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Color name
HEX #C21AE4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C21AE4 it is the complementary color #3DE51B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C21AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C21AE4 shade: #C71ADF, #D82CF2, #E93EFF, #FA50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C21AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C21AE4 shade: #C21AE4, #B108D1, #A000BE, #8F00AB and #7E0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C21AE4 shade: #C319E5, #E519D0, #E51999, #E51962 and #E5192B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C21AE4 shade: #C319E5, #8C19E5, #5519E5, #1E19E5 and #1919E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C21AE4 shade matches the following richer shades: #C319E5 and #D004FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C21AE4 shade: #C319E5, #B52ED0, #A742BC, #9A57A7 and #8C6C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C21AE4 shade: #5319E5, #8919E5, #C019E5, #E519D4 and #E5199E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C21AE4 shade: #84119B, #A315C0, #C319E5, #CC3EE9 and #D663ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C21AE4 shade: #C21AE4, #E51C19 and #19E56E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C21AE4 shade: #C21AE4, #E5C019 and #19E5C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C21AE4 shade: #C21AE4, #E51C19, #3EE519 and #19E2E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C21AE4 shade: #C21AE4, #E55A19, #3EE519 and #19A4E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 89 / 0 / 11

HEX #C21AE4

RGB 194 26 228

HSL 289.9, 0.8%, 0.5%

LAB 49.26, 82.52, -64.03

 

Complementary color

CMYK 73 / 0 / 88 / 10

HEX #3DE51B

RGB 61 229 27

HSL 109.9, 0.8%, 0.5%

LAB 80.24, -73.87, 74.3

 

CMYK 11 / 88 / 0 / 13

HEX #C71ADF

RGB 199 26 223

HSL 292.69, 0.79%, 0.49%

LAB 49.75, 82.48, -60.37

 

CMYK 11 / 82 / 0 / 5

HEX #D82CF2

RGB 216 44 242

HSL 292.12, 0.88%, 0.56%

LAB 54.88, 84.9, -62.69

 

CMYK 9 / 76 / 0 / 0

HEX #E93EFF

RGB 233 62 255

HSL 293.16, 1%, 0.62%

LAB 59.88, 85.45, -61.75

 

CMYK 2 / 69 / 0 / 0

HEX #FA50FF

RGB 250 80 255

HSL 298.29, 1%, 0.66%

LAB 64.39, 83.23, -54.4

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 15 / 89 / 0 / 11

HEX #C21AE4

RGB 194 26 228

HSL 289.9, 0.8%, 0.5%

LAB 49.26, 82.52, -64.03

 

CMYK 15 / 96 / 0 / 18

HEX #B108D1

RGB 177 8 209

HSL 290.45, 0.93%, 0.43%

LAB 44.41, 79.01, -61.15

 

CMYK 16 / 100 / 0 / 25

HEX #A000BE

RGB 160 0 190

HSL 290.53, 1%, 0.37%

LAB 39.9, 74.16, -57.53

 

CMYK 16 / 100 / 0 / 33

HEX #8F00AB

RGB 143 0 171

HSL 290.18, 1%, 0.34%

LAB 35.56, 68.47, -53.43

 

CMYK 17 / 100 / 0 / 40

HEX #7E0098

RGB 126 0 152

HSL 289.74, 1%, 0.3%

LAB 31.12, 62.65, -49.26

 

CMYK 15 / 89 / 0 / 10

HEX #C319E5

RGB 195 25 229

HSL 290, 0.8%, 0.5%

LAB 49.44, 83, -64.31

 

CMYK 0 / 89 / 9 / 10

HEX #E519D0

RGB 229 25 208

HSL 306.18, 0.8%, 0.5%

LAB 53.93, 85.51, -44.83

 

CMYK 0 / 89 / 33 / 10

HEX #E51999

RGB 229 25 153

HSL 322.35, 0.8%, 0.5%

LAB 51.44, 78.96, -16.56

 

CMYK 0 / 89 / 57 / 10

HEX #E51962

RGB 229 25 98

HSL 338.53, 0.8%, 0.5%

LAB 49.78, 74.39, 14.34

 

CMYK 0 / 89 / 81 / 10

HEX #E5192B

RGB 229 25 43

HSL 354.71, 0.8%, 0.5%

LAB 48.92, 71.95, 45.86

 

CMYK 15 / 89 / 0 / 10

HEX #C319E5

RGB 195 25 229

HSL 290, 0.8%, 0.5%

LAB 49.44, 83, -64.31

 

CMYK 39 / 89 / 0 / 10

HEX #8C19E5

RGB 140 25 229

HSL 273.82, 0.8%, 0.5%

LAB 41.1, 75.53, -78.26

 

CMYK 63 / 89 / 0 / 10

HEX #5519E5

RGB 85 25 229

HSL 257.65, 0.8%, 0.5%

LAB 34.57, 70.42, -89.26

 

CMYK 87 / 89 / 0 / 10

HEX #1E19E5

RGB 30 25 229

HSL 241.47, 0.8%, 0.5%

LAB 30.95, 68.01, -95.39

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 15 / 89 / 0 / 10

HEX #C319E5

RGB 195 25 229

HSL 290, 0.8%, 0.5%

LAB 49.44, 83, -64.31

 

CMYK 17 / 98 / 0 / 2

HEX #D004FA

RGB 208 4 250

HSL 289.76, 0.97%, 0.5%

LAB 52.29, 90.43, -71.41

 

CMYK 15 / 89 / 0 / 10

HEX #C319E5

RGB 195 25 229

HSL 290, 0.8%, 0.5%

LAB 49.44, 83, -64.31

 

