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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C20FE1 it is the complementary color #3DF01E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C20FE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C20FE1 shade: #C70FDC, #D821EF, #E933FF, #FA45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C20FE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C20FE1 shade: #C20FE1, #B100CE, #A000BB, #8F00A8 and #7E0095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C20FE1 shade: #C20EE1, #E10EC8, #E10E8F, #E10E56 and #E10E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C20FE1 shade: #C20EE1, #890EE1, #500EE1, #180EE1 and #0E0EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C20FE1 shade matches the following richer shades: #C20EE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C20FE1 shade: #C20EE1, #B522CE, #A735BB, #9949A7 and #8C5C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C20FE1 shade: #510EE1, #890EE1, #C20EE1, #E10EC9 and #E10E90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C20FE1 shade: #7F0994, #A10CBB, #C20EE1, #D328F1 and #DB4EF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C20FE1 shade: #C20FE1, #E1190E and #0EE16D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C20FE1 shade: #C20FE1, #E1C20E and #0EE1C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C20FE1 shade: #C20FE1, #E1190E, #2EE10E and #0ED7E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C20FE1 shade: #C20FE1, #E1580E, #2EE10E and #0E97E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 93 / 0 / 12

HEX #C20FE1

RGB 194 15 225

HSL 291.14, 0.88%, 0.47%

LAB 48.57, 83.48, -63.45

 

Complementary color

CMYK 75 / 0 / 88 / 6

HEX #3DF01E

RGB 61 240 30

HSL 111.14, 0.88%, 0.53%

LAB 83.66, -77, 76.71

 

CMYK 10 / 93 / 0 / 14

HEX #C70FDC

RGB 199 15 220

HSL 293.85, 0.87%, 0.46%

LAB 49.07, 83.43, -59.75

 

CMYK 10 / 86 / 0 / 6

HEX #D821EF

RGB 216 33 239

HSL 293.3, 0.87%, 0.53%

LAB 53.94, 86.61, -62.51

 

CMYK 9 / 80 / 0 / 0

HEX #E933FF

RGB 233 51 255

HSL 293.53, 1%, 0.6%

LAB 58.89, 88.31, -63.33

 

CMYK 2 / 73 / 0 / 0

HEX #FA45FF

RGB 250 69 255

HSL 298.39, 1%, 0.64%

LAB 63.18, 86.69, -56.33

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 14 / 93 / 0 / 12

HEX #C20FE1

RGB 194 15 225

HSL 291.14, 0.88%, 0.47%

LAB 48.57, 83.48, -63.45

 

CMYK 14 / 100 / 0 / 19

HEX #B100CE

RGB 177 0 206

HSL 291.55, 1%, 0.4%

LAB 43.95, 79.25, -60.16

 

CMYK 14 / 100 / 0 / 27

HEX #A000BB

RGB 160 0 187

HSL 291.34, 1%, 0.37%

LAB 39.68, 73.66, -56.12

 

CMYK 15 / 100 / 0 / 34

HEX #8F00A8

RGB 143 0 168

HSL 291.07, 1%, 0.33%

LAB 35.33, 67.95, -51.99

 

CMYK 15 / 100 / 0 / 42

HEX #7E0095

RGB 126 0 149

HSL 290.74, 1%, 0.29%

LAB 30.89, 62.12, -47.79

 

CMYK 14 / 94 / 0 / 12

HEX #C20EE1

RGB 194 14 225

HSL 291.18, 0.88%, 0.47%

LAB 48.54, 83.58, -63.51

 

CMYK 0 / 94 / 11 / 12

HEX #E10EC8

RGB 225 14 200

HSL 307.11, 0.88%, 0.47%

LAB 52.39, 84.95, -42.71

 

CMYK 0 / 94 / 36 / 12

HEX #E10E8F

RGB 225 14 143

HSL 323.32, 0.88%, 0.47%

LAB 49.86, 78.42, -13.04

 

CMYK 0 / 94 / 62 / 12

HEX #E10E56

RGB 225 14 86

HSL 339.53, 0.88%, 0.47%

LAB 48.25, 74.08, 19.5

 

CMYK 0 / 94 / 87 / 12

HEX #E10E1D

RGB 225 14 29

HSL 355.73, 0.88%, 0.47%

LAB 47.51, 72.02, 51.37

 

CMYK 14 / 94 / 0 / 12

HEX #C20EE1

RGB 194 14 225

HSL 291.18, 0.88%, 0.47%

LAB 48.54, 83.58, -63.51

 

CMYK 39 / 94 / 0 / 12

HEX #890EE1

RGB 137 14 225

HSL 274.98, 0.88%, 0.47%

LAB 39.7, 76.24, -78.3

 

CMYK 64 / 94 / 0 / 12

HEX #500EE1

RGB 80 14 225

HSL 258.77, 0.88%, 0.47%

LAB 32.82, 71.58, -89.88

 

CMYK 89 / 94 / 0 / 12

HEX #180EE1

RGB 24 14 225

HSL 242.84, 0.88%, 0.47%

LAB 29.27, 69.7, -95.89

 

CMYK 94 / 94 / 0 / 12

HEX #0E0EE1

RGB 14 14 225

HSL 240, 0.88%, 0.47%

LAB 29.01, 69.58, -96.33

 

CMYK 14 / 94 / 0 / 12

HEX #C20EE1

RGB 194 14 225

HSL 291.18, 0.88%, 0.47%

LAB 48.54, 83.58, -63.51

 

CMYK 14 / 94 / 0 / 12

HEX #C20EE1

RGB 194 14 225

HSL 291.18, 0.88%, 0.47%

LAB 48.54, 83.58, -63.51

 

