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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1FE60 it is the complementary color #3E019F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1FE60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1FE60 shade: #C6FE5B, #D7FF6E, #E8FF81, #F9FF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1FE60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1FE60 shade: #C1FE60, #B0EC4D, #9FDA3A, #8EC827 and #7DB614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1FE60 shade: #C2FE62, #ECFE62, #FEE662, #FEBC62 and #FE9262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1FE60 shade: #C2FE62, #98FE62, #6DFE62, #62FE80 and #62FEAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1FE60 shade matches the following richer shades: #C2FE62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1FE60 shade: #C2FE62, #BFF16E, #BCE57B, #B9D888 and #B6CB95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1FE60 shade: #FEE762, #ECFE62, #C2FE62, #98FE62 and #6FFE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1FE60 shade: #A2FE10, #B2FE39, #C2FE62, #D2FE8B and #E2FFB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1FE60 shade: #C1FE60, #62FEBD and #FC62FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1FE60 shade: #C1FE60, #62C2FE and #FE62C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1FE60 shade: #C1FE60, #62FEBD, #9E62FE and #FE62A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1FE60 shade: #C1FE60, #62FEEC, #9E62FE and #FE6274

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 62 / 0

HEX #C1FE60

RGB 193 254 96

HSL 83.16, 0.99%, 0.69%

LAB 93.04, -42.18, 67.26

 

Complementary color

CMYK 61 / 99 / 0 / 38

HEX #3E019F

RGB 62 1 159

HSL 263.16, 0.99%, 0.31%

LAB 22.12, 57.12, -68.69

 

CMYK 22 / 0 / 64 / 0

HEX #C6FE5B

RGB 198 254 91

HSL 80.61, 0.99%, 0.68%

LAB 93.3, -40.72, 69.59

 

CMYK 16 / 0 / 57 / 0

HEX #D7FF6E

RGB 215 255 110

HSL 76.55, 1%, 0.72%

LAB 94.78, -33.39, 63.73

 

CMYK 9 / 0 / 49 / 0

HEX #E8FF81

RGB 232 255 129

HSL 70.95, 1%, 0.75%

LAB 96.1, -25.31, 57.14

 

CMYK 2 / 0 / 42 / 0

HEX #F9FF94

RGB 249 255 148

HSL 63.36, 1%, 0.79%

LAB 97.55, -17.02, 50.31

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 24 / 0 / 62 / 0

HEX #C1FE60

RGB 193 254 96

HSL 83.16, 0.99%, 0.69%

LAB 93.04, -42.18, 67.26

 

CMYK 25 / 0 / 67 / 7

HEX #B0EC4D

RGB 176 236 77

HSL 82.64, 0.81%, 0.61%

LAB 86.88, -41.87, 67.83

 

CMYK 27 / 0 / 73 / 15

HEX #9FDA3A

RGB 159 218 58

HSL 82.13, 0.68%, 0.54%

LAB 80.64, -41.43, 68.01

 

CMYK 29 / 0 / 81 / 22

HEX #8EC827

RGB 142 200 39

HSL 81.61, 0.67%, 0.47%

LAB 74.32, -40.84, 67.54

 

CMYK 31 / 0 / 89 / 29

HEX #7DB614

RGB 125 182 20

HSL 81.11, 0.8%, 0.4%

LAB 67.92, -40.05, 65.98

 

CMYK 24 / 0 / 61 / 0

HEX #C2FE62

RGB 194 254 98

HSL 83.08, 0.99%, 0.69%

LAB 93.12, -41.67, 66.55

 

CMYK 7 / 0 / 61 / 0

HEX #ECFE62

RGB 236 254 98

HSL 66.92, 0.99%, 0.69%

LAB 95.83, -25.73, 70.27

 

CMYK 0 / 9 / 61 / 0

HEX #FEE662

RGB 254 230 98

HSL 50.77, 0.99%, 0.69%

LAB 91.03, -6.86, 65.5

 

CMYK 0 / 26 / 61 / 0

HEX #FEBC62

RGB 254 188 98

HSL 34.62, 0.99%, 0.69%

LAB 80.69, 14.65, 53.95

 

CMYK 0 / 43 / 61 / 0

HEX #FE9262

RGB 254 146 98

HSL 18.46, 0.99%, 0.69%

LAB 71.22, 36.51, 42.8

 

CMYK 24 / 0 / 61 / 0

HEX #C2FE62

RGB 194 254 98

HSL 83.08, 0.99%, 0.69%

LAB 93.12, -41.67, 66.55

 

CMYK 40 / 0 / 61 / 0

HEX #98FE62

RGB 152 254 98

HSL 99.23, 0.99%, 0.69%

LAB 90.98, -55.9, 63.59

 

CMYK 57 / 0 / 61 / 0

HEX #6DFE62

RGB 109 254 98

HSL 115.77, 0.99%, 0.69%

LAB 89.4, -67.66, 61.39

 

CMYK 61 / 0 / 50 / 0

HEX #62FE80

RGB 98 254 128

HSL 131.54, 0.99%, 0.69%

LAB 89.41, -66.47, 47.99

 

CMYK 61 / 0 / 33 / 0

HEX #62FEAA

RGB 98 254 170

HSL 147.69, 0.99%, 0.69%

LAB 90.04, -59.62, 28.26

 

CMYK 24 / 0 / 61 / 0

HEX #C2FE62

RGB 194 254 98

HSL 83.08, 0.99%, 0.69%

LAB 93.12, -41.67, 66.55

 

CMYK 24 / 0 / 61 / 0

HEX #C2FE62

RGB 194 254 98

HSL 83.08, 0.99%, 0.69%

LAB 93.12, -41.67, 66.55

 

