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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C21D70 it is the complementary color #3DE28F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C21D70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C21D70: #C71D6B, #D82F7E, #E94191, #FA53A4 and #FF65B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C21D70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C21D70: #C21D70, #B10B5D, #A0004A, #8F0037 and #7E0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

Complementary color

CMYK 73 / 0 / 37 / 11

HEX #3DE28F

RGB 61 226 143

HSL 149.82, 0.74%, 0.56%

LAB 80.39, -60.25, 28.84

 

CMYK 0 / 85 / 46 / 22

HEX #C71D6B

RGB 199 29 107

HSL 332.47, 0.75%, 0.45%

LAB 44.35, 67.11, 0.25

 

CMYK 0 / 78 / 42 / 15

HEX #D82F7E

RGB 216 47 126

HSL 331.95, 0.68%, 0.52%

LAB 49.66, 68.75, -3.24

 

CMYK 0 / 72 / 38 / 9

HEX #E94191

RGB 233 65 145

HSL 331.43, 0.79%, 0.58%

LAB 55.23, 69.57, -6.05

 

CMYK 0 / 67 / 34 / 2

HEX #FA53A4

RGB 250 83 164

HSL 330.9, 0.94%, 0.65%

LAB 60.95, 69.83, -8.34

 

CMYK 0 / 60 / 28 / 0

HEX #FF65B7

RGB 255 101 183

HSL 328.05, 1%, 0.7%

LAB 64.95, 66.31, -13.16

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 0 / 94 / 47 / 31

HEX #B10B5D

RGB 177 11 93

HSL 330.36, 0.88%, 0.37%

LAB 38.51, 63.56, 0.02

 

CMYK 0 / 100 / 54 / 37

HEX #A0004A

RGB 160 0 74

HSL 332.25, 1%, 0.31%

LAB 33.92, 59.38, 5.23

 

CMYK 0 / 100 / 62 / 44

HEX #8F0037

RGB 143 0 55

HSL 336.92, 1%, 0.28%

LAB 29.7, 53.96, 11.43

 

CMYK 0 / 100 / 71 / 51

HEX #7E0024

RGB 126 0 36

HSL 342.86, 1%, 0.25%

LAB 25.45, 48.57, 18.01

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 0 / 85 / 55 / 24

HEX #C31D57

RGB 195 29 87

HSL 339.04, 0.74%, 0.44%

LAB 43.02, 64.54, 10.75

 

CMYK 0 / 85 / 70 / 24

HEX #C31D3B

RGB 195 29 59

HSL 349.16, 0.74%, 0.44%

LAB 42.46, 62.9, 27.5

 

CMYK 0 / 85 / 84 / 24

HEX #C31D1F

RGB 195 29 31

HSL 359.28, 0.74%, 0.44%

LAB 42.12, 61.91, 43.35

 

CMYK 0 / 72 / 85 / 24

HEX #C3361D

RGB 195 54 29

HSL 9.04, 0.74%, 0.44%

LAB 44.7, 54.59, 46.62

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 0 / 85 / 42 / 4

HEX #F5258D

RGB 245 37 141

HSL 330, 0.91%, 0.55%

LAB 54.72, 79.39, -4.18

 

CMYK 0 / 85 / 41 / 84

HEX #290618

RGB 41 6 24

HSL 329.14, 0.74%, 0.09%

LAB 6.03, 19.64, -2.94

 

CMYK 0 / 85 / 42 / 64

HEX #5C0E35

RGB 92 14 53

HSL 330, 0.74%, 0.21%

LAB 19.42, 37.31, -3.38

 

CMYK 0 / 85 / 42 / 44

HEX #8F1553

RGB 143 21 83

HSL 329.51, 0.74%, 0.32%

LAB 31.81, 52.58, -4.18

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 0 / 27 / 85 / 24

HEX #C38E1D

RGB 195 142 29

HSL 40.84, 0.74%, 0.44%

LAB 62.54, 10.75, 61.73

 

CMYK 85 / 7 / 0 / 24

HEX #1DB5C3

RGB 29 181 195

HSL 185.06, 0.74%, 0.44%

LAB 67.46, -31.56, -17.67

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 42 / 0 / 85 / 24

HEX #72C31D

RGB 114 195 29

HSL 89.28, 0.74%, 0.44%

LAB 71.35, -49.14, 66.84

 

CMYK 85 / 42 / 0 / 24

HEX #1D72C3

RGB 29 114 195

HSL 209.28, 0.74%, 0.44%

LAB 47.28, 5.44, -49.1

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 0 / 27 / 85 / 24

HEX #C38E1D

RGB 195 142 29

HSL 40.84, 0.74%, 0.44%

LAB 62.54, 10.75, 61.73

 

CMYK 85 / 0 / 44 / 24

HEX #1DC36D

RGB 29 195 109

HSL 148.92, 0.74%, 0.44%

LAB 69.75, -59.02, 32.17

 

CMYK 85 / 58 / 0 / 24

HEX #1D51C3

RGB 29 81 195

HSL 221.2, 0.74%, 0.44%

LAB 38, 26.83, -64.11

 

CMYK 0 / 85 / 42 / 24

HEX #C21D70

RGB 194 29 112

HSL 329.82, 0.74%, 0.44%

LAB 43.53, 66.34, -4.17

 

CMYK 0 / 2 / 85 / 24

HEX #C3C01D

RGB 195 192 29

HSL 58.92, 0.74%, 0.44%

LAB 75.69, -15.67, 72.6

 

CMYK 85 / 0 / 44 / 24

HEX #1DC36D

RGB 29 195 109

HSL 148.92, 0.74%, 0.44%

LAB 69.75, -59.02, 32.17

 

CMYK 85 / 84 / 0 / 24

HEX #1D1FC3

RGB 29 31 195

HSL 239.28, 0.74%, 0.44%

LAB 27.25, 56.13, -81.83

 

Description

Color code: HEX #C21D70 | qconv.com Color code: HEX #C21D70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 29 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 29 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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