CMYK 12 / 83 / 0 / 19

HEX #B522CE

RGB 181 34 206

HSL 291.28, 0.72%, 0.47%

LAB 46.21, 75.17, -56.48

 

CMYK 11 / 72 / 0 / 27

HEX #A735BB

RGB 167 53 187

HSL 291.04, 0.56%, 0.47%

LAB 44.73, 63.55, -47.93

 

CMYK 8 / 56 / 0 / 35

HEX #9949A7

RGB 153 73 167

HSL 291.06, 0.39%, 0.47%

LAB 44.7, 47.64, -36.33

 

CMYK 5 / 38 / 0 / 42

HEX #8C5C94

RGB 140 92 148

HSL 291.43, 0.23%, 0.47%

LAB 46.13, 29.52, -22.91

 

CMYK 64 / 94 / 0 / 12

HEX #510EE1

RGB 81 14 225

HSL 259.05, 0.88%, 0.47%

LAB 32.92, 71.63, -89.72

 

CMYK 39 / 94 / 0 / 12

HEX #890EE1

RGB 137 14 225

HSL 274.98, 0.88%, 0.47%

LAB 39.7, 76.24, -78.3

 

CMYK 14 / 94 / 0 / 12

HEX #C20EE1

RGB 194 14 225

HSL 291.18, 0.88%, 0.47%

LAB 48.54, 83.58, -63.51

 

CMYK 0 / 94 / 11 / 12

HEX #E10EC9

RGB 225 14 201

HSL 306.82, 0.88%, 0.47%

LAB 52.44, 85.08, -43.21

 

CMYK 0 / 94 / 36 / 12

HEX #E10E90

RGB 225 14 144

HSL 323.03, 0.88%, 0.47%

LAB 49.9, 78.52, -13.58

 

CMYK 14 / 94 / 0 / 42

HEX #7F0994

RGB 127 9 148

HSL 290.94, 0.89%, 0.31%

LAB 31.45, 60.74, -46.26

 

CMYK 14 / 94 / 0 / 27

HEX #A10CBB

RGB 161 12 187

HSL 291.09, 0.88%, 0.39%

LAB 40.29, 72.51, -55.12

 

CMYK 14 / 94 / 0 / 12

HEX #C20EE1

RGB 194 14 225

HSL 291.18, 0.88%, 0.47%

LAB 48.54, 83.58, -63.51

 

CMYK 12 / 83 / 0 / 5

HEX #D328F1

RGB 211 40 241

HSL 291.04, 0.88%, 0.55%

LAB 53.73, 84.78, -64.02

 

CMYK 10 / 68 / 0 / 4

HEX #DB4EF4

RGB 219 78 244

HSL 290.96, 0.88%, 0.63%

LAB 59.01, 75.58, -57.15

 

CMYK 14 / 93 / 0 / 12

HEX #C20FE1

RGB 194 15 225

HSL 291.14, 0.88%, 0.47%

LAB 48.57, 83.48, -63.45

 

CMYK 0 / 89 / 94 / 12

HEX #E1190E

RGB 225 25 14

HSL 3.13, 0.88%, 0.47%

LAB 47.92, 70.4, 57.56

 

CMYK 94 / 0 / 52 / 12

HEX #0EE16D

RGB 14 225 109

HSL 147.01, 0.88%, 0.47%

LAB 79.07, -69.85, 43.91

 

CMYK 14 / 93 / 0 / 12

HEX #C20FE1

RGB 194 15 225

HSL 291.14, 0.88%, 0.47%

LAB 48.57, 83.48, -63.45

 

CMYK 0 / 14 / 94 / 12

HEX #E1C20E

RGB 225 194 14

HSL 51.18, 0.88%, 0.47%

LAB 78.82, -3.96, 78.68

 

CMYK 94 / 0 / 14 / 12

HEX #0EE1C2

RGB 14 225 194

HSL 171.18, 0.88%, 0.47%

LAB 80.65, -52.02, 2.43

 

CMYK 14 / 93 / 0 / 12

HEX #C20FE1

RGB 194 15 225

HSL 291.14, 0.88%, 0.47%

LAB 48.57, 83.48, -63.45

 

CMYK 0 / 89 / 94 / 12

HEX #E1190E

RGB 225 25 14

HSL 3.13, 0.88%, 0.47%

LAB 47.92, 70.4, 57.56

 

CMYK 80 / 0 / 94 / 12

HEX #2EE10E

RGB 46 225 14

HSL 110.9, 0.88%, 0.47%

LAB 78.73, -75.11, 74.79

 

CMYK 94 / 4 / 0 / 12

HEX #0ED7E1

RGB 14 215 225

HSL 182.84, 0.88%, 0.47%

LAB 78.54, -38.91, -17.23

 

CMYK 14 / 93 / 0 / 12

HEX #C20FE1

RGB 194 15 225

HSL 291.14, 0.88%, 0.47%

LAB 48.57, 83.48, -63.45

 

CMYK 0 / 61 / 94 / 12

HEX #E1580E

RGB 225 88 14

HSL 21.04, 0.88%, 0.47%

LAB 55.09, 50.65, 61.94

 

CMYK 80 / 0 / 94 / 12

HEX #2EE10E

RGB 46 225 14

HSL 110.9, 0.88%, 0.47%

LAB 78.73, -75.11, 74.79

 

CMYK 94 / 33 / 0 / 12

HEX #0E97E1

RGB 14 151 225

HSL 201.04, 0.88%, 0.47%

LAB 59.58, -6.12, -46.52

 

Description

Color code: HEX #C20FE1 | qconv.com Color code: HEX #C20FE1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 15 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 15 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 93 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 93% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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