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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C20666 it is the complementary color #3DF999. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C20666. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C20666 shade: #C70661, #D81874, #E92A87, #FA3C9A and #FF4EAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C20666. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C20666 shade: #C20666, #B10053, #A00040, #8F002D and #7E001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C20666 shade: #C10665, #C10633 and #C10606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C20666 shade: #C10665, #C10698, #B806C1, #8506C1 and #5306C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C20666 shade matches the following richer shades: #C10665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C20666 shade: #C10665, #B11665, #A12665, #913664 and #814664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C20666 shade: #B806C1, #C10698, #C10667, #C10635 and #C10906

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C20666 shade: #71033B, #990550, #C10665, #E9077A and #F8218F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C20666 shade: #C20666, #C18606 and #06B1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C20666 shade: #C20666, #67C106 and #0667C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C20666 shade: #C20666, #C18606, #06C160 and #0641C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C20666 shade: #C20666, #C1BE06, #06C160 and #0609C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 47 / 24

HEX #C20666

RGB 194 6 102

HSL 329.36, 0.94%, 0.39%

LAB 42.09, 68.73, -0.04

 

Complementary color

CMYK 76 / 0 / 39 / 2

HEX #3DF999

RGB 61 249 153

HSL 149.36, 0.94%, 0.61%

LAB 87.51, -66.67, 33.26

 

CMYK 0 / 97 / 51 / 22

HEX #C70661

RGB 199 6 97

HSL 331.71, 0.94%, 0.4%

LAB 42.97, 69.47, 4.5

 

CMYK 0 / 89 / 46 / 15

HEX #D81874

RGB 216 24 116

HSL 331.25, 0.8%, 0.47%

LAB 47.64, 72.79, -0.11

 

CMYK 0 / 82 / 42 / 9

HEX #E92A87

RGB 233 42 135

HSL 330.79, 0.81%, 0.54%

LAB 52.65, 75.02, -3.9

 

CMYK 0 / 76 / 38 / 2

HEX #FA3C9A

RGB 250 60 154

HSL 330.32, 0.95%, 0.61%

LAB 57.93, 76.36, -7.01

 

CMYK 0 / 69 / 32 / 0

HEX #FF4EAD

RGB 255 78 173

HSL 327.8, 1%, 0.65%

LAB 61.42, 73.95, -12.75

 

CMYK 0 / 97 / 47 / 24

HEX #C20666

RGB 194 6 102

HSL 329.36, 0.94%, 0.39%

LAB 42.09, 68.73, -0.04

 

CMYK 0 / 100 / 53 / 31

HEX #B10053

RGB 177 0 83

HSL 331.86, 1%, 0.35%

LAB 37.79, 64, 5.4

 

CMYK 0 / 100 / 60 / 37

HEX #A00040

RGB 160 0 64

HSL 336, 1%, 0.31%

LAB 33.66, 58.68, 11.45

 

CMYK 0 / 100 / 69 / 44

HEX #8F002D

RGB 143 0 45

HSL 341.12, 1%, 0.28%

LAB 29.49, 53.38, 17.85

 

CMYK 0 / 100 / 79 / 51

HEX #7E001A

RGB 126 0 26

HSL 347.62, 1%, 0.25%

LAB 25.29, 48.14, 24.51

 

CMYK 0 / 97 / 48 / 24

HEX #C10665

RGB 193 6 101

HSL 329.52, 0.94%, 0.39%

LAB 41.86, 68.42, 0.22

 

CMYK 0 / 97 / 74 / 24

HEX #C10633

RGB 193 6 51

HSL 345.56, 0.94%, 0.39%

LAB 40.75, 65.42, 30.28

 

CMYK 0 / 97 / 97 / 24

HEX #C10606

RGB 193 6 6

HSL 0, 0.94%, 0.39%

LAB 40.38, 64.4, 52.4

 

CMYK 0 / 97 / 48 / 24

HEX #C10665

RGB 193 6 101

HSL 329.52, 0.94%, 0.39%

LAB 41.86, 68.42, 0.22

 

CMYK 0 / 97 / 21 / 24

HEX #C10698

RGB 193 6 152

HSL 313.16, 0.94%, 0.39%

LAB 43.85, 73.63, -28.23

 

CMYK 5 / 97 / 0 / 24

HEX #B806C1

RGB 184 6 193

HSL 297.11, 0.94%, 0.39%

LAB 44.48, 77.69, -51.69

 

CMYK 31 / 97 / 0 / 24

HEX #8506C1

RGB 133 6 193

HSL 280.75, 0.94%, 0.39%

LAB 35.92, 70.41, -65.97

 

CMYK 57 / 97 / 0 / 24

HEX #5306C1

RGB 83 6 193

HSL 264.71, 0.94%, 0.39%

LAB 28.95, 65.55, -77.69

 

CMYK 0 / 97 / 48 / 24

HEX #C10665

RGB 193 6 101

HSL 329.52, 0.94%, 0.39%

LAB 41.86, 68.42, 0.22

 

CMYK 0 / 97 / 48 / 24

HEX #C10665

RGB 193 6 101

HSL 329.52, 0.94%, 0.39%

LAB 41.86, 68.42, 0.22

 

CMYK 0 / 88 / 43 / 31

HEX #B11665

RGB 177 22 101

HSL 329.42, 0.78%, 0.39%

LAB 39.34, 62.6, -3.85

 

