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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C210D3 it is the complementary color #3DEF2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C210D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C210D3 shade: #C710CE, #D822E1, #E934F4, #FA46FF and #FF58FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C210D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C210D3 shade: #C210D3, #B100C0, #A000AD, #8F009A and #7E0087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C210D3 shade: #C410D5, #D510B1, #D5107C, #D51047 and #D51012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C210D3 shade: #C410D5, #8F10D5, #5A10D5, #2510D5 and #1010D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C210D3 shade matches the following richer shades: #C410D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C210D3 shade: #C410D5, #B523C3, #A635B0, #96489E and #875A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C210D3 shade: #5810D5, #8D10D5, #C210D5, #D510B5 and #D51080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C210D3 shade: #7E0A89, #A10DAF, #C410D5, #DC21EE and #E247F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C210D3 shade: #C210D3, #D52410 and #10D573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C210D3 shade: #C210D3, #D5C210 and #10D5C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C210D3 shade: #C210D3, #D52410, #24D510 and #10C2D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C210D3 shade: #C210D3, #D55F10, #24D510 and #1086D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 92 / 0 / 17

HEX #C210D3

RGB 194 16 211

HSL 294.77, 0.86%, 0.45%

LAB 47.68, 81.12, -56.88

 

Complementary color

CMYK 74 / 0 / 82 / 6

HEX #3DEF2C

RGB 61 239 44

HSL 114.77, 0.86%, 0.55%

LAB 83.39, -76.13, 73.46

 

CMYK 3 / 92 / 0 / 19

HEX #C710CE

RGB 199 16 206

HSL 297.79, 0.86%, 0.44%

LAB 48.22, 81.15, -53.09

 

CMYK 4 / 85 / 0 / 12

HEX #D822E1

RGB 216 34 225

HSL 297.17, 0.76%, 0.51%

LAB 53.15, 84.25, -55.9

 

CMYK 5 / 79 / 0 / 4

HEX #E934F4

RGB 233 52 244

HSL 296.56, 0.9%, 0.58%

LAB 58.33, 86.33, -58.12

 

CMYK 2 / 73 / 0 / 0

HEX #FA46FF

RGB 250 70 255

HSL 298.38, 1%, 0.64%

LAB 63.28, 86.39, -56.16

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 8 / 92 / 0 / 17

HEX #C210D3

RGB 194 16 211

HSL 294.77, 0.86%, 0.45%

LAB 47.68, 81.12, -56.88

 

CMYK 8 / 100 / 0 / 25

HEX #B100C0

RGB 177 0 192

HSL 295.31, 1%, 0.38%

LAB 42.99, 77.01, -53.56

 

CMYK 8 / 100 / 0 / 32

HEX #A000AD

RGB 160 0 173

HSL 295.49, 1%, 0.34%

LAB 38.71, 71.37, -49.39

 

CMYK 7 / 100 / 0 / 40

HEX #8F009A

RGB 143 0 154

HSL 295.71, 1%, 0.3%

LAB 34.34, 65.61, -45.12

 

CMYK 7 / 100 / 0 / 47

HEX #7E0087

RGB 126 0 135

HSL 296, 1%, 0.26%

LAB 29.87, 59.73, -40.76

 

CMYK 8 / 92 / 0 / 16

HEX #C410D5

RGB 196 16 213

HSL 294.82, 0.86%, 0.45%

LAB 48.15, 81.75, -57.26

 

CMYK 0 / 92 / 17 / 16

HEX #D510B1

RGB 213 16 177

HSL 310.96, 0.86%, 0.45%

LAB 49.12, 79.6, -34.61

 

CMYK 0 / 92 / 42 / 16

HEX #D5107C

RGB 213 16 124

HSL 327.11, 0.86%, 0.45%

LAB 46.94, 73.86, -6.12

 

CMYK 0 / 92 / 67 / 16

HEX #D51047

RGB 213 16 71

HSL 343.25, 0.86%, 0.45%

LAB 45.6, 70.19, 24.82

 

CMYK 0 / 92 / 92 / 16

HEX #D51012

RGB 213 16 18

HSL 359.39, 0.86%, 0.45%

LAB 45.03, 68.6, 53.15

 

CMYK 8 / 92 / 0 / 16

HEX #C410D5

RGB 196 16 213

HSL 294.82, 0.86%, 0.45%

LAB 48.15, 81.75, -57.26

 

CMYK 33 / 92 / 0 / 16

HEX #8F10D5

RGB 143 16 213

HSL 278.68, 0.86%, 0.45%

LAB 39.6, 74.25, -71.52

 

CMYK 58 / 92 / 0 / 16

HEX #5A10D5

RGB 90 16 213

HSL 262.54, 0.86%, 0.45%

LAB 32.59, 69, -83.33

 

CMYK 83 / 92 / 0 / 16

HEX #2510D5

RGB 37 16 213

HSL 246.4, 0.86%, 0.45%

LAB 28.3, 66.41, -90.59

 

CMYK 92 / 92 / 0 / 16

HEX #1010D5

RGB 16 16 213

HSL 240, 0.86%, 0.45%

LAB 27.53, 66.02, -91.88

 

CMYK 8 / 92 / 0 / 16

HEX #C410D5

RGB 196 16 213

HSL 294.82, 0.86%, 0.45%

LAB 48.15, 81.75, -57.26

 

CMYK 8 / 92 / 0 / 16

HEX #C410D5

RGB 196 16 213

HSL 294.82, 0.86%, 0.45%

LAB 48.15, 81.75, -57.26

 

