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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C234D7 it is the complementary color #3DCB28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C234D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C234D7 shade: #C734D2, #D846E5, #E958F8, #FA6AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C234D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C234D7 shade: #C234D7, #B122C4, #A010B1, #8F009E and #7E008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C234D7 shade: #C133D7, #D733C0, #D73393, #D73367 and #D7333B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C234D7 shade: #C133D7, #9533D7, #6933D7, #3D33D7 and #3333D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C234D7 shade matches the following richer shades: #C133D7, #D01FEA and #DF0BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C234D7 shade: #C133D7, #B346C3, #A45AAF, #956E9B and #878287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C234D7 shade: #6933D7, #9533D7, #C133D7, #D733C1 and #D73395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C234D7 shade: #891E99, #A825BB, #C133D7, #CC55DD and #D677E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C234D7 shade: #C234D7, #D73E33 and #33D77F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C234D7 shade: #C234D7, #D7C133 and #33D7C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C234D7 shade: #C234D7, #D73E33, #48D733 and #33CCD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C234D7 shade: #C234D7, #D76F33, #48D733 and #339AD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 76 / 0 / 16

HEX #C234D7

RGB 194 52 215

HSL 292.27, 0.67%, 0.52%

LAB 50.49, 74.3, -54.66

 

Complementary color

CMYK 70 / 0 / 80 / 20

HEX #3DCB28

RGB 61 203 40

HSL 112.27, 0.67%, 0.48%

LAB 72.13, -65.34, 64.11

 

CMYK 5 / 75 / 0 / 18

HEX #C734D2

RGB 199 52 210

HSL 295.82, 0.64%, 0.51%

LAB 50.98, 74.44, -50.97

 

CMYK 6 / 69 / 0 / 10

HEX #D846E5

RGB 216 70 229

HSL 295.09, 0.75%, 0.59%

LAB 56.72, 75.24, -52.44

 

CMYK 6 / 65 / 0 / 3

HEX #E958F8

RGB 233 88 248

HSL 294.38, 0.92%, 0.66%

LAB 62.58, 75.52, -53.57

 

CMYK 2 / 58 / 0 / 0

HEX #FA6AFF

RGB 250 106 255

HSL 297.99, 1%, 0.71%

LAB 67.91, 73.4, -48.83

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 10 / 76 / 0 / 16

HEX #C234D7

RGB 194 52 215

HSL 292.27, 0.67%, 0.52%

LAB 50.49, 74.3, -54.66

 

CMYK 10 / 83 / 0 / 23

HEX #B122C4

RGB 177 34 196

HSL 292.96, 0.7%, 0.45%

LAB 44.91, 72.78, -52.81

 

CMYK 10 / 91 / 0 / 31

HEX #A010B1

RGB 160 16 177

HSL 293.66, 0.83%, 0.38%

LAB 39.61, 70.14, -50.32

 

CMYK 9 / 100 / 0 / 38

HEX #8F009E

RGB 143 0 158

HSL 294.3, 1%, 0.31%

LAB 34.62, 66.27, -47.11

 

CMYK 9 / 100 / 0 / 45

HEX #7E008B

RGB 126 0 139

HSL 294.39, 1%, 0.27%

LAB 30.16, 60.4, -42.8

 

CMYK 10 / 76 / 0 / 16

HEX #C133D7

RGB 193 51 215

HSL 291.95, 0.67%, 0.52%

LAB 50.23, 74.41, -55.08

 

CMYK 0 / 76 / 11 / 16

HEX #D733C0

RGB 215 51 192

HSL 308.41, 0.67%, 0.52%

LAB 52.53, 75.27, -37.98

 

CMYK 0 / 76 / 32 / 16

HEX #D73393

RGB 215 51 147

HSL 324.88, 0.67%, 0.52%

LAB 50.6, 69.53, -14.51

 