CMYK 13 / 78 / 0 / 18

HEX #B52ED0

RGB 181 46 208

HSL 290, 0.64%, 0.5%

LAB 47.41, 72.41, -55.71

 

CMYK 11 / 65 / 0 / 26

HEX #A742BC

RGB 167 66 188

HSL 289.67, 0.48%, 0.5%

LAB 46.64, 58.55, -45.48

 

CMYK 8 / 48 / 0 / 35

HEX #9A57A7

RGB 154 87 167

HSL 290.25, 0.31%, 0.5%

LAB 47.59, 40.64, -31.77

 

CMYK 4 / 26 / 0 / 43

HEX #8C6C92

RGB 140 108 146

HSL 290.53, 0.15%, 0.5%

LAB 49.95, 19.76, -15.88

 

CMYK 64 / 89 / 0 / 10

HEX #5319E5

RGB 83 25 229

HSL 257.06, 0.8%, 0.5%

LAB 34.38, 70.29, -89.58

 

CMYK 40 / 89 / 0 / 10

HEX #8919E5

RGB 137 25 229

HSL 272.94, 0.8%, 0.5%

LAB 40.69, 75.19, -78.95

 

CMYK 16 / 89 / 0 / 10

HEX #C019E5

RGB 192 25 229

HSL 289.12, 0.8%, 0.5%

LAB 48.96, 82.54, -65.11

 

CMYK 0 / 89 / 7 / 10

HEX #E519D4

RGB 229 25 212

HSL 305, 0.8%, 0.5%

LAB 54.14, 86.05, -46.78

 

CMYK 0 / 89 / 31 / 10

HEX #E5199E

RGB 229 25 158

HSL 320.88, 0.8%, 0.5%

LAB 51.64, 79.48, -19.24

 

CMYK 15 / 89 / 0 / 39

HEX #84119B

RGB 132 17 155

HSL 290, 0.8%, 0.34%

LAB 33.29, 61.48, -47.52

 

CMYK 15 / 89 / 0 / 25

HEX #A315C0

RGB 163 21 192

HSL 289.82, 0.8%, 0.42%

LAB 41.42, 72.38, -56.22

 

CMYK 15 / 89 / 0 / 10

HEX #C319E5

RGB 195 25 229

HSL 290, 0.8%, 0.5%

LAB 49.44, 83, -64.31

 

CMYK 12 / 73 / 0 / 9

HEX #CC3EE9

RGB 204 62 233

HSL 289.82, 0.8%, 0.58%

LAB 54.2, 76.21, -58.82

 

CMYK 10 / 58 / 0 / 7

HEX #D663ED

RGB 214 99 237

HSL 290, 0.79%, 0.66%

LAB 61.08, 64.51, -50.02

 

CMYK 15 / 89 / 0 / 11

HEX #C21AE4

RGB 194 26 228

HSL 289.9, 0.8%, 0.5%

LAB 49.26, 82.52, -64.03

 

CMYK 0 / 88 / 89 / 10

HEX #E51C19

RGB 229 28 25

HSL 0.88, 0.8%, 0.5%

LAB 48.96, 71.1, 54.59

 

CMYK 89 / 0 / 52 / 10

HEX #19E56E

RGB 25 229 110

HSL 145, 0.8%, 0.5%

LAB 80.39, -70.42, 45.07

 

CMYK 15 / 89 / 0 / 11

HEX #C21AE4

RGB 194 26 228

HSL 289.9, 0.8%, 0.5%

LAB 49.26, 82.52, -64.03

 

CMYK 0 / 16 / 89 / 10

HEX #E5C019

RGB 229 192 25

HSL 49.12, 0.8%, 0.5%

LAB 78.71, -1.04, 77.09

 

CMYK 89 / 0 / 16 / 10

HEX #19E5C0

RGB 25 229 192

HSL 169.12, 0.8%, 0.5%

LAB 81.87, -53.7, 5.26

 

CMYK 15 / 89 / 0 / 11

HEX #C21AE4

RGB 194 26 228

HSL 289.9, 0.8%, 0.5%

LAB 49.26, 82.52, -64.03

 

CMYK 0 / 88 / 89 / 10

HEX #E51C19

RGB 229 28 25

HSL 0.88, 0.8%, 0.5%

LAB 48.96, 71.1, 54.59

 

CMYK 73 / 0 / 89 / 10

HEX #3EE519

RGB 62 229 25

HSL 109.12, 0.8%, 0.5%

LAB 80.25, -73.77, 74.66

 

CMYK 89 / 1 / 0 / 10

HEX #19E2E5

RGB 25 226 229

HSL 180.88, 0.8%, 0.5%

LAB 81.98, -42.27, -14.18

 

CMYK 15 / 89 / 0 / 11

HEX #C21AE4

RGB 194 26 228

HSL 289.9, 0.8%, 0.5%

LAB 49.26, 82.52, -64.03

 

CMYK 0 / 61 / 89 / 10

HEX #E55A19

RGB 229 90 25

HSL 19.12, 0.8%, 0.5%

LAB 56.13, 51.35, 59.84

 

CMYK 73 / 0 / 89 / 10

HEX #3EE519

RGB 62 229 25

HSL 109.12, 0.8%, 0.5%

LAB 80.25, -73.77, 74.66

 

CMYK 89 / 28 / 0 / 10

HEX #19A4E5

RGB 25 164 229

HSL 199.12, 0.8%, 0.5%

LAB 63.68, -11.49, -42.27

 

Description

Color code: HEX #C21AE4 | qconv.com Color code: HEX #C21AE4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 26 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 26 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 89 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 89% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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