CMYK 0 / 76 / 37 / 37

HEX #A12665

RGB 161 38 101

HSL 329.27, 0.62%, 0.39%

LAB 37.67, 54.42, -6.67

 

CMYK 0 / 63 / 31 / 43

HEX #913664

RGB 145 54 100

HSL 329.67, 0.46%, 0.39%

LAB 37.07, 43.2, -7.22

 

CMYK 0 / 46 / 22 / 49

HEX #814664

RGB 129 70 100

HSL 329.49, 0.3%, 0.39%

LAB 37.78, 29.33, -6.42

 

CMYK 5 / 97 / 0 / 24

HEX #B806C1

RGB 184 6 193

HSL 297.11, 0.94%, 0.39%

LAB 44.48, 77.69, -51.69

 

CMYK 0 / 97 / 21 / 24

HEX #C10698

RGB 193 6 152

HSL 313.16, 0.94%, 0.39%

LAB 43.85, 73.63, -28.23

 

CMYK 0 / 97 / 47 / 24

HEX #C10667

RGB 193 6 103

HSL 328.88, 0.94%, 0.39%

LAB 41.92, 68.59, -0.95

 

CMYK 0 / 97 / 73 / 24

HEX #C10635

RGB 193 6 53

HSL 344.92, 0.94%, 0.39%

LAB 40.78, 65.5, 29.08

 

CMYK 0 / 95 / 97 / 24

HEX #C10906

RGB 193 9 6

HSL 0.96, 0.94%, 0.39%

LAB 40.49, 64.09, 52.45

 

CMYK 0 / 97 / 48 / 56

HEX #71033B

RGB 113 3 59

HSL 329.45, 0.95%, 0.23%

LAB 23.31, 46.27, -1.3

 

CMYK 0 / 97 / 48 / 40

HEX #990550

RGB 153 5 80

HSL 329.59, 0.94%, 0.31%

LAB 32.83, 57.53, -0.46

 

CMYK 0 / 97 / 48 / 24

HEX #C10665

RGB 193 6 101

HSL 329.52, 0.94%, 0.39%

LAB 41.86, 68.42, 0.22

 

CMYK 0 / 97 / 48 / 9

HEX #E9077A

RGB 233 7 122

HSL 329.47, 0.94%, 0.47%

LAB 50.55, 78.87, 0.87

 

CMYK 0 / 87 / 42 / 3

HEX #F8218F

RGB 248 33 143

HSL 329.3, 0.94%, 0.55%

LAB 55.1, 80.95, -4.75

 

CMYK 0 / 97 / 47 / 24

HEX #C20666

RGB 194 6 102

HSL 329.36, 0.94%, 0.39%

LAB 42.09, 68.73, -0.04

 

CMYK 0 / 31 / 97 / 24

HEX #C18606

RGB 193 134 6

HSL 41.07, 0.94%, 0.39%

LAB 60.25, 13.84, 64.74

 

CMYK 97 / 8 / 0 / 24

HEX #06B1C1

RGB 6 177 193

HSL 185.13, 0.94%, 0.39%

LAB 66.01, -31.32, -18.78

 

CMYK 0 / 97 / 47 / 24

HEX #C20666

RGB 194 6 102

HSL 329.36, 0.94%, 0.39%

LAB 42.09, 68.73, -0.04

 

CMYK 47 / 0 / 97 / 24

HEX #67C106

RGB 103 193 6

HSL 88.88, 0.94%, 0.39%

LAB 70.2, -52.5, 69.31

 

CMYK 97 / 47 / 0 / 24

HEX #0667C1

RGB 6 103 193

HSL 208.88, 0.94%, 0.39%

LAB 43.64, 10.42, -53.81

 

CMYK 0 / 97 / 47 / 24

HEX #C20666

RGB 194 6 102

HSL 329.36, 0.94%, 0.39%

LAB 42.09, 68.73, -0.04

 

CMYK 0 / 31 / 97 / 24

HEX #C18606

RGB 193 134 6

HSL 41.07, 0.94%, 0.39%

LAB 60.25, 13.84, 64.74

 

CMYK 97 / 0 / 50 / 24

HEX #06C160

RGB 6 193 96

HSL 148.88, 0.94%, 0.39%

LAB 68.77, -61.88, 37.46

 

CMYK 97 / 66 / 0 / 24

HEX #0641C1

RGB 6 65 193

HSL 221.07, 0.94%, 0.39%

LAB 33.29, 35.51, -70.67

 

CMYK 0 / 97 / 47 / 24

HEX #C20666

RGB 194 6 102

HSL 329.36, 0.94%, 0.39%

LAB 42.09, 68.73, -0.04

 

CMYK 0 / 2 / 97 / 24

HEX #C1BE06

RGB 193 190 6

HSL 59.04, 0.94%, 0.39%

LAB 74.94, -15.91, 75.39

 

CMYK 97 / 0 / 50 / 24

HEX #06C160

RGB 6 193 96

HSL 148.88, 0.94%, 0.39%

LAB 68.77, -61.88, 37.46

 

CMYK 97 / 95 / 0 / 24

HEX #0609C1

RGB 6 9 193

HSL 239.04, 0.94%, 0.39%

LAB 23.95, 62.25, -86.16

 

Description

Color code: HEX #C20666 | qconv.com Color code: HEX #C20666 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 6 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 6 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 47 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 47% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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