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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C23FA5 it is the complementary color #3DC05A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C23FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C23FA5 shade: #C73FA0, #D851B3, #E963C6, #FA75D9 and #FF87EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C23FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C23FA5 shade: #C23FA5, #B12D92, #A01B7F, #8F096C and #7E0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C23FA5 shade: #C23DA4, #C23D81, #C23D5D and #C23D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C23FA5 shade: #C23DA4, #BB3DC2, #983DC2, #743DC2 and #503DC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C23FA5 shade matches the following richer shades: #C23DA4, #D629B0 and #EB14BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C23FA5 shade: #C23DA4, #AD5299, #99668D, #847B82 and #6F9076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C23FA5 shade: #983DC2, #BB3DC2, #C23DA5, #C23D82 and #C23D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C23FA5 shade: #83296F, #A2338A, #C23DA4, #CC5DB3 and #D67CC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C23FA5 shade: #C23FA5, #C2743D and #3DC2A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C23FA5 shade: #C23FA5, #A5C23D and #3DA5C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C23FA5 shade: #C23FA5, #C2743D, #3DC25A and #3D8BC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C23FA5 shade: #C23FA5, #C29C3D, #3DC25A and #3D63C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 15 / 24

HEX #C23FA5

RGB 194 63 165

HSL 313.28, 0.52%, 0.5%

LAB 49.18, 62.55, -27.68

 

Complementary color

CMYK 68 / 0 / 53 / 25

HEX #3DC05A

RGB 61 192 90

HSL 133.28, 0.52%, 0.5%

LAB 69.06, -56.79, 40.92

 

CMYK 0 / 68 / 20 / 22

HEX #C73FA0

RGB 199 63 160

HSL 317.21, 0.55%, 0.51%

LAB 49.78, 63.12, -23.73

 

CMYK 0 / 63 / 17 / 15

HEX #D851B3

RGB 216 81 179

HSL 316.44, 0.63%, 0.58%

LAB 55.82, 63.21, -25.31

 

CMYK 0 / 58 / 15 / 9

HEX #E963C6

RGB 233 99 198

HSL 315.67, 0.75%, 0.65%

LAB 61.93, 62.97, -26.57

 

CMYK 0 / 53 / 13 / 2

HEX #FA75D9

RGB 250 117 217

HSL 314.89, 0.93%, 0.72%

LAB 68.06, 62.52, -27.61

 

CMYK 0 / 47 / 7 / 0

HEX #FF87EC

RGB 255 135 236

HSL 309.5, 1%, 0.76%

LAB 72.66, 58.47, -30.97

 

CMYK 0 / 68 / 15 / 24

HEX #C23FA5

RGB 194 63 165

HSL 313.28, 0.52%, 0.5%

LAB 49.18, 62.55, -27.68

 

CMYK 0 / 75 / 18 / 31

HEX #B12D92

RGB 177 45 146

HSL 314.09, 0.59%, 0.44%

LAB 43.21, 61.94, -25.82

 

CMYK 0 / 83 / 21 / 37

HEX #A01B7F

RGB 160 27 127

HSL 314.89, 0.71%, 0.37%

LAB 37.46, 60.47, -23.34

 

CMYK 0 / 94 / 24 / 44

HEX #8F096C

RGB 143 9 108

HSL 315.67, 0.88%, 0.3%

LAB 32.07, 57.67, -19.99

 

CMYK 0 / 100 / 29 / 51

HEX #7E0059

RGB 126 0 89

HSL 317.62, 1%, 0.25%

LAB 27.18, 53.1, -15.48

 

CMYK 0 / 69 / 15 / 24

HEX #C23DA4

RGB 194 61 164

HSL 313.53, 0.52%, 0.5%

LAB 48.87, 63.15, -27.58

 

CMYK 0 / 69 / 34 / 24

HEX #C23D81

RGB 194 61 129

HSL 329.32, 0.52%, 0.5%

LAB 47.48, 58.57, -8.72

 