CMYK 0 / 76 / 52 / 16

HEX #D73367

RGB 215 51 103

HSL 340.98, 0.67%, 0.52%

LAB 49.25, 65.36, 10.13

 

CMYK 0 / 76 / 73 / 16

HEX #D7333B

RGB 215 51 59

HSL 357.07, 0.67%, 0.52%

LAB 48.42, 62.73, 35.55

 

CMYK 10 / 76 / 0 / 16

HEX #C133D7

RGB 193 51 215

HSL 291.95, 0.67%, 0.52%

LAB 50.23, 74.41, -55.08

 

CMYK 31 / 76 / 0 / 16

HEX #9533D7

RGB 149 51 215

HSL 275.85, 0.67%, 0.52%

LAB 43.75, 66.4, -65.88

 

CMYK 51 / 76 / 0 / 16

HEX #6933D7

RGB 105 51 215

HSL 259.76, 0.67%, 0.52%

LAB 38.34, 59.55, -74.94

 

CMYK 72 / 76 / 0 / 16

HEX #3D33D7

RGB 61 51 215

HSL 243.66, 0.67%, 0.52%

LAB 34.53, 54.62, -81.34

 

CMYK 76 / 76 / 0 / 16

HEX #3333D7

RGB 51 51 215

HSL 240, 0.67%, 0.52%

LAB 33.94, 53.84, -82.35

 

CMYK 10 / 76 / 0 / 16

HEX #C133D7

RGB 193 51 215

HSL 291.95, 0.67%, 0.52%

LAB 50.23, 74.41, -55.08

 

CMYK 11 / 87 / 0 / 8

HEX #D01FEA

RGB 208 31 234

HSL 292.32, 0.83%, 0.52%

LAB 52.21, 84.87, -62.56

 

CMYK 12 / 96 / 0 / 0

HEX #DF0BFE

RGB 223 11 254

HSL 292.35, 0.99%, 0.52%

LAB 55.16, 92.67, -68.87

 

CMYK 10 / 76 / 0 / 16

HEX #C133D7

RGB 193 51 215

HSL 291.95, 0.67%, 0.52%

LAB 50.23, 74.41, -55.08

 

CMYK 8 / 64 / 0 / 24

HEX #B346C3

RGB 179 70 195

HSL 292.32, 0.51%, 0.52%

LAB 49.38, 60.99, -45.07

 

CMYK 6 / 49 / 0 / 31

HEX #A45AAF

RGB 164 90 175

HSL 292.24, 0.35%, 0.52%

LAB 49.86, 43.61, -32.82

 

CMYK 4 / 29 / 0 / 39

HEX #956E9B

RGB 149 110 155

HSL 292, 0.18%, 0.52%

LAB 51.73, 23.58, -18.36

 

CMYK 0 / 4 / 0 / 47

HEX #878287

RGB 135 130 135

HSL 300, 0.02%, 0.52%

LAB 54.93, 2.86, -2.03

 

CMYK 51 / 76 / 0 / 16

HEX #6933D7

RGB 105 51 215

HSL 259.76, 0.67%, 0.52%

LAB 38.34, 59.55, -74.94

 

CMYK 31 / 76 / 0 / 16

HEX #9533D7

RGB 149 51 215

HSL 275.85, 0.67%, 0.52%

LAB 43.75, 66.4, -65.88

 

CMYK 10 / 76 / 0 / 16

HEX #C133D7

RGB 193 51 215

HSL 291.95, 0.67%, 0.52%

LAB 50.23, 74.41, -55.08

 

CMYK 0 / 76 / 10 / 16

HEX #D733C1

RGB 215 51 193

HSL 308.05, 0.67%, 0.52%

LAB 52.58, 75.41, -38.48

 

CMYK 0 / 76 / 31 / 16

HEX #D73395

RGB 215 51 149

HSL 324.15, 0.67%, 0.52%

LAB 50.67, 69.76, -15.59

 

