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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C22D52 it is the complementary color #3DD2AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C22D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C22D52 shade: #C72D4D, #D83F60, #E95173, #FA6386 and #FF7599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C22D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C22D52 shade: #C22D52, #B11B3F, #A0092C, #8F0019 and #7E0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C22D52 shade: #C22E52 and #C22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C22D52 shade: #C22E52, #C22E7B, #C22EA3, #BA2EC2 and #922EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C22D52 shade matches the following richer shades: #C22E52, #D61A49 and #E9073F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C22D52 shade: #C22E52, #AF415C, #9B5466, #886870 and #757B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C22D52 shade: #C22EA2, #C22E7A, #C22E53, #C2302E and #C2582E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C22D52 shade: #7F1E36, #A12644, #C22E52, #D34569 and #DB6784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C22D52 shade: #C22D52, #C2BB2E and #2E8EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C22D52 shade: #C22D52, #53C22E and #2E53C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C22D52 shade: #C22D52, #C2BB2E, #2EC29D and #2E35C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C22D52 shade: #C22D52, #9DC22E, #2EC29D and #532EC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

Complementary color

CMYK 71 / 0 / 18 / 18

HEX #3DD2AD

RGB 61 210 173

HSL 165.1, 0.62%, 0.53%

LAB 76.13, -47.43, 7.17

 

CMYK 0 / 77 / 61 / 22

HEX #C72D4D

RGB 199 45 77

HSL 347.53, 0.63%, 0.48%

LAB 45.02, 60.86, 19.83

 

CMYK 0 / 71 / 56 / 15

HEX #D83F60

RGB 216 63 96

HSL 347.06, 0.66%, 0.55%

LAB 50.69, 61.15, 16.4

 

CMYK 0 / 65 / 51 / 9

HEX #E95173

RGB 233 81 115

HSL 346.58, 0.78%, 0.62%

LAB 56.53, 60.93, 13.59

 

CMYK 0 / 60 / 46 / 2

HEX #FA6386

RGB 250 99 134

HSL 346.09, 0.94%, 0.68%

LAB 62.48, 60.41, 11.25

 

CMYK 0 / 54 / 40 / 0

HEX #FF7599

RGB 255 117 153

HSL 344.35, 1%, 0.73%

LAB 66.74, 55.83, 6.53

 

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

CMYK 0 / 85 / 64 / 31

HEX #B11B3F

RGB 177 27 63

HSL 345.6, 0.74%, 0.4%

LAB 38.71, 58.69, 19.49

 

CMYK 0 / 94 / 73 / 37

HEX #A0092C

RGB 160 9 44

HSL 346.09, 0.89%, 0.33%

LAB 33.67, 56.4, 24.53

 

CMYK 0 / 100 / 83 / 44

HEX #8F0019

RGB 143 0 25

HSL 349.51, 1%, 0.28%

LAB 29.18, 52.56, 30.45

 

CMYK 0 / 100 / 95 / 51

HEX #7E0006

RGB 126 0 6

HSL 357.14, 1%, 0.25%

LAB 25.1, 47.62, 35.05

 

CMYK 0 / 76 / 58 / 24

HEX #C22E52

RGB 194 46 82

HSL 345.41, 0.62%, 0.47%

LAB 44.28, 59.45, 15.58

 

CMYK 0 / 76 / 76 / 24

HEX #C22E2E

RGB 194 46 46

HSL 0, 0.62%, 0.47%

LAB 43.68, 57.53, 36.62

 

CMYK 0 / 76 / 58 / 24

HEX #C22E52

RGB 194 46 82

HSL 345.41, 0.62%, 0.47%

LAB 44.28, 59.45, 15.58

 

CMYK 0 / 76 / 37 / 24

HEX #C22E7B

RGB 194 46 123

HSL 328.78, 0.62%, 0.47%

LAB 45.43, 63.08, -8.14

 

CMYK 0 / 76 / 16 / 24

HEX #C22EA3

RGB 194 46 163

HSL 312.57, 0.62%, 0.47%

LAB 47.06, 67.99, -29.8

 

CMYK 4 / 76 / 0 / 24

HEX #BA2EC2

RGB 186 46 194

HSL 296.76, 0.62%, 0.47%

LAB 47.35, 70.98, -47.66

 

CMYK 25 / 76 / 0 / 24

HEX #922EC2

RGB 146 46 194

HSL 280.54, 0.62%, 0.47%

LAB 41.15, 63.27, -57.95

 

CMYK 0 / 76 / 58 / 24

HEX #C22E52

RGB 194 46 82

HSL 345.41, 0.62%, 0.47%

LAB 44.28, 59.45, 15.58

 

CMYK 0 / 88 / 66 / 16

HEX #D61A49

RGB 214 26 73

HSL 345, 0.78%, 0.47%

LAB 46.33, 69.1, 24.57

 

CMYK 0 / 97 / 73 / 9

HEX #E9073F

RGB 233 7 63

HSL 345.13, 0.94%, 0.47%

LAB 49.29, 75.49, 35.13

 