CMYK 0 / 69 / 52 / 24

HEX #C23D5D

RGB 194 61 93

HSL 345.56, 0.52%, 0.5%

LAB 46.44, 54.98, 11.76

 

CMYK 0 / 69 / 69 / 24

HEX #C23D3D

RGB 194 61 61

HSL 0, 0.52%, 0.5%

LAB 45.83, 52.82, 30.36

 

CMYK 0 / 69 / 15 / 24

HEX #C23DA4

RGB 194 61 164

HSL 313.53, 0.52%, 0.5%

LAB 48.87, 63.15, -27.58

 

CMYK 4 / 69 / 0 / 24

HEX #BB3DC2

RGB 187 61 194

HSL 296.84, 0.52%, 0.5%

LAB 49.25, 66.23, -44.62

 

CMYK 22 / 69 / 0 / 24

HEX #983DC2

RGB 152 61 194

HSL 281.05, 0.52%, 0.5%

LAB 44.1, 58.53, -53.15

 

CMYK 40 / 69 / 0 / 24

HEX #743DC2

RGB 116 61 194

HSL 264.81, 0.52%, 0.5%

LAB 39.49, 51.16, -60.83

 

CMYK 59 / 69 / 0 / 24

HEX #503DC2

RGB 80 61 194

HSL 248.57, 0.52%, 0.5%

LAB 35.86, 44.92, -66.9

 

CMYK 0 / 69 / 15 / 24

HEX #C23DA4

RGB 194 61 164

HSL 313.53, 0.52%, 0.5%

LAB 48.87, 63.15, -27.58

 

CMYK 0 / 81 / 18 / 16

HEX #D629B0

RGB 214 41 176

HSL 313.18, 0.68%, 0.5%

LAB 50.71, 75.44, -31.53

 

CMYK 0 / 91 / 20 / 8

HEX #EB14BB

RGB 235 20 187

HSL 313.4, 0.84%, 0.5%

LAB 53.76, 84.57, -32.9

 

CMYK 0 / 69 / 15 / 24

HEX #C23DA4

RGB 194 61 164

HSL 313.53, 0.52%, 0.5%

LAB 48.87, 63.15, -27.58

 

CMYK 0 / 53 / 12 / 32

HEX #AD5299

RGB 173 82 153

HSL 313.19, 0.36%, 0.5%

LAB 48.53, 46.41, -21.83

 

CMYK 0 / 33 / 8 / 40

HEX #99668D

RGB 153 102 141

HSL 314.12, 0.2%, 0.5%

LAB 49.74, 26.86, -13.11

 

CMYK 0 / 7 / 2 / 48

HEX #847B82

RGB 132 123 130

HSL 313.33, 0.04%, 0.5%

LAB 52.6, 4.78, -2.58

 

CMYK 23 / 0 / 18 / 44

HEX #6F9076

RGB 111 144 118

HSL 132.73, 0.13%, 0.5%

LAB 56.72, -17.04, 10.09

 

CMYK 22 / 69 / 0 / 24

HEX #983DC2

RGB 152 61 194

HSL 281.05, 0.52%, 0.5%

LAB 44.1, 58.53, -53.15

 

CMYK 4 / 69 / 0 / 24

HEX #BB3DC2

RGB 187 61 194

HSL 296.84, 0.52%, 0.5%

LAB 49.25, 66.23, -44.62

 

CMYK 0 / 69 / 15 / 24

HEX #C23DA5

RGB 194 61 165

HSL 313.08, 0.52%, 0.5%

LAB 48.91, 63.29, -28.1

 

CMYK 0 / 69 / 33 / 24

HEX #C23D82

RGB 194 61 130

HSL 328.87, 0.52%, 0.5%

LAB 47.52, 58.69, -9.28

 

CMYK 0 / 69 / 52 / 24

HEX #C23D5E

RGB 194 61 94

HSL 345.11, 0.52%, 0.5%

LAB 46.47, 55.07, 11.18

 

