 68.05, -1.16

 

CMYK 0 / 89 / 50 / 8

HEX #EA1A76

RGB 234 26 118

HSL 333.46, 0.83%, 0.51%

LAB 51.31, 76.81, 4.43

 

CMYK 0 / 98 / 54 / 0

HEX #FE0674

RGB 254 6 116

HSL 333.39, 0.99%, 0.51%

LAB 54.51, 83.12, 10.73

 

CMYK 0 / 66 / 37 / 24

HEX #C2427B

RGB 194 66 123

HSL 333.28, 0.51%, 0.51%

LAB 48, 55.92, -4.31

 

CMYK 0 / 50 / 28 / 32

HEX #AE577D

RGB 174 87 125

HSL 333.79, 0.35%, 0.51%

LAB 48.63, 39.91, -4.93

 

CMYK 0 / 30 / 17 / 40

HEX #996B7F

RGB 153 107 127

HSL 333.91, 0.18%, 0.51%

LAB 50.48, 21.51, -3.7

 

CMYK 0 / 5 / 2 / 48

HEX #857F82

RGB 133 127 130

HSL 330, 0.02%, 0.51%

LAB 53.79, 2.85, -0.82

 

CMYK 23 / 0 / 10 / 42

HEX #719384

RGB 113 147 132

HSL 153.53, 0.14%, 0.51%

LAB 58.08, -15.09, 4.08

 

CMYK 0 / 66 / 1 / 24

HEX #C242C0

RGB 194 66 192

HSL 300.94, 0.51%, 0.51%

LAB 50.89, 65.62, -40.8

 

CMYK 0 / 66 / 19 / 24

HEX #C2429E

RGB 194 66 158

HSL 316.88, 0.51%, 0.51%

LAB 49.29, 60.38, -23.36

 

CMYK 0 / 66 / 36 / 24

HEX #C2427C

RGB 194 66 124

HSL 332.81, 0.51%, 0.51%

LAB 48.03, 56.03, -4.87

 

CMYK 0 / 66 / 54 / 24

HEX #C2425A

RGB 194 66 90

HSL 348.75, 0.51%, 0.51%

LAB 47.11, 52.72, 14.52

 

CMYK 0 / 60 / 66 / 24

HEX #C24D42

RGB 194 77 66

HSL 5.16, 0.51%, 0.51%

LAB 48.47, 46.19, 30.65

 

CMYK 0 / 67 / 37 / 47

HEX #862C54

RGB 134 44 84

HSL 333.33, 0.51%, 0.35%

LAB 32.94, 42.18, -3.34

 

CMYK 0 / 67 / 38 / 35

HEX #A53667

RGB 165 54 103

HSL 333.51, 0.51%, 0.43%

LAB 40.6, 49.84, -3.5

 

CMYK 0 / 66 / 37 / 24

HEX #C2427B

RGB 194 66 123

HSL 333.28, 0.51%, 0.51%

LAB 48, 55.92, -4.31

 

CMYK 0 / 52 / 29 / 20

HEX #CC6191

RGB 204 97 145

HSL 333.08, 0.51%, 0.59%

LAB 55.51, 47.68, -6.12

 

CMYK 0 / 40 / 22 / 16

HEX #D681A7

RGB 214 129 167

HSL 333.18, 0.51%, 0.67%

LAB 63.99, 37.74, -6.1

 

CMYK 0 / 65 / 36 / 24

HEX #C2447C

RGB 194 68 124

HSL 333.33, 0.51%, 0.51%

LAB 48.33, 55.21, -4.43

 

CMYK 0 / 16 / 66 / 24

HEX #C2A242

RGB 194 162 66

HSL 45, 0.51%, 0.51%

LAB 67.8, 1.06, 52.69

 

CMYK 66 / 10 / 0 / 24

HEX #42AFC2

RGB 66 175 194

HSL 188.91, 0.51%, 0.51%

LAB 66.3, -24.79, -18.81

 

CMYK 0 / 65 / 36 / 24

HEX #C2447C

RGB 194 68 124

HSL 333.33, 0.51%, 0.51%

LAB 48.33, 55.21, -4.43

 

CMYK 36 / 0 / 66 / 24

HEX #7CC242

RGB 124 194 66

HSL 92.81, 0.51%, 0.51%

LAB 71.73, -43.15, 55.38

 

CMYK 66 / 36 / 0 / 24

HEX #427CC2

RGB 66 124 194

HSL 212.81, 0.51%, 0.51%

LAB 51.23, 3.55, -42.18

 

CMYK 0 / 65 / 36 / 24

HEX #C2447C

RGB 194 68 124

HSL 333.33, 0.51%, 0.51%

LAB 48.33, 55.21, -4.43

 

CMYK 0 / 16 / 66 / 24

HEX #C2A242

RGB 194 162 66

HSL 45, 0.51%, 0.51%

LAB 67.8, 1.06, 52.69

 

CMYK 66 / 0 / 30 / 24

HEX #42C288

RGB 66 194 136

HSL 152.81, 0.51%, 0.51%

LAB 70.54, -48.51, 19.15

 

CMYK 66 / 49 / 0 / 24

HEX #4262C2

RGB 66 98 194

HSL 225, 0.51%, 0.51%

LAB 43.93, 19.78, -53.84

 

CMYK 0 / 65 / 36 / 24

HEX #C2447C

RGB 194 68 124

HSL 333.33, 0.51%, 0.51%

LAB 48.33, 55.21, -4.43

 

CMYK 4 / 0 / 66 / 24

HEX #BBC242

RGB 187 194 66

HSL 63.28, 0.51%, 0.51%

LAB 75.79, -18.55, 60.87

 

CMYK 66 / 0 / 30 / 24

HEX #42C288

RGB 66 194 136

HSL 152.81, 0.51%, 0.51%

LAB 70.54, -48.51, 19.15

 

CMYK 62 / 66 / 0 / 24

HEX #4942C2

RGB 73 66 194

HSL 243.28, 0.51%, 0.51%

LAB 36.38, 40.97, -66.07

 

Description

Color code: HEX #C2447C | qconv.com Color code: HEX #C2447C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 68 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 68 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 36 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 36% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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