CMYK 0 / 76 / 58 / 24

HEX #C22E52

RGB 194 46 82

HSL 345.41, 0.62%, 0.47%

LAB 44.28, 59.45, 15.58

 

CMYK 0 / 63 / 47 / 31

HEX #AF415C

RGB 175 65 92

HSL 345.27, 0.46%, 0.47%

LAB 43.75, 47.11, 8.13

 

CMYK 0 / 46 / 34 / 39

HEX #9B5466

RGB 155 84 102

HSL 344.79, 0.3%, 0.47%

LAB 44.62, 31.52, 2.8

 

CMYK 0 / 24 / 18 / 47

HEX #886870

RGB 136 104 112

HSL 345, 0.13%, 0.47%

LAB 47.37, 14.13, 0.47

 

CMYK 5 / 0 / 2 / 52

HEX #757B79

RGB 117 123 121

HSL 160, 0.03%, 0.47%

LAB 51.07, -2.65, 0.31

 

CMYK 0 / 76 / 16 / 24

HEX #C22EA2

RGB 194 46 162

HSL 312.97, 0.62%, 0.47%

LAB 47.02, 67.85, -29.27

 

CMYK 0 / 76 / 37 / 24

HEX #C22E7A

RGB 194 46 122

HSL 329.19, 0.62%, 0.47%

LAB 45.4, 62.97, -7.57

 

CMYK 0 / 76 / 57 / 24

HEX #C22E53

RGB 194 46 83

HSL 345, 0.62%, 0.47%

LAB 44.3, 59.52, 14.99

 

CMYK 0 / 75 / 76 / 24

HEX #C2302E

RGB 194 48 46

HSL 0.81, 0.62%, 0.47%

LAB 43.92, 56.88, 36.87

 

CMYK 0 / 55 / 76 / 24

HEX #C2582E

RGB 194 88 46

HSL 17.03, 0.62%, 0.47%

LAB 50.27, 39.88, 43.6

 

CMYK 0 / 76 / 57 / 50

HEX #7F1E36

RGB 127 30 54

HSL 345.15, 0.62%, 0.31%

LAB 28.66, 42.61, 10.13

 

CMYK 0 / 76 / 58 / 37

HEX #A12644

RGB 161 38 68

HSL 345.37, 0.62%, 0.39%

LAB 36.71, 51.37, 13.06

 

CMYK 0 / 76 / 58 / 24

HEX #C22E52

RGB 194 46 82

HSL 345.41, 0.62%, 0.47%

LAB 44.28, 59.45, 15.58

 

CMYK 0 / 67 / 50 / 17

HEX #D34569

RGB 211 69 105

HSL 344.79, 0.62%, 0.55%

LAB 50.83, 58.09, 11.04

 

CMYK 0 / 53 / 40 / 14

HEX #DB6784

RGB 219 103 132

HSL 345, 0.62%, 0.63%

LAB 58.44, 48.22, 6.01

 

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

CMYK 0 / 4 / 76 / 24

HEX #C2BB2E

RGB 194 187 46

HSL 57.16, 0.62%, 0.47%

LAB 74.32, -13.03, 66.83

 

CMYK 76 / 27 / 0 / 24

HEX #2E8EC2

RGB 46 142 194

HSL 201.08, 0.62%, 0.47%

LAB 55.91, -9.92, -34.87

 

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

CMYK 57 / 0 / 76 / 24

HEX #53C22E

RGB 83 194 46

HSL 105, 0.62%, 0.47%

LAB 69.91, -57.14, 60.37

 

CMYK 76 / 57 / 0 / 24

HEX #2E53C2

RGB 46 83 194

HSL 225, 0.62%, 0.47%

LAB 39.01, 26.7, -61.85

 

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

CMYK 0 / 4 / 76 / 24

HEX #C2BB2E

RGB 194 187 46

HSL 57.16, 0.62%, 0.47%

LAB 74.32, -13.03, 66.83

 

CMYK 76 / 0 / 19 / 24

HEX #2EC29D

RGB 46 194 157

HSL 165, 0.62%, 0.47%

LAB 70.59, -46.59, 7.84

 

CMYK 76 / 73 / 0 / 24

HEX #2E35C2

RGB 46 53 194

HSL 237.16, 0.62%, 0.47%

LAB 31.86, 45.51, -73.57

 

CMYK 0 / 77 / 58 / 24

HEX #C22D52

RGB 194 45 82

HSL 345.1, 0.62%, 0.47%

LAB 44.17, 59.77, 15.43

 

CMYK 19 / 0 / 76 / 24

HEX #9DC22E

RGB 157 194 46

HSL 75, 0.62%, 0.47%

LAB 73.51, -31.98, 65.07

 

CMYK 76 / 0 / 19 / 24

HEX #2EC29D

RGB 46 194 157

HSL 165, 0.62%, 0.47%

LAB 70.59, -46.59, 7.84

 

CMYK 57 / 76 / 0 / 24

HEX #532EC2

RGB 83 46 194

HSL 255, 0.62%, 0.47%

LAB 33.32, 53.21, -71.06

 

Description

Color code: HEX #C22D52 | qconv.com Color code: HEX #C22D52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 45 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 45 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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