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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C205D9 it is the complementary color #3DFA26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C205D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C205D9 shade: #C705D4, #D817E7, #E929FA, #FA3BFF and #FF4DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C205D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C205D9 shade: #C205D9, #B100C6, #A000B3, #8F00A0 and #7E008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C205D9 shade: #C406DB, #DB06B8, #DB067F, #DB0645 and #DB060C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C205D9 shade: #C406DB, #8A06DB, #5106DB, #1706DB and #0606DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C205D9 shade matches the following richer shades: #C406DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C205D9 shade: #C406DB, #B518C9, #A72AB6, #993CA4 and #8B4E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C205D9 shade: #5006DB, #8906DB, #C206DB, #DB06BB and #DB0682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C205D9 shade: #7C048A, #A005B3, #C406DB, #E011F9 and #E539FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C205D9 shade: #C205D9, #DB1706 and #06DB6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C205D9 shade: #C205D9, #DBC206 and #06DBC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C205D9 shade: #C205D9, #DB1706, #1EDB06 and #06C9DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C205D9 shade: #C205D9, #DB5706, #1EDB06 and #0689DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

Complementary color

CMYK 76 / 0 / 85 / 2

HEX #3DFA26

RGB 61 250 38

HSL 113.49, 0.95%, 0.56%

LAB 86.75, -79.6, 77.86

 

CMYK 6 / 98 / 0 / 17

HEX #C705D4

RGB 199 5 212

HSL 296.23, 0.95%, 0.43%

LAB 48.27, 83.05, -56.47

 

CMYK 6 / 90 / 0 / 9

HEX #D817E7

RGB 216 23 231

HSL 295.67, 0.82%, 0.5%

LAB 52.93, 86.88, -59.64

 

CMYK 7 / 84 / 0 / 2

HEX #E929FA

RGB 233 41 250

HSL 295.12, 0.95%, 0.57%

LAB 57.86, 89.67, -62.22

 

CMYK 2 / 77 / 0 / 0

HEX #FA3BFF

RGB 250 59 255

HSL 298.47, 1%, 0.62%

LAB 62.23, 89.42, -57.84

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

CMYK 11 / 100 / 0 / 22

HEX #B100C6

RGB 177 0 198

HSL 293.64, 1%, 0.39%

LAB 43.4, 77.96, -56.41

 

CMYK 11 / 100 / 0 / 30

HEX #A000B3

RGB 160 0 179

HSL 293.63, 1%, 0.35%

LAB 39.12, 72.33, -52.3

 

CMYK 11 / 100 / 0 / 37

HEX #8F00A0

RGB 143 0 160

HSL 293.63, 1%, 0.31%

LAB 34.76, 66.6, -48.1

 

CMYK 11 / 100 / 0 / 45

HEX #7E008D

RGB 126 0 141

HSL 293.62, 1%, 0.28%

LAB 30.3, 60.74, -43.8

 

CMYK 11 / 97 / 0 / 14

HEX #C406DB

RGB 196 6 219

HSL 293.52, 0.95%, 0.44%

LAB 48.24, 83.6, -60.55

 

CMYK 0 / 97 / 16 / 14

HEX #DB06B8

RGB 219 6 184

HSL 309.86, 0.95%, 0.44%

LAB 50.28, 82.44, -36.83

 

CMYK 0 / 97 / 42 / 14

HEX #DB067F

RGB 219 6 127

HSL 325.92, 0.95%, 0.44%

LAB 47.91, 76.34, -6.39

 

CMYK 0 / 97 / 68 / 14

HEX #DB0645

RGB 219 6 69

HSL 342.25, 0.95%, 0.44%

LAB 46.47, 72.49, 27.42

 

CMYK 0 / 97 / 95 / 14

HEX #DB060C

RGB 219 6 12

HSL 358.31, 0.95%, 0.44%

LAB 45.93, 71, 56.42

 

CMYK 11 / 97 / 0 / 14

HEX #C406DB

RGB 196 6 219

HSL 293.52, 0.95%, 0.44%

LAB 48.24, 83.6, -60.55

 

CMYK 37 / 97 / 0 / 14

HEX #8A06DB

RGB 138 6 219

HSL 277.18, 0.95%, 0.44%

LAB 38.98, 76.08, -76.03

 

CMYK 63 / 97 / 0 / 14

HEX #5106DB

RGB 81 6 219

HSL 261.13, 0.95%, 0.44%

LAB 31.79, 71.47, -88.14

 

CMYK 89 / 97 / 0 / 14

HEX #1706DB

RGB 23 6 219

HSL 244.79, 0.95%, 0.44%

LAB 27.92, 69.66, -94.7

 

CMYK 97 / 97 / 0 / 14

HEX #0606DB

RGB 6 6 219

HSL 240, 0.95%, 0.44%

LAB 27.53, 69.51, -95.37

 

CMYK 11 / 97 / 0 / 14

HEX #C406DB

RGB 196 6 219

HSL 293.52, 0.95%, 0.44%

LAB 48.24, 83.6, -60.55

 

CMYK 11 / 97 / 0 / 14

HEX #C406DB

RGB 196 6 219

HSL 293.52, 0.95%, 0.44%

LAB 48.24, 83.6, -60.55

 

