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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C23975 it is the complementary color #3DC68A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C23975. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C23975 shade: #C73970, #D84B83, #E95D96, #FA6FA9 and #FF81BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C23975. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C23975 shade: #C23975, #B12762, #A0154F, #8F033C and #7E0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C23975 shade: #C23874, #C2384F and #C23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C23975 shade: #C23874, #C23899, #C238BF, #A038C2 and #7B38C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C23975 shade matches the following richer shades: #C23874, #D62472 and #EA106F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C23975 shade: #C23874, #AD4C77, #996179, #85757C and #71897E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C23975 shade: #C238BF, #C2389B, #C23876, #C23851 and #C24438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C23975 shade: #82264E, #A22F61, #C23874, #CE558A and #D775A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C23975 shade: #C23975, #C29F38 and #38ADC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C23975 shade: #C23975, #76C238 and #3876C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C23975 shade: #C23975, #C29F38, #38C284 and #385BC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C23975 shade: #C23975, #BBC238, #38C284 and #3F38C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 40 / 24

HEX #C23975

RGB 194 57 117

HSL 333.72, 0.55%, 0.49%

LAB 46.55, 58.75, -2.8

 

Complementary color

CMYK 69 / 0 / 30 / 22

HEX #3DC68A

RGB 61 198 138

HSL 153.72, 0.55%, 0.51%

LAB 71.7, -50.53, 19.67

 

CMYK 0 / 71 / 44 / 22

HEX #C73970

RGB 199 57 112

HSL 336.76, 0.56%, 0.5%

LAB 47.29, 59.68, 1.44

 

CMYK 0 / 65 / 39 / 15

HEX #D84B83

RGB 216 75 131

HSL 336.17, 0.64%, 0.57%

LAB 53.24, 59.69, -0.98

 

CMYK 0 / 60 / 36 / 9

HEX #E95D96

RGB 233 93 150

HSL 335.57, 0.76%, 0.64%

LAB 59.3, 59.33, -2.96

 

CMYK 0 / 56 / 32 / 2

HEX #FA6FA9

RGB 250 111 169

HSL 334.96, 0.93%, 0.71%

LAB 65.4, 58.77, -4.6

 

CMYK 0 / 49 / 26 / 0

HEX #FF81BC

RGB 255 129 188

HSL 331.9, 1%, 0.75%

LAB 69.89, 54.3, -8.59

 

CMYK 0 / 71 / 40 / 24

HEX #C23975

RGB 194 57 117

HSL 333.72, 0.55%, 0.49%

LAB 46.55, 58.75, -2.8

 

CMYK 0 / 78 / 45 / 31

HEX #B12762

RGB 177 39 98

HSL 334.35, 0.64%, 0.42%

LAB 40.7, 58.16, 0.05

 

CMYK 0 / 87 / 51 / 37

HEX #A0154F

RGB 160 21 79

HSL 334.96, 0.77%, 0.35%

LAB 35.15, 56.61, 3.73

 

CMYK 0 / 98 / 58 / 44

HEX #8F033C

RGB 143 3 60

HSL 335.57, 0.96%, 0.29%

LAB 29.99, 53.83, 8.46

 

CMYK 0 / 100 / 67 / 51

HEX #7E0029

RGB 126 0 41

HSL 340.48, 1%, 0.25%

LAB 25.55, 48.84, 14.72

 

CMYK 0 / 71 / 40 / 24

HEX #C23874

RGB 194 56 116

HSL 333.91, 0.55%, 0.49%

LAB 46.39, 59.01, -2.43

 

CMYK 0 / 71 / 59 / 24

HEX #C2384F

RGB 194 56 79

HSL 350, 0.55%, 0.49%

LAB 45.44, 55.82, 19

 

CMYK 0 / 71 / 71 / 24

HEX #C23838

RGB 194 56 56

HSL 0, 0.55%, 0.49%

LAB 45.06, 54.49, 32.38

 

CMYK 0 / 71 / 40 / 24

HEX #C23874

RGB 194 56 116

HSL 333.91, 0.55%, 0.49%

LAB 46.39, 59.01, -2.43

 

CMYK 0 / 71 / 21 / 24

HEX #C23899

RGB 194 56 153

HSL 317.83, 0.55%, 0.49%

LAB 47.75, 63.41, -22.77

 

CMYK 0 / 71 / 2 / 24

HEX #C238BF

RGB 194 56 191

HSL 301.3, 0.55%, 0.49%

LAB 49.57, 69.04, -42.31

 

CMYK 18 / 71 / 0 / 24

HEX #A038C2

RGB 160 56 194

HSL 285.22, 0.55%, 0.49%

LAB 44.51, 62.27, -52.42

 

CMYK 37 / 71 / 0 / 24

HEX #7B38C2

RGB 123 56 194

HSL 269.13, 0.55%, 0.49%

LAB 39.47, 54.89, -60.82

 

CMYK 0 / 71 / 40 / 24

HEX #C23874

RGB 194 56 116

HSL 333.91, 0.55%, 0.49%

LAB 46.39, 59.01, -2.43

 

CMYK 0 / 83 / 47 / 16

HEX #D62472

RGB 214 36 114

HSL 333.71, 0.71%, 0.49%

LAB 47.97, 69.9, 1.55

 

CMYK 0 / 93 / 53 / 8

HEX #EA106F

RGB 234 16 111

HSL 333.85, 0.87%, 0.49%

LAB 50.7, 77.54, 7.82

 

CMYK 0 / 71 / 40 / 24

HEX #C23874

RGB 194 56 116

HSL 333.91, 0.55%, 0.49%

LAB 46.39, 59.01, -2.43

 