CMYK 7 / 82 / 0 / 24

HEX #B523C3

RGB 181 35 195

HSL 294.75, 0.7%, 0.45%

LAB 45.59, 73.1, -51.1

 

CMYK 6 / 70 / 0 / 31

HEX #A635B0

RGB 166 53 176

HSL 295.12, 0.54%, 0.45%

LAB 43.93, 61.35, -42.76

 

CMYK 5 / 54 / 0 / 38

HEX #96489E

RGB 150 72 158

HSL 294.42, 0.37%, 0.45%

LAB 43.64, 45.54, -32.68

 

CMYK 3 / 35 / 0 / 45

HEX #875A8B

RGB 135 90 139

HSL 295.1, 0.21%, 0.45%

LAB 44.7, 27.13, -19.79

 

CMYK 59 / 92 / 0 / 16

HEX #5810D5

RGB 88 16 213

HSL 261.93, 0.86%, 0.45%

LAB 32.37, 68.85, -83.7

 

CMYK 34 / 92 / 0 / 16

HEX #8D10D5

RGB 141 16 213

HSL 278.07, 0.86%, 0.45%

LAB 39.31, 74, -72.02

 

CMYK 9 / 92 / 0 / 16

HEX #C210D5

RGB 194 16 213

HSL 294.21, 0.86%, 0.45%

LAB 47.81, 81.44, -57.82

 

CMYK 0 / 92 / 15 / 16

HEX #D510B5

RGB 213 16 181

HSL 309.75, 0.86%, 0.45%

LAB 49.32, 80.11, -36.65

 

CMYK 0 / 92 / 40 / 16

HEX #D51080

RGB 213 16 128

HSL 325.89, 0.86%, 0.45%

LAB 47.07, 74.23, -8.37

 

CMYK 8 / 93 / 0 / 46

HEX #7E0A89

RGB 126 10 137

HSL 294.8, 0.86%, 0.29%

LAB 30.54, 58.5, -40.93

 

CMYK 8 / 93 / 0 / 31

HEX #A10DAF

RGB 161 13 175

HSL 294.81, 0.86%, 0.37%

LAB 39.51, 70.39, -49.28

 

CMYK 8 / 92 / 0 / 16

HEX #C410D5

RGB 196 16 213

HSL 294.82, 0.86%, 0.45%

LAB 48.15, 81.75, -57.26

 

CMYK 8 / 86 / 0 / 7

HEX #DC21EE

RGB 220 33 238

HSL 294.73, 0.86%, 0.53%

LAB 54.53, 87.11, -60.97

 

CMYK 6 / 71 / 0 / 5

HEX #E247F1

RGB 226 71 241

HSL 294.71, 0.86%, 0.61%

LAB 59, 78.99, -55.44

 

CMYK 8 / 92 / 0 / 17

HEX #C210D3

RGB 194 16 211

HSL 294.77, 0.86%, 0.45%

LAB 47.68, 81.12, -56.88

 

CMYK 0 / 83 / 92 / 16

HEX #D52410

RGB 213 36 16

HSL 6.09, 0.86%, 0.45%

LAB 46.24, 65.08, 54.65

 

CMYK 92 / 0 / 46 / 16

HEX #10D573

RGB 16 213 115

HSL 150.15, 0.86%, 0.45%

LAB 75.41, -64.92, 36.4

 

CMYK 8 / 92 / 0 / 17

HEX #C210D3

RGB 194 16 211

HSL 294.77, 0.86%, 0.45%

LAB 47.68, 81.12, -56.88

 

CMYK 0 / 9 / 92 / 16

HEX #D5C210

RGB 213 194 16

HSL 54.21, 0.86%, 0.45%

LAB 77.74, -9.14, 77.13

 

CMYK 92 / 0 / 9 / 16

HEX #10D5C2

RGB 16 213 194

HSL 174.21, 0.86%, 0.45%

LAB 77.04, -46.97, -2.84

 

CMYK 8 / 92 / 0 / 17

HEX #C210D3

RGB 194 16 211

HSL 294.77, 0.86%, 0.45%

LAB 47.68, 81.12, -56.88

 

CMYK 0 / 83 / 92 / 16

HEX #D52410

RGB 213 36 16

HSL 6.09, 0.86%, 0.45%

LAB 46.24, 65.08, 54.65

 

CMYK 83 / 0 / 92 / 16

HEX #24D510

RGB 36 213 16

HSL 113.91, 0.86%, 0.45%

LAB 74.83, -72.78, 71.26

 

CMYK 92 / 9 / 0 / 16

HEX #10C2D5

RGB 16 194 213

HSL 185.79, 0.86%, 0.45%

LAB 71.89, -32.77, -20.82

 

CMYK 8 / 92 / 0 / 17

HEX #C210D3

RGB 194 16 211

HSL 294.77, 0.86%, 0.45%

LAB 47.68, 81.12, -56.88

 

CMYK 0 / 55 / 92 / 16

HEX #D55F10

RGB 213 95 16

HSL 24.06, 0.86%, 0.45%

LAB 54.42, 42.96, 60.07

 

CMYK 83 / 0 / 92 / 16

HEX #24D510

RGB 36 213 16

HSL 113.91, 0.86%, 0.45%

LAB 74.83, -72.78, 71.26

 

CMYK 92 / 37 / 0 / 16

HEX #1086D5

RGB 16 134 213

HSL 204.06, 0.86%, 0.45%

LAB 53.99, -0.62, -48.67

 

Description

Color code: HEX #C210D3 | qconv.com Color code: HEX #C210D3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 16 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 16 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 92 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 92% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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