CMYK 10 / 88 / 0 / 21

HEX #B518C9

RGB 181 24 201

HSL 293.22, 0.79%, 0.44%

LAB 45.21, 76.3, -55.19

 

CMYK 8 / 77 / 0 / 29

HEX #A72AB6

RGB 167 42 182

HSL 293.57, 0.63%, 0.44%

LAB 43.14, 66.35, -47.55

 

CMYK 7 / 63 / 0 / 36

HEX #993CA4

RGB 153 60 164

HSL 293.65, 0.46%, 0.44%

LAB 42.28, 53.21, -38.37

 

CMYK 5 / 47 / 0 / 43

HEX #8B4E92

RGB 139 78 146

HSL 293.82, 0.3%, 0.44%

LAB 42.78, 36.71, -26.93

 

CMYK 63 / 97 / 0 / 14

HEX #5006DB

RGB 80 6 219

HSL 260.85, 0.95%, 0.44%

LAB 31.69, 71.42, -88.31

 

CMYK 37 / 97 / 0 / 14

HEX #8906DB

RGB 137 6 219

HSL 276.9, 0.95%, 0.44%

LAB 38.83, 75.98, -76.27

 

CMYK 11 / 97 / 0 / 14

HEX #C206DB

RGB 194 6 219

HSL 292.96, 0.95%, 0.44%

LAB 47.9, 83.3, -61.12

 

CMYK 0 / 97 / 15 / 14

HEX #DB06BB

RGB 219 6 187

HSL 309.01, 0.95%, 0.44%

LAB 50.43, 82.82, -38.34

 

CMYK 0 / 97 / 41 / 14

HEX #DB0682

RGB 219 6 130

HSL 325.07, 0.95%, 0.44%

LAB 48.01, 76.61, -8.07

 

CMYK 10 / 97 / 0 / 46

HEX #7C048A

RGB 124 4 138

HSL 293.73, 0.94%, 0.28%

LAB 29.93, 59.27, -42.56

 

CMYK 11 / 97 / 0 / 30

HEX #A005B3

RGB 160 5 179

HSL 293.45, 0.95%, 0.36%

LAB 39.3, 71.78, -52

 

CMYK 11 / 97 / 0 / 14

HEX #C406DB

RGB 196 6 219

HSL 293.52, 0.95%, 0.44%

LAB 48.24, 83.6, -60.55

 

CMYK 10 / 93 / 0 / 2

HEX #E011F9

RGB 224 17 249

HSL 293.53, 0.95%, 0.52%

LAB 55.16, 91.55, -66.07

 

CMYK 8 / 77 / 0 / 2

HEX #E539FA

RGB 229 57 250

HSL 293.47, 0.95%, 0.6%

LAB 58.5, 85.28, -61.23

 

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

CMYK 0 / 89 / 97 / 14

HEX #DB1706

RGB 219 23 6

HSL 4.79, 0.95%, 0.44%

LAB 46.56, 69.08, 58.45

 

CMYK 97 / 0 / 50 / 14

HEX #06DB6D

RGB 6 219 109

HSL 149.01, 0.95%, 0.44%

LAB 77.16, -68.22, 41.55

 

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

CMYK 0 / 11 / 97 / 14

HEX #DBC206

RGB 219 194 6

HSL 52.96, 0.95%, 0.44%

LAB 78.26, -6.64, 78.85

 

CMYK 97 / 0 / 11 / 14

HEX #06DBC2

RGB 6 219 194

HSL 172.96, 0.95%, 0.44%

LAB 78.81, -49.78, -0.25

 

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

CMYK 0 / 89 / 97 / 14

HEX #DB1706

RGB 219 23 6

HSL 4.79, 0.95%, 0.44%

LAB 46.56, 69.08, 58.45

 

CMYK 86 / 0 / 97 / 14

HEX #1EDB06

RGB 30 219 6

HSL 113.24, 0.95%, 0.44%

LAB 76.65, -75.2, 73.79

 

CMYK 97 / 8 / 0 / 14

HEX #06C9DB

RGB 6 201 219

HSL 185.07, 0.95%, 0.44%

LAB 74.14, -34.49, -20.66

 

CMYK 11 / 98 / 0 / 15

HEX #C205D9

RGB 194 5 217

HSL 293.49, 0.95%, 0.44%

LAB 47.74, 83.07, -60.23

 

CMYK 0 / 60 / 97 / 14

HEX #DB5706

RGB 219 87 6

HSL 22.82, 0.95%, 0.44%

LAB 53.91, 48.86, 62.38

 

CMYK 86 / 0 / 97 / 14

HEX #1EDB06

RGB 30 219 6

HSL 113.24, 0.95%, 0.44%

LAB 76.65, -75.2, 73.79

 

CMYK 97 / 37 / 0 / 14

HEX #0689DB

RGB 6 137 219

HSL 203.1, 0.95%, 0.44%

LAB 55.12, -0.45, -50.26

 

Description

Color code: HEX #C205D9 | qconv.com Color code: HEX #C205D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 5 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 5 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 98 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 98% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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