CMYK 0 / 56 / 31 / 32

HEX #AD4C77

RGB 173 76 119

HSL 333.4, 0.39%, 0.49%

LAB 46.16, 44.33, -4.99

 

CMYK 0 / 37 / 21 / 40

HEX #996179

RGB 153 97 121

HSL 334.29, 0.22%, 0.49%

LAB 47.88, 26.26, -3.95

 

CMYK 0 / 12 / 7 / 48

HEX #85757C

RGB 133 117 124

HSL 333.75, 0.06%, 0.49%

LAB 50.88, 7.49, -1.57

 

CMYK 18 / 0 / 8 / 46

HEX #71897E

RGB 113 137 126

HSL 152.5, 0.1%, 0.49%

LAB 54.98, -10.93, 3.04

 

CMYK 0 / 71 / 2 / 24

HEX #C238BF

RGB 194 56 191

HSL 301.3, 0.55%, 0.49%

LAB 49.57, 69.04, -42.31

 

CMYK 0 / 71 / 20 / 24

HEX #C2389B

RGB 194 56 155

HSL 316.96, 0.55%, 0.49%

LAB 47.83, 63.68, -23.83

 

CMYK 0 / 71 / 39 / 24

HEX #C23876

RGB 194 56 118

HSL 333.04, 0.55%, 0.49%

LAB 46.45, 59.22, -3.56

 

CMYK 0 / 71 / 58 / 24

HEX #C23851

RGB 194 56 81

HSL 349.13, 0.55%, 0.49%

LAB 45.49, 55.96, 17.83

 

CMYK 0 / 65 / 71 / 24

HEX #C24438

RGB 194 68 56

HSL 5.22, 0.55%, 0.49%

LAB 46.83, 49.67, 34.44

 

CMYK 0 / 71 / 40 / 49

HEX #82264E

RGB 130 38 78

HSL 333.91, 0.55%, 0.33%

LAB 31.07, 42.77, -2.27

 

CMYK 0 / 71 / 40 / 36

HEX #A22F61

RGB 162 47 97

HSL 333.91, 0.55%, 0.41%

LAB 38.86, 51.06, -2.35

 

CMYK 0 / 71 / 40 / 24

HEX #C23874

RGB 194 56 116

HSL 333.91, 0.55%, 0.49%

LAB 46.39, 59.01, -2.43

 

CMYK 0 / 59 / 33 / 19

HEX #CE558A

RGB 206 85 138

HSL 333.72, 0.55%, 0.57%

LAB 53.44, 53.12, -5.03

 

CMYK 0 / 46 / 26 / 16

HEX #D775A0

RGB 215 117 160

HSL 333.67, 0.55%, 0.65%

LAB 61.4, 43.34, -5.92

 

CMYK 0 / 71 / 40 / 24

HEX #C23975

RGB 194 57 117

HSL 333.72, 0.55%, 0.49%

LAB 46.55, 58.75, -2.8

 

CMYK 0 / 18 / 71 / 24

HEX #C29F38

RGB 194 159 56

HSL 44.78, 0.55%, 0.49%

LAB 66.94, 2.11, 56.09

 

CMYK 71 / 11 / 0 / 24

HEX #38ADC2

RGB 56 173 194

HSL 189.13, 0.55%, 0.49%

LAB 65.45, -25.23, -20.12

 

CMYK 0 / 71 / 40 / 24

HEX #C23975

RGB 194 57 117

HSL 333.72, 0.55%, 0.49%

LAB 46.55, 58.75, -2.8

 

CMYK 39 / 0 / 71 / 24

HEX #76C238

RGB 118 194 56

HSL 93.04, 0.55%, 0.49%

LAB 71.36, -45.97, 58.8

 

CMYK 71 / 39 / 0 / 24

HEX #3876C2

RGB 56 118 194

HSL 213.04, 0.55%, 0.49%

LAB 49.12, 5.62, -45.55

 

CMYK 0 / 71 / 40 / 24

HEX #C23975

RGB 194 57 117

HSL 333.72, 0.55%, 0.49%

LAB 46.55, 58.75, -2.8

 

CMYK 0 / 18 / 71 / 24

HEX #C29F38

RGB 194 159 56

HSL 44.78, 0.55%, 0.49%

LAB 66.94, 2.11, 56.09

 

CMYK 71 / 0 / 32 / 24

HEX #38C284

RGB 56 194 132

HSL 153.04, 0.55%, 0.49%

LAB 70.24, -50.99, 20.84

 

CMYK 71 / 53 / 0 / 24

HEX #385BC2

RGB 56 91 194

HSL 224.78, 0.55%, 0.49%

LAB 41.56, 22.75, -57.69

 

CMYK 0 / 71 / 40 / 24

HEX #C23975

RGB 194 57 117

HSL 333.72, 0.55%, 0.49%

LAB 46.55, 58.75, -2.8

 

CMYK 4 / 0 / 71 / 24

HEX #BBC238

RGB 187 194 56

HSL 63.04, 0.55%, 0.49%

LAB 75.72, -19.1, 64.57

 

CMYK 71 / 0 / 32 / 24

HEX #38C284

RGB 56 194 132

HSL 153.04, 0.55%, 0.49%

LAB 70.24, -50.99, 20.84

 

CMYK 68 / 71 / 0 / 24

HEX #3F38C2

RGB 63 56 194

HSL 243.04, 0.55%, 0.49%

LAB 33.52, 45.49, -70.79

 

Description

Color code: HEX #C23975 | qconv.com Color code: HEX #C23975 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 57 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 57 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 40 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 40% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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