CMYK 10 / 80 / 0 / 40

HEX #891E99

RGB 137 30 153

HSL 292.2, 0.67%, 0.36%

LAB 35.1, 58.85, -43.35

 

CMYK 10 / 80 / 0 / 27

HEX #A825BB

RGB 168 37 187

HSL 292.4, 0.67%, 0.44%

LAB 43.12, 68.84, -50.51

 

CMYK 10 / 76 / 0 / 16

HEX #C133D7

RGB 193 51 215

HSL 291.95, 0.67%, 0.52%

LAB 50.23, 74.41, -55.08

 

CMYK 8 / 62 / 0 / 13

HEX #CC55DD

RGB 204 85 221

HSL 292.5, 0.67%, 0.6%

LAB 56.64, 65.31, -48.17

 

CMYK 6 / 48 / 0 / 11

HEX #D677E4

RGB 214 119 228

HSL 292.29, 0.67%, 0.68%

LAB 64.23, 53.25, -40.03

 

CMYK 10 / 76 / 0 / 16

HEX #C234D7

RGB 194 52 215

HSL 292.27, 0.67%, 0.52%

LAB 50.49, 74.3, -54.66

 

CMYK 0 / 71 / 76 / 16

HEX #D73E33

RGB 215 62 51

HSL 4.02, 0.67%, 0.52%

LAB 49.66, 58.73, 41.42

 

CMYK 76 / 0 / 41 / 16

HEX #33D77F

RGB 51 215 127

HSL 147.8, 0.67%, 0.52%

LAB 76.58, -60.54, 31.93

 

CMYK 10 / 76 / 0 / 16

HEX #C234D7

RGB 194 52 215

HSL 292.27, 0.67%, 0.52%

LAB 50.49, 74.3, -54.66

 

CMYK 0 / 10 / 76 / 16

HEX #D7C133

RGB 215 193 51

HSL 51.95, 0.67%, 0.52%

LAB 77.77, -6.87, 69.05

 

CMYK 76 / 0 / 10 / 16

HEX #33D7C1

RGB 51 215 193

HSL 171.95, 0.67%, 0.52%

LAB 77.97, -45.65, -0.9

 

CMYK 10 / 76 / 0 / 16

HEX #C234D7

RGB 194 52 215

HSL 292.27, 0.67%, 0.52%

LAB 50.49, 74.3, -54.66

 

CMYK 0 / 71 / 76 / 16

HEX #D73E33

RGB 215 62 51

HSL 4.02, 0.67%, 0.52%

LAB 49.66, 58.73, 41.42

 

CMYK 67 / 0 / 76 / 16

HEX #48D733

RGB 72 215 51

HSL 112.32, 0.67%, 0.52%

LAB 76.2, -66.44, 64.78

 

CMYK 76 / 5 / 0 / 16

HEX #33CCD7

RGB 51 204 215

HSL 184.02, 0.67%, 0.52%

LAB 75.32, -34.49, -16.67

 

CMYK 10 / 76 / 0 / 16

HEX #C234D7

RGB 194 52 215

HSL 292.27, 0.67%, 0.52%

LAB 50.49, 74.3, -54.66

 

CMYK 0 / 48 / 76 / 16

HEX #D76F33

RGB 215 111 51

HSL 21.95, 0.67%, 0.52%

LAB 58.09, 36.65, 50.17

 

CMYK 67 / 0 / 76 / 16

HEX #48D733

RGB 72 215 51

HSL 112.32, 0.67%, 0.52%

LAB 76.2, -66.44, 64.78

 

CMYK 76 / 28 / 0 / 16

HEX #339AD7

RGB 51 154 215

HSL 202.32, 0.67%, 0.52%

LAB 60.53, -8.74, -39.42

 

Description

Color code: HEX #C234D7 | qconv.com Color code: HEX #C234D7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 52 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 52 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 76 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 76% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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