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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2329D it is the complementary color #3DCD62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2329D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2329D shade: #C73298, #D844AB, #E956BE, #FA68D1 and #FF7AE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2329D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2329D shade: #C2329D, #B1208A, #A00E77, #8F0064 and #7E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2329D shade: #C3329D, #C33277, #C33250 and #C33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2329D shade: #C3329D, #C132C3, #9A32C3, #7332C3 and #4C32C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2329D shade matches the following richer shades: #C3329D, #D61EA7 and #EA0BB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2329D shade: #C3329D, #AF4694, #9B5A8A, #876E81 and #738177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2329D shade: #9A32C3, #C032C3, #C3329F, #C33278 and #C33251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2329D shade: #812168, #A22A83, #C3329D, #D14DAF and #DA6EBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2329D shade: #C2329D, #C37332 and #32C3AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2329D shade: #C2329D, #9FC332 and #329FC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2329D shade: #C2329D, #C37332, #32C356 and #3282C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2329D shade: #C2329D, #C39F32, #32C356 and #3256C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 19 / 24

HEX #C2329D

RGB 194 50 157

HSL 315.42, 0.59%, 0.48%

LAB 47.22, 65.95, -25.98

 

Complementary color

CMYK 70 / 0 / 52 / 20

HEX #3DCD62

RGB 61 205 98

HSL 135.42, 0.59%, 0.52%

LAB 73.24, -60.26, 42.15

 

CMYK 0 / 75 / 24 / 22

HEX #C73298

RGB 199 50 152

HSL 318.93, 0.6%, 0.49%

LAB 47.87, 66.5, -21.92

 

CMYK 0 / 69 / 21 / 15

HEX #D844AB

RGB 216 68 171

HSL 318.24, 0.65%, 0.56%

LAB 53.68, 67.15, -23.96

 

CMYK 0 / 63 / 18 / 9

HEX #E956BE

RGB 233 86 190

HSL 317.55, 0.77%, 0.63%

LAB 59.61, 67.28, -25.59

 

CMYK 0 / 58 / 16 / 2

HEX #FA68D1

RGB 250 104 209

HSL 316.85, 0.94%, 0.69%

LAB 65.61, 67.09, -26.91

 

CMYK 0 / 52 / 11 / 0

HEX #FF7AE4

RGB 255 122 228

HSL 312.18, 1%, 0.74%

LAB 70.02, 63.32, -30.63

 

CMYK 0 / 74 / 19 / 24

HEX #C2329D

RGB 194 50 157

HSL 315.42, 0.59%, 0.48%

LAB 47.22, 65.95, -25.98

 

CMYK 0 / 82 / 22 / 31

HEX #B1208A

RGB 177 32 138

HSL 316.14, 0.69%, 0.41%

LAB 41.56, 64.55, -23.52

 

CMYK 0 / 91 / 26 / 37

HEX #A00E77

RGB 160 14 119

HSL 316.85, 0.84%, 0.34%

LAB 36.21, 61.99, -20.28

 

CMYK 0 / 100 / 30 / 44

HEX #8F0064

RGB 143 0 100

HSL 318.04, 1%, 0.28%

LAB 31.25, 58.02, -16.1

 

CMYK 0 / 100 / 36 / 51

HEX #7E0051

RGB 126 0 81

HSL 321.43, 1%, 0.25%

LAB 26.82, 52.18, -10.71

 

CMYK 0 / 74 / 19 / 24

HEX #C3329D

RGB 195 50 157

HSL 315.72, 0.59%, 0.48%

LAB 47.39, 66.19, -25.7

 

CMYK 0 / 74 / 39 / 24

HEX #C33277

RGB 195 50 119

HSL 331.45, 0.59%, 0.48%

LAB 45.93, 61.66, -4.93

 

CMYK 0 / 74 / 59 / 24

HEX #C33250

RGB 195 50 80

HSL 347.59, 0.59%, 0.48%

LAB 44.89, 58.31, 17.67

 

CMYK 0 / 74 / 74 / 24

HEX #C33232

RGB 195 50 50

HSL 0, 0.59%, 0.48%

LAB 44.4, 56.68, 35.16

 

CMYK 0 / 74 / 19 / 24

HEX #C3329D

RGB 195 50 157

HSL 315.72, 0.59%, 0.48%

LAB 47.39, 66.19, -25.7

 

CMYK 1 / 74 / 0 / 24

HEX #C132C3

RGB 193 50 195

HSL 299.17, 0.59%, 0.48%

LAB 48.96, 71.38, -45.61

 

CMYK 21 / 74 / 0 / 24

HEX #9A32C3

RGB 154 50 195

HSL 283.03, 0.59%, 0.48%

LAB 42.9, 63.53, -55.65

 

CMYK 41 / 74 / 0 / 24

HEX #7332C3

RGB 115 50 195

HSL 266.9, 0.59%, 0.48%

LAB 37.6, 56.42, -64.5

 

CMYK 61 / 74 / 0 / 24

HEX #4C32C3

RGB 76 50 195

HSL 250.76, 0.59%, 0.48%

LAB 33.47, 50.63, -71.42

 

CMYK 0 / 74 / 19 / 24

HEX #C3329D

RGB 195 50 157

HSL 315.72, 0.59%, 0.48%

LAB 47.39, 66.19, -25.7

 

CMYK 0 / 86 / 22 / 16

HEX #D61EA7

RGB 214 30 167

HSL 315.33, 0.75%, 0.48%

LAB 49.51, 76.58, -28.08

 

CMYK 0 / 95 / 24 / 8

HEX #EA0BB1

RGB 234 11 177

HSL 315.34, 0.91%, 0.48%

LAB 52.85, 84.05, -28.51

 