CMYK 21 / 0 / 54 / 5

HEX #BFF16E

RGB 191 241 110

HSL 82.9, 0.82%, 0.69%

LAB 89.45, -35.95, 57.23

 

CMYK 18 / 0 / 46 / 10

HEX #BCE57B

RGB 188 229 123

HSL 83.21, 0.67%, 0.69%

LAB 86.09, -30.22, 47.13

 

CMYK 14 / 0 / 37 / 15

HEX #B9D888

RGB 185 216 136

HSL 83.25, 0.51%, 0.69%

LAB 82.49, -23.58, 36.11

 

CMYK 10 / 0 / 27 / 20

HEX #B6CB95

RGB 182 203 149

HSL 83.33, 0.34%, 0.69%

LAB 78.94, -16.46, 24.65

 

CMYK 0 / 9 / 61 / 0

HEX #FEE762

RGB 254 231 98

HSL 51.15, 0.99%, 0.69%

LAB 91.28, -7.36, 65.78

 

CMYK 7 / 0 / 61 / 0

HEX #ECFE62

RGB 236 254 98

HSL 66.92, 0.99%, 0.69%

LAB 95.83, -25.73, 70.27

 

CMYK 24 / 0 / 61 / 0

HEX #C2FE62

RGB 194 254 98

HSL 83.08, 0.99%, 0.69%

LAB 93.12, -41.67, 66.55

 

CMYK 40 / 0 / 61 / 0

HEX #98FE62

RGB 152 254 98

HSL 99.23, 0.99%, 0.69%

LAB 90.98, -55.9, 63.59

 

CMYK 56 / 0 / 61 / 0

HEX #6FFE62

RGB 111 254 98

HSL 115, 0.99%, 0.69%

LAB 89.46, -67.19, 61.47

 

CMYK 36 / 0 / 94 / 0

HEX #A2FE10

RGB 162 254 16

HSL 83.19, 0.99%, 0.53%

LAB 91.05, -56.64, 86.08

 

CMYK 30 / 0 / 78 / 0

HEX #B2FE39

RGB 178 254 57

HSL 83.15, 0.99%, 0.61%

LAB 91.97, -49.91, 79.4

 

CMYK 24 / 0 / 61 / 0

HEX #C2FE62

RGB 194 254 98

HSL 83.08, 0.99%, 0.69%

LAB 93.12, -41.67, 66.55

 

CMYK 17 / 0 / 45 / 0

HEX #D2FE8B

RGB 210 254 139

HSL 82.96, 0.98%, 0.77%

LAB 94.5, -32.03, 50.21

 

CMYK 11 / 0 / 29 / 0

HEX #E2FFB4

RGB 226 255 180

HSL 83.2, 1%, 0.85%

LAB 96.4, -21.72, 32.83

 

CMYK 24 / 0 / 62 / 0

HEX #C1FE60

RGB 193 254 96

HSL 83.16, 0.99%, 0.69%

LAB 93.04, -42.18, 67.26

 

CMYK 61 / 0 / 26 / 0

HEX #62FEBD

RGB 98 254 189

HSL 155, 0.99%, 0.69%

LAB 90.39, -55.87, 19.09

 

CMYK 1 / 61 / 0 / 0

HEX #FC62FE

RGB 252 98 254

HSL 299.23, 0.99%, 0.69%

LAB 66.97, 76.96, -49.75

 

CMYK 24 / 0 / 62 / 0

HEX #C1FE60

RGB 193 254 96

HSL 83.16, 0.99%, 0.69%

LAB 93.04, -42.18, 67.26

 

CMYK 61 / 24 / 0 / 0

HEX #62C2FE

RGB 98 194 254

HSL 203.08, 0.99%, 0.69%

LAB 75.04, -10.9, -38.01

 

CMYK 0 / 61 / 24 / 0

HEX #FE62C2

RGB 254 98 194

HSL 323.08, 0.99%, 0.69%

LAB 64.72, 68.65, -19.76

 

CMYK 24 / 0 / 62 / 0

HEX #C1FE60

RGB 193 254 96

HSL 83.16, 0.99%, 0.69%

LAB 93.04, -42.18, 67.26

 

CMYK 61 / 0 / 26 / 0

HEX #62FEBD

RGB 98 254 189

HSL 155, 0.99%, 0.69%

LAB 90.39, -55.87, 19.09

 

CMYK 38 / 61 / 0 / 0

HEX #9E62FE

RGB 158 98 254

HSL 263.08, 0.99%, 0.69%

LAB 55.24, 55.9, -69.17

 

CMYK 0 / 61 / 36 / 0

HEX #FE62A3

RGB 254 98 163

HSL 335, 0.99%, 0.69%

LAB 63.71, 64.96, -3.6

 

CMYK 24 / 0 / 62 / 0

HEX #C1FE60

RGB 193 254 96

HSL 83.16, 0.99%, 0.69%

LAB 93.04, -42.18, 67.26

 

CMYK 61 / 0 / 7 / 0

HEX #62FEEC

RGB 98 254 236

HSL 173.08, 0.99%, 0.69%

LAB 91.48, -45.05, -3.62

 

CMYK 38 / 61 / 0 / 0

HEX #9E62FE

RGB 158 98 254

HSL 263.08, 0.99%, 0.69%

LAB 55.24, 55.9, -69.17

 

CMYK 0 / 61 / 54 / 0

HEX #FE6274

RGB 254 98 116

HSL 353.08, 0.99%, 0.69%

LAB 62.56, 60.62, 21.83

 

Description

Color code: HEX #C1FE60 | qconv.com Color code: HEX #C1FE60 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 254 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 254 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 62% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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