CMYK 0 / 69 / 15 / 49

HEX #83296F

RGB 131 41 111

HSL 313.33, 0.52%, 0.34%

LAB 33.05, 46.35, -20.56

 

CMYK 0 / 69 / 15 / 36

HEX #A2338A

RGB 162 51 138

HSL 312.97, 0.52%, 0.42%

LAB 41.03, 54.86, -24.54

 

CMYK 0 / 69 / 15 / 24

HEX #C23DA4

RGB 194 61 164

HSL 313.53, 0.52%, 0.5%

LAB 48.87, 63.15, -27.58

 

CMYK 0 / 54 / 12 / 20

HEX #CC5DB3

RGB 204 93 179

HSL 313.51, 0.52%, 0.58%

LAB 56.01, 54.55, -25.17

 

CMYK 0 / 42 / 9 / 16

HEX #D67CC2

RGB 214 124 194

HSL 313.33, 0.52%, 0.66%

LAB 63.84, 44.62, -21.6

 

CMYK 0 / 68 / 15 / 24

HEX #C23FA5

RGB 194 63 165

HSL 313.28, 0.52%, 0.5%

LAB 49.18, 62.55, -27.68

 

CMYK 0 / 40 / 69 / 24

HEX #C2743D

RGB 194 116 61

HSL 24.81, 0.52%, 0.5%

LAB 56.38, 25.9, 42.6

 

CMYK 69 / 0 / 13 / 24

HEX #3DC2A9

RGB 61 194 169

HSL 168.72, 0.52%, 0.5%

LAB 71.17, -41.57, 2.18

 

CMYK 0 / 68 / 15 / 24

HEX #C23FA5

RGB 194 63 165

HSL 313.28, 0.52%, 0.5%

LAB 49.18, 62.55, -27.68

 

CMYK 15 / 0 / 69 / 24

HEX #A5C23D

RGB 165 194 61

HSL 73.08, 0.52%, 0.5%

LAB 74.14, -27.94, 60.62

 

CMYK 69 / 15 / 0 / 24

HEX #3DA5C2

RGB 61 165 194

HSL 193.08, 0.52%, 0.5%

LAB 63.18, -20.41, -23.59

 

CMYK 0 / 68 / 15 / 24

HEX #C23FA5

RGB 194 63 165

HSL 313.28, 0.52%, 0.5%

LAB 49.18, 62.55, -27.68

 

CMYK 0 / 40 / 69 / 24

HEX #C2743D

RGB 194 116 61

HSL 24.81, 0.52%, 0.5%

LAB 56.38, 25.9, 42.6

 

CMYK 69 / 0 / 54 / 24

HEX #3DC25A

RGB 61 194 90

HSL 133.08, 0.52%, 0.5%

LAB 69.69, -57.51, 41.68

 

CMYK 69 / 28 / 0 / 24

HEX #3D8BC2

RGB 61 139 194

HSL 204.81, 0.52%, 0.5%

LAB 55.43, -6.14, -35.58

 

CMYK 0 / 68 / 15 / 24

HEX #C23FA5

RGB 194 63 165

HSL 313.28, 0.52%, 0.5%

LAB 49.18, 62.55, -27.68

 

CMYK 0 / 20 / 69 / 24

HEX #C29C3D

RGB 194 156 61

HSL 42.86, 0.52%, 0.5%

LAB 66.2, 4, 53.21

 

CMYK 69 / 0 / 54 / 24

HEX #3DC25A

RGB 61 194 90

HSL 133.08, 0.52%, 0.5%

LAB 69.69, -57.51, 41.68

 

CMYK 69 / 49 / 0 / 24

HEX #3D63C2

RGB 61 99 194

HSL 222.86, 0.52%, 0.5%

LAB 43.96, 18.34, -53.8

 

Description

Color code: HEX #C23FA5 | qconv.com Color code: HEX #C23FA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 63 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 63 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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