CMYK 0 / 74 / 19 / 24

HEX #C3329D

RGB 195 50 157

HSL 315.72, 0.59%, 0.48%

LAB 47.39, 66.19, -25.7

 

CMYK 0 / 60 / 15 / 31

HEX #AF4694

RGB 175 70 148

HSL 315.43, 0.43%, 0.48%

LAB 46.49, 51.93, -21.98

 

CMYK 0 / 42 / 11 / 39

HEX #9B5A8A

RGB 155 90 138

HSL 315.69, 0.27%, 0.48%

LAB 47.13, 33.78, -15.26

 

CMYK 0 / 19 / 4 / 47

HEX #876E81

RGB 135 110 129

HSL 314.4, 0.1%, 0.48%

LAB 49.36, 13.32, -6.75

 

CMYK 11 / 0 / 8 / 49

HEX #738177

RGB 115 129 119

HSL 137.14, 0.06%, 0.48%

LAB 52.59, -7.21, 3.67

 

CMYK 21 / 74 / 0 / 24

HEX #9A32C3

RGB 154 50 195

HSL 283.03, 0.59%, 0.48%

LAB 42.9, 63.53, -55.65

 

CMYK 2 / 74 / 0 / 24

HEX #C032C3

RGB 192 50 195

HSL 298.76, 0.59%, 0.48%

LAB 48.79, 71.17, -45.88

 

CMYK 0 / 74 / 18 / 24

HEX #C3329F

RGB 195 50 159

HSL 314.9, 0.59%, 0.48%

LAB 47.48, 66.46, -26.76

 

CMYK 0 / 74 / 38 / 24

HEX #C33278

RGB 195 50 120

HSL 331.03, 0.59%, 0.48%

LAB 45.96, 61.76, -5.49

 

CMYK 0 / 74 / 58 / 24

HEX #C33251

RGB 195 50 81

HSL 347.17, 0.59%, 0.48%

LAB 44.91, 58.38, 17.08

 

CMYK 0 / 74 / 19 / 49

HEX #812168

RGB 129 33 104

HSL 315.63, 0.59%, 0.32%

LAB 31.24, 47.87, -18.92

 

CMYK 0 / 74 / 19 / 36

HEX #A22A83

RGB 162 42 131

HSL 315.5, 0.59%, 0.4%

LAB 39.54, 57.13, -22.56

 

CMYK 0 / 74 / 19 / 24

HEX #C3329D

RGB 195 50 157

HSL 315.72, 0.59%, 0.48%

LAB 47.39, 66.19, -25.7

 

CMYK 0 / 63 / 16 / 18

HEX #D14DAF

RGB 209 77 175

HSL 315.45, 0.59%, 0.56%

LAB 53.98, 62.4, -25.92

 

CMYK 0 / 50 / 13 / 15

HEX #DA6EBE

RGB 218 110 190

HSL 315.56, 0.59%, 0.64%

LAB 61.46, 52.28, -22.93

 

CMYK 0 / 74 / 19 / 24

HEX #C2329D

RGB 194 50 157

HSL 315.42, 0.59%, 0.48%

LAB 47.22, 65.95, -25.98

 

CMYK 0 / 41 / 74 / 24

HEX #C37332

RGB 195 115 50

HSL 26.9, 0.59%, 0.48%

LAB 56.18, 26.3, 47.8

 

CMYK 74 / 0 / 11 / 24

HEX #32C3AD

RGB 50 195 173

HSL 170.9, 0.59%, 0.48%

LAB 71.37, -42.42, 0.25

 

CMYK 0 / 74 / 19 / 24

HEX #C2329D

RGB 194 50 157

HSL 315.42, 0.59%, 0.48%

LAB 47.22, 65.95, -25.98

 

CMYK 18 / 0 / 74 / 24

HEX #9FC332

RGB 159 195 50

HSL 74.9, 0.59%, 0.48%

LAB 73.95, -31.45, 64.24

 

CMYK 74 / 18 / 0 / 24

HEX #329FC3

RGB 50 159 195

HSL 194.9, 0.59%, 0.48%

LAB 61.15, -18.42, -27.29

 

CMYK 0 / 74 / 19 / 24

HEX #C2329D

RGB 194 50 157

HSL 315.42, 0.59%, 0.48%

LAB 47.22, 65.95, -25.98

 

CMYK 0 / 41 / 74 / 24

HEX #C37332

RGB 195 115 50

HSL 26.9, 0.59%, 0.48%

LAB 56.18, 26.3, 47.8

 

CMYK 74 / 0 / 56 / 24

HEX #32C356

RGB 50 195 86

HSL 134.9, 0.59%, 0.48%

LAB 69.74, -60.22, 43.6

 

CMYK 74 / 33 / 0 / 24

HEX #3282C3

RGB 50 130 195

HSL 206.9, 0.59%, 0.48%

LAB 52.49, -2.11, -40.8

 

CMYK 0 / 74 / 19 / 24

HEX #C2329D

RGB 194 50 157

HSL 315.42, 0.59%, 0.48%

LAB 47.22, 65.95, -25.98

 

CMYK 0 / 18 / 74 / 24

HEX #C39F32

RGB 195 159 50

HSL 45.1, 0.59%, 0.48%

LAB 67, 2.26, 58.58

 

CMYK 74 / 0 / 56 / 24

HEX #32C356

RGB 50 195 86

HSL 134.9, 0.59%, 0.48%

LAB 69.74, -60.22, 43.6

 

CMYK 74 / 56 / 0 / 24

HEX #3256C3

RGB 50 86 195

HSL 225.1, 0.59%, 0.48%

LAB 40.04, 25.58, -60.75

 

Description

Color code: HEX #C2329D | qconv.com Color code: HEX #C2329D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 50 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 50 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 19 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 19% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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